ULRIKE BOCK 'DREI FRAUEN HINTER EINEM KREUZ' (1983)
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ULRIKE BOCK 1941 Rösslingen 'THREE WOMEN BEHIND A CROSS' (1983) Colored pencil on paper. Visible size 98.5 x 71.5 cm (f.104.5 x 77.5 cm). Signed and dated in pencil lower right 'Ulrike Bock (19)83'. Framed behind glass(unopened). Provenance: Collection Organization for homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).ULRIKE BOCK 1941 Rösslingen 'DREI FRAUEN HINTER EINEM KREUZ' (1983) Colored pencil on paper. SM 98.5 x 71.5 cm (R.104.5 x 77.5 cm). Signed and dated 'Ulrike Bock (19)83' lower right. Framed behind glass (unopened). Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de) .
JOHANN GEORG MÜLLER 'FRAUENKOPF'
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz 'WOMAN'S HEAD' Color lithograph on vellum. Sheet size 69 x 52.5 cm (f. 88.5 x 68 x 4 cm). Faded signature stamp lower left. Slightly browned, stained, edge damage, creases. Framed behind glass (unopened). Provenance: Rhenish private collection.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz 'FRAUENKOPF' Color lithograph on wove paper. BM 69 x 52.5 cm (R. 88.5 x 68 x 4 cm). Faded signature stamp lower left. Slightly browned, stained, marginal damage, traces of creasing. Framed behind glass (unopened). Provenance: Rhenish private collection.
JOHANN GEORG MÜLLER SELBSTPORTRAIT
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz SELF-PORTRAIT Watercolor on paper. Visible size 60.5 x 47 cm, sheet size 62.5 x 48.5 cm (passepartout 80.5 x 63.5 cm). Signed in pencil lower right 'Joh. Georg'. Part. dam. to margins. Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz SELF-PORTRAIT Watercolor on paper. SM 60.5 x 47 cm, BM 62.5 x 48.5 cm (mat 80.5 x 63.5 cm). Signed 'Joh. Georg' in pencil lower right. Partially dam. to margins. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER ZWEI MÄNNER
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz Koblenz TWO MEN ZWEI MÄNNER Watercolor on paper. 49 x 63 cm. Signed lower right in pencil. Part. min. dam., part. with creases. signed right in pencil. Part. Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz ZWEI MÄNNER Watercolor on paper. 49 x 63 cm. Signed in pencil lower right. Part. min. dam., part. with traces of creasing. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER PORTRAIT
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz Koblenz PORTRAIT PORTRAIT Watercolor on paper. 39 x 52.5 cm. Monogrammed lower left 'JGM'. With a pencil and charcoal drawing of a reclining figure on the reverse Part. dam. left monogrammed 'JGM'. Provenance on the reverse: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz PORTRAIT Watercolor on paper. 39 x 52.5 cm. Monogrammed 'JGM' lower left. Verso with pencil and charcoal drawing of a reclining woman. Part. dam. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER PAAR HOLZSCHNITTE (KATZE / LIEGENDER AKT)
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz PAIR OF WOODCUTS (CAT / RECLINING NUDE) Jew. color woodcut. Print size 14 x 15.5 cm (f. 33.5 x 34.5 cm) resp. 20.5 x 28 cm (f. 44 x 50 cm). Each monogrammed lower right and inscribed lower left 'Probedruck' resp. '5/5'. Mounted and framed behind glass (unopened). Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz PAAR HOLZSCHNITTE (KATZE / LIEGENDER AKT) Jew. Color woodcut. DM 14 x 15.5 cm (R. 33.5 x 34.5 cm) and DM 20.5 x. Each monogrammed lower right and inscribed 'Probedruck' and '5/5' lower left. Framed in passepartout and behind glass (unopened). Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER 'STILLLEBEN'
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz 'STILL-LIFE' Colored felt pen drawing on drawing paper. Visible size 34 x 46 cm (f. 58 x 69 x 2 cm). Monogrammed 'J.G.M.' lower left. Minimally browned, traces of creases. Framed in a passe-partout and behind glass (unopened). Provenance: Rhenish private collection.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz 'STILLLEBEN' Colored pencil drawing on drawing paper. SM 34 x 46 cm (R. 58 x 69 x 2 cm). Monogrammed 'J.G.M.' lower left. Minimally browned, traces of creasing. Framed in a passepartout and behind glass (unopened). Provenance: Rhenish private collection.
JOHANN GEORG MÜLLER ZWEI ZEICHNUNGEN
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz Koblenz TWO DRAWINGS ZWEI ZEICHNUNGEN Ink and colored pencil on sketchbook-paper. 36 x 48.5 cm. Each signed in pencil lower right 'J.G.M.'. Browned, part. with creases. Sketchbook-paper. 36 x 48.5 cm. Jew. Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz TWO DRAWINGS India ink, colored pencil on sketchbook paper. 36 x 48.5 cm. Each monogrammed 'J.G.M.' lower right. Browned, partially with creases. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER ZWEI ARBEITEN 'OHNE TITEL'
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz TWO WORKS 'UNTITLED' Watercolors and colored chalk on paper. 33 x 40.5 cm or visible size 35 x 46 cm (f. 61 x 68 x 2 cm and 58 x 69 x 2 cm). Each monogrammed 'J.G.M.' lower right. Part. edge dam., part. tanned. Each inserted in passe-partouts and framed behind glass (unopened).JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz TWO WORKS 'WITHOUT TITLE' Watercolor and color chalk on paper, respectively. 33 x 40.5 cm and SM 35 x 46 cm (R. 61 x 68 x 2 cm. Each monogrammed 'J.G.M.' lower right. Part. Marginal wear, partly browned. Each mounted in passepartouts and framed behind glass (unopened). Provenance: Rhenish private collection.
JOHANN GEORG MÜLLER KONVOLUT VON 3 AQUARELLEN (ABSTRAKTE KOMPOSITIONEN)
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz SET OF 3 WATERCOLOUR (ABSTRACT COMPOSITIONS) Watercolor on paper. Sheet size 42.5 x 56 cm; 30 x 40 cm; 24 x 51.5 cm. Each monogrammed in pencil. Part. slightly browned, part. min. foxed, part. slightly dam. to the margins. dam. Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz KONVOLUT VON 3 AQUARELLEN (ABSTRAKTE KOMPOSITIONEN) Watercolor on paper. BM 42.5 x 56 cm; 30 x 40 cm; 24 x 51.5 cm. Each monogrammed in pencil. Partly slightly browned, partly min. foxing, partly slightly damaged in margins. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER KONVOLUT VON 4 AQUARELLEN (ABSTRAKTE KOMPOSITIONEN)
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz Koblenz SET OF 4 WATERCOLOURS (ABSTRACT COMPOSITIONS) KONVOLUT VON 4 AQUARELLEN (ABSTRACT Watercolor of paper. 26.5 x 38.5 cm; 28 x 35.5 cm; 28 x 34.5 cm; 24.5 x 30.5 cm. Each monogrammed in pencil 'J.G.M.'. Part. minimally with creasing, part. min. dam. Watercolor on paper. 26.5 x 38.5 cm; 28 Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz CONVOLUTION OF 4 AQUARELS (ABSTRACT COMPOSITIONS) Watercolor on paper. 26.5 x 38.5 cm; 28 x 35.5 cm; 28 x 34.5 cm; 24.5 x 30.5 cm. Each monogrammed in pencil. Partly min. with traces of creasing, partly min. dam. Provenance: Private collection Düsseldorf.
JOHANN GEORG MÜLLER KONVOLUT VON 6 KLEINEN AQUARELLEN (ABSTRAKTE KOMPOSITIONEN)
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JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz CONVOLUTION OF 6 SMALL AQUARELS (ABSTRACT COMPOSITIONS) Watercolors on paper. 2 sheets: 18 x 24.5; 18 x 26 cm; 14 x 21 cm; 14.5 x 17 cm (painted on both sides); 7 x 20 cm (with artist's address on the reverse). Each monogrammed in pencil. Part. min. with creases. Provenance: Private collection Düsseldorf. Provenance: Private collection Düsseldorf.JOHANN GEORG MÜLLER 1913 Ludwigshafen am Rhein - 1986 Koblenz CONVOLUTION OF 6 SMALL AQUARELS (ABSTRACT COMPOSITIONS) Watercolors on paper. 2 sheets: 18 x 24.5; 18 x 26 cm; 14 x 21 cm; 14.5. each monogrammed in pencil. Part. min. with creases. Provenance: Private collection Düsseldorf.
WOLFGANG SMY 'DREI IM GLEICHSCHRITT - A.13' (1986)
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WOLFGANG SMY 1952 Dresden 'THREE IN STEP - A.13' (1986) Color silkscreen on paper. Print size 60 x 60 cm (f. 74 x 74 x 2.5 cm). Hand-signed and dated 'Smy (19)86' lower right, titled 'Drei im Gleichschritt - A.13' lower left. Slightly stained, creases. Framed behind glass (unopened).WOLFGANG SMY 1952 Dresden 'DREI IM GLEICHSCHRITT - A.13' (1986) Color silkscreen on paper. DM 60 x 60 cm (R. 74 x 74 x 2.5 cm). Signed and dated 'Smy (19)86' lower right, titled 'Drei im Gleichschritt - A.13' lower left. Slightly stained, creases. Framed behind glass (unopened).
Please note that a flat-rate fee of 2% of the hammer price is payable for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
Max Papart BLATT AUS DER FOLGE 'UN LOT DE JOYEUSES AFFICHES WITH JEAN TARDIEU' (1987)
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MAX PAPART 1911 Marseille - 1994 Paris SHEET FROM THE SERIES 'UN LOT DE JOYEUSES AFFICHES WITH JEAN TARDIEU' (1987) Color aquatint with embossing on wove paper. Sheet size (= print size) 45.5 x 57.5 cm (f. 83 x 70.5 x 3 cm). Hand-signed and numbered 'Max Papart 138/195' lower right. Minimally browned. Inserted into a passe-partout and framed behind glass (unopened).MAX PAPART 1911 Marseille - 1994 Paris SHEET FROM THE FOLLOWING 'UN LOT DE JOYEUSES AFFICHES WITH JEAN TARDIEU' (1987) Color aquatint with embossing on wove paper. BM (= DM) 45.5 x 57.5 cm (R. 83 x 70.5 x 3 cm). Hand-signed and numbered 'Max Papart 138/195' lower right. Minimally browned. Mounted in a passepartout and framed behind glass (unopened).
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
ANATOLY SOKOLOV PAAR GEMÄLDE (BIRKENWALD (1987) / HERBSTSTIMMUNG)
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ANATOLY SOKOLOV 1953 Moscow Region - lives and works in Bonn PAIR OF PAINTINGS (BIRCH FOREST (1987) / AUTUMN MOOD) Oil on canvas resp. panel. 41 x 45.5 cm (f. 48.5 x 53 cm) resp. 40 x 50 cm (f. 54.5 x 64.5 cm). Each signed, part. dated. Verso: inscribed, with Czech stamp resp. with artist's adhesive label. Frame. Provenance: Private collection Lübeck.ANATOLY SOKOLOV 1953 Moscow region - lives and works in Bonn PAAR GEMÄLDE (BIRKENWALD (1987) / HERBSTSTIMMUNG) Oil on canvas or panel. 41 x 45.5 cm (R. 48.5 x 53 cm) and 40 x 50 cm (R. 54.5 x 64.5 cm). Each signed, some dated. Verso: verso inscribed, with Czech stamp and with artist's adhesive label. Frame. Provenance: Private collection Lübeck.
ANATOLY SOKOLOV PAAR GEMÄLDE (STILLLEBEN MIT BRAUNEM APFEL (1993) / STILLLEBEN MIT GRÜNEM APFEL UND STATUETTE (1992))
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ANATOLY SOKOLOV 1953 Moscow Region - lives and works in Bonn in Bonn PAIR OF PAINTINGS (STILL LIFE WITH A BROWN APPLE (1993) / STILL LIFE WITH A GREEN APPLE AND STATUETTE (1992)) APFEL (1993) / STILLLEBEN MIT GRÜNEM Oil on canvas resp. panel. Each signed lower right. 46 x 41 (f. 50 x 45.5 cm) resp. 60 x 50 cm (f. 54.5 x 64.5 cm). Verso: part. dated an titled on the reverse. Frame. Oil on canvas or panel. ANATOLY SOKOLOV 1953 Moscow region - lives and works in Bonn PAAR GEMÄLDE (STILLLEBEN MIT BRAUNEM APFEL (1993) / STILLLEBEN MIT GRÜNEM APFEL UND STATUETTE (1992)) Oil on canvas or panel. Each signed lower right. 46 x 41 (R. 50 x 45.5 cm) and 60 x 50 cm (R. 54.5 x 64.5 cm) respectively. Verso: partially dated and titled on verso. Frame. Provenance: Private collection Lübeck.
MAX UHLIG UNTITLED (1989)
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MAX UHLIG 1937 Dresden WITHOUT TITLE (1989) Watercolor on thin paper. 41 x 97 cm (R. 68 x 124 cm). Signed and dated lower left. Corners with pinholes. Framed behind glass (unopened).MAX UHLIG 1937 Dresden UNTITLED (1989) Watercolour on thin paper. 41 x 97 cm (f. 68 x 124 cm). Signed and dated in pencil lower left. Corners with pinholes. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% on the hammer price is to be paid for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
MAX UHLIG 'KOPF' (1986)
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MAX UHLIG 1937 Dresden 'HEAD' (1986) Lithograph on wove paper with blindstamp 'Graphik Edition'. Sheet size 36.5 x 36 cm (f. 41 x 41 x 2 cm). Hand-signed and dated 'M.Uhlig (19)86' lower right, copy number '104/200' lower left. Browned, slightly stained. Framed behind glass (unopened).MAX UHLIG 1937 Dresden 'KOPF' (1986) Lithograph on wove paper with dry stamp 'Grafik Edition'. BM 36.5 x 36 cm (R. 41 x 41 x 2 cm). Signed and dated 'M.Uhlig (19)86' lower right, copy number '104/200' lower left. Browned, min. stained. Framed behind glass (unopened).
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
MAX UHLIG FRONTALES FRAUENBILDNIS (1995)
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MAX UHLIG 1937 Dresden FRONTAL PORTRAIT OF A WOMAN (1995) Ink, opaque white on tinted Japanese laid paper. 63.3 x 57.5 cm. Signed and dated in pencil lower right. Inscribed verso 'UHL 4010'. Pinholes in the corners. Provenance: Private collection Düsseldorf.MAX UHLIG 1937 Dresden FRONTAL FRAUENBILDNIS (1995) India ink, opaque white on tinted Japanese paper. 63.3 x 57.5 cm. Signed and dated in pencil lower right. Inscribed 'UHL 4010' verso. Pinholes in the corners. Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JEAN-CHARLES BLAIS TRIPTYCHON 'OHNE TITEL' (1989)
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JEAN-CHARLES BLAIS 1956 Nantes, France TRIPTYCH 'UNTITLED' (1989) Mixed media, part. collage on paper. 100 x 70 cm resp. 100 x 85 cm resp. 96 x 70 cm (f. each 125 x 100 cm). Part. signed and dated in pencil. Verso each with adhesive label Galerie Buchmann, Basel. Each framed behind glass (unopened).JEAN-CHARLES BLAIS 1956 Nantes, France TRIPTYCHON 'OHNE TITEL' (1989) Mixed media, partly collage on paper. 100 x 70 cm and 100 x 85 cm and 96 x 70 cm (R. 125 x 100 cm each). Partly signed and dated in pencil. With adhesive label Galerie Buchmann, Basel, verso. Each framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS 'KREUZ' (C. 1950/51)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'CROSS' (C. 1950/51) Bronze, with darkbrown patina. L. 19,5 cm, w. 12,5 cm, weight. 0,625 kg. Multiple embossing in the shape of a cross on the reverse. Minimally with traces of oxidation. 'Cross (ca. 1950/51)' in the collection Provenance: Ehlen Collection, Bonn. listed. Compare the literature on the Kleve example, among others: In the literature, the bronze 'Kreuz (ca. 1950/51)' in the Museum Kurhaus Kleve collection is the only known version in a public collection to date. - 'Das Kreuz als Universalzeichen bei Joseph Beuys', ed. by Wouter Kotte, Ursula Refer to the literature on the Kleve example, e.g.: - 'Kreuz Zeichen. Religiöse Grundlagen im Werk von Joseph Beuys', exh.-cat. Aachen/Ratingen 1985/1986, cat.-no. 13, ill. no. 15, p. 24, p. 104; - 'Das Kreuz als Universalzeichen bei Joseph Beuys', ed. by Wouter Kotte, Ursula Mildner, Stuttgart 1986, without page numbers; - 'Joseph Beuys. Sculptures and Objects', exh.-cat. Martin-Gropius Bau, Berlin 1988, ed. by Heiner Bastian, ill. p. 121, cat.-no. 7, p. 232; - Exh.-cat. 'Getlinger photographiert Beuys 1950 - 1963', ed. by Dumont Buchverlag, on the occasion of the exhibition in Städtisches Museum Kalkar (14. October - 11. November 1990), Kalkar 1990, ill. p. 31; - 'Mein Rasierspiegel - Von Holthuys bis Beuys', ed. by Guido de Werd on behalf of the Freundeskreises Museum Kurhaus and Koekkoek-Haus Kleve e.V., on the occasion of the exhibition in Museum Kurhaus Kleve (September 9, 2012 - January 13, 2013), Kleve 2012, p. 294f, ill. p. 238, no. 2.38; - 'Joseph Beuys. Werklinien', ed. v. Valentina Vlasic, published by Freundeskreis Museum Kurhaus and Koekkoek-Haus Kleve e.V., on the occasion of the exhibition in Museum Kurhaus Kleve (May 1 - September 4, 2016), Kleve 2016, p. 274, ill. p. 188, no. 32. with the decision to volunteer for the military in 1941. He completed a Joseph Beuys was born in Krefeld in 1921. He spent his youth in Kleve and received a Catholic education. He abandoned his plan to study medicine and decided to volunteer for military service in 1941. He trained first as a radio operator and then as a fighter pilot. In 1944, Beuys was shot down over the Crimea. The crash and the subsequent period of recovery inspired him to create a legend, which is said to explain his turn to the materials fat and felt. Back home, he began his studies at the Düsseldorf Art Academy in 1947. He attended the sculpture class, first with Josef Enseling and then with Ewald Mataré, whose master student he became in 1952. The cross motif is central to Joseph Beuys' work. Like the works made of felt and fat, it forms an important starting point for clarifying his theory of the sculptural and his expanded concept of art (cf. Horst 1998). During his time as a student at the Düsseldorf Art Academy, Beuys focused on the central themes of the figure of Christ and the motif of the cross. The influence of his teacher Ewald Mataré is evident here, who at this time accepted numerous ecclesiastical commissions in which Beuys was involved, including the south portal of Cologne Cathedral and the west window of Aachen Cathedral. The bronze cross presented here dates from the first phase of Joseph Beuys's work, during which he created a series of sculptural works, including hand crosses, processional crosses, tombstones with crosses and, in 1958, the cross for the Büderich memorial as well as numerous drawings. To date, the bronze cross from 1950/1951, which is on permanent loan from the Fritz Getlinger family to the Museum Kurhaus collection in Kleve, is the only known example in a public collection. In addition to the bronze version, there is also a plaster cast in the Kleve collection. The version of the cross presented here for the first time on the auction market comes from the Rhenish private collection of Dr. Ehlen in Bonn. rheinische Privatsammlung Dr. Ehlen in Bonn. The bronze cross shows the body of Christ The bronze cross shows the body of Christ in the form of a cross, without visible beams behind it. The body with its outstretched arms and slightly bent legs gives the figure a slightly floating appearance, which shows the motif of the resurrection. The head tilted upwards to the side emphasizes the upward character of the depiction. The mark on the chest resembles the depiction of a dove, as Beuys chose for the resurrected Christ in the tomb for Gerhard and Maria van der Grinten in 1961. The notched lines can be interpreted as robe lines. On the back of the bronze cross, signs in the shape of a cross can be recognized in the area of the head, the heart and the legs. In the literature, the bronze cross is described as a decorative cross for a baptismal font (cf. Kotte/Mildner 1986, p. 36). Beuys's early exploration of the depictions of Christ is an "attempt to adapt to Beuys's early exploration of the depictio
JOSEPH BEUYS 'KLAUS STAECK GEBOHNERT' (1974)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'KLAUS STAECK GEBOHNERT' (1974) Multiple, postcard, reworked with shoe polish, on grey cardboard. Postcard 10.5 x 14.5 cm (f. 72.5 x 52.5 cm). Signed and numbered lower center '27/150'. Mounted and framed behind glass (unopened). Literature: Schellmann 118. Provenance: Private collection Frankfurt am Main.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'KLAUS STAECK GEBOHNERT' (1974) Multiple postcard, reworked with shoe polish, on gray cardboard. Postcard 10.5 x 14.5 cm (R. 72.5 x 52.5 cm). Signed and numbered '27/150' in pencil lower center. Framed in passepartout and behind glass (unopened). Literature: Schellmann 118. Provenance: Private collection Frankfurt am Main.
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS 'HIRSCHGALVANISMUS' (1985)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'HIRSCHGALVANISM' (1985) Color silkscreen on Schoeller-Durex (with blindstamp). Sheet size 70 x 49.5 cm (f. 76.5 x 57 x 2.5 cm). Hand-signed 'Jospeh Beuys' and copy number '115/120' on the left side. Minimally stained. Framed behind glass. Literature: Schellmann 551. Provenance: Private collection Frankfurt am Main.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'HIRSCHGALVANISM' (1985) Color silkscreen on Schoeller-Durex (with dry stamp). BM 70 x 49.5 cm (R. 76.5 x 57 x 2.5 cm). Hand-signed 'Jospeh Beuys' and copy number '115/120' on the left side. Minimally stained. Framed behind glass. Literature: Schellmann 551. Provenance: Private collection Frankfurt am Main.
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS 'SCHAMANENTROMMEL' (1985)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'SHAMAN DRUM' (1985) Colour etching and aquatint on grey handmade paper. Print size 8.5 x 13.9 cm, sheet size 37.4 x 28.5 cm (mount 40 x 30 cm). Signed by hand and numbered '5/75' lower right. Mounted in a passepartout. Literature: Schellmann 532. Provenance: Private collection Düsseldorf.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'SCHAMANENTROMMEL' (1985) Color etching and aquatint on grey laid paper. DM 8.5 x 13.9 cm, BM 37.4 x 28.5 cm (mat 40 x 30 cm). Hand-signed and numbered '5/75' lower right. Mounted in passepartout. Literature: Schellmann 532 Provenance: Private collection Düsseldorf.
Please note that this object is subject to a 2% surcharge on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS 'DR. SPECK MULTIPLE' (1975)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'DR. SPECK MULTIPLE' (1975) Offset lithograph on smooth cardboard, published by Kasseler Kunstverein. 84 x 59.5 cm. Upper left handsigned, with stamp 'Dr. Speck Multiple' numbered '42/100'. Part. min. with crease marks, part. rubbed at margins. Unframed. Literature: Schellmann 150. Provenance: Private collection Essen.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf 'DR. SPECK MULTIPLE' (1975) Offset lithograph on smooth card, published by Kasseler Kunstverein. 84 x 59.5 cm. Hand-signed upper left, numbered '42/100' with stamp 'Dr. Speck Multiple'. Part. min. with traces of creasing, part. rubbed at margins. Unframed. Literature: Schellmann 150 Provenance: Private collection Essen.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS '7000 QUERCE (EICHEN)' (1984)
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf '7000 QUERCE (EICHEN)' (1984) Color offset on light cardboard. Sheet size 39.5 x 31.5 cm (f. 80 x 43 x 2.5 cm). Hand-signed and numbered '144/155' in the center. Verso: Part. fixed with adhesive tape. Published by Edizioni Lucrezia De Domizio, Pescara. Framed behind glass, both sides visible (unopened). Hsg. Edizioni Lucrezia De Domizio, literature: Schellmann 487. visible (unopened). Provenance: Private collection Düsseldorf.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf '7000 QUERCE (EICHEN)' (1984) Color offset on light card. BM 39.5 x 31.5 cm (R. 80 x 43 x 2.5 cm). Hand-signed and numbered '144/155' in the center. Verso: Part. fixed with adhesive tape. Published by Edizioni Lucrezia De Domizio, Pescara. Framed behind glass, both sides visible (unopened). Literature: Schellmann 487 Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS SONNENSCHLITTEN
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf SUN SLEDGE Color offset. Visible size 9.5 x 8 cm (F. 22 x 21 cm). Signed. Framed behind glass.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf SUN SLEDGE Color offset. SM 9.5 x 8 cm (R. 22 x 21 cm). Signed. Framed behind glass.
JOSEPH BEUYS LAßT BLUMEN SPRECHEN
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf LET FLOWERS SPEAK Multiple. 10 x 15 cm (F. 25 x 34.5 cm). Signed in pencil. Framed behind glass.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf LET FLOWERS SPEAK Multiple. 10 x 15 cm (R. 25 x 34.5 cm). Signed in pencil. Framed behind glass.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOSEPH BEUYS SIGNIERTES AUSSTELLUNGSPLAKAT 'WASSERFARBEN 1936-1963'
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JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf SIGNED EXHIBITION POSTER 'WASSERFARBEN 1936-1963' Offset lithograph on paper. Sheet size 60.5 x 80.5 cm (f. 65.5 x 97 cm). Signed in pencil lower left. Part. min. with crease marks. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.JOSEPH BEUYS 1921 Krefeld - 1986 Düsseldorf SIGNED EXHIBITION POSTER 'WASSERFARBEN 1936-1963' Offset lithograph on paper. BM 60.5 x 80.5 cm (R. 65.5 x 97 cm). Signed in pencil lower left. Part. min. with traces of creasing. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
A.R. PENCK 'O.A.T.Mi' (1986)
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A.R. PENCK 1939 Dresden - 2017 Zurich 'O.A.T.Mi' (1986) Color lithograph on vellum. Print size 53 x 69 cm, sheet size 63 x 81 cm (f. 71 x 101 cm). Signed in pencil lower right and numbered lower left '3/35'. Framed behind glass (unopened). Expertise: With copy of invoice Maximilian Verlag - Sabine Knust, Munich (May 1988). Provenance: Private collection Düsseldorf.A.R. PENCK 1939 Dresden - 2017 Zurich 'O.A.T.Mi' (1986) Color lithograph on wove paper. DM 53 x 69 cm, BM 63 x 81 cm (R. 71 x 101 cm). Signed in pencil lower right and numbered '3/35' lower left. Framed behind glass (unopened). Expertise: With copy of the invoice Maximilian Verlag - Sabine Knust, Munich (May 1988). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
A.R. PENCK 'KOPF'
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A.R. PENCK 1939 Dresden - 2017 Zurich 'HEAD' Colored crayon on textured paper. 32 x 24 cm (f. 69 x 59 x 3 cm). Signed 'Ar Penck' lower right. Good condition. Inserted into a passe-partout and framed behind glass (unopened). Provenance: Rhenish private collection.A.R. PENCK 1939 Dresden - 2017 Zurich 'KOPF' Color chalk on textured paper. 32 x 24 cm (R. 69 x 59 x 3 cm). Signed 'Ar Penck' lower right. Good condition. Mounted in a passepartout and framed behind glass (unopened). Provenance: Rhenish private collection.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
A.R. PENCK DOPPELSEITIGE ZEICHNUNG (KOPFSTUDIE / OHNE TITEL)
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A.R. PENCK 1939 Dresden - 2017 Zurich DOUBLE-SIDED DRAWING (HEAD STUDY / UNTITLED) Ink on paper. Visible size 28.5 x 20 cm (f. 53 x 40.5 cm). Part. signed lower center, part. inscribed '66'. Slightly browned. Mounted and framed behind glass (unopened; viewable from both sides). Provenance: Private collection Ruhr area.A.R. PENCK 1939 Dresden - 2017 Zurich DOUBLE SIDED DRAWING (HEAD STUDY / WITHOUT TITLE) Ink on paper. SM 28.5 x 20 cm (R. 53 x 40.5 cm). Partly signed lower center, partly inscribed '66'. Slightly browned. Framed in passepartout and behind glass (unopened; viewable from both sides). Provenance: Private collection Ruhrgebiet.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
A.R. PENCK OHNE TITEL (SITZENDE)
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A.R. PENCK 1939 Dresden - 2017 Zurich UNTITLED (SITTING FEMALE) Watercolour, coloured pencil on paper. Visible size 28 x 19.5 cm (f. 54 x 42 cm). Signed lower right and illegibly inscribed. Handwritten text verso. Slightly browned. Mounted and framed behind glass (unopened). Provenance: Private collection Ruhr area.A.R. PENCK 1939 Dresden - 2017 Zurich WITHOUT TITLE (SITENDE) Watercolor on paper. SM 28 x 19.5 cm (R. 54 x 42 cm). Signed lower right and indistinctly inscribed. Handwritten text verso. Slightly browned. Framed in passepartout and behind glass (unopened). Provenance: Private collection Ruhrgebiet.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
MARKUS LÜPERTZ 'GRÜNES HAUS' (1982)
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MARKUS LÜPERTZ 1941 Reichenberg - lives and works in Düsseldorf 'GRÜNES HAUS' (1982) Color lithograph on vellum. Print size 97 x 80 cm, sheet size 100 x 80 cm (f. 105,5 x 85,5 cm). Monogrammed lower right and numbered lower left 'I 41/50'. Slightly browned at the margins. Fixed on cardboard and framed behind glass(unopened). Provenance: Bergische corporate collection.MARKUS LÜPERTZ 1941 Reichenberg - lives and works in Düsseldorf 'GRÜNES HAUS' (1982) Color lithograph on wove paper. DM 97 x 80 cm, BM 100 x 80 cm (R. 105.5 x 85.5 cm). Monogrammed lower right and numbered 'I 41/50' lower left. Slightly browned in the margins. Mounted on card and framed behind glass (unopened). Provenance: Bergische corporate collection.
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
SIGMAR POLKE 'MU NIELTNAM NETORRUPRUP' (1975)
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SIGMAR POLKE 1941 Oels (Lower Silesia) - 2010 Cologne 'MU NIELTNAM NETORRUPRUP' (1975) Color offset on paper. Sheet size 70 x 49.5 cm (f. 81 x 61 x 2 cm). Hand-signed lower right 'S. Polke', lower left copy number '6/75'. Upper left corner with creases. Framed behind glass (unopened).SIGMAR POLKE 1941 Oels (Lower Silesia) - 2010 Cologne 'MU NIELTNAM NETORRUPRUP' (1975) Color offset on paper. BM 70 x 49.5 cm (R. 81 x 61 x 2 cm). Hand-signed lower right 'S. Polke' lower right, copy number '6/75' lower left. Upper left corner with crease. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
SIGMAR POLKE 'PREISVERGLEICH' (2001)
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SIGMAR POLKE 1941 Oels (Lower Silesia) - 2010 Cologne 'PRICE COMPARISON' (2001) Color offset on paper. Visible size 101 x 69 cm (f. 104.5 x 72.5 x 3 cm). Hand-signed and dated 'Sigmar Polke 2001' and copy number '51/75' lower right. Good condition. Framed behind glass (unopened).SIGMAR POLKE 1941 Oels (Lower Silesia) - 2010 Cologne 'PREISVERGLEICH' (2001) Color offset on paper. SM 101 x 69 cm (R. 104.5 x 72.5 x 3 cm). Signed and dated 'Sigmar Polke 2001' lower right and copy number '51/75'. Good condition. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GEORG BASELITZ '1001 NACHT - DIE GESCHICHTE DES LASTTRÄGERS UND DER DREI DAMEN' (1995)
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GEORG BASELITZ 1938 Deutschbaselitz, Saxony '1001 NIGHTS - DIE STORY OF THE LOAD CARRIER AND THE THREE LADIES' (1995) 4 color aquatint etchings on BFK-Rives and book in slipcase. Sheet size 42 x 29.5 cm (f. 60.5 x 47.5 x 3 cm). Good condition, slipcase slightly dirty. Inserted into passe-partouts and framed behind glass (unopened).GEORG BASELITZ 1938 Deutschbaselitz, Sachsen '1001 NACHT - DIE GESCHICHTE DES LASTTRÄGERS UND DER DREI DAMEN' (1995) 4 color aquatint etchings on BFK-Rives and book in slipcase. BM 42 x 29.5 cm (R. 60.5 x 47.5 x 3 cm). Good condition; slipcase slightly soiled. Mounted in passepartouts and framed behind glass (unopened).
GEORG BASELITZ 'ROMANTIK I' (1999)
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GEORG BASELITZ 1938 Deutschbaselitz, Sachsen 'ROMANTIK I' (1999) Etching with color aquatint. Print size 43 x 33 cm, BM 76 x 57 cm (f. 81.5 x 61 cm). Signed and dated lower right and num. '3/20' lower left. Framed behind glass (unopened). Signed and dated lower right and Provenance: Private collection Niedersachsen.GEORG BASELITZ 1938 Deutschbaselitz, Sachsen 'ROMANTIK I' (1999) Etching with color aquatint. DM 43 x 33 cm, SM 77 x 57 cm (R. 61 x 81.5 cm). Signed and dated lower right and numbered '3/20' lower left. Framed behind glass (unopened). Provenance: Private collection, Lower Saxony.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GEORG BASELITZ 'HIRSCH' (1999)
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GEORG BASELITZ 1938 Deutschbaselitz, Sachsen 'STAG' (1999) Etching and color aquatint. Print size 23.5 x 16 cm, sheet size 58 x 45 cm (f. 63.5 x 50.5 cm). Signed and dated lower right and numbered lower left '19/20'. Framed behind glass (unopened). and numbered '19/20' lower left. Hinter Provenance: Private collection Niedersachsen.GEORG BASELITZ 1938 Deutschbaselitz, Saxony 'HIRSCH' (1999) Etching and color aquatint. DM 23.5 x 16 cm, BM 58 x 45 cm (R. 63.5 x 50.5 cm). Signed and dated lower right and numbered '19/20' lower left. Framed behind glass (unopened). Provenance: Private collection, Lower Saxony.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GEORG BASELITZ 'MELANCHOLIE - 4 ROSEN' (1999)
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GEORG BASELITZ 1938 Deutschbaselitz, Sachsen 'MELANCHOLY - 4 ROSES' (1999) Etching and aquatint on BFK Rives, with watermark. Print size 43 x 33 cm, sheet size 66 x 50 cm. Signed and dated lower right and num. lower left '18/20'. Very good condition. Unframed. dated and numbered lower left '18/20'. Provenance: Private collection Niedersachsen.GEORG BASELITZ 1938 Deutschbaselitz, Saxony 'MELANCHOLIE - 4 ROSEN' (1999) Etching and aquatint on BFK Rives, with watermark. DM 43 x 33 cm, BM 66 x 50 cm. Signed and dated lower right and numbered '18/20' lower left. Very good condition. Unframed. Provenance: Private collection Lower Saxony.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF SIGNIERTES PLAKAT 'BRING AGAIN' (1983)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf SIGNED POSTER 'BRING AGAIN' (1983) Offset lithograph on paper. Sheet size 85 x 62 cm (f. 102 x 76.5 cm). Signed lower right. On the occasion of the exhibition in Kastrupgardsamlingen, Denmark 1983. Framed behind glass (unopened). Provenance: Collection Oganisation for homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf SIGNED PLAKAT 'BRING AGAIN' (1983) Offset lithograph on paper. BM 85 x 62 cm (R. 102 x 76.5 cm). Signed lower right. On the occasion of the exhibition in the Kastrupgardsamlingen, Denmark 1983. Framed behind glass (unopened). Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'ALLES WAS IHR VON MIR BEKOMMT' (1990)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf EVERYTHING YOU GET FROM ME' (1990) Color offset on paper. Sheet size 64 x 45 cm, print size 59.5 x 42 cm (f. 73 x 53 x 3 cm). Hand-signed and dated 'Immendorff (19)90' lower right. Very minimal damage to the edges. Framed behind glass (unopened). Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'ALLES WAS IHR VON MIR BEKOMMT' (1990) Color offset on paper. BM 64 x 45 cm, DM 59.5 x 42 cm (R. 73 x 53 x 3 cm). Signed and dated 'Immendorff (19)90' lower right. Minimally chipped in the margins. Framed behind glass (unopened). Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'SELBSTBILDNIS' (1996)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'SELF PORTRAIT' (1996) Color offset on paper. Sheet size 57.5 x 59 cm (f. 85 x 65 x 1.5 cm). Hand-signed 'Immendorff' lower right. Crease marks. Framed behind glass. Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'SELBSTBILDNIS' (1996) Color offset on paper. BM 57.5 x 59 cm (R. 85 x 65 x 1.5 cm). Hand-signed 'Immendorff' lower right. Traces of creasing. Framed behind glass. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de) .
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'TRUE LOVE' (1995)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'TRUE LOVE' (1995) from: The Rake's Family Lithograph on laid paper. Visible size 139 x 99 cm (f. 146 x 106 cm). Signed lower right in pencil and num. lower left '15/33'. Framed behind glass (unopened). Literature: Reifenscheid/Geuer 1995.1.4. Provenance: Private collection Düsseldorf.JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'TRUE LOVE' (1995) from: The Rake's Family Lithograph on laid paper. SM 139 x 99 cm (R. 146 x 106 cm). Signed in pencil lower right and numbered '15/33' lower left. Framed behind glass (unopened). Literature: Reifenscheid/Geuer 1995.1.4 Provenance: Private collection Düsseldorf.
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'ANNA TRUE LOVE' (1995)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'ANNA TRUE LOVE' (1995) from: The Rake's Family Lithograph on laid paper. Visible size 139 x 99 cm (f. 146 x 106 cm). Signed and dated lower right in pencil and num. '15/33'. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'ANNA TRUE LOVE' (1995) from: The Rake's Family Lithograph on laid paper. SM 139 x 99 cm (R. 146 x 106 cm). Signed and dated in pencil lower right and numbered '15/33' lower left. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'WÄCHTER' (1998)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'GUARDIAN' (1998) Color silkscreen on paper. Print size 68 x 55 cm (f. 112 x 84 x 3 cm). Hand-signed 'Immendorff (19)98' lower right, copy number 'e.a.' lower left. Slightly wavy, creases, slightly stained. Framed behind glass (unopened). Provenance: Collection Organisation for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'WÄCHTER' (1998) Color serigraph on paper. DM 68 x 55 cm (R. 112 x 84 x 3 cm). Signed 'Immendorff (19)98' lower right, copy number 'e.a.' lower left. Slightly wavy, traces of creasing, slightly stained. Framed behind glass (unopened). Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de) .
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÖRG IMMENDORFF 'CAFE DE FLORE' (1992)
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JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'CAFE DE FLORE' (1992) Multiple, serigraph on silk, edition produced by Martina Pinkenburg. 144 x 189 cm. Signed and dated upper right 'Immendorff '(19)92' and lower right unten signed and dated in print 'Immendorff (19)91/90', labelled '049'.JÖRG IMMENDORFF 1945 Bleckede - 2007 Düsseldorf 'CAFE DE FLORE' (1992) Multiple, serigraph on silk, edition produced by Martina Pinkenburg. 144 x 189 cm. Signed and dated 'Immendorff '(19)92' upper right as signed and dated 'Immendorff (19)91/90' lower right in the print, with label inscribed '049'.
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GERHARD RICHTER PLAKAT 'COLLECTION OF CONTEMPORARY ART'
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GERHARD RICHTER 1932 Dresden - lives and works in Cologne and Düsseldorf POSTER 'COLLECTION OF CONTEMPORARY ART' Color offset on paper. 62x80x1.5cm. Hand-signed and dated 'Richter Oct. 3, 2014' lower right. Good condition. Slide on Alu-Dibond. Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).GERHARD RICHTER 1932 Dresden - lives and works in Cologne and Düsseldorf PLAKAT 'COLLECTION OF CONTEMPORARY ART' Color offset on paper. 62 x 80 x 1.5 cm. Signed and dated 'Richter 3. Okt. 2014' lower right. Good condition. Diasec on aluminum dibond. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% on the hammer price is to be paid for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GERHARD RICHTER AUSSTELLUNGSPLAKAT 'ÜBERMALTE FOTOGRAFIEN' (2008/09)
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GERHARD RICHTER 1932 Dresden - lives and works in Cologne and Düsseldorf EXHIBITION POSTER 'OVERPAINTED PHOTOGRAPHS' (2008/09) Color offset on paper. Visible size 118 x 83.5 cm (f. 122.5 x 87 x 3 cm). Signed 'Richter' lower right. Poster for the exhibition 'Overpainted Photographs' in the Museum Morsbroich, Leverkusen, from October 17th, 2008 to January 18th, 2009. Crease marks. Framed behind glass (unopened). Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).GERHARD RICHTER 1932 Dresden - lives and works in Cologne and Düsseldorf EXHIBITION POSTER 'ÜBERMALTE FOTOGRAFIEN' (2008/09) Color offset on paper. SM 118 x 83.5 cm (R. 122.5 x 87 x 3 cm). Signed 'Richter' lower right. Poster for the exhibition 'Übermalte Fotografien' at Museum Morsbroich, Leverkusen, from 17.10.2008 to 18.01.2009. Traces of creasing. Framed behind glass (unopened). Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de) .
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
THOMAS SCHÜTTE 'FÜR AUSSEN. ZEHN GROSSE STÜCKE' (1987)
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THOMAS SCHÜTTE 1954 Oldenburg 'FOR OUTDOORS. TEN LARGE PIECES' (1987) 10 color serigraphs on vellum, Produzentengalerie, Hamburg. Each print size approx. 56 x 42 cm, visible size 60 x 46 cm (f. each 90,5 x 66,5 x 3,5 cm). Each signed and dated. Each individually mounted in a passepartout and framed behind glass (unopened). Provenance: Corporate collection North Rhine-Westphalia.THOMAS SCHÜTTE 1954 Oldenburg 'FÜR AUSSEN. ZEHN GROSSE STÜCKE' (1987) 10 color silkscreens on wove paper, Produzentengalerie, Hamburg. Each. DM approx. 56 x 42 cm, SM 60 x 46 cm (R. each 90, each signed and dated. Each individually mounted in passepartout and framed behind glass (unopened). Provenance: Corporate collection North Rhine-Westphalia.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CLAES OLDENBURG 'MUSEUM A LA MODE' (1994)
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CLAES OLDENBURG 1929 Stockholm - 2022 New York 'MUSEUM A LA MODE' (1994) from the portfolio 'MMK Achenbach Art Edition' Color offset lithograph on light cardboard. Print size 45 x 36 cm, sheet size 99 x 68.5 cm (f. 106.5 x 67.5 cm). Signed by hand in pencil lower right and num. lower left '110/175'. Framed behind glass (unopened). Provenance: Private collection Frankfurt am Main.CLAES OLDENBURG 1929 Stockholm - 2022 New York 'MUSEUM A LA MODE' (1994) from the portfolio 'MMK Achenbach Art Edition' Color offset lithograph on light card. DM 45 x 36 cm, BM 99 x 68.5 cm (R. 106.5 x 67.5 cm). Signed in pencil lower right and numbered '110/175' lower left. Framed behind glass (unopened). Provenance: Private collection Frankfurt am Main.
STEPHAN BALKENHOL 'MANN MIT PAPAGEI' (1994)
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STEPHAN BALKENHOL 1957 Fritzlar 'MAN WITH PARROT' (1994) Color lithograph on Fabriano. Print size 46 x 32 cm, sheet size 100 x 70 cm (f. 106,5 x 76,5 cm). Handsigned in pencil and dated '1994' lower right and num. lower left '110/175'. Minimally foxed. Framed behind glass (unopened). Provenance: Private collection Frankfurt am Main.STEPHAN BALKENHOL 1957 Fritzlar 'MAN MIT PAPAGEI' (1994) Color lithograph on Fabriano. DM 46 x 32 cm, BM 100 x 70 cm (R. 106.5 x 76.5 cm). Signed and dated '1994' in pencil lower right and numbered '110/175' lower left. Minimally foxing. Framed behind glass (unopened). Provenance: Private collection Frankfurt am Main.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE KONVOLUT VON DREI SIGNIERTEN GRAFIKEN ('WRAPPED REICHSTAG' / 'THE GATES')
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CHRISTO & JEANNE-CLAUDE 1935 Gabrovo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City SET OF 3 SIGNED PRINTS ('WRAPPED REICHSTAG' / 'THE GATES') Each offset lithograph on paper. Sheet size 70 x 80 cm (f. 77.5 x 108 cm); 84 x 59 cm (f. 100 x 70 cm); 60 x 84 cm (f. 98.5 x 68.5 cm). Each signed with colored pencil 'Christo'. Part. min. browned, part. stained, part. slightly wavy. Each framed behind glass (unopened). Provenance: Private collection Düsseldorf. Provenance: Private collection Düsseldorf.CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City CONVOLUTION OF THREE SIGNED GRAPHICS ('WRAPPED REICHSTAG' / 'THE GATES') Jew Offset lithograph on paper. BM 70 x 80 cm (R. 77.5 x 108 cm); 84 x 59 cm (R. 100 x 70 cm); 60 x 84 cm (R. 98.5 x 68.5 cm). Each signed 'Christo' in colored pencil. Partly slightly browned, partly stained, partly slightly wavy. Each framed behind glass (unopened). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 'WRAPPED REICHSTAG'
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CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'WRAPPED REICHSTAG' Offset lithograph. Print size 87 x 98 cm, visible size 99 x 109 cm (f. 112 x 122.5 cm). Signed lower right in colored pencil 'Christo'. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'WRAPPED REICHSTAG' Offset lithograph. DM 87 x 98 cm, SM 99 x 109 cm (R. 112 x 122.5 cm). Signed 'Christo' in colored pencil lower right. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 'WRAPPED REICHSTAG'
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CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria and Casablanca - 2009 and 2020 New York City 'WRAPPED REICHSTAG' Color offset on paper. Print size 69.5 x 59 cm (f. 85 x 74.5 x 2 cm). Hand-signed 'Christo' lower right. Minimal traces of creases. Framed behind glass. Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'WRAPPED REICHSTAG' Color offset on paper. DM 69.5 x 59 cm (R. 85 x 74.5 x 2 cm). Hand-signed 'Christo' lower right. Minimal traces of creasing. Framed behind glass. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de) .
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 'WRAPPED REICHSTAG, PROJECT FOR BERLIN' (1994) MIT STOFFPROBE
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CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'WRAPPED REICHSTAG, PROJECT FOR BERLIN' (1994) WITH FABRIC SAMPLE Offset lithograph on light cardboard, published Schumacher Edition Fils, Düsseldorf. Print size 28 x 21.5 cm, sheet size 40 x 30 cm (f. 40.5 x 30.5 cm). Signed lower right. Minimally stained. Frames behind glass. Provenance: Private collection Ruhr area.CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'WRAPPED REICHSTAG, PROJECT FOR BERLIN' (1994) MIT STOFFPROBE Offset lithograph on light cardboard, published by Schumacher Edition Fils, Düsseldorf. DM 28 x 21.5 cm, BM 40 x 30 cm (R. 40.5 x 30.5 cm). Hand-signed lower right. Part. stained. Framed behind glass. Provenance: Private collection Ruhrgebiet.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CHRISTO & JEANNE-CLAUDE 'PACKAGE ON A 'HUNT' - PROJECT FOR GOSLAR' (1988)
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CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria and Casablanca - 2009 and 2020 New York City 'PACKAGE ON A 'HUNT' - PROJECT FOR GOSLAR' (1988) Color offset on paper. Visible size 99.5 x 69.5 cm (f. 101 x 71 x 2.5 cm). Hand-signed 'Christo' and dedicated 'Für Dr. Schirnig' at the bottom right. Good condition. Framed behind glass (unopened).CHRISTO & JEANNE-CLAUDE 1935 Gabrowo, Bulgaria resp. Casablanca - 2009 resp. 2020 New York City 'PACKAGE ON A 'HUNT' - PROJECT FOR GOSLAR' (1988) Color offset on paper. SM 99.5 x 69.5 cm (R. 101 x 71 x 2.5 cm). Hand-signed 'Christo' lower right and dedicated 'Für Dr. Schirnig'. Good condition. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JAMES RIZZI 'TAXI' (1988)
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JAMES RIZZI 1950 New York - 2011 ibid. 'TAXI' (1988) 3-D lithograph. 15.5 x 20 cm (f. 43.5 x 46.5 cm). Signed lower left, titled in the middle and numbererd '179/250' and dated lower right. Mounted in passepartout and framed behind glass (unopended).JAMES RIZZI 1950 New York - 2011 ibid. 'TAXI' (1988) 3-D lithograph. 15.5 x 20 cm (R. 43.5 x 46.5 cm). Signed lower left, titled lower center and numbered '179/250' and dated lower left. Framed in passepartout and behind glass (unopened).
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JAMES RIZZI 'GOOD DAY' (1987)
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JAMES RIZZI 1950 New York - 2011 ibid. 'GOOD DAY' (1987) 3-D lithograph. 10.5 x 13 cm (f. 44 x 46 cm). Signed lower left, titled in the center and numbered '122/175' and dated lower right. Mounted in a passepartout and framed behind glass (unopened).JAMES RIZZI 1950 New York - 2011 ibid. 'GOOD DAY' (1987) 3-D lithograph. 10.5 x 13 cm (R. 44 x 46 cm). Signed lower left, titled in the center and numbered '122/175' and dated lower right. Framed in passepartout and behind glass (unopened).
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JAMES RIZZI 'A CENTRAL PARK FOR LOVERS' (2005)
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JAMES RIZZI 1950 New York - 2011 ibid. 'A CENTRAL PARK FOR LOVERS' (2005) 3-D lithograph. 13 x 13 cm (f. 35 x 23 cm). Signed lower right, title printed lower center, numbered lower right '182/350' and dated. Frame verso with adhesive label Galerie Voigt, Nuremberg. Framed in passepartout and behind glass (unopened). (unopened). Expertise: With copy of invoice Galerie Voigt, Nuremberg (December 2006).JAMES RIZZI 1950 New York - 2011 ibid. 'A CENTRAL PARK FOR LOVERS' (2005) 3-D lithograph. 13 x 13 cm (R. 35 x 23 cm). Signed lower right, titled in the center of the print and numbered '182/350' lower right and dated in the print. Frame verso with adhesive label Galerie Voigt, Nuremberg. Framed in passepartout and behind glass (unopened). Expertise: With copy of the invoice Galerie Voigt, Nuremberg (December 2006).
Please note that a flat-rate fee of 2% of the hammer price is payable for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JAMES RIZZI 'A VILLAGE FOR THE WORLD - CENTENNIAL OLYMPIC GAMES - 19.7. - 4.8.1996'
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JAMES RIZZI 1950 New York - 2011 ibid. 'A VILLAGE FOR THE WORLD - CENTENNIAL OLYMPIC GAMES - 19.7. - 4.8.1996' Color offset on paper. Visible size 102 x 71.5 cm (f. 126 x 95 x 3.5 cm). Hand-signed 'Rizzi' lower right. Good condition. Framed in a passepartout and behind glass (unopened).JAMES RIZZI 1950 New York - 2011 ibid. 'A VILLAGE FOR THE WORLD - CENTENNIAL OLYMPIC GAMES - 19.7. - 4.8.1996' Color offset on paper. SM 102 x 71.5 cm (R. 126 x 95 x 3.5 cm). Hand-signed 'Rizzi' lower right. Good condition. Framed in a passepartout and behind glass (unopened).
CHARLES FAZZINO 'MANHATTAN MANIA'
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CHARLES FAZZINO 1955 New York - lives and works there 'MANHATTAN MANIA' 3D color silkscreen on paper. Print size 32.5 x 21.5 cm (f. 64 x 51 x 3 cm). Hand-signed 'Charles Fazzino' lower right, titled 'Manhattan Mania' lower middle, copy number '225/475' lower left. Good condition. Framed in a passe-partout and behind glass (unopened). Provenance: Lower Rhine private property.CHARLES FAZZINO 1955 New York - lives and works in New York 'MANHATTAN MANIA' 3-D color silkscreen on paper. DM 32.5 x 21.5 cm (R. 64 x 51 x 3 cm). Hand-signed 'Charles Fazzino' lower right, titled 'Manhattan Mania' lower center, copy number '225/475' lower left. Good condition. Framed in a passepartout and behind glass (unopened). Provenance: Lower Rhine private collection.
FRIEDENSREICH HUNDERTWASSER 'IN GAMBA' (1990)
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FRIEDENSREICH HUNDERTWASSER 1928 Vienna - 2000 Pacific Ocean 'IN GAMBA' (1990) Color serigraph with metal embossing on Fabriano. Print size 67 x 45.5 cm, visible size 68 x 49 cm (f. 94.5 x 74 cm). Signed lower center, dated '30. Sept. (19)90', num. '285/905', and with two red stamps. Mounted and framed behind glass (unopened).FRIEDENSREICH HUNDERTWASSER 1928 Vienna - 2000 Pacific Ocean 'IN GAMBA' (1990) Color silkscreen with metal embossing on Fabriano. DM 67 x 45.5 cm, SM 68 x 49 cm (R. 94.5 x 74 cm). Signed lower center, dated '30. Sept. (19)90', numbered '285/905', and with two red stamps. Framed in passepartout and behind glass (unopened).
FRIEDENSREICH HUNDERTWASSER 'LEBEN UND WERK', 2 BÄNDE MIT FARBRADIERUNG
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FRIEDENSREICH HUNDERTWASSER 1928 Vienna - 2000 Pacific Ocean 'LIFE AND WORK', 2 VOLUMES WITH COLOUR ETCHING Book, 2 volumes, Hundertwasser 1928-2000, catalogue raisonné, Taschen 2000. 27,5 x 11,5 x 24 cm. Signed and numbered '87/10.000' in the frontispiece, with an enclosed color etching, with signature stamp an numbered '17/2000', in a decorative slipcase. Spine faded. Provenance: Private collection Niedersachsen.FRIEDENSREICH HUNDERTWASSER 1928 Vienna - 2000 Pacific Ocean 'LEBEN UND WERK', 2 BÄNDE MIT FARBRADIERUNG Book, 2 volumes, Hundertwasser 1928-2000, catalog raisonné, Taschen 2000. 27.5 x 11.5 x 24 cm. Signed and numbered '87/10.000' in the frontispiece in print, with an enclosed color etching, this with signature stamp and numbered '17/2000', in decorative slipcase. Spine faded. Provenance: Private collection Lower Saxony.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
PAUL MCCARTNEY 'LARGE YELLOW FACE'
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PAUL MCCARTNEY 1942 Liverpool 'LARGE YELLOW FACE' Colour lithograph on vellum, after a painting from 1990. Print size 50 x 50 cm, visible size 56 x 54 cm (f. 100,5 x 78,5 cm). Signed in pencil lower right and num. lower left '83/100' and signed and dated in print. Mounted and framed behind glass (unopened). (unopened). Provenance: Rhenish private collection.PAUL MCCARTNEY 1942 Liverpool 'LARGE YELLOW FACE' Color lithograph on wove paper, after a painting from 1990. DM 50 x 50 cm, SM 56 x 54 cm (R. 100.5 x 78.5 cm). Signed in pencil lower right and numbered '83/100' lower left as well as signed and dated in the print. Framed in passepartout and behind glass (unopened). Provenance: Rhenish private collection.
CHARLES WILP PAAR GRAFIKEN ('NO REST NO ENDING', 1998 / '3. OKTOBER 1990', 1990)
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CHARLES WILP 1932 Witten - 2005 Düsseldorf PAIR OF PRINTS ('NO REST NO ENDING', 1998 / '3. OKTOBER 1990', 1990) Each color lithograph on paper. 70 x 100 cm (f. 76.5 x 106.5 cm); 70 x 100 cm (f. 104 x 74 cm). Each signed, with dedication and inscribed. Each framed behind glass (unopened).CHARLES WILP 1932 Witten - 2005 Düsseldorf PAIR OF GRAPHICS ('NO REST NO ENDING', 1998 / '3. OKTOBER 1990', 1990) Jew. Color offset lithograph on paper. SM 70 x 100 cm (R. 76.5 x 106.5 cm); 70 x 100 cm (R. 104 x 74 cm). Each signed, with dedication and inscribed. Each framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
ROY LICHTENSTEIN 'SUNRISE' (1965)
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ROY LICHTENSTEIN 1923 New York - 1997 ibid. 'SUNRISE' (1965) Color offset lithograph on wove paper. Sheet size 46.5 x 61 cm (f. 74 x 89 x 1.5 cm). Hand-signed 'R. Lichtenstein' lower right. Verso: Label of the 'Dito Galerie-Kunsthandel Recklinghausen'. Slightly faded, browned, stained. Framed in a passpartout and behind glass.ROY LICHTENSTEIN 1923 New York - 1997 ibid. 'SUNRISE' (1965) Color offset lithograph on wove paper. BM 46.5 x 61 cm (R. 74 x 89 x 1.5 cm). Signed 'R. Lichtenstein' lower right. Verso: label of 'Dito Galerie-Kunsthandel Recklinghausen'. Slightly faded, browned, partially stained. Framed in a passepartout and behind glass.
ANDY WARHOL HANDSIGNIERTER AUSSTELLUNGSKATALOG 'WARHOL IL CENACOLO' (1987) UND SIGNIERTE AUSGABE 'INTERVIEW' (12/1986)
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ANDY WARHOL 1928 Pittsburgh - 1987 New York SIGNED EXHIBITION CATALOGUE 'WARHOL IL CENACOLO' (1987) AND SIGNED ISSUE OF 'INTERVIEW' (12/1986) Exhibition catalogue, Italian language; issue of the magazine 'Interview', English language. 21 x 30 cm resp. 41 x 27,5 cm. Exh.catalogue signed twice in felt-tip pen by Warhol; Interview issue signed by hand on the cover and with stampof the exhibition 'Il CENACOLO'. Age-appropriate condition, with traces of use, corners with slight creases, part. browned. Provenance: Rhenish private collection.ANDY WARHOL 1928 Pittsburgh - 1987 New York HANDSIGNED EXHIBITION CATALOG 'WARHOL IL CENACOLO' (1987) AND SIGNED EDITION 'INTERVIEW' (12/1986) Exhibition catalog, Italian language; issue of the magazine Interview, English language. 21 x 30 cm and 41 x 27.5 cm respectively. Exhibition catalog signed twice in felt-tip pen by Warhol; Interview edition signed by hand on the cover and with stamp of the exhibition 'Il CENACOLO'. Condition commensurate with age, with traces of use, corners with slight creases, partially slightly browned. Provenance: Rhenish private collection.
ANDY WARHOL 'INTERVIEW-COVER NOVEMBER - LACEY NEUHAUS' (1979)
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ANDY WARHOL 1928 Pittsburgh - 1987 New York 'INTERVIEW-COVER NOVEMBER - LACEY NEUHAUS' (1979) Color offset on paper. Visible size 42 x 27 cm (f. 84 x 64.5 x 3.5 cm). Hand-signed 'Andy Warhol' on the right side. Heavily faded, wavy. Framed behind glass (unopened). Provenance: Rhenish private collection.ANDY WARHOL 1928 Pittsburgh - 1987 New York 'INTERVIEW-COVER NOVEMBER - LACEY NEUHAUS' (1979) Color offset on paper. SM 42 x 27 cm (R. 84 x 64.5 x 3.5 cm). Hand-signed 'Andy Warhol' on the right side. Heavily faded, wavy. Framed behind glass (unopened). Provenance: Rhenish private collection.
KEITH HARING 'SUBWAY DRAWING, NEW YORK' (C. 1986)
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KEITH HARING 1958 Reading, Pennsylvania - 1990 New York York 'SUBWAY DRAWING, NEW YORK' (C. 1986) 'SUBWAY DRAWING, NEW YORK' (C. 1986) White chalk on black card, on black foam board. Sheet size 114 x 76.5 cm, plate 122.5 x 84.5 cm (f. 126 x 87.5 cm). Part. dam. due to production, part with traces of wiping. Framed behind glass. 76.5 cm, plate 122.5 x 84.5 cm (R. 126 Expertise: With handwritten letter of authentification by the artist 'L.A. II - Little Angel Two' and expertise by Martin Wieland, Trier (February 2024). Framed under glass. Provenance: 1997 Galerie Erik Bausmann, Halle (Saale); acquired 1997 from Martin Wieland Kunsthandel, Trier and since then Private collection Frankfurt am Main.KEITH HARING 1958 Reading, Pennsylvania - 1990 New York 'SUBWAY DRAWING, NEW YORK' (C. 1986) White chalk on black card, on black foam board. BM 114 x 76.5 cm, panel 122.5 x 84.5 cm (R. 126 x 87.5 cm). Partly damaged due to production, partly with traces of wiping. Framed behind glass. Expertise: With handwritten letter of authentication by the artist 'L.A. II - Little Angel Two' and expertise by Martin Wieland, Trier (February 2024). Provenance: 1997 Galerie Erik Bausmann, Halle (Saale); acquired 1997 from Martin Wieland Kunsthandel, Trier and since then private collection Frankfurt am Main.
DONALD JUDD UNTITLED (1992)
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DONALD JUDD 1928 Ecelsior Springs/Missouri - 1994 New York UNTITLED (1992) 2 sheets, color woodcut on Tosa Hanga Japan, fixed on cardboard. Each 59.8 x 80 cm (f. each 68 x 88 cm). Verso: stamped 'JUDD ESTATE' and num. '13/25' on verso of one sheet Each framed behind glass. Literature: Jitta/Schellmann 231-232. Provenance: Private collection Frankfurt am Main.DONALD JUDD 1928 Ecelsior Springs/Missouri - 1994 New York UNTITLED (1992) 2 sheets, color woodcut on Tosa Hanga Japan, fixed on cardboard. Each 59.8 x 80 cm (R. 68 x 88 cm). Verso: stamped 'JUDD ESTATE' and numbered '13/25' on verso of one sheet. each framed behind glass. Literature: Jitta/Schellmann 231-232. Provenance: Private collection Frankfurt am Main.
JOHN BALDESSARI 'LIFE'S BALANCE (WITH MONEY)' (1989/1990)
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JOHN BALDESSARI 1931 National City, California - 2020 Venice, Los Angeles Venice, Los Angeles 'LIFE'S BALANCE (WITH MONEY)' (1989/1990) 'LIFE'S BALANCE (WITH MONEY)' Etching, aquatint and photogravure in color, on irregular Somerset paper, Brooke Alexander Editions, New York. 129,5 x 109 cm. Signed in pencil lower right and numbered lower left '35/45'. With drystamp 'Branstead Studio'. Framed behind glass (unopened). Colors, on irregular Somerset paper, Literature: Coplan Hurowitz 46. 129.5 x 109 cm. Signed lower right with Provenance: Private collection Frankfurt am Main.JOHN BALDESSARI 1931 National City, California - 2020 Venice, Los Angeles 'LIFE'S BALANCE (WITH MONEY)' (1989/1990) Etching, aquatint and photogravure in colors, on irregular Somerset paper, Brooke Alexander Editions, New York. 129.5 x 109 cm. Signed in pencil lower right and numbered '35/45' lower left. With dry stamp 'Branstead Studio'. Framed behind glass (unopened). Literature: Coplan Hurowitz 46. Provenance: Private collection Frankfurt am Main.
JOHANNES GRÜTZKE 'SELBST MIT ENGEL, KÄFER UND RAUPE' (1991)
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JOHANNES GRÜTZKE 1937 Berlin - 2017 ibid. 'SELF WITH ANGEL, BEETLE AND CATERPILLAR' (1991) Lothograph on BFK Rives, with watermark, dry stamp Tabor Presse Berlin. Visible size 66 x 50 cm (f. 69 x 53 cm). Signed and dated in pencil lower right, num. lower left '70/100'. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.JOHANNES GRÜTZKE 1937 Berlin - 2017 ibid. 'SELBST MIT ENGEL, KÄFER UND RAUPE' (1991) Lithograph on BFK Rives, with watermark, dry stamp Tabor Presse Berlin. SM 66 x 50 cm (R. 69 x 53 cm). Signed and dated in pencil lower right, numbered '70/100' lower left. Framed behind glass (unopened). Provenance: Private collection Düsseldorf.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JOHANNES GRÜTZKE 'ABENDMAHL IM MICHEL' (1991)
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JOHANNES GRÜTZKE 1937 Berlin - 2017 ibid. 'SUPPER AT MICHEL' (1991) Color lithograph on paper with drystamp 'Tabor Presse Berlin'. Print size 41.5 x 31 cm (f. 30.5 x 60.5 x 2 cm). Hand-signed and dated 'Johannes Grützke (19)91' lower right, copy number '297/300' lower left. Good condition. Framed in a passe-partout and behind glass (unopened).JOHANNES GRÜTZKE 1937 Berlin - 2017 ibid. 'ABENDMAHL IM MICHEL' (1991) Color lithograph on paper with dry stamp 'Tabor Presse Berlin'. DM 41.5 x 31 cm (R. 30.5 x 60.5 x 2 cm). Signed and dated 'Johannes Grützke (19)91' lower right, copy number '297/300' lower left. Good condition. Framed in a passepartout and behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
SHALOM-MAPPE (1992)
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SHALOM-FOLDER (1992) SHALOM-MAPPE (1992) Folder with 12 sheets of color serigraphs (5), offsets (5), photo works (2), title page with imprint, on different. papers. Max. sheet size 79 x 60 cm. Mostly signed or monogrammed and partly dated. Verso: with the stamp of the PCC and numbered there and in the imprint '50/50'. Published by the Political Club Colonia (PCC) for Studies and Actions on Peace e.V., Cologne 1992. Published on the occasion of the PCC's "A Piece of Peace" charity auction for the establishment of a communication center in the Jewish-Palestinian village of Neve-Shalom/Wahat al-Salam , Israel. Included are works by the artists: Anna and Bernhard Blume, M. Buthe, W. Dahn, F. Droese, C.O. Paeffgen, G. K. Pfahler, O. Piene, B. Schultze, K.R.H. Sonderborg, N. Tadeusz, R. Trockel, F. E. Walther. Good condition; Folder outside with signs of wear. In original folder. Provenance: Collection Organization for Homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).SHALOM-MAPPE (1992) Folder with 12 sheets of color serigraphs (5), -offsets (5), photographic works (2), title page with imprint, on various papers. Papers. Max. BM 79 x 60 cm. Mostly signed or monogrammed and some dated. Verso: with the stamp of the PCC and numbered '50/50' there and in the imprint. Published by the Politischer Club Colonia (PCC) für Studien und Aktionen zum Frieden e.V., Cologne 1992. Published on the occasion of the PCC's charity auction ''A Piece of Peace'' for the construction of a communication center in the Jewish-Palestinian village of Neve-Shalom/Wahat al-Salam, Israel. Included are works by the artists: Anna and Bernhard Blume, M. Buthe, W. Dahn, F. Droese, C.O. Paeffgen, G. K. Pfahler, O. Piene, B. Schultze, K.R.H. Sonderborg, N. Tadeusz, R. Trockel, F. E. Walther. Good condition; folder with signs of wear on the outside. In original folder. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
Please note that a flat-rate surcharge of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
HORST JANSSEN KONVOLUT VON 2 GRAFIKEN (1992)
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HORST JANSSEN 1929 Hamburg - 1995 ibid. PAIR OF 2 PRINTS (1992) Etching on vellum. Visible size 26 x 19.5 cm (f. 58 x 48 cm) resp. visible size 25.5 x 19 cm (f. 58 x 48 cm). Each signed in pencil, dated and num. '62/100' resp. '73/100'. Each mounted and framed behin glass (unopened).HORST JANSSEN 1929 Hamburg - 1995 ebenda KONVOLUT VON 2 GRAFIKEN (1992) Color etching on wove paper. SM 26 x 19.5 cm (R. 58 x 48 cm) and SM 25.5 x 19 cm (R. 58 x 48 cm). Each signed, dated and numbered '62/100' and '73/100' in pencil. Each matted and framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
CORNEILLE 'VROUW MET DIEREN' (1996)
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CORNEILLE 1922 Liège - 2010 Auvers-sur-Oise 'VROUW MET DIEREN' (1996) Color lithograph on wove paper. Print size 31 x 26 cm, visible size 39 x 32 (f. 55 x 45 cm). Signed and dated lower right and numbererd 'E.A. 18/25' lower left. Part. with min. creases. In passepartout and framed behind glass (unopened). Provenance: Private collection Lübeck.CORNEILLE 1922 Liège - 2010 Auvers-sur-Oise 'VROUW MET DIEREN' (1996) Color lithograph on wove paper. DM 31 x 26 cm, SM 39 x 32 (R. 55 x 45 cm). Signed and dated lower right and numbered 'E.A. 18/25' lower left. Part. with min. traces of creasing. Framed in passepartout and behind glass (unopened). Provenance: Private collection Lübeck.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GERHARD HOFMANN PAAR RADIERUNGEN ('NEW YORK' / 'PARIS') (1997)
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GERHARD HOFMANN 1960 Worms PAIR OF ETCHINGS ('NEW YORK' / 'PARIS') (1997) 2 color etchings on vellum. Print size 48 x 35 cm, sheet size 70 x 50 cm (f. each 84.5 x 64.5 x 3.5 cm). Each signed and dated by hand lower right, titled in the center and numbered lower left '52/90' and '28/90' respectively. Mounted in a passepartout and framed behind glass (unopened). Provenance: Corporate collection North Rhine-Westphalia. Provenance: Corporate collection North Rhine-Westphalia.GERHARD HOFMANN 1960 Worms PAAR RADIERUNGEN ('NEW YORK' / 'PARIS') (1997) 2 color etchings on wove paper. DM 48 x 35 cm, BM 70 x 50 cm (R. each 84.5 x 64.5. Each signed and dated lower right, titled in the center and numbered '52/90' and '28/90' lower left. Mounted in passepartout and each framed behind glass (unopened). Provenance: Corporate collection North Rhine-Westphalia.
Please note that a flat-rate fee of 2% is payable on the hammer price for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
ROLF KNIE 'JUMBO' (1997)
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ROLF KNIE 1949 Bern 'JUMBO' (1997) Color silkscreen on paper. Visible size 78.5 x 55 cm (f. 86 x 63 x 3 cm). Dedicated, hand-signed and dated 'Für Xenia auf ein Wiedersehen Dein 23.3.(19)98 Rolf Knie (19)97', lower left copy number '73/75'. Minimally browned, slightly wavy. Framed behind glass (unopened). Provenance: Private collection.ROLF KNIE 1949 Bern 'JUMBO' (1997) Color silkscreen on paper. SM 78.5 x 55 cm (R. 86 x 63 x 3 cm). Dedicated, signed and dated 'Für Xenia auf ein Wiedersehen Dein 23.3.(19)98 Rolf Knie (19)97' lower center, copy number '73/75' lower left. Minimally browned, slightly wavy. Framed behind glass (unopened). Provenance: Private collection.
WOLFRAM SCHEFFEL 'MONTEROTONDO VI' (1995)
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WOLFRAM SCHEFFEL 1957 Itzehoe - lives and works in Freiburg im Breisgau 'MONTEROTONDO VI' (1995) Oil on canvas. 189 x 90 cm (f. 195 x 105 cm). Verso: signed, dated '11/95', titled and inscribed 'WS 52/95'. Frame. Provenance: Corporate collection Northern Germany.WOLFRAM SCHEFFEL 1957 Itzehoe - lives in Freiburg im Breisgau 'MONTEROTONDO VI' (1995) Oil on canvas. 189 x 90 cm (R. 195 x 105 cm). Verso: signed, dated '11/95', titled and inscribed 'WS 52/95' on the reverse. Frame. Provenance: Corporate collection Northern Germany.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
STEFAN HEIDE 'LANDSCHAFT' (1958)
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STEFAN HEIDE 1961 Tübingen 'LANDSCAPE' (1958) Oil on canvas. 98.5 x 67 cm (f. 95 x 72 x 4.5 cm). Signed and dated 'Stefan Heide (19)58' lower right. Part. rubbed, slightly damaged. Frame. Provenance: North German corporate collection.STEFAN HEIDE 1961 Tübingen 'LANDSCHAFT' (1958) Oil on canvas. 98.5 x 67 cm (R. 95 x 72 x 4.5 cm). Signed and dated 'Stefan Heide (19)58' lower right. Partly rubbed, slightly damaged. Frame. Provenance: North German company collection.
STEFAN HEIDE 'WEITE FRÜHLINGSLANDSCHAFT' (1998)
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STEFAN HEIDE 1961 Tübingen 'WIDE SPRING LANDSCAPE' (1998) Acrylic on paper. Visible size 100.5 x 80 cm (f. 107.5 x 87.5 x 2 cm). Signed and dated 'Stefan Heide (19)98' lower right. Good condition. Framed behind glass (unopened). Provenance: North German corporate collection.STEFAN HEIDE 1961 Tübingen 'WEITE FRÜHLINGSLANDSCHAFT' (1998) Acrylic on paper. SM 100.5 x 80 cm (R. 107.5 x 87.5 x 2 cm). Signed and dated 'Stefan Heide (19)98' lower right. Good condition. Framed behind glass (unopened). Provenance: North German corporate collection.
PIA DEHNE OHNE TITEL (1992)
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PIA DEHNE 1964 Düsseldorf - lives and works in Catskill Mountains, New York UNTITLED (1992) Oil on canvas. 110 x 90 cm (f. 113,5 x 93 cm). Signed lower right. Verso: Signed, dated and inscribed on the reverse. With craquelure. Frame.PIA DEHNE 1964 Düsseldorf - lives and works in Catskill Mountains, New York WITHOUT TITLE (1992) Oil on canvas. 110 x 90 cm (R. 113.5 x 93 cm). Signed lower right. Verso: signed, dated and inscribed on the reverse. With craquelure. Frame.
ERIC LUKE INTERIEUR
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ERIC LUKE active 2nd H. 20th century INTERIOR Mixed media on paper. Sheet size 76 x 93 cm, visible size 73 x 87 cm (f. 103x 89.5 cm). Signed in pencil lower left 'E. Luke'. Mounted and framed behind glass. Provenance: Private collection Berlin.ERIC LUKE active 2nd half 20th century INTERIOR Mixed media on paper. BM 76 x 93 cm, SM 73 x 87 cm (R. 103x 89.5 cm). Signed in pencil lower left 'E. Luke' in pencil lower left. Framed in passepartout and behind glass. Provenance: Private collection Berlin.
GERALD MÜLLER-SIMON 'STADTRAND' (1997)
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GERALD MÜLLER-SIMON Leipzig 1931 - 2023 'EDGE OF THE CITY' (1997) Oil on panel. 80 x 105 cm (f. 85.5 x 110.5 cm). Signed and dated scratched in color upper right. Verso: Signed, dated, titled and inscribed and with adhesive label with artist's address on the reverse. Frame. Provenance: Private collection Düsseldorf.GERALD MÜLLER-SIMON Leipzig 1931 - 2023 'STADTRAND' (1997) Oil on panel. 80 x 105 cm (R. 85.5 x 110.5 cm). Signed and dated incised into the paint upper right. Verso: signed, dated, titled and inscribed and with address label on the reverse. Frame. Provenance: Private collection Düsseldorf.
SAULIUS KRUOPIS 'DER OPFER GEDENKEN' (1990/91)
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SAULIUS KRUOPIS 1960 Siauliai, Lithuania 'REMEMBERING THE VICTIMS' (1990/91) Oil on canvas. 117.5 x 80.5 cm (f. 121.5 x 86 cm). Verso: Signed, dated, titled and inscribed on the reverse and signed and stamped 'Galerie im alten Kloster, Köln' on the frame molding, artist's label. Part. rubbed, part. stained. Frame. Provenance: Collection Organization for homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).SAULIUS KRUOPIS 1960 Siauliai, Lithuania 'DER OPFER GEDENKEN' (1990/91) Oil on canvas. 117.5 x 80.5 cm (R. 121.5 x 86 cm). Verso: signed, dated, titled and inscribed on the reverse as well as signed and stamped 'Galerie im alten Kloster, Köln' on the frame rail, artist's label. Partly rubbed, partly stained. Frame. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate levy of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
BARBARA MÜLLER-KAGELER 'TRÜBER TAG' (1992)
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BARBARA MÜLLER-KAGELER Berlin 1938 - 2023 'GLOOMY DAY' (1992) Oil on panel. 36 x 42 cm (f. 53 x 59.5 cm). Signed and dated lower left. Verso: signed, dated, titled and inscribed on the reverse. Frame. Provenance: Private collection Lübeck.BARBARA MÜLLER-KAGELER Berlin 1938 - 2023 'TRÜBER TAG' (1992) Oil on panel. 36 x 42 cm (R. 53 x 59.5 cm). Signed and dated lower left. Verso: signed, dated, titled and inscribed frame on the reverse. Provenance: Private collection Lübeck.
Walter Dahn 'KOPF' (1993)
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WALTER DAHN 1954 St. Tönis 'HEAD' (1993) Gouache on paper. 14 x 10 cm (f. 41.5 x 31 x 2.5 cm). Signed, titled and dated 'Walter Dahn 'Kopf' 1993' on the verso; Label of the Vayhinger Gallery, Radolfzell. Good condition. Inserted into a passe-partout and framed behind glass. Provenance: Galerie Vayhinger, Radolfzell; Rhenish private collection.WALTER DAHN 1954 St. Tönis 'KOPF' (1993) Gouache on paper. 14 x 10 cm (R. 41.5 x 31 x 2.5 cm). Signed, titled and dated 'Walter Dahn 'Kopf' 1993' verso; label of Galerie Vayhinger, Radolfzell. Good condition. Mounted in a passepartout and framed behind glass. Provenance: Galerie Vayhinger, Radolfzell; Rhenish private collection.
Please note that this object is subject to a flat-rate surcharge of 2% on the hammer price due to the settlement of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
GIOVANNI VETERE OHNE TITEL
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GIOVANNI VETERE 1940 Strongoli, Italy - lives and works in Troisdorf UNTITLED Mixed media on newspaper, on foam board. 62 x 46 cm. Signed in pencil lower right 'Vetere G'. Provenance: Private collection Ruhr area.GIOVANNI VETERE 1940 Strongoli, Italy - lives and works in Troisdorf UNTITLED Mixed media on newspaper, on foam board. 62 x 46 cm. Signed 'Vetere G' in pencil lower right. Provenance: Private collection Ruhr area.
ANKE RISCHE 'BEGEGNUNG IM SPIEGEL' (1996)
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ANKE RISCHE 1971 Berlin 'ENCOUNTER IN THE MIRROR' (1996) Oil on canvas. 121 x 80 x 2cm. Monogrammed and dated 'AR (ligated) (19)96' lower right. Good condition.ANKE RISCHE 1971 Berlin 'BEGEGNUNG IM SPIEGEL' (1996) Oil on canvas. 121 x 80 x 2 cm. Monogrammed and dated 'AR (ligated) (19)96' lower right. Good condition.
ROLF HÄNDLER DAMENPORTRAIT (1995)
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ROLF HÄNDLER 1938 Halle, Saale - 2021 Berlin PORTRAIT OF A WOMAN (1995) Mixed media, watercolor, collage on brown paper. 54 x 42.5 cm (f. 80 x 67.5 cm). Signed and dated lower right. Mounted and framed behind glass (unopened). Provenance: Private collection Lübeck.ROLF HÄNDLER 1938 Halle, Saale - 2021 Berlin DAMENPORTRAIT (1995) Mixed media, watercolor, collage on brown paper. 54 x 42.5 cm (R. 80 x 67.5 cm). Signed and dated lower right. Framed in passepartout and behind glass (unopened). Provenance: Private collection Lübeck.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
JÜRGEN SCHÖNLEBER OHNE TITEL (1991)
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JÜRGEN SCHÖNLEBER 1965 Nuremberg - lives and works in Regensburg UNTITLED (1991) Oil/acrylic/mixed media on canvas. 100 x 100 cm (f. 101,5 x 101,5 cm). Monogrammed and dated lower left. Frame. Provenance: Collection Organization for the homeless Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).JÜRGEN SCHÖNLEBER 1965 Nuremberg - lives and works in Regensburg OHNE TITEL (1991) Oil/acrylic, mixed media on canvas. 100 x 100 cm (R. 101.5 x 101.5 cm). Monogrammed and dated lower left. Frame. Provenance: Collection Obdachlosenhilfe Kunst hilft geben für Wohnungslose e.V. (www.kunst-hilft-geben.de).
ALBERT MERZ OHNE TITEL (1992)
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ALBERT MERZ 1942 Unterägeri, Switzerland - lives and works in Berlin UNTITLED (1992) Mixed media on paper. 38 x 27.5 cm (f. 65 x 53.5 cm). Signed and dated lower right. Mounted and framed behind glass (unopened). Provenance: Private collection Ruhr area.ALBERT MERZ 1942 Unterägeri, Switzerland - lives and works in Berlin WITHOUT TITLE (1992) Mixed media on paper. 38 x 27.5 cm (R. 65 x 53.5 cm). Signed and dated lower right. Framed in passepartout and behind glass (unopened). Provenance: Private collection Ruhrgebiet.
NORBERT TADEUSZ KÜSTENLANDSCHAFT
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NORBERT TADEUSZ 1940 Dortmund - 2011 Duesseldorf COASTAL LANDSCAPE Watercolors over pencil on paper with lateral perforation. 32 x 27 cm (f. 39.5 x 32.5 cm). Browned. Framed in a passepartout and behind glass. Provenance: Acquisition form the artist; Rhenish private collection.NORBERT TADEUSZ 1940 Dortmund - 2011 Düsseldorf KÜSTENLANDSCHAFT Watercolor over pencil on paper with lateral perforation. 32 x 27 cm (R. 39.5 x 32.5 cm). Browned. Framed in passepartout and behind glass. Provenance: Acquisition from the artist; Rhenish private collection.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
IVAN JAKHNAGIEV OHNE TITEL (1995)
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IVAN JAKHNAGIEV 1948 Sofia, Bulgaria UNTITLED (1995) Oil on canvas. 42 x 31 cm (f. 55 x 47 x 3,5 cm). Signed and dated lower left. Frame. Provenance: Private collection Berlin.IVAN JAKHNAGIEV 1948 Sofia, Bulgaria UNTITLED (1995) Oil on canvas. 42 x 31 cm (R. 55 x 47 x 3.5 cm). Signed and dated lower left. Frame. Provenance: Private collection Berlin.
HEINZ SCHANZ 'OHNE TITEL'
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HEINZ SCHANZ 1927 Genkingen near Reutlingen - 2003 Karlsruhe 'UNTITLED' Mixed media on strong paper. 53 x 54.5 cm (f. 68 x 68 x 2.5 cm). Signed 'Schanz' lower right. Part. dam. Framed behind glass (unopened).HEINZ SCHANZ 1927 Genkingen bei Reutlingen - 2003 Karlsruhe 'OHNE TITEL' Mixed media on strong paper. 53 x 54.5 cm (R. 68 x 68 x 2.5 cm). Signed 'Schanz' lower right. Part. dam. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
HEINZ SCHANZ 'OHNE TITEL'
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HEINZ SCHANZ 1927 Genkingen neari Reutlingen - 2003 Karlsruhe 'UNTITLED' Mixed media on newspaper, laminated on hardboard. 54.5 x 70 cm (f. 60 x 75 x 3 cm). Browned, creases. Framed behind glass (unopened).HEINZ SCHANZ 1927 Genkingen bei Reutlingen - 2003 Karlsruhe 'OHNE TITEL' Mixed media on newspaper, laminated on hardboard. 54.5 x 70 cm (R. 60 x 75 x 3 cm). Browned, traces of creasing. Framed behind glass (unopened).
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
HEINZ SCHANZ VIER DRUCKSTÖCKE UND EIN HOLZSCHNITT
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HEINZ SCHANZ 1927 Genkingen bei Reutlingen - 2003 Karlsruhe FOUR PRINTING STOCKS AND ONE WOODCUT (Ply)wood and colored woodcut on paper. Approx. 48.5 x 36 cm or sheet size 64 x 44.5 cm (f. 83 x 62.5 x 2.5 cm). The graphic at the bottom left is hand-signed 'Schanz'. Browned and damaged. The graphic is inserted into a passe-partout and framed behind glass (unopened).HEINZ SCHANZ 1927 Genkingen bei Reutlingen - 2003 Karlsruhe VIER DRUCKSTÖCKE UND EIN HOLZSCHNITT (Sperr-)Holz und Farbholzschnitt auf Papier. Approx. 48.5 x 36 cm and BM 64 x 44.5 cm (R. 83 x 62.5 x 2.5 cm). The print signed 'Schanz' lower left. Browned and damaged. The graphic laid into a passepartout and framed behind glass (unopened).
Please note that a flat-rate fee of 2% of the hammer price is payable for this object due to the compensation of the statutory resale right § 26 UrhG.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
FRANK MICHAEL ZEIDLER OHNE TITEL (1990)
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FRANK MICHAEL ZEIDLER 1952 Leipzig - lives and works in Potsdam UNTITLED (1990) Mixed media on canvas. 120 x 90 cm (f. 124,5 x 94 cm). Signed and dated lower right. Verso: With stamp. Part. with craquelure. Frame. Provenance: Private collection Ruhr area.FRANK MICHAEL ZEIDLER 1952 Leipzig - lives and works in Potsdam WITHOUT TITLE (1990) Mixed media on canvas. 120 x 90 cm (R. 124.5 x 94 cm). Signed and dated lower right. Verso: with stamp. Part. with craquelure. Frame. Provenance: Private collection Ruhrgebiet.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate surcharge of 2% is to be paid on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
ANSGAR NIERHOFF OHNE TITEL (1990)
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ANSGAR NIERHOFF 1941 Meschede - 2010 Cologne UNTITLED (1990) Mixed media on paper, on panel. 140 x 100 cm (f. 148.5 x 108 cm). Lower center signed and dated. Browned. Frame. Provenance: Private collection Ruhr area.ANSGAR NIERHOFF 1941 Meschede - 2010 Cologne WITHOUT TITLE (1990) Mixed media on paper, on panel. 140 x 100 cm (R. 148.5 x 108 cm). Signed and dated lower center. Browned. Frame. Provenance: Private collection Ruhrgebiet.
Please note that due to the compensation of the statutory resale right § 26 UrhG, a flat-rate fee of 2% is payable on the hammer price for this object.
Please note that this lot has a flat-rated charge of 2% of the hammer price which will be payable to satisfy the provisions of the statutory resale right pursuant to art. 26 of the German Copyright Act (Urhebergesetz, UrhG).
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