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Wed 14 Aug

Henry Fonda Document Signed for 20th Century-Fox DS, 31 pages, 8.5 x 11, February 28, 1939. Agreement between Henry Fonda and Twentieth Century-Fox Film Corporation employing the actor to render services "in one (1) motion picture, commencing on February 27, 1939, or upon the day following completion of all the services which the producer may require the artist to render in connection with the producer's motion picture now tentatively entitled 'Alexander Graham Bell,'" for compensation of $25,000. Signed at the conclusion in fountain pen by Henry Fonda, and countersigned by a studio executive and notary. Loosely laid into its original brown paper folder. In fine condition. In the 1939 Twentieth Century-Fox film The Story of Alexander Graham Bell, Fonda played his assistant, Thomas A. Watson, who dramatically hears the first words ever spoken via telephone: 'Mr. Watson, come here! I want you!' The following year would be a busy one for Fonda, as he starred in Young Mr. Lincoln, Drums Along the Mohawk, and The Grapes of Wrath, all directed by the legendary John Ford.

Wed 14 Aug

Greta Garbo Document Signed to IRS DS, one page, 8 x 10.5, May 28, 1946. Treasury Department document headed "Consent Fixing Period of Limitation Upon Assessment of Income and Profits Tax," in part: "In pursuance of the provisions of existing Internal Revenue Laws, Greta Garbo, a taxpayer...of Los Angeles, California, and the Commissioner of the Internal Revenue hereby consent and agree as follows: That the amount of any income, excess-profits, or war-profits taxes due under any return (or returns) made by or on behalf of the above-named taxpayer (or taxpayers) for the taxable year ended December 31, 1941...may be assessed at any time on or before June 30, 1947." Signed at the conclusion in fountain pen by Greta Garbo, and countersigned by Commissioner of Internal Revenue Joseph Nunan, Jr. Includes a 17-page Treasury Department report submitted to Greta Garbo on August 8, 1946, finding a variety of deficiencies in her tax liability calculations, finding that the "taxpayer has been unable to submit records in support of the deductions for wardrobe and travel expense," among other issues. Further includes a five-page carbon copy of a protest submitted to the IRS, explaining that the "taxpayer has for many years been actively engaged in motion pictures, and during such time, has enjoyed a reputation as one of the leading screen stars. As such, taxpayer has been obliged to sustain, at all times and during the taxable years herein involved, the position and prestige appertaining to one who is professionally prominent with the press and public. Consequently, taxpayer has always maintained...a substantial wardrobe for the purpose of whatever public appearances, press interviews and business conferences incidental to her professional career." In overall fine condition.

Wed 14 Aug

Harvey Revised First Draft Continuity Script Original brad-bound "Revised First Draft Continuity" script for the 1950 Universal Pictures film Harvey, bound in the original Universal-International Pictures paper wrappers, approximately 150 pages, 8.5 x 11, with numerous annotations inside, including numerous deletions, significant revisions to dialogue, and various other amendments. In fine condition, with expected wear from use. Starring James Stewart (as Elwood P. Dowd) and Josephine Hull (in an Oscar-winning supporting role as Veta Louise Simmons), the 1950 comedy-drama centers its plot on a man whose best friend is an invisible human-sized rabbit named Harvey. The whimsical film explores themes of acceptance and the nature of reality, as Elwood's family tries to commit him to a mental institution due to his unusual companion.

Wed 14 Aug

Audrey Hepburn Signed Photograph Gorgeous vintage glossy 7.75 x 9.75 Paramount Pictures publicity photo of Audrey Hepburn from circa 1952, signed nicely in blue ink. Archivally cloth-matted and framed to an overall size of 15.5 x 17.25. In fine condition, with scattered light creasing. In the same year this photo was taken, Hepburn starred in her first significant role in Secret People before being discovered for William Wyler's Roman Holiday.

Wed 14 Aug

Vincent Price Document Signed for Selznick Screen Test DS, eleven pages, 8.5 x 11, March 10, 1936. Agreement between Vincent Price and Selznick International Pictures, Inc., in part: "We agree to make or cause to be made a motion picture photographic test or tests of you in or about New York City within a reasonable time, not exceeding three weeks, from the date hereof...In consideration of the foregoing agreement on our part, you hereby grant to us...options to engage and employ you to render your sole and exclusive services to us as a motion picture actor." The contract goes on to outline the terms of said options and mutual obligations; attached is a 17-page document headed "Conditions Relating to Employment of an Artist." Stapled into its original blue paper folder. In fine condition. Accompanied by an unsigned 12-page typed document, dated June 4, 1936, confirming the mutual desire to form a new agreement after the expiration of the signed contract.

Wed 14 Aug

Elizabeth Taylor (3) Autograph Letters Signed to National Velvet Director Clarence Brown: "I know I'm not a star" Three ALSs by the adolescent Elizabeth Taylor to National Velvet director Clarence Brown, all signed "Elizabeth," circa 1944-1945. The remarkable letters outline the charming relationship between the actress and the director of her first starring role, beginning with a letter of apology for some youthful indiscretions on the set of National Velvet, followed by a grateful letter for his skillful work on the film, and concluding with a gleeful postcard from a Wisconsin fishing trip. Includes: ALS in pencil, signed "Sincerely, Elizabeth," four pages on a 5 x 4 folding personal stationery card, no date but circa 1944, during the production of National Velvet. In full (spelling and grammar retained): "I'm sorry I said what I did, this morning, that I didn't like my green & yello dress, I know now, that I shouldn't say whether I like anything or not. I'm sorry too, that I spoke to you while you were talking to Miss Revere. Mommy has told me it was wrong. I only did it, because I was in a hurry to talk to you before the hairdresser got me. I though you'd understand, but I promise I'll never do it again. I know I'm not a star Mr. Brown, it was just our joke when Mr. Boil put the star on my dressingroom, but I tore it up to-day and I don't want the red carpit anymore, please, don't think, I think I'm a star the way you said it this morning, makes me never want to be one...P.S. Please excuse the pencil & the way I've jumbled up the pages, but I'm in bed and I couldn't go to sleep until I wrote this." ALS signed twice, "Love, Elizabeth," three pages on a 5 x 4 folding personal stationery card, December 6, 1944. In full: "You know when we were up in Monterey, we bought this blue cashmere sweater for you for an end of the picture preasent, but somehow the picture just never seemed to finish properly, and we never said good-by. But I kept the sweater for you—and now I'de like to give it to you for a thank-you preasent for making me good in 'Velvet' and making 'National Velvet' such a wonderful picture. When everybody keeps telling me how good I am in Velvet I know it is because you made me that way, because you are such a wonderful director. And I appreciate everything you have done for me and 'Velvet'...P.S. I like the way you keep doing it over until we get it right, until it feels just right. Oh thank you thank you Mr. Brown for everything." In closing, Taylor sketches two horses at the bottom of the page. ALS signed "Love, Elizabeth Taylor," one page on a 5.5 x 3.5 postcard depicting a scenic drive near Minocqua, Wisconsin, postmarked August 13, 1945. In full: "It is so beautiful up here in Wisconsin and we're having the most wonderful vacation. We're catching more fish, and I'm catching great big ones. Wait untill I tell you about them." In overall fine condition. Accompanied by an ALS by her mother, signed "Sarah Taylor," three pages, 6.25 x 9.5, personal letterhead, December 6, 1944, also to Clarence Brown. In part: "I must tell you how grateful we are to you...For weeks we have been hearing the most wonderful reports of 'National Velvet.' Everyone agrees it is the best picture they have ever seen—on any screen—any year, etc. Naturally we are happy about it. There is only one thing to mar the thrill & happiness of it all—and you know what that is. Oh, please Mr. Brown, if you could only forgive us—if we could only feel in our hearts that you are our friends—You don't know how unhappy Elizabeth & I have been about it all...We were so 'on the spot' from every direction...and we thought we were doing the right thing...I don't know how true it is but we have heard from several sources that the studio is trying to get 'Peter Pan' for Elizabeth (in Technicolor). If they do we would so like to have you do it. That's all we can think of. Would you do it Mr. Brown? We can hardly wait to see 'National Velvet'—and we hope that in the joy & happiness you feel over the great triumph of your picture you will find it in your heart to forgive us—so that we may feel happy too."

Wed 14 Aug

Raquel Welch's Personal Passport Raquel Welch’s personal United States of America passport, number K365022, issued on March 2, 1979. Passport measures 3.5 x 4.75 and is filled out in type on the description page with her name, birth date, birthplace, and gender, with Welch signing below in black ink, “Raquel Welch Curtis.” Affixed to the adjacent page is her gorgeous 2 x 2 passport photo, signed vertically in black ink, “Raquel Welch Curtis.” The passport includes several visa stamps for England, France, Italy, Mexico, Japan, Saint Vincent and the Grenadines, Sint Maarten, Jamaica, and Barbados, dating between 1979 and 1983. Stapled inside the passport is a “VISA Application Form to Enter Japan,” dated March 19, 1980, which lists Welch’s various personal information, notes that her purpose to travel to Japan as “Guest Presenter, Japanese Academy Awards,” features an affixed glossy photograph of the actress, and is signed at the bottom in a secretarial hand. In fine condition, with expected signs of use. Provenance: Julien’s Auctions: Bombshell: The Raquel Welch Collection, April 2024.

Wed 14 Aug

Mae West Document Signed for Diamond Lil DS, two pages, 8 x 13, April 29, 1932. Agreement between Mae West and Mark Linder regarding royalties for a novelization of her 1928 play Diamond Lil, in part: "Whereas, Mae West is the sole author of the dramatic work known as 'Diamond Lil'; and wheres, under date of March 1st, 1928, the said Mae West and the said Mark Linder entered into an agreement with respect to the said work, wherein the said Mae West assigned to the said Mark Linder one-half of the moneys which the said Mae West shall receive or be entitled to...It is, therefore, agreed between Mae West and Mark Linder that the moneys due or to become due to Mae West from the said novelization of 'Diamond Lil' and publication thereof in novel form...shall be paid by The McCaulay Company of New York City to each of the parties hereto in the proportion of eighty per cent (80%) to Mae West and twenty per cent (20%) to Mark Linder." Signed at the conclusion in fountain pen by both West and Linder. Stapled into its original blue paper folder. In fine condition. Diamond Lil was Mae West's first major Broadway success, and was the basis for her character Lady Lou in her 1933 film She Done Him Wrong.

Wed 14 Aug

Mae West Twice-Signed Document for Diamond Lil DS, three pages, 8.5 x 13, March 1, 1928. Agreement pertaining to the "play or dramatic work tentatively entitled 'Diamond Lil,'" in which author Mae West agrees to pay to Mark Linder "one-half (1/2) of moneys which Mae West shall receive or be entitled to, as royalties or other fees or rentals." Signed on both the second and third pages in fountain pen by West and Linder, and also initialed by both on the first page. Stapled into its original blue paper folder. In fine condition. Diamond Lil was Mae West's first major Broadway success, and was the basis for her character Lady Lou in her 1933 film She Done Him Wrong.

Wed 14 Aug

Darryl F. Zanuck's Hand-Annotated Script for The Three Musketeers Daryl Zanuck's hand-annotated script for "The Three Musketeers," bound in the original Twentieth Century-Fox Film Corporation paper wrappers, 142 pages, 9.25 x 11.5, dated September 23, 1938, initialed on the front cover in pencil by the producer, "D. Z." Zanuck makes substantial pencil corrections throughout, with various revisions to dialogue, deletions, check marks, camera directions, and other amendments. In fine condition, with light toning and wear to the paper covers from use. A musical comedy film adaptation of Alexandre Dumas's 1844 novel, The Three Musketeers stars Don Ameche as d'Artagnan, with the Ritz Brothers as his cowardly helpers. Reviewing the movie, New York Times critic Frank Nugent wrote: 'That isn't a buzzing in your ears you've been hearing; it's Dumas, fils, spinning in his grave as the Ritz Brothers play his 'Three Musketeers'...It seems ironic that Mr. Zanuck's first attempt to deal reverently with a classic—in every respect but the Ritzes' share in it—should be impeded by its very reverence to the classic. The trouble, it appears, is that his burlesques are too serious and that his serious efforts are too often burlesques.'

Wed 14 Aug

Darryl F. Zanuck's Hand-Annotated Script for Anna and the King of Siam Daryl Zanuck's hand-annotated script for "Anna and the King of Siam," bound in the original Twentieth Century-Fox Film Corporation paper wrappers, 143 pages, 9.25 x 11.5, dated August 29, 1945, initialed on the front cover in pencil by the producer, "D. Z." Zanuck makes some pencil corrections throughout, with minor revisions to dialogue, deletions, check marks, plot notes, and other bits of commentary. In fine condition, with expected wear from use. An adaptation of the 1944 novel of the same name by Margaret Landon, the film was based on the fictionalized diaries of Anna Leonowens, an Anglo-Indian woman who claimed to be British and became governess in the Royal Court of Siam (now Thailand) during the 1860s. Darryl F. Zanuck read Landon's book in galleys and immediately bought the film rights. Starring Irene Dunne as Anna and Rex Harrison as the King, the movie explores cultural clashes and mutual respect that develop between the two characters.

Wed 14 Aug

Actresses (19) Signed Sketches by J. Fred Johnson with Arden, Blondell, and Hutton Collection of 19 original vintage portrait sketches of classic actresses from the Golden Age of Hollywood, all of which are signed in ink by the pictured starlet and inscribed to the artist, J. Fred Johnson. The oversized sketches are accomplished in graphite and colored pencil on off-white sheets of drawing paper, approximately 13.5 x 16.5, and include the following actresses: Eve Arden, Joan Blondell, Dagmar, Eva Gabor, Dolores Gray, Joan Greenwood, Signe Hasso, June Havoc, Marsha Hunt, Betty Hutton, Christine Jorgensen, Viola Keats, Nancy Kelly, Janis Paige, Lilli Palmer, Haila Stoddard, Estelle Winwood, and two others. Each is also signed in pencil by the artist, and Jorgensen is matted to an overall size of 16 x 20. In overall very good condition, with areas of thin paper and paper loss, some affecting some of the handwriting.

Wed 14 Aug

Actresses (7) Signed Sketches by J. Fred Johnson with Wray, Lamour, and Lansbury Collection of seven original vintage portrait sketches of classic actresses from the Golden Age of Hollywood, all of which are signed in ink by the pictured starlet and inscribed to the artist, J. Fred Johnson. The oversized sketches are accomplished in graphite and colored pencil on off-white sheets of drawing paper, approximately 13.5 x 16.5, and include the following actresses: Fay Wray, Dorothy Lamour, Angela Lansbury, Dolores Del Rio, Deborah Kerr, Joan Bennett, and Eileen Brennan. Each is also signed in pencil by the artist, and several are matted to an overall size of 16 x 20. In overall very good to fine condition, with paper loss to the corners of the Wray sheet.

Wed 14 Aug

Actresses (9) Signed Sketches by J. Fred Johnson with Swanson, Moorehead, and Russell Collection of nine original vintage portrait sketches of classic actresses from the Golden Age of Hollywood, all of which are signed in ink or colored pencil by the pictured starlet and inscribed to the artist, J. Fred Johnson. The oversized sketches are accomplished in graphite and colored pencil on off-white sheets of drawing paper, approximately 13.5 x 16.5, and include the following actresses: Gloria Swanson, Ann Sothern, Agnes Moorehead, Peggy Lee, Lili St. Cyr, Rosalind Russell (2), Lena Horne, and Melina Mercouri. Each is also signed in pencil by the artist, and several are matted to an overall size of 16 x 20. In overall very good to fine condition.

Wed 14 Aug

Actresses (8) Signed Sketches by J. Fred Johnson with Channing, Lee, and Lillie Collection of eight original vintage portrait sketches of classic actresses from the Golden Age of Hollywood, all of which are signed in ink by the pictured starlet and inscribed to the artist, J. Fred Johnson. The oversized sketches are accomplished in graphite and colored pencil on off-white sheets of drawing paper, approximately 13.5 x 16.5, and include the following actresses: Carol Channing, Dolores Gray, Peggy Lee, Beatrice Lillie, Kim Stanley, Margaret Sullavan (affixed clipped signature), Nancy Walker, and Nydia Westman. Each is also signed in pencil by the artist, and all are matted to an overall size of 16 x 20. In overall very good to fine condition.

Wed 14 Aug

Actresses (9) Signed Sketches by J. Fred Johnson with Bacall, Crawford, and Fontaine Collection of nine original vintage portrait sketches of classic actresses from the Golden Age of Hollywood, all of which are signed in ink by the pictured starlet, the majority of which are inscribed to the artist, J. Fred Johnson. The oversized sketches are accomplished in graphite and colored pencil on off-white sheets of drawing paper, approximately 13.5 x 16.5, and include the following actresses: Joan Fontaine, Shirley Booth, Jessica Tandy, Joan Crawford, Lee Grant, Patricia Neal, Myrna Loy, Lauren Bacall, and Deborah Kerr. Each is also signed in pencil by the artist, and several are matted to an overall size of 16 x 20. In overall very good to fine condition, with tears and paper loss to Crawford and Grant.

Wed 14 Aug

John Barrymore Document Signed for The Show of Shows DS, six pages, 8.5 x 13, July 2, 1929. Agreement between Barrymore and Warner Bros. Pictures for the production of a "full sound revue the title of which is provisionally known as 'The Show of Shows,'" engaging the actor for his services "in rendering the 'Soliloquy of King Richard the Third.'" Signed at the conclusion in fountain pen by John Barrymore, and countersigned twice by film executive Jack L. Warner. Stapled into its original blue paper folder. In fine condition, with light wear. Shot almost entirely in Technicolor, The Show of Shows was Warner Bros.' fifth color film and cost almost $800,000 to produce. It featured most of the contemporary Warner Bros. film stars, including John Barrymore, Richard Barthelmess, Noah Beery Sr., Loretta Young, Dolores Costello, Bull Montana, Myrna Loy, Chester Conklin, Douglas Fairbanks Jr., Tully Marshall, Nick Lucas, and Betty Compson.

Wed 14 Aug

John Huston (2) Documents Signed for A Farewell to Arms DS, eleven pages, 8.5 x 11, December 20, 1956. Agreement between John Huston and The Selznick Company for employment "as a director, in directing and...otherwise assisting in the production and creation of our motion picture entitled 'A Farewell to Arms,'" for the sum of $250,000. Signed at the conclusion in ink by John Huston, and countersigned by a Selznick representative. Includes a second DS, three pages, April 16, 1957, in which they mutually agree to terminate the contract, also signed at the conclusion in ink by Huston, as well as a carbon copy of a legal letter pertaining to the employment agreement and the payment of Huston's expenses. All are stapled together into a brown paper folder. In fine condition. For many years, David O. Selznick had wanted to film an adaptation of Ernest Hemingway's novel A Farewell to Arms, but Warner Bros. owned the property and refused to sell it to him. He found himself in an advantageous bargaining position when Warner Bros. bought the remake rights to A Star is Born, to which he owned the foreign rights. Without them, the studio could not release their intended remake with Judy Garland overseas. Selznick offered to relinquish his rights to Star in exchange for the rights to Farewell, and Warner Bros. agreed. It was to be Selznick's first film in four years. On October 25, 1956, Selznick contacted director John Huston and enthusiastically welcomed him to the project. He advised him his contract with 20th Century Fox called for severe financial penalties if the film went over schedule and/or budget, and urged him to concentrate wholly on the film until principal filming was completed. Selznick's concerns increased as Huston began to tinker with the script and spend an inordinate amount of time on pre-production preparations, and on March 19, 1957, he sent the director a lengthy memo outlining the problems he foresaw arising from Huston's lack of cooperation. Two days later, Huston announced he could not agree with Selznick on any of the issues he had raised and quit the project.

Wed 14 Aug

Grace Kelly Autograph Letter Signed on Vacation, Family, and Her Miscarriage ALS signed “Grace,” two pages both sides, 8 x 10.5, Palais de Monaco letterhead, September 22, 1967. Handwritten letter to her friend, Mrs. Arthur (Trudy) H. Kudner, in part: "I wanted to get this off to you in time to wish your baby Happy Birthday but we just came back after a few days on a boat & things are in confusion. We have a new governess for the children and it is a difficult change for Stephanie. The nanny (a wonderful Swiss girl) left to be married and she had been with her literally from the moment of birth (she held my hand during the delivery). Our trip this summer sounds like a bad soap opera. We went through three weeks with one crisis after another. Caroline started off the trip with tonsilitis followed by a mouth infection. Then Albert woke up on the Empress of Canada that we boarded in England with measles. Then in Montreal I lost the baby & the two girls caught the measles. It was really unbelievable. Rainier cancelled the rest of our trip in Canada & Alaska. I took the two measle girls to Ocean City where we spent ten days resting & seeing family. Then we flew to San Francisco to join Rainier & Albert. Then two weeks in Beverly Hills in a heat wave. I was really very fortunate to be in a big city at the time of my miscarriage but it is such a depressing experience and this was the second boy we have lost. It was fun to see so many old friends in California. Some haven't changed a bit while others I had a hard time recognizing. We didn't get to see Bing—who lives mostly in San Francisco now as he was off in Africa. I am so upset to hear about your eye trouble. Can something be done. Do you know of Dr. Berliner in New York. He has a fabulous reputation and is supposed to be wonderful. He & his wife spend their summers here. The head of the American Academy is now Frances Fuller who is Mrs. Worthington Miner. She taught there in my day. One of my cousin's girls is there now. The place has undergone many changes but is still very good. Hope your birthday party for Arthur was a great success. Much love to you all." In fine condition. Accompanied by the original mailing envelope, addressed in Kelly's own hand. "Bing," of course, is Bing Crosby, who was Kelly's co-star in her Academy Award winning film The Country Girl. At the time this letter was written, Princess Caroline was 10, Prince Albert was 9, and Princess Stephanie was 2 years old.

Wed 14 Aug

Veronica Lake (6) Personal Membership Cards and Documents, with (2) Signed Group of six personal membership cards and documents belonging to Veronica Lake, circa 1940s-1950s, including two signed by the actress: an Anteaters Association membership card from the National Zoo Park Restaurant, signed in fountain pen with her professional name, "Veronica Lake"; a National Congress of Parents and Teachers All-Inclusive Membership Card, signed in fountain pen with her married name, "Mrs. Andre de Toth"; a Yellow Dogs of America, Indiana Chapter membership card issued to Veronica Lake; an "Approved Identification Card" issued to Veronica de Toth; a New York State Courtesy Card issued to Veronica Lake; and a Department of Commerce airman examination certificate issued to Veronica de Toth. In overall very good to fine condition.

Wed 14 Aug

Burt Lancaster Signed Photograph Vintage glossy 3 x 4.5 candid photo of the Oscar-winning leading man dressed in a sharp coat, nicely signed and inscribed in fountain pen, "To Jack, Burt Lancaster.” In fine condition.

Wed 14 Aug

Bela Lugosi Document Signed DS, one page, 8.5 x 11, November 26, 1948. William Morris Agency agreement by which Lugosi employs the firm as his "sole and exclusive agent in the television field throughout the world" for a period of three years. Neatly signed at the conclusion in fountain pen by Lugosi, "Bela Lugosi," and also initialed by the actor in the upper left, "B. L." Additionally countersigned by a representative of the agency. In fine condition. Accompanied by an unsigned glossy photo of Lugosi in his classic role as Dracula.

Wed 14 Aug

Ida Lupino Signed Photograph Vintage glossy 7.75 x 9.25 three-quarter-length photo of the actress holding up a feathery fan, signed and inscribed in fountain pen, "To Jack, Always, Ida Lupino.” In fine condition, with evenly trimmed edges.

Wed 14 Aug

Ilona Massey Signed Photograph Vintage glossy 7.25 x 9.5 photo of the actress dressed in a black veil, signed and inscribed in fountain pen, "To you Jack, my best wishes always, Ilona Massey, 1951.” In fine condition, with evenly trimmed edges.

Wed 14 Aug

Helen Morgan Signed Photograph Vintage glossy 8 x 10 photo of the actress glancing over her shoulder, signed and inscribed in fountain pen, "To Mr. McKillen, Sincerely, Helen Morgan." In very good to fine condition, with tear to left edge, and a light paperclip impression to the top edge.

Wed 14 Aug

John Wayne Signed Photograph Appealing matte-finish 7 x 8.75 close-up photo of the Western star, signed and inscribed in black felt tip. "My best - John. John Wayne, 1972.” Photo has been affixed to a same size piece of cardstock. In fine condition, with trimmed edges. Accompanied by a full letter of authenticity from PSA/DNA.

Wed 14 Aug

Tommy Armour Signature American golfer (1894-1968) who, despite suffering a severe eye injury during World War I, went on to win three major titles; he was elected to the World Golf Hall of Fame in 1976. Vintage ink signature, "Tommy Armour, Open Champion,” on an off-white 4.5 x 2.5 sheet of notebook paper. In fine condition.

Wed 14 Aug

Thomas Jefferson and James Madison Signed Four-Language Ship's Passport Partly-printed DS as president, signed “Th: Jefferson" as president and "James Madison" as secretary of state, one page, 20.5 x 16.5, July 11, 1804. Four-language ship's pass issued to "Lewis McMillan, master or commander of the Brig called Fame...lying at present in the port of Biddeford, bound for St. Vincent and laden with Boards, Plank, Staves, Shingles, Shooks, Bread & flour." Neatly signed at center in ink by President Thomas Jefferson, and countersigned below by Secretary of State James Madison. The original white paper seal affixed to the left side remains fully intact. In very good to fine condition, with light edge wear, and splitting to the multiple intersecting folds (some reinforced with archival tape on the reverse); both signatures are clean and unaffected. United States ships carried four-language sea letters in the 18th and 19th centuries to show ownership, nationality, cargo, and destination. This example features a most desirable combination of presidents, boasting particularly bold, crisp autographs of Jefferson and Madison

Wed 14 Aug

James Madison and James Monroe Document Signed as President and Secretary of State Partly-printed vellum DS, signed “James Madison" as president and "Jas. Monroe" as secretary of state, one page, 10 x 9.5, July 3, 1815. Lower section of a ship's pass issued to the "Brig Gleaner...To Pass with her Company Passengers Goods and Merchandize without any hinderance seisure or molestation." Signed at the conclusion by President James Madison and Secretary of State James Monroe. The paper seal affixed to the lower left remains intact. Framed to an overall size of 12.5 x 12. In very good to fine condition, with the upper portion of the document trimmed off, and the handwritten portions of text faded but legible; Madison and Monroe signatures are bold, although the "J" in Madison's first name is extremely faint.

Wed 14 Aug

U. S. Grant Civil War-Dated Autograph Letter Signed to Gen. Halleck on the Committee on the Conduct of the War (1865) Civil War-dated ALS signed “U. S. Grant, Lt. Gen.,” one page, 7.75 x 9.75, Head Quarters Armies of the United States letterhead, February 7, 1865. Handwritten telegram to Major General Henry Halleck, sent from his headquarters at City Point, Virginia, marked "Cipher" in the upper left. In full: "I will be in Washington on Thursday or Friday next. Please notify the Com. on Conduct of the War. I will be obliged to you also if you will notify Mr. Washburne." In fine condition. The Congressional Joint Committee on the Conduct of the War investigated and provided oversight of President Abraham Lincoln's command of the Union Army in the Civil War. General Grant asks Henry Halleck to inform the committee, and his chief advocate, Congressman Elihu B. Washburne, of his impending arrival in the nation's capital. On February 11th, Grant appeared before the committee in relation to Benjamin Butler’s earlier failed effort against Fort Fisher and the question of prisoner exchanges with the Confederates. On the latter subject, the Union Army commander explained: 'I have effected an arrangement for the exchange of prisoners, man for man and officer for officer, or his equivalent, according to the old cartel, until one or the other party has exhausted the number they now hold...Just as fast as they can deliver our prisoners to us I will receive them, and deliver their prisoners to them...The suffering said to exist among our prisoners south was a powerful argument against the course pursued, and I so felt it.'

Wed 14 Aug

U. S. Grant Document Signed as President Partly-printed DS as president, one page, 17.75 x 11.25, March 3, 1871. President Grant appoints H. P. Van Cleve to be "Deputy Postmaster at Saint Anthony's Falls in the State of Minnesota." Signed at the conclusion by President Ulysses S. Grant and countersigned by Secretary of State Hamilton Fish. The white paper seal affixed at the lower left remains fully intact. In fine condition. Horatio Phillips Van Cleve (1809-1891), a New Jersey native, was a soldier, teacher, farmer, livestock raiser, engineer, and surveyor. He graduated from West Point Military Academy, and he served frontier duty in the U.S. Army in Wisconsin. He served in the Union Army throughout the Civil War, rising from the rank of colonel with the Minnesota Volunteers to general in command at Murfreesboro, Tennessee. He saw action at the Battle of Logan’s Cross Roads, participated in the Siege of Corinth, was wounded at Stone’s River, and fought at the Battle of Chickamauga. After the war, he was Adjutant General of Minnesota for 10 years.

Wed 14 Aug

James A. Garfield Letter Signed as President-Elect LS as president-elect, signed “J. A. Garfield,” one page both sides, 8 x 10.25, personal Mentor, Ohio letterhead, January 15, 1881. Marked “Personal,” a letter to German-born American composer and pianist Ernst Perabo, in full: “Your letter of the 10th inst., together with the crystal ballet box, came duly to hand. I need not assure you that your beautiful present so unique both in the emblem and the design is highly appreciated. I have also, in the name of my son and daughter, to thank you for the enjoyment they have derived from the musical arrangements you so kindly sent. Please present my kindest regards to Miss Morrill, and my cordial thanks for her most acceptable New Year's greeting. Thanking you again for the compliment of your courtesy and for the generous expressions of personal regard contained in your letter.” In very good condition, with toning, staining, and splitting along the folds.

Wed 14 Aug

Grover Cleveland Document Signed as President, Prohibiting the Hunting of Fur Seals Partly-printed DS as president, one page, 8 x 10, Executive Mansion letterhead, April 9, 1894. President Cleveland directs the Secretary of State to cause the Seal of the United States to be affixed to “my proclamation of the Act of Congress approved the 6th instant, to give effect to the award rendered by the Tribunal of Arbitration at Paris under the treaty between the U. S. & Great Britain of Feby 29, 1892.” Signed neatly at the conclusion by Grover Cleveland. In fine condition. This document relates to Cleveland’s signing of Proclamation 364: Prohibiting the Hunting of Fur Seals on April 6, 1894, an act designed to drastically limit the hunting of fur seals by both the United States and Great Britain in and around the Bering Sea. While the U.S. sought to employ a more sustainable seal-harvesting method that was akin to the Russians before them, seal vessels from Great Britain and Ireland opposed and/or ignored these measures, which resulted in the United States Revenue Cutter Service, today known as the United States Coast Guard, capturing several Canadian sealer vessels throughout the conflict. This led to The Bering Sea Arbitration of 1893 and, for a little while, a potential war between the United States and Great Britain was in the balance. The North Pacific Fur Seal Convention of 1911 did much to curtail the seal industry. Signed on July 7, 1911, the treaty was designed to manage the commercial harvest of fur-bearing mammals (such as Northern fur seals and sea otters) in the Pribilof Islands of the Bering Sea. The treaty, signed by the United States, Great Britain (also representing Canada), Japan, and Russia, outlawed open-water seal hunting and acknowledged the United States' jurisdiction in managing the on-shore hunting of seals for commercial purposes. It was the first international treaty to address wildlife preservation issues.

Thu 15 Aug

Jean PUY 1876-1960 LE PHARE & LE PORT SAUJON Huile sur papier marouflé sur toile signée en bas à gauche, titrée au verso 38 x 55 cm

Thu 15 Aug

André LAURENTI, né en 1959 ANIMA VESUVIANA, 2015 Huile, pigments et pastels sur papier japon marouflé sur toile, signé et titré au dos 145 x 130 cm

Thu 15 Aug

André LAURENTI, né en 1959 TEMPLE I - ROMA, 2016 Huile, pigments et pastels sur papier japon et velins marouflés sur toile, signé et titré au dos 132 x 160 cm

Thu 15 Aug

Maximilien LUCE 1858-1941 MERS LES BAINS Huile sur papier marouflé sur toile signée en bas à droite 22 x 32 cm Provenance : Collection Jean Bouin Luce Bibliographie : Jean Bouin Luce & Denise Bazetoux Catalogue Raisonné Tome II n°1900

Thu 15 Aug

Maximilien LUCE 1858-1941 PAYSAGE EN BORD DE MER Huile sur papier marouflé sur toile signée en bas à gauche avec timbre de la signature en bas à droite 24 x 31,5 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 PROMENEURS SUR LE PORT Huile sur papier marouflé sur toile signée en bas à gauche 14 x 24,5 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 LA GUINGUETTE AU BORD DE LA SEINE Huile sur papier marouflé sur toile, timbre de la signature en bas à gauche 20 x 26,5 cm Provenance : Collection Jean Bouin Luce Bibliographie : Denise Bazetoux catalogue raisonné Tome III n°1718

Thu 15 Aug

Maximilien LUCE 1858-1941 PAYSAN FAISANT DES FAGOTS ET SA FAMILLE Huile sur papier marouflé sur toile signée en bas à droite et timbre de la signature en bas à gauche 31 x 39 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 LE TRÉPORT Huile sur sur papier marouflé sur toile signée en bas à droite et en bas à gauche avec l'annotation d'un lieu-dit 32,5 x 47 cm Provenance : Collection Jean Bouin Luce Bibliographie : Jean Bouin Luce & Denise Bazetoux Catalogue Raisonné Tome II n°1879

Thu 15 Aug

Maximilien LUCE 1858-1941 BARQUE SUR LA PLAGE Huile sur papier marouflé sur toile, timbre de la signature en bas à droite 31 x 39 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 DIEPPE LES QUAIS LA NUIT Huile sur papier marouflé sur toile signée en bas à droite 37 x 47 cm Provenance : Collection Jean Bouin Luce Bibliographie : Jean Bouin Luce & Denise Bazetoux Catalogue Raisonné Tome II n°1777

Thu 15 Aug

Maxime MAUFRA 1861-1918 LE TRAIN LE LONG DU FLEUVE Huile sur papier signée en bas à gauche 56,5 x 94 cm

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 HOMMAGE À BRIGITTE BARDOT, 2019 Fusain sur papier signé, daté et annoté "modeste hommage à Madame, Brigitte Bardot" de l’artiste en bas à droite 61 x 49 cm

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 JOHANNESBURG, 2002 Pierre noire et encre sur papier signé, daté et titré en bas au milieu 20,5 x 18,5 cm Un certificat d'authenticité de la galerie Art to Be Gallery Lille sera remis à l'acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ARTAUD (HÔPITAL D'IVRY), 1998 Pierre noire et encre sur papier, signé, titré et daté en bas à gauche 19 x 16,5 cm Un certificat d'authenticité de la galerie Art to Be Gallery Lille sera remis à l'acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 CONCERT BAROQUE, ALBAN BERG, 1981 Fusain sur papier signé, daté et titré au milieu en bas 24 x 22 cm Un certificat authenticité de la galerie Art to Be Gallery Lille sera remis à l'acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR APOLLINAIRE, 2016 Pierre noire et lavis sur papier, signé et daté en bas au milieu 63 x 43 cm Provenance : Galerie Lelong & Co. Paris New York A fait la couverture de l'exposition "Ernest Pignon-Ernest, Figurae" du 15 mars au 18 mai 2018 au salon Galerie Lelong & Co. Paris Un certificat d’authenticité de la galerie Lelong & Co. sera remis à l’acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR GIACOMETTI, 2001 Pierre noire sur papier signée en bas au milieu 49 x 33 cm Provenance : Atelier de l’artiste, puis Galerie Lelong & Co. Paris Un certificat d’authenticité de la Galerie Lelong & Co. sera remis à l’acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR NERVAL, 2001 Crayon sur papier argenté doré signé, titré et daté en bas au milieu 42 x 33 cm Un certificat d'authenticité de la galerie Art to Be Gallery Lille sera délivré à l’acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR JEAN FERRAT Crayon sur papier signé en bas à droite 27 x 23 cm

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR DESNOS, 2000 Crayon sur papier signé, titré et daté en bas au milieu 38,5 x 27,5 cm Un certificat d'authenticité de la galerie Art to Be Gallery Lille sera délivré à l’acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ENTRETIEN DE LA BLESSURE, 2011 Fusain signé, titré et daté en bas au centre 38 x 23,5 cm Ce dessin est monté sur un carton neutre (42x32,5 cm) et recouvert d’une feuille de papier calque avec une ouverture centrale (22x13 cm), laissant apparaître un important détail de l’œuvre qui est reproduit pleine page dans « Entretien de la blessure, sur Jean Genet" d'Hélène Cixous, publié aux éditions Galilée en 2011 (page 77) Un certificat d’authenticité de Christophe Berteaux sera remis à l’acquéreur

Thu 15 Aug

Ernest PIGNON-ERNEST, né en 1942 ÉTUDE POUR JEAN ZAY 1 PANTHEON ,2015 Fusain sur papier signé en bas à gauche, titré au milieu, situé et daté en bas à droite 33 x 21 cm Un certificat d'authenticité de la galerie Art to Be Gallery Lille sera délivré à l’acquéreur

Thu 15 Aug

Maximilien LUCE 1858-1941 LE PORT DE BILLANCOURT Huile sur papier marouflé sur toile signée en bas à droite 9,5 x 36 cm Provenance : Collection Jean Bouin Luce Bibliographie : Jean Bouin Luce & Denise Bazetoux Catalogue Raisonné Tome II n°920

Thu 15 Aug

Maximilien LUCE 1858-1941 ENVOL AU DESSUS DES LABOURS Huile sur papier marouflé sur toile signée en bas à droite et en bas à gauche 38 x 53 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 LE TRÉPORT, LA PROCESSION Huile sur papier marouflé sur toile signée en bas à droite 26 x 40 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 QUAI DE SEINE Huile sur papier marouflé sur toile signée en bas à gauche 37 x 57,5 cm

Thu 15 Aug

Pierre-Eugène MONTEZIN 1874-1944 MORET SUR LOING Huile sur papier sur toile signée en bas à droite 50 x 65 cm

Thu 15 Aug

Maximilien LUCE 1858-1941 KERMOUSTER, 1938 Huile sur papier marouflé sur toile signée et datée en bas à droite 19,5 x 31 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 RETOUR DES CHAMPS Huile sur papier marouflé sur toile signée en bas à droite 33 x 50 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Georges ROUAULT 1871-1958 DANSEUSE, 1929 Encres, gouache et pastel sur papier 26 x 20 cm Bibliographie : Cette oeuvre est reproduite dans le catalogue "Rouault, l’œuvre peint", volume 3 sous le n° OP 2848 Exposition : Cent chefs-d'œuvre de Georges Rouault Galerie Tamenaga, Paris, 2022 Cette œuvre a été réalisée pour le Ballet "Le Fils Prodigue" créé par les Ballets russes de Serge De Diaghilev à Paris le 21 mai 1929, décor et costumes de Georges Rouault Restée dans la famille Rouault jusqu’à ce jour Un certificat d'authenticité de la Fondation Rouault sera remis à l'acquéreur

Thu 15 Aug

Georges ROUAULT 1871-1958 ROSALBA, 1949-1956 Huile et encres sur papier marouflé sur toile 42 x 28 cm Au dos cachet de l'atelier Georges Rouault accompagné de la signature "Isabelle Rouault", fille de l'artiste Bibliographie : Cette oeuvre est reproduite dans le catalogue "Rouault l’œuvre peint", volume 3 sous le n° OP 2800 Expositions : -"Georges Rouault", Galerie Taménaga, Paris, France, 2007 - "Georges Rouault", Galerie Taménaga, Tokyo, Osaka, Japon, 2008 - "Georges Rouault/Makoto Fujimura : Soliloquies", Galerie Dillon, New York, USA, 2009 - "Georges Rouault", Interart Galerie, Genève, Suisse, 2010 - "Pinacothèque", Pinacothèque, Singapour, 2015 - "Georges Rouault", Galerie Taménaga, Tokyo, Japon, 2016 - "Georges Rouault", Galerie Taménaga, Osaka, Japon, 2017 - "Georges Rouault and the Expressionists : Painters and Passion", The Miyagi Museum of Art, Miyagi, Japon, 2017 - "Painters of Passion : Adventures in Color by Kandinsky, Rouault and Thier Contemporaries", Panasonic Shiodome Museum Rouault Gallery, Tokyo, Japon, 2017 Oeuvre caractéristique de la dernière période avec beaucoup de matières et couleurs Restée dans la famille Rouault jusqu’à ce jour Un certificat d'authenticité de la Fondation Rouault sera remis à l'acquéreur

Thu 15 Aug

Leonor FINI 1907-1996 LA MONTGOLFIÈRE AUX CHATS Huile sur papier marouflé sur toile 35 x 27 cm Bibliographie : Monsieur Richard Overstreet et la Galerie Minsky ont confirmé l'authenticité de l'œuvre et l'incluront au supplément du Catalogue Raisonné en préparation

Thu 15 Aug

Pablo PICASSO 1881-1973 TÊTE D'HOMME COURONNÉ, 17.1.67 Feutre rouge sur papier signé et daté en bas Page de titre du livre "L'homme et son œuvre", Pierre Daix 21 x 16 cm Un certificat d'authenticité du Comité Picasso sera remis à l'acquéreur

Thu 15 Aug

Maximilien LUCE 1858-1941 BORD DE MER Huile sur papier marouflé sur toile, timbre de la signature en bas à droite 33,5 x 46,5 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Maximilien LUCE 1858-1941 BORD DE MER Huile sur papier marouflé sur toile signée en bas à droite 31 x 39 cm Provenance : Collection Jean Bouin Luce

Thu 15 Aug

Niki de SAINT-PHALLE 1930-2002 LE COUPLE (Invitation Philip and Elisabeth Engagement), 1988 Encre et crayons de couleur sur papier Pièce unique signée deux fois Niki de St-Phalle et Niki en bas à gauche 18,5 x 24,5 cm Bibliographie : Cette œuvre figure dans les archives de "Niki Charitable Art Foundation". Un certificat sera remis à l’acquéreur

Thu 15 Aug

Maximilien LUCE 1858-1941 DEUX PERSONNAGES & UN CHIEN EN BORD DE SEINE, circa 1920-25 Huile sur papier marouflé sur toile, timbre de la signature en bas à droite 27 x 21,5 cm Provenance : Collection Jean Bouin Luce Bibliographie : Denise Bazetoux Catalogue Raisonné Tome III n°130

Thu 15 Aug

Maximilien LUCE 1858-1941 FEMME ET ENFANT À LA FENÊTRE Huile sur papier marouflé sur toile signée en bas à droite 23 x 17 cm Provenance : Collection Jean Bouin Luce Bibliographie : Denise Bazetoux Catalogue Raisonné Tome III n°375

Thu 15 Aug

Maximilien LUCE 1858-1941 LA LUTTE, circa 1908-1910 Huile sur papier marouflé sur toile, timbre de la signature en bas à gauche 31 x 23 cm Provenance : Collection Jean Bouin Luce Bibliographie : Denise Bazetoux Catalogue Raisonné Tome III n°815

Thu 15 Aug

Raoul DUFY 1877-1953 CAVALIERS 2 dessins provenant d'un carnet de croquis (feuilles perforées) 14 x 18 cm 1 dessin sur papier libre 6,5 x 13 cm (taches d'humidité) Provenance : Collection privée de l'artiste Collection Raymonde G., par donation d'Emilienne Dufy

Thu 15 Aug

Raoul DUFY 1877-1953 PAYSAGE Encre de chine sur papier calque 50 x 65 cm Provenance : Collection privée de l'artiste Collection Raymonde G., par donation d'Emilienne Dufy

Thu 15 Aug

Raoul DUFY 1877-1953 PAYSAGE Encre de chine sur papier calque 50 x 58 cm (déchirures, signature légèrement effacée) Provenance : Collection privée de l'artiste Collection Raymonde G., par donation d'Emilienne Dufy

Thu 15 Aug

Raoul DUFY 1877-1953 3 PAYSAGES sur papier calque Fleuve et bâtiment 34 x 44 cm (trace de signature en bas à droite) Paysage 23 x 46 cm (taches) Paysage et personnages (signature incomplète, déchirure au milieu côté gauche) 49 x 64 cm Provenance : Collection privée de l'artiste Collection Raymonde G., par donation d'Emilienne Dufy

Thu 15 Aug

Claude MONET 1840-1926 THE FRANÇOIS 1ER TOWER AT THE ENTRANCE TO THE PORT OF LE HAVRE Pencil on paper 23 x 31 cm (scratches) Provenance : -Claude Monet, Giverny -Michel Monet, Giverny or Sorel-Moussel (by descent) -Henriette Giordanengo, gift of Michel Monet -Michel Cornebois, gift of Henriette Giordanengo, by descent Bibliography: This work is reproduced in the Catalogue Raisonné Tome 5, supplement to the paintings, drawings and pastels "Claude Monet" by Daniel Wildenstein under no. D48 p.68.

Thu 15 Aug

Claude MONET 1840-1926 VILLA AU FOND DU PARC Pencil and chalk on brown paper 23 x 31 cm (scratches) Provenance : -Claude Monet, Giverny -Michel Monet, Giverny or Sorel-Moussel (by descent) -Henriette Giordanengo, gift of Michel Monet -Michel Cornebois, gift of Henriette Giordanengo, by descent Bibliography: This work is reproduced in the Catalogue Raisonné Tome 5, supplement to the paintings, drawings and pastels "Claude Monet" by Daniel Wildenstein under no. D87 p.75.

Thu 15 Aug

Claude MONET 1840-1926 FARM BUILDING Pencil and chalk on paper 23 x 31 cm (cracks) Provenance : -Claude Monet, Giverny -Michel Monet, Giverny or Sorel-Moussel (by descent) -Henriette Giordanengo, gift of Michel Monet -Michel Cornebois, gift of Henriette Giordanengo, by descent Bibliography: This work is reproduced in the Catalogue Raisonné Tome 5, supplement to the paintings, drawings and pastels "Claude Monet" by Daniel Wildenstein under no. D79 p.73.

Fri 16 Aug

Diamant sur papier pesant 4,99 carats de couleur L et de pureté VS2, fluorescence aucune Accompagné d'un certificat HRD#240000135695

Fri 16 Aug

Diamant sur papier de forme radiant pesant 0,70 ct de couleur I et de pureté VS1 Accompagné d'un certificat GIA# 6435012318

Fri 16 Aug

Diamant sur papier pesant 0,64 ct de couleur estimée M/N et de pureté estimée SI1/SI2

Fri 16 Aug

Diamant sur papier pesant 1,15 ct Accompagné d'un certificat HRD#20000086700 stipulant que le diamant est de couleur E et de pureté VVS1

Fri 16 Aug

Diamant sur papier pesant 1,01 ct Accompagné dun certificat HRD#20000086698 stipulant que le diamant est de couleur E et de pureté VVS2

Fri 16 Aug

Diamant sur papier pesant 1,09 ct Accompagné d'un certificat HRD#20000086699 stipulant que le diamant est de couleur E et de pureté VVS2

Fri 16 Aug

CHAUMET Coupe-papier de table, la prise retenant une importante opale brute naturelle habillée d'or jaune avec liseré en torsade terminé par une lame en argent Signé, poinçon de maître Chaumet L : 19 cm - Motif : 3,2 x 3,8 cm Pb : 119 g (Argent-800/1000 & Or 18K-750/1000)

Fri 16 Aug

OMEGA Modèle "Constellation" Montre de dame en or rose et acier, lunette et index sertis de diamants, fond nacre, verre usé, fond squelette, remontoir siglé en or rose, mouvement automatique Omega CO-AXIAL#8520, bracelet en acier et or, boucle déployante d'origine Circa 2009 Ø : 27 mm - Tour de poignet : 15,5 cm Accompagnée de sa boîte, de ses papiers et d'un maillon supplémentaire

Fri 16 Aug

Diamant sur papier pesant 1,01 ct de couleur F et de pureté VVS1 Ce diamant est accompagné d'un certificat GIA#6402713988

Fri 16 Aug

Diamond on paper radiant shape weighing 0.70 ct, D color, VS2 clarity Accompanied by a GIA# certificate 6455688307

Timmermann: Gouache on paper, abstract composition, signed on the right, dated 1993, size: 58 x 41 cm, framed under glass.

René Mels: Embossed print, abstract composition, titled "Secrète écorce", signed lower left numbered 31/50, image size: 49 x 42 cm, paper size: 65 x 50 cm

Leclerck G : Color lithograph, surrealist landscape with raven, signed in the lower right margin, dated 1976, numbered 13/130, (slight yellowing around the edges), paper size: 80 x 65 cm

Carine Hellebuyck: (C), Composition in gouache on paper, titled "Alto cumulus I", signed lower right and dated 1992, handwritten artist's card on back, image size: 70.5 x 52 cm

Guilet Thibaut (1956): Acrylic on paper mounted on canvas, circa 1990, surrealist landscape featuring a dinosaur skeleton, size: 191 x 129 cm.

Valerio Adami (1935) : Color lithograph, signed lower right, numbered 1/90, image size: 36 x 48 cm, paper size: 50 x 60 cm

Victor Vasarely / Amsterdam Museum : Color print, kinetic composition, stamped lower right and left, image size: 50 x 50 cm, paper size: 63 x 63 cm

Paul Daxhelet : Gouache on paper, Tootsi dancer, signed lower right, dim: 23 x 33 cm, framed under glass

Théo Vaessen: Colour drawing, mixed technique on paper, Indian ink and pencil, event

Marcel Huguet: Mixed media, oil on paper and gouache, nude of a lady mirroring herself, signed lower right, dated 1987, size: 65 x 51 cm, framed under glass.