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Mon 13 May

MANUEL TERÁN (Chile, 1974). "Attack on Warhol III", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measures: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and about pop icons. This work follows in the wake of Terán's series Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to the artists he admires, even if his own work bears no relation to theirs. The heterogeneity of his preferences is patent and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to ignore aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of the plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has been awarded prizes such as that of the Real Academia de San Carlos de Valencia (2004).

Estim. 600 - 800 EUR

Mon 13 May

MANUEL TERÁN (Chile, 1974). "Attack on Warhol IV", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring the famous can of Marilyn soup. But he throws paint on it, creating a new work in which the identity of the original is blurred, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

Estim. 600 - 800 EUR

Mon 13 May

MANUEL TERÁN (Chile, 1974). "Attack on Warhol VII", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring Mao Zedong. But on it he throws paint that erases the face, thus creating a painting that erases Mao's identity, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

Estim. 600 - 800 EUR

Mon 13 May

MANUEL TERÁN (Chile, 1974). "Attack on Warhol VI", 2024. Oil and acrylic on canvas. Signed and titled on the back. Measurements: 60 x 60 cm. In this piece the artist starts from the famous work created by Warhol and starring the famous Campbell's soup can. But he throws paint on it, creating a new work in which the identity of the original is blurred, as well as creating a metaphor about capitalism and communism and pop icons. This work follows in the wake of Terán's series called Tribute to the Geniuses. In it "Terán tries to postulate the return of painting as a symbolic strategy. His tributes, which take the form of pastiches, but are not. The artists he chooses to pay tribute to are admired by him (Francis Bacon, Banksy, Marc Chagall, Jean Dubuffet, Lucio Fontana, Francisco de Goya, Lucian Freud, Keith Haring, David Hockney, Robert Indiana, Jaspers Johns, Yves Klein, Kusama-Velázquez, Roy Lichtenstein, René Magritte, Roberto Matta, Joan Miró, Pablo Picasso, Jackson Pollock, Joaquín Sorolla and Andy Warhol). The list could not be more heterogeneous. It does not follow any order. He pays homage to those artists he admires, even when his own work bears no relation to theirs. The heterogeneity of his preferences is evident and proves E. Gombrich right, for whom there is no art but artists. This extreme nominalism leads him to skip aesthetic categories, as well as chronologies". A Chilean artist living in Spain, with a degree in Fine Arts, Manuel Terán has developed his creative work in the field of plastic arts and new technologies applied to art. Since he became known in 1995 at the Salón de Otoño del Círculo de Bellas Artes in Santiago de Chile, he has held solo exhibitions and participated in group shows and fairs in Latin America and Europe. He has received awards such as the Real Academia de San Carlos de Valencia (2004).

Estim. 600 - 800 EUR
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