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1343 results

Live in progress

HERVÉ VAN DER STRAETEN (NÉ EN 1965) - Bronze "Coque" cup with black patina on the outside and shaded golden brown on the inside. Incised HV monogram on one side. Circa 2010 Length 43.5 cm - Width 18.5 cm A 'Coque' cup in bronze with black patina outside and gilded inside. Monogrammed. L. 17 1/8 in. - W. 7 1/4 in

Estim. 1 000 - 2 000 EUR

Live in progress

Ruggero PAZZI, 1927-2010 Untitled, 1973 polished bronze sculpture with golden-brown patina on polished black stone base, no. 5/6 (base missing and patina oxidized), bottom: Pazzi 73 Height: 9.5 cm Lg.: 12.5 cm + base. Also included - Lucien Curzi, Pazzi, Editions Nuovastampa, 1982, with dedication. - Ruggero Pazzi, incisioni, Studio diretto da Rita Upiglio, Milan, 1973. - Mostra personale incisioni di Ruggero Pazzi, presentation by Henri Goetz, Casa di Raffaello, Urbino, 1973. - V. Palazzo, Ruggero Pazzi, Artstudio, undated article (2 copies). Provenance: Henry GALY-CARLES Collection

Estim. 300 - 500 EUR

Live in progress

Francis PELLERIN, 1915-1998 Signal, 1965 sculpture in polychrome-painted metal on a wooden base, signed and dated on the underside. Height: 65.5 cm + base (2 cm). Made at the Lycée Brequigny in Rennes, with a height of 650 cm.

Estim. 1 500 - 2 000 EUR

Live in progress

Set of seven small bronze statuettes representing oriental figures, women and divinities. H: 8.5 cm.

Estim. 20 - 30 EUR

Live in progress

A bronze statuette of “The most serene frog meditating”, probably Japanese in origin, Height: 5 cm, weight: 66.6 g.

Estim. 100 - 160 GBP

Tue 04 Jun

Horst Egon KALINOWSKI (1924-2013) Caisse fort carré, 1961 Sculpture, assemblage of salvaged metal elements mounted on a wooden core, signed, titled, dated October 13, 1961, numbered 468 and located Antibes on the back. Wear and light soiling. 117.5 x 150 x 17 cm PROVENANCE: Daniel Cordier collection, Paris. BIBLIOGRAPHY: Franz Joseph van de Grinten & Vera Bachmann, Horst Egon Kalinowski, Das plastische Werk, Werkverzeichnis 1960-1997 [The sculptural work, Catalogue raisonné 1960-1997], Cologne, Letter Stiftung, 1997, work described and reproduced on page 154. Horst Egon KALINOWSKI (1924-2013), born in Düsseldorf in 1924, came to Paris in 1950 and continued his training at La Grande Chaumière, in Jean Dewasne's abstract art studio. A genius at collage, with a rigorous selection of materials and an extremely meticulous technique, Kalinowski first excelled in works on paper. Daniel Cordier, who exhibited his work in his gallery from 1958, was his greatest supporter. The Tableaux-objets, "Bildschreine" or Tableaux-châsses, the culmination of his early work, take shape by completely invading the canvas surface with extra-pictorial materials. The caissons or crates extend this approach into the field of sculpture, often monumental, where the voluptuousness of the materials - leather being the preferred material - achieves a strange balance between the sacred and the profane. This approach is justified by the artist's desire for "something much more tactile... a material that can be the vehicle of my emotions". This champion of misappropriation, using the most trivial of salvaged objects, is a marvellous artist with a fascinating sensuality, often hiding behind the apparent static serenity of his poem-objects a more underlying evocation of dreamlike symbolism and disconcerting magic.

Estim. 400 - 600 EUR

Tue 04 Jun

Horst Egon KALINOWSKI (1924-2013) Case for an Etruscan warrior, 1961 Sculpture, assemblage of salvaged metal elements on a leather-wrapped wooden core, signed, titled, dated September 24, 1961, numbered 466 and located Antibes on the back. Dirt, small accidents and slight missing parts. 150 x 104 x 17 cm PROVENANCE: Daniel Cordier collection, Paris. BIBLIOGRAPHY: Franz Joseph van de Grinten & Vera Bachmann, op. cit. work described with numerous references to publications and exhibitions (including the 1964 Venice Biennale) and reproduced on page 153. Horst Egon KALINOWSKI (1924-2013), born in Düsseldorf in 1924, came to Paris in 1950 and continued his training at La Grande Chaumière, in Jean Dewasne's abstract art studio. A genius at collage, with a rigorous selection of materials and an extremely meticulous technique, Kalinowski first excelled in works on paper. Daniel Cordier, who exhibited his work in his gallery from 1958, was his greatest supporter. The Tableaux-objets, "Bildschreine" or Tableaux-châsses, the culmination of his early work, take shape by completely invading the canvas surface with extra-pictorial materials. The caissons or crates extend this approach into the field of sculpture, often monumental, where the voluptuousness of the materials - leather being the preferred material - achieves a strange balance between the sacred and the profane. This approach is justified by the artist's desire for "something much more tactile... a material that can be the vehicle of my emotions". This champion of misappropriation, using the most trivial of salvaged objects, is a marvellous artist with a fascinating sensuality, often hiding behind the apparent static serenity of his poem-objects a more underlying evocation of dreamlike symbolism and disconcerting magic.

Estim. 500 - 800 EUR