All lots "Islamic art" Advanced search

391 results

Tue 11 Jun

French school; early 20th century. "Louis XIV receives the Persian ambassador". Oil on canvas. It presents faults and restorations. Measurements: 140 x 235 cm. The Persian embassy to Louis XIV caused a dramatic upheaval in the court of Louis XIV in 1715, the year of the death of the Sun King. Mohammed Reza Beg, or in French sources Méhémet Riza Beg, was a high-ranking official of the Persian governor of the province of Iravan (Erivan). He had been chosen by the Safavid Persian emperor, Sultan Husayn, for the mission and travelled with a large entourage, befitting a diplomat of a powerful empire. The scene of the Persian ambassador's entry into Paris on 7 February 1715 was described by François Pidou de Saint-Olon (1646-1720). Ten Persians or Armenians on horseback carrying long ornate rifles. Two Armenians in charge of the Persian king's gifts. Two pages of the ambassador, his master of ceremonies, his secretary and interpreter, etc. During several months spent in Versailles, Mohammed Reza Beg conducted negotiations aimed at establishing trade treaties between Persia and France, as well as specific agreements concerning the installation of consulates. He consulted with the French on possible joint military operations against the Ottoman Empire. But the negotiations were hampered by the poor health of Louis XIV. Nevertheless, Mohammed Reza Beg returned to Persia in the autumn of 1715 with treaties of trade and friendship between France and Persia. During his time in Paris, however, feverish speculation abounded about this exotic character, his unpaid bills, his luxurious but exotic lifestyle, the possibilities of love affairs, all focused on an affair of the beautiful but repeatedly abducted Georgian. Amanzolide, by M. d'Hostelfort, Amanzolide. The subject was popularised in the way it was depicted in literature and painting as can be seen in the study by Antoine Coypel, c. 1715. The historical theme of the painting, which is set in a glorious past related to the history of the painter's country, Spain, can be related to the pictorial Historicism of the 19th century, the main trend at the time, linked to the Academies of Fine Arts. The term "historicism" (Historismus) was coined by the German philosopher Karl Wilhelm Friedrich Schlegel. Over time, what historicism is and how it is practised has taken on different and divergent meanings. Elements of historicism appear in the writings of the French essayist Michel de Montaigne (1533-1592) and the Italian philosopher GB Vico (1668-1744), and were more fully developed with the dialectics of Georg Wilhelm Friedrich Hegel (1770-1831), influential in nineteenth-century Europe.

Estim. 2 200 - 2 500 EUR

Fri 14 Jun

Divân by Âsafî Heravî Eastern Iran, Khorassan, probably Herat, Timurid or Safavid period, early 16th century Initial illuminated double page from a manuscript on paper, each laminated on a cardboard backing. Polychrome gouache, gold and black ink. Wide margin adorned with gilded arabesques and large frame decorated with floral motifs framing six text cartouches of a poem on love with an invocation to God, praying him to give satisfaction to a loving heart, in nasta'liq script arranged in staggered rows. Old no. 101 glued to the spine on the cardboard backing to which the two pages are attached. (Wear, double page separated, slight discoloration, margins slightly cut, pages laminated to cardboard backing. 27.4 x 17.2 cm and 27.7 x 16.8 cm Provenance: Former collection Mihran Sevadjian (1884- 1964 ?); Sale Maîtres G. Muel et E. Ader, Persian Art. Collection Sevadjian. 2nd sale, Hôtel Drouot, Paris, November 23, 1960, lot 101. Rare and beautiful double page of a poem by Âsafî Heravî. Âsafî Heravî, Âsaf b. Na'îm-al-dîn Ne'matallâh b. 'Alâ-al-dîn 'Ali Qohestânî, was a poet of the Timurid period, who died in 923H./1517. His father was the vizier of the Timurid sultan Abû Sa'îd (r. 1451-69) and his pen name Âsafî comes from the name Âsaf, a conventional title for a vizier. In Herat, he was a pupil of the great poet 'Abdal- Rahmân Jâmî (Jami) during the reign of the Shaybanid dynasty. He also lived part of his life in Shiraz and sometimes wore the Shîrazî nisba. His works include a mathnawî and over 400 gazals (lyric poems) totalling over 2,000 verses, collected in a Dîvân (Collected Poems) (Encyclopaedia Iranica, Âsafî Heravî, https: //iranicaonline.org/articles/asafi-heravi-asaf-b). This sumptuously illuminated double-page spread of a continuous poem corresponds to the very beginning of the first gazal of Âsafî Heravî's Dîvân, as the end of each distich ends with the letter alif. This Dîvân was probably copied just after the poet's death. ISLAMIC ARTS Rare set of 16th-century Safavid paintings and illuminations from the former Sevadjian collection (Lots 17 to 22) Mihran Sevadjian (1884-1964 ?) was an Armenian dealer in oriental art and archaeology, originally from Egypt and based in Paris near Drouot, successively at 19 rue Buffault, 37 rue de Châteaudun and 17 rue Le Peletier. He lent numerous works to the 1903 and 1907 Paris exhibitions of Muslim art, as well as to the 1910 Munich exhibition, and sold to museums, notably the Louvre. Part of his collection was sold at Drouot, Paris, on June 1, 1927 and April 13-14, 1932. His entire collection was subsequently sold at Drouot on November 23, 1960, April 18-20, 1961 and October 31, 1961, when Sevadjian was elderly and in financial difficulties. At the sale of November 23, 1960, which included the five lots shown below, the Musée du Louvre acquired nine miniatures (lots 2, 29, 33, 36, 150, 151, 52 and 154), now inventoried as MAO 367 to MAO 375. Several of these pages almost certainly came from the same albums (muraqqa') as those presented here. We would like to thank Francis Richard, Honorary Curator of the Bibliothèque Bibliothèque Nationale de Paris for his help in compiling these notes, and Armen Tokatlian, art historian, for his information on Sevadjian.

Estim. 1 500 - 2 000 EUR

Fri 14 Jun

Princess reading Eastern Iran, Khorassan (Herat), Safavid period, circa 1575 Large album page. Polychrome and gold gouache on paper mounted on a cardboard page depicting a young woman wearing a crown on her head and holding a book in her hand, kneeling on a dark blue carpet, against a plain sky-blue background. Gold-flecked frame. Gilded margins featuring five lions among shrubs on a blue-green background. Framed under glass. Label on reverse with catalog description: "Collection Sevadjian. Achat Hôtel Drouot 23 novembre 1960. Mtre Ader. Exp[ert] Densmore. [Prince reading. He is dressed in a green robe and a red jacket edged in gold. Sefevid school. 16th century" and the hammer price: 1650 Frs. (Wear, paint chips, missing sky, especially on the carpet, page laminated on a cardboard backing). 35.8 x 23.3 cm; drawing: 18.6 x 11.7 cm Provenance: Former Mihran Sevadjian collection (1884-1964 ?); Sale Maîtres G. Muel et E. Ader, Persian Art. Collection Sevadjian. 2nd sale, Hôtel Drouot, Paris, November 23, 1960, lot 7. This miniature comes from a muraqqa' (album with paintings, usually arranged accordion-style). The theme of the young woman reading was often illustrated at the beginning of a muraqqa', opposite a young prince. This drawing resembles one of a princess, formerly in the Louis Cartier collection collection, now in the Fogg Art Museum, Harvard Museum, Cambridge (no. inv. 1958.60) attributed to Mirza 'Ali, circa 1540. Another princess is in the Art and History Trust Collection (Abolala Soudavar, 1992, cat. 92, p. 237), attributed to Mohammadi. These two princesses wear the same Safavid crown and stand kneeling, left knee raised, holding a sprig of flowers in their hands. This page may come from the same album as the page currently in the Louvre (inv. no. MAO 369) depicting the lion devouring the ox. Shanzaba (Makariou (ed.), Les Arts de l'Islam au musée du Louvre, 2012, cat. 269, p. 446). Indeed, this last album page measures approximately the same size (34.5 x 22.7 cm) and comes from the same Sevadjian sale of November 23, 1960, lot 33.

Estim. 4 000 - 6 000 EUR

Fri 14 Jun

Princess held by a kneeling young man Eastern Iran, Khorassan (Herat) in the Mohammadi style, Safavid period, circa 1575. Album page. Polychrome and gold gouache on paper mounted on a cardboard page depicting a young man holding a cup in his hand and restraining a princess who wants to leave, on a plain blue background. Framed in gold powder. Margins adorned with large golden flowers and palms on a blue-green background. Framed under glass. Label on reverse with catalog description: "Collection Sevadjian. Achat Hôtel Drouot 23 novembre 1960. Mtre Ader. Exp[ert] Densmore. Portrait of a young Sefevid prince, to whom a youth presents a cup. School of Sultan Muhammad. 16th century" and hammer price 1,100 Frs. Condition: wear, small tears, oval stamp faded lower left, page laminated on cardboard backing. Page: 31.8 x 19.8 cm - Drawing: 18.7 x 12 cm Provenance: Former Former collection Mihran Sevadjian (1884-1964 ?); Sale Maîtres G. Muel et E. Ader, Persian Art. Collection Sevadjian. 2nd sale, Hôtel Drouot, Paris, November 23, 1960, lot 5. The subject of this painting is that of a well-known poem by Shâhî, dating from the end of the 15th century, depicting a young man holding a young woman by the side of his cloak, and this theme is very frequent, particularly in Bukhara painting. Mohammadi, active in Herat around 1560-91, was certainly the most talented painter of the second half of the 16th century. This album page probably comes from the same muraqqa' as that of the figure with the flowery turban and that of the two young men exchanging a pear, as well as the three pages in the Musée du Louvre, Paris (MAO 367, MAO 368 and MAO 370).

Estim. 3 000 - 5 000 EUR

Fri 14 Jun

Two young apples exchange a pear Eastern Iran, Khorassan (Herat), Safavid period, circa 1575 Album page. Polychrome and gold gouache on paper mounted on a cardboard page depicting two young boys, one wearing a long yellow coat and the other a red tunic, each wearing a turban, on a plain beige background. Double frame, one of blue cartouches with gilded arabesques alternating with gilded rosettes on a red background, and the other powdered with gold. Margin of undulating "tchi" clouds and large flowers on a blue-green background. Framed. Label on reverse with catalog description: "Collection Sevadjian. Achat Hôtel Drouot 23 novembre 1960. Mtre Ader. Exp[ert] Densmore. [Portrait] A young man with a gilded coat over a blue robe offers a pear to his friend. 16th century Sefevid school" and the hammer price 1,400 Frs. (Wear, small paint chips, page laminated on a cardboard backing). Page: 32.2 x 20 cm - Drawing: 16.7 x 8.8 cm Provenance: Former collection Mihran Sevadjian (1884-1964 ?); Sale Maîtres G. Muel et E. Ader, Persian Art. Collection Sevadjian. 2nd sale, Hôtel Drouot, Paris, November 23, 1960, lot 4. The two turbans worn by the young men are slightly different, the one on the left being Safavid and the one on the right Uzbek. This album page probably comes from the same muraqqa' as that of the figure with the flowery turban and that of the princess held by a kneeling young man, as well as that of three pages in the Musée du Louvre, Paris (MAO 367, MAO 368 and MAO 370).

Estim. 3 000 - 5 000 EUR

Fri 14 Jun

Figure with flowery turban holding a flower Eastern Iran, Safavid period, circa 1575 Album page. Polychrome and gold gouache on paper mounted on a cardboard page depicting a turbaned young man kneeling among golden plants, holding a sprig in his hand on an ochre background. Large gold-flecked frame and margin decorated with gilded plant and floral stems on a beige ochre background. Framed under glass. Label on reverse with catalog description: "Collection Sevadjian. Achat Hôtel Drouot 23 novembre 1960. Mtre Ader. Exp[ert] Densmore. Figure with flowery turban. He is seated among golden shrubs. Sefevid school. Late 16th century" and the hammer price 900 Frs. (Wear, slight browning, page laminated on a cardboard backing). Page: 31.6 x 19.8 cm - Drawing: 15.6 x 8.8 cm Provenance: Former collection Mihran Sevadjian (1884-1964 ?); Sale Maîtres G. Muel et E. Ader, Persian Art. Collection Sevadjian. 2nd sale, Hôtel Drouot, Paris, November 23, 1960, lot 8. This album page probably comes from the same muraqqa' as three pages now in the Musée du Louvre (inv. nos. MAO 367, MAO 368 and MAO 370), measuring 30.5 x 19.5; 31.5 x 19.5 and 31.5 x 19.8 cm respectively, all three of which were in the same 1960 Sevadjian sale (lots 2, 29 and 36). The first, attributed to Kamal Tabrizi, depicts a young dervish with red hair, and could perhaps have been placed opposite the page presented here. Here, the effects of gold and beige cameos are remarkable, bringing out the white gouache of the turban, belt and face of the young man.

Estim. 4 000 - 6 000 EUR