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Tue 21 May

1969/2003, AREA EUROPEA - Large accumulation of issues from the period of countries of Europe collected in 110 albums, makes including United Europe, UN Geneva, San Marino, SMOM, Malta, Monaco, Norway, England, Channel Islands, Ireland, Man, Gibraltar, Holland, Portugal, Spain, Andora, Austria, Azores, France, Belgium, Germany, Greece, Iceland, Liechtenstein, Cyprus, Denmark, Faeroer, Finland, Spain, Sweden, Switzerland, Albania, Bulgaria, Yugoslavia, Czechoslovakia, Czech Republic, Poland, Russia, former USSR states, Uzbekistan, Croatia, Macedonia, Slovenia, Bosnia, Estonia, Lithuania, Latvia MNH

Estim. 2 000 - 3 000 EUR

Thu 16 May

Gonphotherium angustidens - Gonphotherium angustidens Tusk, ca. 12-14 million years old, Gracanica, Bosnia Fossil 88x14x9 cm Provenance: market (Italy) Conservation status. Surface area: 65%. Conservation status. Support: 85% (gaps, fractures, restoration especially in the graft and lower part; consolidation) Gomphotherium, like most early elephantmorphs, had an elongated lower jaw that mounted tusks. It probably originated in Africa during the late Oligocene-early Miocene. In fact, the oldest remains of gomphotherium have been found in Africa, dating from about 19.5 million years ago. About 19 million years ago, gomphotherium migrated to Eurasia through the so-called "gomphotherium land bridge," and after its arrival it underwent rapid evolution, reaching peak diversity during the middle to lower Miocene. It has been hypothesized that gomphotherium is the ancestor of the later gomphothere genera, including "tetralophodont gomphotheres" such as Tetralophodon that are probably ancestral to stegodontids and elephantids. The last species of Gomphotherium disappeared from North America in the early Pliocene, about 5 million years ago. The fossil tusk on auction belongs to the species angustidens, classified by Cuvier in 1817, which was widespread in Europe in the mid-Miocene. It was in fact excavated at Gračanica in the Bugojno Basin, Bosnia.

Estim. 3 000 - 5 000 EUR

Thu 16 May

Rana (Latonia gigantea) - Frog (Latonia gigantea) Skeleton, approximately 3.7-15.7 million years ago, Bosnia Fossil 32x28x2.5 cm Provenance: market (Italy) Conservation status. Surface: 70% (brittle and friable matrix). Conservation status. Support: 80% (small restorations, consolidation) Latonia gigantea is an extinct species of frog of the genus Latonia, which lived in the Upper Miocene-Lower Pliocene, 15.97 to 3.6 million years ago (Langhiano-Zanclean), in Germany, Hungary, Romania, Greece, Spain, Italy and the Balkans. Although not much is known about the feeding habits of this animal, the only living species of the genus latonia, namely nigriventer, exhibits traits that are primitive and ancestral to the genus latonia and therefore can be used as a comparison to establish the feeding and behavior of extinct species. Latonia nigriventer exhibits a robust cranial structure, as do the forelimbs. This leads to the conclusion that nigriventer is a frog with a durophagous diet, that is, a diet based on shell-bearing organisms, particularly gastropods and terrestrial isopods. The diet of latonia gigantea would thus be less versatile than that of other large frogs: rather than feeding on small vertebrates, it is more credible that this amphibian fed mainly on snails. This would go a long way toward explaining its disappearance in Europe, as during the glacial periods of the Pleistocene, there was a drastic decrease in its prey. The fossil dates to the Neogene, Miocene stage, and was excavated in the Gračanica coal mine in the Bugojno Basin in Bosnia.

Estim. 2 500 - 3 500 EUR

Sat 25 May

Hugues KRAFFT (1853-1935) - Egypt Trip from March 13 to 27, 1887: Sphinx and pyramids, island of Philae, interior of the Pronaos of the great temple, ruins of Luxor temple, photographer leaning against a column, Edfu temple, Karnak columns, Khons temple... Suite of 8 albumen prints mounted on canvas, handwritten captions and typescript (3) on back Approx. 23 x 17 cm Hugues Krafft was born in Paris into a wealthy bourgeois family of German origin. On his father's death, he became heir to an immense fortune that allowed him to pursue his passions for art and travel. He was a globe-trotter, and throughout his life indulged his passion for travel and photography (he was a member of the Société française de photographie from 1884 to 1890, and traveled with his gelatino-silver bromide glass-plate camera). From 1881 onwards, he visited Greece, Italy, Bavaria, the Maghreb (Algeria, Tunisia), Egypt, Palestine, Spain, Scotland, Austria, Bosnia, Montenegro and Sweden. He has visited all these destinations several times. He was one of the travelers who explored Russian-ruled Central Asia.

Estim. 200 - 300 EUR

Tue 28 May

HEINRICH SCHRÖDER (Krefeld 1881 - 1943 Innsbruck) - HEINRICH SCHRÖDER (Krefeld 1881 - 1943 Innsbruck) Trees woodcut/paper, 14 x 21 cm ESTIMATE °€ 200 - 300 STARTING PRICE °€ 200 Schröder studied in Berlin, Weimar and Paris from 1899 to 1903 and lived in Vienna from 1905. During this time he was in close contact with the Koller family, where he spent several years as their guest in Oberwaltersdorf. His collaboration with the painter Broncia Koller-Pinell was closest between 1907 and 1911, when he shared a studio with her on the Naschmarkt. In 1907 he was included in the art show, which Klimt directed. In 1911, a joint exhibition with Broncia Koller followed in the Miethke Gallery. Between 1909 and 1914 he traveled to France, Bosnia and Africa. In 1914 he moved to Munich. He spent the last years until his death in Tyrol. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 200 - 300 EUR

Tue 28 May

HEINRICH SCHRÖDER (Krefeld 1881 - 1943 Innsbruck) - HEINRICH SCHRÖDER (Krefeld 1881 - 1943 Innsbruck) Farmers house woodcut/paper, 21 x 20 cm monogrammed HS ESTIMATE °€ 100 - 200 STARTING PRICE °€ 100 Schröder studied in Berlin, Weimar and Paris from 1899 to 1903 and lived in Vienna from 1905. During this time he was in close contact with the Koller family, where he spent several years as their guest in Oberwaltersdorf. His collaboration with the painter Broncia Koller-Pinell was closest between 1907 and 1911, when he shared a studio with her on the Naschmarkt. In 1907 he was included in the art show, which Klimt directed. In 1911, a joint exhibition with Broncia Koller followed in the Miethke Gallery. Between 1909 and 1914 he traveled to France, Bosnia and Africa. In 1914 he moved to Munich. He spent the last years until his death in Tyrol. PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 100 - 200 EUR

Tue 28 May

LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Wien) - LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Horses at the Spanish horse riding school pencil/paper, 40 x 44,8 cm ESTIMATE °€ 250 - 500 STARTING PRICE °€ 250 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 250 - 500 EUR

Tue 28 May

LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Wien) - LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) From the riding school lithography/paper, 29,6 x 36,7 cm signed in the print L. H. Jungnickel; depicted in the catalogue Chrastek, Widder 2019, p. 105, No. 277 ESTIMATE °€ 60 - 100 STARTING PRICE °€ 60 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 60 - 100 EUR

Tue 28 May

LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Wien) - LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Bundle of three works with deer Deer pencil/paper, 16,1 x 12,4 cm Fleeing deer lithography/paper, 14,6 x 14,1 cm Does woodcut/paper, 30 x 37,2 cm ESTIMATE °€ 300 - 600 STARTING PRICE °€ 300 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 300 - 600 EUR

Tue 28 May

LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Wien) - LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Boxer charcoal and pencil/paper, 24 x 31,5 cm signature stamp L. H. Jungnickel; verso estate stamp Jungnickel; depicted in the catalogue Hagenbund, Widder 2019, p. 38, No. 84 ESTIMATE °€ 250 - 500 STARTING PRICE °€ 250 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 250 - 500 EUR

Tue 28 May

LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Wien) - LUDWIG HEINRICH JUNGNICKEL* (Wunsiedel 1881 - 1965 Vienna) Portrait in Opatija, 1944 graphite pen and red chalk/paper, 31 x 21,3 cm signed L.H.Jungnickel, dated 10.VII.44 Opatija verso estate stamp Prof. L. H. Jungnickel 1965 ESTIMATE °€ 200 - 400 STARTING PRICE °€ 200 Jungnickel was the son of a carpenter. In 1885, the family moved to Munich, where he attended the School of Applied Arts. The archaeologist Orazio Maruchi made it possible for him to make copies in the Vatican collections. Their quality was so good that it was suggested that he train as a church painter. For this purpose, Ludwig Heinrich Jungnickel became a pupil at the Tanzenberg monastery near Klagenfurt. In 1899, he moved to Vienna and enrolled at the Vienna Academy in the general painting school under Christian Griepenkerl. Around 1900, he worked for the Cologne chocolate manufacturer Ludwig Stollwerck with designs for Stollwerck collector pictures. After returning from a trip to Hungary, in 1902, he enrolled with Alfred Roller at the arts and crafts school of the k. k. Museum of Art and Industry. In 1905 Jungnickel went to Munich to study at the Academy of Fine Arts with Professor Marr and returned in 1906 to the Vienna Academy of Fine Arts (William Unger). His breakthrough came with the publication of stencil spraying images he invented after the art magazine The Studio. In 1906, he exhibited at the Vienna Secession, but never became a member. Employee of the Wiener Werkstätte. Probably his most important work for the WW were designs for an animal frieze for a children's room in the Palais Stoclet, Brussels. Jungnickel exhibited his first color woodcuts at the Kunstschau Wien in 1908, which was followed in 1909 by a series of color woodcuts of animals from Schönbrunn Zoo. At the International Art Exhibition in Rome in 1911, he received the graphic artist prize and in Amsterdam the gold medal. He was awarded the State Medal of the International Exhibition for the Book Trade and Graphics Bugra n Leipzig, 1914, and in 1915, he won the silver and bronze medals of the International Exhibition in San Francisco. In 1911, Jungnickel became a professor in the specialist class for graphic arts in Frankfurt. In the same year, he presented colour woodcuts with views of Frankfurt. In 1912, he returned to Vienna and worked on wallpaper designs, bookplates and animal woodcuts. Study trips led Jungnickel to Bosnia and Herzegovina in 1912 and to Hungary in 1914. During the World War, Jungnickel increasingly switched from graphic work to drawings with charcoal, chalk and pencil. At the end of 1915 he served in the German army for six months. In 1917, he made a folder with six colour woodcuts of animals from the fable, which were later expanded to include 24 colour lithographs to illustrate Aesop's animal fables from antiquity and were published in 1919 by Verlag Schroll in bound form. In 1918, Jungnickel received Austrian citizenship. The Italian sketchbook with 40 lithographs was published in 1921 and 1922 by Haybach-Verlag Vienna, L. H. Jungnickel - Studies from the Spanish Riding School. In the 1920s, he undertook numerous journeys that took him to Germany, Holland, Italy and Yugoslavia. In Italy and Yugoslavia, mainly pictures of coastal landscapes emerged. Apparently Jungnickel was also a student at the Bauhaus in Weimar; the annual folder published in 1919 by the Society for Reproducing Art in Vienna "Students of the Bauhaus" contains his lithograph “Reitschule” (Riding School). From 1924, Jungnickel was a member of the Wiener Künstlerhaus, where he took part in exhibitions. In 1930, he received the Austrian State Prize for Fine Arts and the Golden Medal of Honor from the Vienna Artists' Cooperative, in 1937 the Grand Austrian State Prize for Fine Arts; participation in the Great German Art Exhibition 1937 in Munich with the drawing of a Dalmatian donkey. Since the president of the Vienna Künstlerhaus did not pass on his Aryan certificate to the authorities and he was probably denounced for having contacts with Jews, Jungnickel emigrated to Opatija. Meanwhile his apartment was searched by the Gestapo and in 1945 his studio was destroyed in an air raid. Jungnickel was sentenced in absentia for "anti-state activities". PLEASE NOTE: The purchase price consists of the highest bid plus the buyer's premium, sales tax and, if applicable, the fee of artists resale rights. In the case of normal taxation (marked °), a premium of 24% is added to the highest bid. The mandatory sales tax of 13%, for photographs 20%, is added to the sum of the highest bid and the buyer's premium. The buyer's premium amounts to 28% in case of differential taxation. The sales tax is included in the differential taxation.

Estim. 200 - 400 EUR