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COLLIER; DANS LE GOUT DE LA HAUTE JOAILLERIE - Choker necklace with three strands of freshwater pearls holding an Art Deco-style openwork pendant. Metal and rhinestone clasp. In the taste of haute joaillerie. Length: approx. 45 cm. Pendant dimensions: 3.5 x 3 cm

COLLIER. DANS LE GOUT DE LA HAUTE JOAILLERIE - Choker necklace with three strands of freshwater pearls holding an Art Deco-style openwork pendant. Metal and rhinestone clasp. In the taste of haute joaillerie. Length: approx. 45 cm. Pendant dimensions: 3.5 x 3 cm

ANONYME - Half-set consisting of a necklace and a pair of pendants in gilded metal entirely enhanced with rhinestones and fancy blue stones. Lobster clasp. In the style of haute joaillerie. Length: 40 cm; Pendant height: 6.5 cm

[MAISON DIOR - JOAILLERIE] - 1 Maison Dior catalog - Color jewelry photographs - 1 volume In-8° bound in gray cloth with gold titling on 1st board - Gilt edges.

Tue 04 Jun

Philippe DELOISON (20th) Project for a brooch representing a horse, yellow gold, enamel, mother-of-pearl, sapphires, tourmaline. Gouache on tracing paper. Signed. 20.5 x 12.5cm on view (Framed) Philipphe DELOISON, jewelry designer for the great houses of Place Vendôme from 1967 to 2007.

Tue 25 Jun

Corum. Two Haute Joaillerie Prism watch cases,both brilliant cut diamond set, one with diamond set synthetic gemstone bezel, the other bezel lacking, both lacking case back and movement, unsigned (2) (VAT charged on hammer price)

Tue 11 Jun

Chanel Farbedelstein-Brillant-Ring - Chanel colored gemstone diamond ring 750 yellow gold. Collection Haut Joaillerie San Marco. Signed and numbered. 1 princess diamond of 0.53 ct, surrounded by blue, pink sapphires and orange spinels of ca. 4x3/5.5x4 mm. 56 brilliant-cut diamonds decorate the ring shoulders in lines. Size 57, 15 g. With box.

Thu 20 Jun

Wolfers - WOLFERS - beautiful .750 yellow gold rope necklace with floral motif featuring five round blue sapphires weighing 0.60 ct and 24 brilliant-cut diamonds weighing 0.75 ct. Unsigned. Weight: 128.08 g L. 40 cm Reference: The Belgian goldsmith Wolfers is renowned for its high-quality fine jewelry. Founded in Brussels in 1812, Wolfers quickly established itself as one of Belgium's leading jewelry workshops. In the 19th century, the company produced magnificent jewelry for the European aristocracy and haute bourgeoisie. Its creations are distinguished by their elegant design, meticulous finishing and the use of highly sophisticated precious-metal working techniques. Even today, Wolfers jewels are highly sought-after by collectors and connoisseurs of fine jewelry. Located at Porte de Namur in Brussels, Wolfers is one of Belgium's oldest and most prestigious goldsmiths. Provenance: Collection of Madame Alice Wolfers, wife of Lucien Wolfers

Tue 11 Jun

CARTIER, 2000's Domed band ring in 750 thousandths yellow gold entirely paved with brilliant-cut diamonds. Signed "Cartier" and numbered "681048". French work, diamond hallmark of Cartier Joaillerie. Finger size: 50. Width: 1.2cm. P. Gross weight: g. With case, overbox, red suedette service pouch and Maison certificate.

Mon 10 Jun

JAEGER-LECOULTRE MONTRE BRACELET FEMME REVERSO VINTAGE "JOAILLERIE" - 18k white gold case with diamonds, leather strap leather strap, 18K white gold buckle set with diamonds diamonds, silvered dial, Arabic numerals, sapphire sapphire crystal, mechanical movement caliber 101, serial n°1773332, reference: 280.3.70, circa 1990 Diam: 11 x 27.5 mm - Pb: 20.2 g

Fri 07 Jun

Pendentif en or 56 zolotniks (583 millièmes) - in the shape of a heart set with an old-cut diamond of approx. 0.50 carat (slightly tinted) in a setting entirely paved with diamond-cut roses, the hoop also set with diamond-cut roses. Moscow, 1908-1917. Goldsmith: Moskovskoe Yuvelimoe Zavedenie (Moscow Jewelry Establishment) hallmark and later Soviet hallmarks. H. 2.7 x W. 2.6 cm. Gross weight: 7.8 g.

Tue 11 Jun

Brooch in 18K (750°/°°) yellow gold featuring an umbel adorned with rose-cut diamonds and crowned roses set in silver (800°/°°), as well as rectangular cut emeralds (some stones with slight accidents). The pin system, removable by screw, bears the hallmark of Maître-Orfèvre de la JOAILLERIE SALLE in Lyon, a firm that notably created models for BOIVIN. Diameter: approx. 47 mm - Gross weight: 18.3 g

Thu 20 Jun

Wolfers - WOLFERS - Beautiful .750 white gold flower brooch set with 13 marquise-cut diamonds, 10 round-cut diamonds, 4 pear-cut diamonds and 53 baguette-cut diamonds (+2 missing) weighing a total of 9.50 cts. Unsigned. Weight: 26.49 g L. 6 cm - W. 4 cm Reference: The Belgian goldsmith Wolfers is renowned for its high-quality fine jewelry. Founded in Brussels in 1812, Wolfers quickly established itself as one of Belgium's leading jewelry workshops. In the 19th century, the company produced magnificent jewelry for the European aristocracy and haute bourgeoisie. Its creations are distinguished by their elegant design, meticulous finishing and the use of highly sophisticated precious-metal working techniques. Even today, Wolfers jewels are highly sought-after by collectors and connoisseurs of fine jewelry. Located at Porte de Namur in Brussels, Wolfers is one of Belgium's oldest and most prestigious goldsmiths. condition: 1 loose baguette diamond Provenance: Collection of Collection of Mrs. Alice Wolfers, wife of Lucien Wolfers

Mon 10 Jun

Pénélope Zagoras - "Leïda" - (1989) Colorless and blue pressed molded glass bottle, made in the Bellin Haute Joaillerie workshops in Paris, amphora-shaped, decorated with draperies adorned with gold pearls and an imitation diamond, topped with its blue glass emerised stopper, featuring a crown embellished with gold pearls, presented in its two-leaf luxury box in cardboard lined with blue and gold paper, satin interior, titled. Height Height : 14 cm

Tue 11 Jun

CARTIER, "Bambou" Collection, 1990s Semi-rigid necklace in 750 thousandths yellow gold with chased and satin-finished articulated links stylizing slightly falling bamboo branches, the central three paved with brilliant-cut diamonds. Ratchet clasp. Signed "Cartier" and numbered "803 093". French work, Cartier Joaillerie diamond hallmark. Neck size: 38cm. P. Gross weight: 73.5 g. With Cartier black suede pouch.

Tue 11 Jun

CARTIER, "Arcadie" Collection, 1990s Ribbon bracelet in 750 thousandths yellow gold with articulated geometric links entirely paved with brilliant-cut diamonds. Ratchet clasp and safety hook. Signed "Cartier" and numbered "664983". French work, Cartier Joaillerie diamond hallmark. Total diamond weight: 14.99 carats. Length : 17cm. Width : 1.2cm. P. Gross weight : 32 g. With red velvet pouch, attestation and certificate of authenticity from the Maison.

Sun 02 Jun

Exceptional GEMEAUX necklace in 18K 750 ml yellow gold adorned with a 9 mm x 7 mm oval emerald of approx. 2 carats accompanied by a pavement of brilliant-cut diamonds totaling 3.20 carats - Flat link chain - Clasp with eight safety clasps - Eagle head hallmark - Original jewel case - UK weight: approx. 80 g - L: 43 cm - (matches lot no. 448) - JEWELRY - Postal delivery possible by the firm (minimum €10) - Transfer to Rouen and Rouen area, Paris and Paris area, Deauville- Trouville and surrounding area possible at extra charge - Quotation on request.

Tue 11 Jun

MARINA B, "Medieval" Collection, 1980s Pair of ear studs in 750-thousandths yellow gold, centered on a white mabe pearl in a gray mother-of-pearl setting. Clip system, for non-pierced ears. Signed "Marine B", monogrammed, dated "1980" and numbered "F223". Italian work, hallmarked. Dimensions: 2.3x2.3cm. P. Gross weight: 23.1 g. Bibliography: This model is reproduced in the book by Viviane JUTHEAU, Marina B, L'Art de la joaillerie et son design, Skira, 2003, p. 166.

Tue 11 Jun

TIFFANY & Co - Angela CUMMINGS, 1980s Pair of round domed ear studs in 750mm yellow gold with checkerboard pattern set with white mother-of-pearl and onyx. Clip-on system for non-pierced ears. Signed "TIFFANY & Co. © 750". Diameter: 2.4cm. P. Gross weight: 24.2g. Angela Cummings (b. 1944) is one of the many talented designers to have worked for Tiffany & Co. alongside the famous Jean Schlumberger, Paloma Picasso and Elsa Peretti. American jewelry designer Angela Cummings began working for Tiffany & Co. in 1967, under the direction of Donald Claflin, launching her first collection in 1975. Her collections are characterized by her love of nature and geometric effects, and her use of numerous hard and decorative stones (lapis, onyx, jade, mother-of-pearl, coral, wood, opals), enamels with strong color effects, and original materials such as steel, copper and hematite. She opened her own jewelry house in 1983.

Sun 02 Jun

Splendid pair of GEMEAUX earrings in 18K yellow gold 750 ml set with brilliant-cut diamonds approx. 1.80 cts x 2 totaling approx. 3.60 cts and adorned with 2 very beautiful oval emeralds 8.5 mm x 6.5 mm approx. 1.50 cts x 2 totaling approx. 3 cts - clip closure system - PB: approx. 18.55 g - L: 2.5 cm - (matches lot no. 449) - JEWELRY - Postal delivery possible by the firm (€10 minimum) - Paid transfer possible to Rouen and Rouen area, Paris and Paris area, Deauville- Trouville and surrounding area - Quotation on request.

Thu 06 Jun

Marina B, paire de pendants d'oreilles or 750 descendants en cascades de perles de culture blanches et de diamants - Marina B, JH, pair of earrings, year 1993, limited edition of 10, gold 750 descending in cascades of white cultured pearls and brilliant-cut diamonds, signed, numbered P2951, h. 7.9 cm, 61g Illustrated in the book Marina B, L'art de la Joaillerie et son design , Skira edition, n°428 on page 211 Mounts: Good overall condition. Presence of micro-scratches and slight signs of wear, particularly on the signatures and numbering. The pendants have been repolished. Gems: Very good overall condition.

Mon 17 Jun

585 ‰ rose gold jewelry necklace adorned with 8 flowers entirely paved with pear-cut and round natural tanzanites ( total approx. 10.25 ct) and lines of brilliant-cut pink diamonds (approx. 4.65 ct), chain articulated with polished circular motifs, ratchet clasp with white gold side button and "eight" safety clasp GWLAB certificate Length : 44 cm Total gross weight: 32.26 g Beautifully polished, tiny chips on some stones In its case

Tue 11 Jun

DIOR by Victoire de CASTELLANE, "Mitza" Collection Cocktail ring in 750-thousandths white gold, centered on a sugar loaf-cut amethyst mounted in a claw setting stylizing feline paws, the body textured and flecked with black enamel in imitation of fur. Signed "Christian Dior" and numbered "A0602". French work, diamond-shaped hallmark of Atelier BEAUCE. Finger size: 53. Width: 1.6cm. P. Gross weight: 30.8g. (Minor scratches and chips to the enamel). This Dior Joaillerie collection pays tribute to Monsieur Dior's muse, Mitzah Bricard.

Sat 08 Jun

Vacheron Constantin Haute Joaillerie MCMLXXII - 1972 N°753438 Ladies' wristwatch in 18k (750) white gold, bezel and case entirely set with brilliant-cut diamonds, winding mechanism set with a cabochon diamond. Quartz movement (battery not checked, does not work). 18k (750) white gold bracelet with folding clasp signed and entirely set with brilliant-cut diamonds, inner circumference approx. 18 cm. Dial case and movement signed. No box and no papers. Dimensions: 21x28mm Gross weight: 103.4g Wrist circumference: 18 to 19 cm approx. At catalog date, movement is working and in near-new condition, battery to be changed.

Sat 08 Jun

Chopard H Ref 14/3483 N° 511504 Haute joaillerie ladies' wristwatch in 18k (750) white gold, bezel set with brilliant-cut diamonds, mother-of-pearl dial partially set with diamonds, Roman numeral hour markers. Quartz movement (battery not checked, does not work). Bracelet in 18k (750) white gold entirely set with brilliant-cut diamonds with its signed folding clasp, the bracelet fits a wrist of approx. 16 to 17 cm. Dial case and movement signed. No box and no papers. Dimensions: 28x40 mm Wrist circumference: 16 to 17 cm Gross weight: 142.8g At the date of the catalog, the movement is not working, please change the battery and have it serviced.

Thu 06 Jun

Maison Le Cointe Par Albert Chaise Delightful half-set in 18K 750 thousandth yellow gold comprising : - a ring set with a line of cabochon turquoise pyramids in rail setting (missing) shouldered by a line of gold beads. Finger size: 51 - a bangle bracelet opening in the pattern, the clasp with safety chain. Inner diameter: 58 mm French hallmark (on the bracelet) F or E - two interlaced wedding rings - R and rhinoceros head (used in Paris from January 1, 1847) In a red Moroccan case bearing the inscription "Maison Le Cointe - Albert Chaise - Joaillerie, Bijouterie - 24 rue de la Paix - Paris" Total gross weight: 24.25 g

Tue 11 Jun

Léon GARIOD and Léopold (Albert Marin) GAUTRAIT (1865-1937), 1900s 750 thousand yellow gold "Paysage lacustre feuillagé" necklace featuring an oblong link centered on a "coup de fouet" line motif decorated with an umbel and holding a large pendant decorated with an iris in full bloom, highlighted with natural and stylized foliage and waves. The two pendants, in finely chased gold, have a polychrome enamel background stylizing a sunset over a lakescape, the water treated in plique-à-jour enamel. The main motif is signed "L. GAUTRAIT". French Art Nouveau work, diamond-shaped hallmark of Léon GARIOD. Length: 54cm. Total dimensions of the pendants: 12.7x3.1cm. P. Gross weight : 31,8 g. Léopold Albert Marin GAUTRAIT (1865-1937) was a loyal collaborator of Maison GARIOD from 1897 to 1920. The themes dear to Art Nouveau (women, fauna, flora) were translated into jewelry by Gautrait and Gariod, their creations distinguished by the quality of their chasing and the enamels used. Léopold Gautrait also worked for other French jewelry houses, such as Boucheron and Vever. Bibliography: Collectif sous la direction de Marguerite de CERVAL, Dictionnaire international du Bijou, Editions du Regard, Paris, 1998.

Tue 11 Jun

Art Deco period Green aventurine cup set with a lapis lazuli disc with a sugar loaf emerald. The setting in exempted 800 thousandths silver numbered "531". Diameter: 6.2cm. Total height: 1.6cm. P. Gross weight: 26.9g. (Small shock to the aventurine). During the Art Deco period, jewelry houses, and more specifically Cartier, competed in refinement for accessories and tableware, combining decorative carved stones, gemstones and precious metals. Our two dishes - one in agate and ruby, the other in aventurine, lapis and emerald - could be used as pocket trays or ashtrays.

Sat 22 Jun

Jean DESPRÉS (1889-1980) "Bijoux Moteurs" Modernist sterling silver bracelet, hallmark on clasp. "Between the wars, Jean Després and young UAM designers such as Jean Fouquet, Raymond Templier and Gérard Sandoz revolutionized Parisian jewelry with motor jewelry made of connecting rods, gears and ball bearings, inspired by machines, speed and simple geometric shapes." Weight: 42 g Delivery available Region: France Dimensions: H 10MM X W 80MM Condition: At first glance: good

Tue 11 Jun

French work from the 1990s Curved "Heart" pendant in blackened exotic wood and 750mm yellow gold. Opening clasp in 750mm yellow gold. Diamond Workshop hallmark. Dimensions: 4.3x3.7cm. P. Gross weight: 18.9g. This pendant is closely related to the "Touch Wood" Collection by Van Cleef & Arpels. As early as 1916, Van Cleef & Arpels designed jewelry collections combining wood and precious stones, named "Touch Wood", evoking the superstition of "touching wood", thus becoming lucky charms. Bibliography: POSSEME, Evelyne, Van Cleef & Arpels, L'art de la haute joaillerie, Exhibition at the Musée des Arts Décoratifs, Les Arts Décoratifs, 2012, P. 34 et seq.

Tue 11 Jun

MASRIERA, Art Nouveau period work Heron" pendant brooch in 750 thousandths chased yellow gold holding a white button pearl in its beak, its plumage enameled blue and green, its wings highlighted with rose-cut diamonds and enhanced with plique-à-jour enamel in shades of mauve and green, its eye set with a cabochon ruby. Signed "MASRIERA Hs" on a soldered oval plate. Dimensions: 4.8x3.7cm. P. Gross weight: 14.5g. (Small chips and missing enamel). The House of MASRIERA was a key player in the Spanish Art Nouveau movement, known as the "Modernista". Lluis Masriera i Rosès (1872-1958), after studying in Switzerland and spending his early years in Paris, returned to Catalonia in 1901, where he developed the "Modernista" jewelry business in Barcelona. His creations are particularly characterized by the use of richly colored enamels.

Tue 11 Jun

BOUCHERON, 1960's Butterfly" brooch in 750 thousandths yellow gold and 950 thousandths platinum, the wings guilloché and enamelled sky blue with deeper blue dots, the body of the insect set with brilliant-cut and 8/8-cut diamonds. 750 thousandths yellow gold pin. Signed "BOUCHERON PARIS" and numbered "14.823". French work, diamond hallmark of Atelier Jean Thierry BONDT. Dimensions : 3x3cm. P. Gross weight: 11.3 g. (Gaps and missing enamel). Particularly active for the Maison Boucheron, the Atelier de Jean-Thierry Bondt supplied a large number of jewelry and watchmaking pieces in which decorative and hard stones were given pride of place. Enamelled pieces from the Atelier are rarer on the market: flower petals (eglantines, roses), snail shells or butterfly wings, these objects demonstrate the Bondt Atelier's qualities in the art of enamelling.

Tue 11 Jun

DE LANEAU, 1970s Important ladies' watch bracelet in 750 thousandths white gold composed of large textured oval links, the central link forming the case. Case: oval (26x43mm), clipped back, signed and numbered. Dial: muted blue enamel imitating lapis lazuli, silvered Dauphine hands, signed. Movement: hand-wound mechanical. Buckle: ratchet clasp with eight safety pins. Wrist circumference: 18cm. Dimensions of each link: 2.6x4.3cm. P. Gross weight: 134.8g. (Fine cracks in the enamel). Founded in 1949, the Swiss Maison DeLaneau distinguished itself in the watchmaking industry from 1970-1980 for its particularly creative and innovative designs. This watch, remarkable for its dimensions, is typical of the daring watchmaking creations of the 1970s, aimed in particular at the Anglo-Saxon market. The twisted, textured work on each link is reminiscent of the manufacturing techniques of the Atelier Georges LENFANT. This workshop was equally prolific in women's watchmaking in the 1960s and 1970s.

Thu 13 Jun

Georges BRAQUE - Georges BRAQUE (1882-1963) - The Sons of Eos 1963 Gouache on black paper, signed in the center and countersigned, dated "August 6, 1963" lower right and annotated at the bottom "I authorize H.M. Heger of Löwenfeld to reproduce the above work". 26 x 20 cm on view A certificate from Mr. Armand Israël will be given to the buyer. Bibliography: This gouache is reproduced on page 85 in the book "Métamorphoses de Braques", published by France Art Center Paris, Editions de l'Amateur. Note: Braque's jewelry designs in collaboration with Heger de Loewenfeld represent a unique fusion of art and jewelry. Georges Braque, famous painter and one of the pioneers of Cubism, teamed up with Heger de Loewenfeld, a talented jeweler, to create pieces of rare beauty. Here, Georges Braque depicts Phaeton, Phosphoros and Hespéros majestically taking flight.

Tue 11 Jun

CHAUMET Paris, 1970s Semi-rigid necklace in textured yellow gold 750 thousandths and brown patina bronze with plant-inspired links interlaced and crisscrossed to form a liana. Ratchet clasp with eight safety catches. Signed "CHAUMET PARIS" on a welded oval plate. French work, diamond-shaped hallmark (JC). Inscription "BRONZE" on the tip and various metal hallmarks (M.D.). Neck size: 40cm. Dimensions of central motif: 9.5x3.5cm. P. Gross weight: 201.5g. (Minor accidents and wear to link joints). This necklace is emblematic of Chaumet's creative abundance in the 1970s-1980s, notably with the L'ARCADE collections. The use of innovative jewelry materials, such as bronze with its various colored patinas, is particularly noteworthy. During these years, René MORIN and Pierre STERLE, assisted by Béatrice de PLINVAL, gave free rein to their imagination in the representation of flora and fauna. The famous "Ginkgo" torque necklace in bronze and gold, designed by Sterlé, is a perfect example of this strong Chaumet aesthetic. An installation entitled "Un Age d'or: 1965-1985", celebrating these rich years, has been organized by Maison Chaumet, in its Place Vendôme salons, from October 5 to December 2, 2023 (Curated by Vanessa Cron).

Thu 06 Jun

Sterlé, bracelet platine et or gris composé d'une suite de fleurettes serties de diamants taille brillant alternés de saphirs - Sterlé, 1950s bracelet in platinum and white gold with a series of fleurettes set with brilliant-cut diamonds alternating with sapphires, signed, 17.5 cm long, 25g Mounting: Good overall condition. Normal wear scratches and micro-scratches. Marks: 'Sterlé Paris' / 'G.841' / white gold and platinum import / de maître Sterlé Gems: Good condition. Small chips on the sapphires. STERLÉ A Parisian jeweler with a very personal style, Pierre Sterlé has worked for decades from his workshop on Avenue de l'Opéra, creating jewelry with a style that is unmistakable, both for himself and for many of the great names on the Parisian jewelry scene (Ostertag, Boucheron and Chaumet). At his ankle, he brings to life fantastical animals, birds and flowers, or jewels with elongated shapes, demonstrating impressive technical mastery. His expert, inventive use of metal left its mark on his era, inspiring new generations of jewellers. In 1961, Pierre Sterlé and Chaumet joined forces, and the latter produced the most emblematic pieces for the Parisian company before finally buying back his stock. His creations, though anchored in their time, seem to remain timeless, and are therefore the mainstay of every collection for lovers of fine jewelry.

Fri 07 Jun

Attributed to Lucien Falize (1838-1897). Double string bracelet in pink gold 750/°°° and silver over 800/°°° each strand separated by each strand separated by rose-cut diamonds totaling approx. 7 cts (subject to jeweler's de-sertissage). Secure ratchet clasp. French work circa 1890 and later safety chain. chain. Incomplete horizontal master stamp "L...". Width 15.90 mm. Gross weight 54.95 g The bracelet is housed in a case sheathed in eggplant morocco on the outside and navy blue velvet on the inside. navy-blue velvet inside, bearing the following gilded markings: "FALI...... Ainé amp; Fils - Probablement pour Falize Ainé et Fils (à savoir Alexis le père et Lucien the son) .5.. Avenue de l'Opéra. Here's a summary of what we can still learn by cross-checking the information provided by the master hallmark, the inscription on the inside of the case and the administrative and collected by Mr. Rémi Verlet in his dictionary of jewelers and goldsmiths orfèvres (2022 edition for the Ecole des Arts Joailliers VCA). The hallmark for Alexis Père et Lucien Fils, belonging to the boutique, joaillerie l'orfèvrerie located at 43 (not 55?) Avenue de l'Opéra is inscribed from 1875 onwards, and differs from the one the one on our bracelet. In fact, the hallmark most probably present on our bracelet bracelet is that of Maître Falize ainé amp; Fils "L.F. Fils, une bague et une perle" inscribed in 1892. This bracelet was made by Louis, son of Alexis Falize and father of André Pierre and Jean Falize. of André Pierre and Jean Falize, contained in a somewhat earlier case from the company.

Thu 06 Jun

Sterlé, attribué à, broche années 1950 platine et or 750 formant un motif abstrait, entièrement pavée de diamants - Sterlé, attributed to, 1950s broochplatinum and 750 gold forming an abstract motif, entirely paved with brilliant-cut and baguette-cut diamonds, h. 11 cm Bibliography: Viviane Jutheau in Sterlé Joailler Paris, published by Vecteurs. A preparatory drawing in the same style, no. T.509 From the collection of a jewelry enthusiast. Setting: Good overall condition. Platinum brooch and gold brooch system. French import hallmarks. The frame is broken in one place Gems: Very good overall condition. STERLÉ A Parisian jeweler with a very personal style, Pierre Sterlé has worked for decades from his workshop on Avenue de l'Opéra, creating jewelry with a style that is unmistakable, both for himself and for many of the great names on the Parisian jewelry scene (Ostertag, Boucheron and Chaumet). At his ankle, he brings to life fantastical animals, birds and flowers, or jewels with elongated shapes, demonstrating impressive technical mastery. His expert, inventive use of metal left its mark on his era, inspiring new generations of jewellers. In 1961, Pierre Sterlé and Chaumet joined forces, and the latter produced the most emblematic pieces for the Parisian company before finally buying back his stock. His creations, though anchored in their time, seem to remain timeless, and are therefore the mainstay of every collection for lovers of fine jewelry.

Tue 11 Jun

GILBERT ALBERT Ring in yellow gold 750 thousandths composed of two partially chased twists, accompanied by multiple beads of interchangeable decorative stones (lapis lazuli, tiger's eye, bull's eye, green aventurine, hematite, coral, amber, mother-of-pearl). Signed with the designer's monogram "GA". Finger size: 52. Width: 1.2cm. Mounting weight: 4.2 g. With wooden case with compartments. Born in 1930, Gilbert Albert is a jeweler from Geneva, where he initially trained and devoted himself to watch design. Recognized by his peers, he became head of the workshop at Maison Philippe Patek and joined forces with Louis Cottier to create the first universal time watch. Seduced by the use of unusual materials, he turned to jewelry, specializing in the creation of jewels featuring nature. He opened his workshop in 1962, where he developed his creations playing on the combinations and harmonies of materials derived from the cutting of original stones. His creations are characterized by the use of unusual materials, from beetles and sharks' teeth to meteorites, in an attempt to match nature's sublime irregularity. Beyond the materials used, Gilbert Albert develops original shapes in his creations, of which his must-have ring with interchangeable beads is an excellent example.

Thu 06 Jun

Sterlé pour Chaumet, broche années 1973 fleur 2 ors 750 sertie de diamants et d'émeraudes - Sterlé for Chaumet, brooch year 19732 750 gold stylizing a flower with curved petals and pistils set with brilliant-cut diamonds, surmounting two leaves set with baguette emeralds, the center adorned with a cluster of flexible chains and the back finely ribbed, h. 8.5 cm, 52g Bibliography: Viviane Jutheau in Sterlé Joailler Paris, published by Vecteurs. This piece was included in the exhibition Un âge d'or, 1965-1985 taking place in the Chaumet salons at Place Vendôme from October 5 to December 2, 2023. Mounting: Good overall condition. Visible hallmarks: 'Déposé' / French title. A pin probably bearing the master hallmark has been replaced. Gems: Good overall condition. Small cracks and breaks on some emeralds. STERLÉ A Parisian jeweler with a very personal style, Pierre Sterlé has worked for decades from his workshop on Avenue de l'Opéra, creating jewelry with a style that is unmistakably his own and that of many of the great names on the Parisian jewelry scene (Ostertag, Boucheron and Chaumet). At his ankle, he brings to life fantastical animals, birds and flowers, or jewels with elongated shapes, demonstrating impressive technical mastery. His expert, inventive use of metal left its mark on his era, inspiring new generations of jewellers. In 1961, Pierre Sterlé and Chaumet joined forces, and the latter produced the most emblematic pieces for the Parisian company before finally buying back his stock. His creations, though anchored in their time, seem to remain timeless, and are therefore the mainstay of every collection for lovers of fine jewelry.

Tue 11 Jun

French work from the second half of the 19th century, Emailleur Alfred MEYER Set in 750 thousandths pink gold and 800 thousandths silver, comprising a Brooch-Pendant and a pair of earrings decorated with enameled medallions in grisaille and gold on a copper background of draped young women, the surrounds enhanced with rose-cut diamonds and fine button pearls. The brooch medallion is monogrammed "A.M." and signed on the reverse "A. MEYER" ON THE REVERSE. The reverse of the pendant medallions are monogrammed "A.M.". Brooch-Pendant, with removable system. Dimensions with clasp: 6x3.3cm. Gross weight: 18.7 g. Pair of swan-neck earrings for pierced ears. Dimensions: 3.4x1.8cm. Gross weight: 8g. P. Total gross weight: 26.7 g. Presented in a navy-blue morocco case signed "FROMENT MEURICE 372 rue St Honoré Paris", engraved "C.B". A French painter and enameller, Alfred MEYER (1832-1904) won awards for his numerous participations in the Universal and International Exhibitions of the second half of the 19th century. After making a name for himself in the fields of decorative arts and painting, he was called upon by leading innovative jewelry houses - such as Baugrand, Boucheron, Falize, Froment-Meurice, Sandoz and Vever - to integrate his enamels into their jewelry creations. Inspired by the Renaissance and cameo art, his grisaille creations are particularly noteworthy. Recognized as an expert in the art of enameling, he was also a teacher at the Ecole Bernard Palissy, and in 1895 published L'Art de l'émail de Limoges ancien et moderne. Bibliography: Collectif sous la direction de Marguerite de CERVAL, Dictionnaire international du Bijou, Editions du Regard, Paris, 1998.