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A walnut armoire - Louis-Philippe period SALE BY DESIGNATION LOCATED IN MAUCHAMPS (91)

Sat 11 May

Molded walnut armoire, Lyon work of the 18th century H.264 W.113 D.46 cm

A veneer and mahogany armoire bookcase - English style SALE ON DESIGNATION LOCATED IN PARIS (75)

A natural wood and veneer armoire bookcase Louis-Philippe style SALE ON DESIGNATION LOCATED IN PARIS (75)

Louis XV walnut armoire, opening with two full molded doors, doucine cornice and curved legs. As is 200 x 127 x 61 cm.

A molded walnut bedside cabinet and armoire 19th century A carved lacquered wood dressing table SALE BY DESIGNATION LOCATED IN MAUCHAMPS (91)

Fri 17 May

Dans le gout D' ARBUS- Armoire two portes en bois naturel décor de X - H: 196 cm; W: 142 cm; D: 60 cm Mid-twentieth century

Mon 13 May

Louis XV style ARMOIRE in molded and carved natural wood, opening on the front with two doors. 19th century. 200 x 145 x 65 cm. Wear and restoration

Mon 06 May

Armoire opening with two doors in natural wood, molded and carved with foliage. 19th century. Height: 202cm W : 130cm Please ask for the condition reports before the sale: they are not included in the files.

Mon 13 May

Charles X style ARMOIRE A GLACE in natural wood and veneer opening on the front with a glass door and a drawer. 19th century. 230 x 120 x 55 cm. Wear and accidents (some detached elements present).

Sat 25 May

OAK ARMOIRE, opening to two molded false doors, richly carved with lattice work, flowers, shells and volutes. 231 x 151 x 62 cm. Early 18th century.

Mon 13 May

Louis XV style ARMOIRE in molded and carved walnut opening on the front with two doors. Panelled sides. The interior features three shelves. 19th century. 171 x 143 x 45 cm. Wear and restoration

Thu 16 May

Dutch walnut and walnut veneer armoire opening with two doors, each comprising two octagonal protruding panels revealing two drawers, gilded eagle ornaments. (missing veneer, restoration). H: 208 ; W: 154 ; D: 60 cm

Mon 13 May

LITTLE Louis XV-style ARMOIRE in rosewood, amaranth and burr walnut marquetry, the crossbow front opening with two doors revealing three shelves. Carrara marble top. Chased bronze trim. Antique elements. 146 x 87 x 36 cm. Worn and missing veneer

Mon 06 May

[BANDE-DESSINEE]: 5 albums including : - 2 PIFOU: Glop ! Glop ! Gloper. MAS. Edition Pif/La Farandole, 1986. One bearing a dedication from the author. - PIF: L'armoire diabolique. CORTEGGIANI and CLOD. Pif/La Farandole, 1986. - DICENTIM: Le clef d'Inator. KAMB. Pif/La Farandole, 1986 - NIGHTMARISH. FRANQUIN. Edition Bederama, 1981. Wear and tear.

Mon 06 May

SOLD ON DESIGNATION- 2 DIAMOND negative stainless steel refrigerated cupboards -1 refrigerated drinks display case-1 refrigerated pastry display case-1 2-drawer positive stainless steel refrigerated cabinet-1 stainless steel table-1 set of wooden shelves (without contents) - LOCATED IN THE DEPARTEMENT OF 78 (SAINT GERMAIN EN LAYE)- REMOVAL AT THE ACQUIRER'S CHARGE AND OBLIGATORY ON 07/05/2024 from 9:00 am to 11:00 am BEFORE ANY MATERIAL REMAINING ON THE SPOT WILL BE DECLARED ABANDONED AND FULL PAYMENT REMAINING DUE TO - Judicial sales fees 14.28% VAT included

Sat 25 May

ARMOIRE in mahogany and blond mahogany opening to two doors with false dormers, molded and carved with acanthus leaves, flowers and rocaille, large iron hinges, lock and double cremone bolt, cornice with wide basket-handle molding, standing on plinth and cambered front legs with leafy shells on the feet. Bordeaux work, Louis XV period. 274 x 190 x 66 cm. Misses and accidents.

Thu 16 May

CHINA Large round dish decorated with cupboards from the town of UYTRECHT, in the center of an entablature embellished with a Chinese man and a Chinese woman standing on either side. On the fall, blue squares and six fish reserves. On the wing, blue squares embellished with three animated reserves and three reserves with prunus flowers. 19th century Diameter: 44 cm Cracks (one to the wing) and bumps to the bottom.

Sun 19 May

VIENNA (late 18th-early 19th century) Set of four silver plates adorned with contoured twisted gadroons. Each plate engraved with a coat of arms surmounted by two lions and crowned with a count's crown. The coat of arms bears the motto: "Vincit Omnia Veritas". Three of the plates bear the Austrian hallmark for Vienna 1830? and are signed: "ST MAYERHOFER", probably for STEPHAN MAYERHOFER (1772-1852), goldsmith to the Viennese court (1830/1840). The fourth plate is dated 1750? and bears the hallmark of the master silversmith: "TGF". The set has been weevil tested. Diameter: 24.5 cm. Scratches from use. Weight: 1706 grams.

Wed 29 May

Monumental cabinet in molded, carved, painted and silvered painted wood, with a curved front and sides, opening to two leaves and two drawers, decorated with cartouches, rocaille, garlands of flowers and palms. Probably surrounded by Johann Christian Hoppenhaupt (1719-1785). Germany, probably Posdam, circa 1750-1760. H. 248 cm - W. 210 cm - D. 70 cm PFD Provenance : Former Fischer-Boehler Gallery, Munich, private collection, Germany, sale Zurich, Koller, June 18, 2009, lot 1070. The Parisian rocaille style spread to Germany during the 18th century thanks to the engravings of François de Cuvilliés (1695-1768). Cuvilliés intensified the style's distinctive features, moving it towards a more unbridled style, accentuating asymmetrical curves and developing more jagged models by cutting out more of the motifs' contours. His numerous engravings flooded the market in the mid-18th century, so that a large number of German sculptors adopted a very characteristic type of decoration, found notably in Johann August Nahl (1710-1781) and his pupils, the brothers Johann Michael (1709-1755) and Johann Christian Hoppenhaupt (1719-1785). This style spread throughout Germany in the second third of the 18th century. It flourished in the south, around Munich, notably in the Amalienburg Pavilion at Schloss Nymphenburg. Decorated by Cuvilés and the painter and sculptor Johann Baptist Zimmermann (1680-1758), the round hall of mirrors is entirely decorated with a profusion of silver Rococo motifs on a blue background. The same spirit can also be found in Prussia, particularly in Potsdam's New Palace at Sanssouci, many of whose rooms are decorated in silver on a white background. The Haupenhaupt brothers were the main sculptors of both woodwork and furniture. Johan Christian created a number of furniture models, which he had engraved and published in a style entirely comparable to the armoire shown here. In this respect, he is a plausible attribution for this cabinet. Many similar pieces of furniture are still preserved at the Nouveau Palaus (see G. Streidt and P. Feierabend, Prussia, art and architecture, Oldenburg, 1999), others are published in P. Meister and H. Jedding, Les beaux meubles au fil des siècles, Heidelberg, 1958.

Sun 26 May

China, Qianlong period (1735-1796) Pair of small Shui-hu-Zhuan cabinets in polychrome lacquer in relief on a gold background, opening with two leaves and revealing a large drawer at the top and two flights of three small drawers with handles decorated with gold foliage on a burgundy background. They stand on red lacquer feet with carved dragon heads. Shell hinges and engraved metal corners. The exterior decoration is inspired by the Shui-hu-Zhuan novel ("At the water's edge"). The front and top depict bands of outlaws hunting hares and foxes with bow and arrow. The sides are adorned with bouquets of flowers and a branching bird. Height 37 Width 38.5 Depth 28 cm. (small accidents and missing parts) Provenance: Monegasque collection. China, Qianlong Period. A pair of lacquered cabinets depicting scenes from the Shui-hu-Zhuan novel. LAQUER DES HORS LA LOI, by Aymeric Rouillac This pair of cabinets belongs to a rare group of European, mainly French, furniture featuring highly colored lacquer panels on a gold background, depicting in light relief bands of outlaws hunting. The decor is inspired by the Chinese novel Shui-hu-Zhan ("At the Water's Edge"), one of the four great classical texts of the Ming dynasty. It recounts the exploits of one hundred and eight brigands, revolting against the corruption of the government and high officials of the emperor's court. Hordes of brigands clash in duels, between scenes of looting, hunting or fishing. Unlike the beautiful commode by Delorme in the Duc de Choiseul's collection at the Château de Chanteloup (Musée de Tours), this pair of Qianlong-period cabinets has not been stripped of its panels for re-use by French cabinetmakers. Four other commodes with such decoration are also known: one in the Château de Talcy (Loir-et-Cher), one by Mathieu Criaerd in the Musée du Louvre (Paris, OA 10456) and the other two in private collections (Sotheby's sale, Paris, June 23, 2004, no. 57 and Sotheby's sale Monaco, June 14, 1997, no. 84). A secrétaire à abattant (Paris sale, June 25, 1937, no. 97) and a pair of bas d'armoire by B.V.R.B. (Sotheby's sale, Paris, November 30, 2011, no. 57) are also known. The use of these high-quality panels was therefore reserved for cabinetmakers with the most prestigious clientele, whose production was coordinated and financed by Parisian or Versailles-based mercier merchants. However, together with the screen preserved in the Chinese museum of Empress Eugenie at the Château de Fontainebleau, this pair of cabinets is, to our knowledge, a rare find, the only Chinese furniture of this quality that was not transformed on its arrival in France in the 18th century.