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Fri 03 May

Nikon D 70 - with Sigma's lens 18-50 mm. 1:3.5-5.8 DC. - With photo bags, 3 tripods (Nonfrotto, Novoflex, Cullmann). - Included: accessories. - Camera partially sticky on front of body. D

Fri 03 May

Zwei Nikon Photoobjektive. - AF-S Nikkor 70-200 mm f/2.8 and AF-S Nikkor 14-24 mm. 1:2,8. D

Fri 03 May

Photo camera, 1990s, silver-colored Leica C1 analog point & shoot camera Vario-Elmar 38-105, in original leather case, slight signs of wear, w. 13 cm, h. 6.5 cm

Mon 06 May

KIEV WEB: Camera no. 7726623, lens 2/50.

Mon 06 May

NIKON Lens series E, 50 mm 1:1.8, N° 2700133 and Nikon Lens series E 100mm 1:2.8 N°1837767 in case.

Mon 06 May

FUJI: Camera model WIDE 60 GS 645. EBC FUJINON 60 mm 1:4 lens.

Mon 06 May

ROLLEIFLEX SL 26. Lens Carl Zeiss Pro-Tessar 3,2/28 (Germany). As is.

Mon 06 May

MAMIYA Super 23. Mamiya-Sekor1:3.5 lens, 100mm. N°22129. Roll Film Holder 6 x 7 (Japan).

Mon 06 May

OLYMPUS 28-110, intelligent flash. Olympus Lens AF zoom 28-110 mm, 1:4.5-5.6 Glass Aspherical Lens, 52 mm (Japan), with cover. OLYMPUS XA3 gasket. Zuiko 35mm 1:35 lens (Japan). As is.

Mon 06 May

PONTIAC Paris. Carl Zeiss Jena Biotar 1:2 lens. 5.8 cm. CANON Prima Super 155 gasket with cover. As is.

Mon 06 May

CANON Pellix, Canon Lens 1 : 35, 135mm. Includes two Canon Lens FL lenses 35mm 1 : 3.5 N°18424 and 50mm 1 : 1.8 N°757719. As is.

Mon 06 May

LEICA. Photographic set including : - a Leitz Wetzlar M4 Chrome camera, no. 1190977, - a visoflex III, - a Leitz Canada Telyt 1:4.8/280 lens, - a leicameter MR, - a Leitz Weltzlar summicron 1.2/50 lens, - a Leitz Wetzlar inter-ring for lenses 50 and 35 - a Leica camera bag. Also included: - a Bolex Paillard stand,- a Minolta JCII lens,- a Soligor double-rail bellows, - a Stitz grip gun (damaged), - a Velbon hand support, - a Sunpak 22 auto flash, - three Ilford black and white films, - two Superia color films, - a camera carrying case, - two carrying bags.

Mon 06 May

SUMMUM : Compur - Stereo camera, Paris Boyer Saphir 1: 4.5, 75mm lens. N°119683. With carrying case. As is.

Mon 06 May

FUJI: STX-2 SLR camera, 24x36. Includes four lenses: Panagor-E 80-200 mm, X-Fujinon, 50 mm, Hama, 80-200 mm, X-Fujinon 55 mm. And a green Ideal case. As is.

Mon 06 May

ZEISS ICON Contessa LKE. Carl Zeiss Tessar 2.8/50 lens, N°4234976. In carrying case. Includes a Zeiss Ikon portable flash, Klobitz 6 (Germany). As is.

Mon 06 May

FUJI: STX-2 camera with Fujica Teleconverter 2 lens, 1:3.5-4.5, 43-75 mm. Includes National PE-2006 flash; AGFA coil, 12 APX 100 and Gessen Bisix 2 light meter. In Cobra carrying bag. As is.

Mon 06 May

ROLLEI 35 : Camera. Lens 3.5/40. With case. As is.

Mon 06 May

ZEISS IKON : Camera, model prontor 500LK. In leather travel case.

Mon 06 May

MINOLTA DYNAX 7 XI film camera with MINOLTA flash, 100/300 and 28/105 zoom lenses. In carrying case.

Mon 06 May

ULTRA FEX: Camera, in leather case. Seal POLAROID Land Camera Colorpack 82. Without case.

Mon 06 May

A YSL Saint Laurent Black Lou Matelasse Camera Bag. Leather exterior, gold-tone hardware, adjustable strap, zipped closure. Black textile interior with an open inner side pockets. 23cm W x 16cm H x 6cm D. Please see photos for conditions or request a condition report. Ref: 16567

Tue 07 May

Lieutenant Colonel Georg Kraut (1870 - 1964), adjutant to Lettow-Vorbeck - more than 550 colonial glass slides with projector Wooden box with approx. 190 color slides from East Africa (dimensions approx. 9 x 9 cm). Cardboard box with over 90 slides (around 50 color slides, dimensions approx. 8 x 8 cm) from East Africa. Six diapositives in black and white (approx. 8 x 10 cm) in an old slide box, including Lettow-Vorbeck and Kraut. Cardboard box with 27 diapositives in black and white (approx. 9 x 8 cm) and 75 negatives in black and white (approx. 9 x 12 cm). One box with 33 color slides East Africa and 37 diapositives German South West Africa. Box with five diapositives in black and white of the military cemetery Tanga. Original wooden box "Kraut Hildesheim" (approx. 38 x 17 x 17 cm) with roughly 100 slides (approx. 8 x 8 cm) German South West Africa from the 1920s/1930s (mandatory period). Including askaris, German officers, natives, battle shooting, railway, supply with pigs and poultry, Arusha, Dar es Salaam, Engare. Many slides with original captions by Kraut. Comes with the original projector Zeiss Ikon (newly electrified) in the original case by Henriksen & Steen (approx. 40 x 20 x 30 cm). Partly with cracks, minor flaws, slightly damaged, traces of use and age. A photographic treasure with many early color slides. On November 18, 1909, Georg Kraut was transferred to German East Africa, where he fought alongside Commander-in-Chief Paul von Lettow-Vorbeck in World War I. For Georg Kraut, photography (many earlier color photographs!) and hunting played an important role during his time in the colony. After his return from Africa and his resignation as lieutenant colonel in 1920, he committed himself to his artistic interest and cultural activities primarily in his home town of Hildesheim. He gave lectures on his time in Africa during which he presented the slides offered at this auction. His slides also served partly as reference material for war publications, for example, by his friend Lettow-Vorbeck. Cf. auction 98, lots 3382 - 3384. No shipping, pickup only. Condition: II

Tue 07 May

A STERLING SILVER VINTAGE CAMERA CHARM. 2.5cm length, 4.8g weight. Ref: SC 8115

Tue 07 May

NASA GEMINI IV mission Astronaut Ed White poses for the first spaceflight portrait taken by mission commander Jim McDivitt. Vintage chromogenic print on "A Kodak Paper", numbered NASA (S-65-30549) in red in the upper margin. Printed caption NASA-MSC on back. Dated June 3, 1965. 25.5 x 20.5 cm with margins. Handling marks in margins and marks at lower left. Gemini Titan IV (GT-4) was the second crewed mission of the Gemini program. James McDivitt and Edward White successfully completed the 4-day, 62-orbit flight between June 3 and 7, 1965. Only a few weeks before liftoff, the mission program was revised to include the first spacewalk (EVA - Extra-Vehicular Activity) by an American astronaut; a direct response to the success of cosmonaut Alexei Leonov, who performed the first EVA on March 18, 1965. On this occasion, White remained outside the spacecraft for 23 minutes. This photograph was taken after Ed White's spacewalk. McDivitt used the Zeiss Contarex 35mm camera loaded with color film specifically for space shots that White had used to take photographs from outside the spacecraft.

Tue 07 May

NASA GEMINI IV Mission Photograph of astronaut Ed White floating in space over New Mexico, during the first American EVA. Vintage chromogenic print on "A Kodak Paper", numbered NASA in red (S-65-30433) in the upper margin. Printed NASA-MSC legend on back. Dated June 3, 1965. 25.5 x 20.5 cm with margins. Marginal handling marks. Gemini Titan IV (GT-4) was the second crewed mission of the Gemini program. James McDivitt and Edward White successfully completed this 4-day, 62-orbit flight between June 3 and 7, 1965. Only a few weeks before liftoff, the mission program was revised to include the first spacewalk (EVA - Extra-Vehicular Activity) by an American astronaut; a direct response to the success of cosmonaut Alexei Leonov, who performed the first EVA on March 18, 1965. On this occasion, White remained outside the spacecraft for 23 minutes. Connected to the capsule by a 7.6 m oxygen supply cord, Ed White used a propulsion gun to move around the capsule, to which a camera was also attached (see lot no. 41C). The capsule's reflection can be seen on the protective visor of his helmet, gold-plated to protect him from the sun's rays. Mc Divitt, from his commander's seat in the Gemini capsule, took 16 photos of Ed White floating in space. http://tothemoon.ser.asu.edu/gallery/Gemini/4/Hasselblad%20500C%2070%20mm (Images 32 to 39, and 45 to 52). Radio transcript - this image was taken at T+04:39 after lift-off: 04:38:12 McDivitt: Okay. Ed, just free-float around. Right now we're pointing just about straight down at the ground. 04:38:14 White: Okay, now I'm taking a look back at the adapter and equipment back there. I can see the separation plane; it's quite clean. The thrusters are clean. The thermal paint, the thermal stripping looks quite good. Also, the velcro that we put on seems to be in good shape right by the camera. I'm coming back down on the spacecraft. I can sit up here and see the whole California coast. 04:38:58 White: Okay. Now I'm going to go out and see how much ..... if I've got enough harness. 04:39:26 White: The sky sure is black. Bibliography : National Geographic, September 1965, p.440-441.

Tue 07 May

NASA GEMINI IV mission Photograph of astronaut Ed White floating in space above a sea of clouds, during the first American EVA. Vintage print, numbered NASA (S-65-30272) in black in the upper margin. Printed NASA-MSC legend on back. Dated June 3, 1965. 25.5 x 20.5 cm with margins. Marginal handling marks. Gemini Titan IV (GT-4) was the second crewed mission of the Gemini program. James McDivitt and Edward White successfully completed the 4-day, 62-orbit flight between June 3 and 7, 1965. Only a few weeks before liftoff, the mission program was revised to include the first spacewalk (EVA - Extra-Vehicular Activity) by an American astronaut; a direct response to the success of cosmonaut Alexei Leonov, who performed the first EVA on March 18, 1965. On this occasion, White remained outside the spacecraft for 23 minutes. Taken while flying over the Pacific Ocean, this photograph has a beautiful aesthetic with Ed White standing out against a sea of clouds with the curvature of the earth in one angle of the shot. We see many details of the equipment used during this spacewalk. These include his steering thruster, on which the camera is mounted, and the 7.6 m cord that attaches him to Gemini and supplies him with oxygen, which is connected to the ventilation module attached to his chest. The entire Gemini capsule is visible in the reflection of its visor. Ed White gives the following desctiption of this photograph, ("Exploring space with a camera" , Edgar M. Cortright, 1968, p 151): "This was a picture taken by my teammate, James McDivitt, on the third revolution of Gemini IV. I had a specially designed spacesuit which had 21 layers of thermal and micrometeoroid protection. My face was protected by a double gold-plated visor which provided protection from the unfiltered rays of the Sun. In my hand I held a small self-maneuvering unit which gave me control of my movements in space. On my chest was an oxygen chestpack that regulated the flow of oxygen to my suit and provided an 8-minute supply of emergency oxygen. I was secured to the spacecraft by a 25-foot umbilical line and a 23-foot tether line, which were secured together and wrapped with a golden tape for thermal insulation. On the top of the Hand-held Self-Maneuvering Unit was mounted a 35mm camera to record the event from outside the spacecraft". Radio transcript - this image was taken at T+04:34 after lift-off: 04:34:24 McDivitt: Okay. Let me get some ..... to you, Ed. I ought to be getting some tremendous pictures of you. Let me try again with the Hasselblad. 04:34:31 White: Okay. I think I've exhausted my air now. 04:34:33 McDivitt: Okay. 04:34:36 McDivitt: Stay right there. 04:34:40 White: I had very good control with it. I just needed more air (on the self-maneuvering unit). 04:34:45 McDivitt: Okay. Stand by. Let me take a couple of pictures, ole buddy. 004:34:48 White: All right. Bibliography : Andrew Chaikin, SPACE, Carlton Books Ltd 2004, p.59 photograph described and reproduced in color.

Tue 07 May

NASA GEMINI IV mission First photograph of a spacecraft in space. Vintage print on "A Kodak Paper", numbered NASA (S-65-30550) in red in the upper margin. Printed caption NASA-MSC on back. Dated June 3, 1965. 25.5 x 20.5 cm with margins. Marginal handling marks. Gemini Titan IV (GT-4) was the second crewed mission of the Gemini program. James McDivitt and Edward White successfully completed the 4-day, 62-orbit flight between June 3 and 7, 1965. Only a few weeks before liftoff, the mission program was revised to include the first spacewalk (EVA - Extra-Vehicular Activity) by an American astronaut; a direct response to the success of cosmonaut Alexei Leonov, who performed the first EVA on March 18, 1965. On this occasion, White remained outside the spacecraft for 23 minutes. This photograph is the first image taken of a spacecraft in orbit. It was taken by Ed White during his EVA, using a Zeiss Contrarex 35 mm camera mounted above his Hand-Held Maneuvering Unit. Radio transcript: 04:36:02 White: I feel just about like a ..... commercial. 04:36:03 Capcom (Mission Control): Is he taking pictures? 04:36:11 Capcom: Take some pictures. 04:36:12 White: Okay. I'm going to work on getting some pictures, Jim. [...] 04:36:33 White: But I want to get out and shoot some good pictures. I'm not satisfied with that. [...] 04:37:47 McDivitt: Okay, do you want me to maneuver for you now, Ed? 04:37:50 White: No, I think you're doing fine. What I'd like to do is get all the way out, Jim, and get a picture of the whole spacecraft. I don't seem to be doing that. 04:38:00 McDivitt: Yes, I noticed that. You can't seem to get far enough away. [...] 04:41:10 White: Okay, I'm going to free drift a little bit, and see if I can drift into some good picture-taking position. 04:41:16 McDivitt: Okay. Here, let me control the spacecraft ..... 04:41:10 White: Okay, I'm going to free drift a little bit, and see if I can drift into some good picture-taking position. 04:41:16 McDivitt: Okay. Here, let me control the spacecraft .....

Wed 08 May

German bellows camera manufactured by Goerz Ango in wood and leather with original Goerz Dagor lenses, c.1910. Slight breakage in the viewfinder. 25 x 20 x 17 cm.

Fri 10 May

APO - RAF - Series of 9 reproductions of photographs of Baader, Ensslin and Raspe in Stammheim. Motif sizes: 11 x 15 cm to 25 x 20 cm. Sheet size: 29.5 x 21 cm. The photographs were taken by the RAF prisoners themselves with a smuggled-in camera during their imprisonment. - Stiftung Haus der Geschichte EB no. 2005/03/0368 - The photographs show Andres Baader (2), Gudrun Ensslin (4) as well as Gudrun Ensslin and Jan-Carl Raspe together (3, 1 motif repeated in reduced size). - Perfect condition.

Fri 10 May

Caricature - Cynicus (Martin Anderson). Collection of 11 caricatures as "magic lantern slides". London, Cynicus Publishing, ca. 1902-12. 8.2 x 8.2 cm each. Anderson (1854-1932) is famous for his satirical postcards and posters. He also reproduced a number of motifs transparently on double glass plates for the magic lantern. Present "Hope deferred", "Mars & Venus", "A Chapel of Ease", "Preliminaries", "In Chancery", "In Disgrace", etc. Partially with publisher's label in upper margin. - 2 plates cracked, 1 with broken corner, 1 broken and without cover plate. VAT: *

Mario Giacomelli - Buzz Aldrin Walks on the Moon, 20 July 1969 Vintage color print, 130x90 mm Astronaut Buzz Aldrin stands on the surface of the moon near the leg of the lunar module, Eagle, during the Apollo 11 moonwalk. Neil Armstrong, mission commander, took this photograph with a 70mm lunar surface camera. While Armstrong and Aldrin descended in the lunar module to explore the Sea of Tranquility, Mario Giacomelli was in Senigallia, he could not get on the spaceship, but wanted to create his personal image, too.

Léo & Antonin Boulade - Aboard Ballon Arago Gondola with a Camera, Lyon, 1905 Broken glass negative, 180x130 mm, with camera

Pair of bronze sconces. Height: 29 cm (wear)

COLMON Pair of lacquered metal and leather binoculars. Width: 10 cm (wear) In their case. (wear and tear)

Pair of binoculars in lacquered metal and resin. Width: 12 cm In case (wear)

PLAVIC Photo room. 11 x 14 cm (oxidation)

Sun 12 May

Porcelain Piano Babies, Conta & Boehme, Heubach Two early 20th century German bisque porcelain piano babies, the larger by Conta & Boehme and smaller by Heubach. Type: Figurine Materials: Porcelain Markings & Inscriptions: Marked Date: Early 20th century Maker: Conta & Boehme, Heubach Dimensions: Larger: 10" x 11" x 7". Smaller: 5" x 4 x 2.75". Provenance: From a Philadelphia, Pennsylvania collection. Good condition, minor surface wear.

Mon 13 May

DOMINIK VALVO (Huelva, 1986). "Takayama nightwalk", 2017. Photography on Fujifilm fujicolor glass archive fujicolor paper preferrerd luster. Copy 8/30. Attached certificate issued by the author. Signed and justified on the back. Measurements: 70 x 70 cm. Dominik Valvo moved to Seville where he began his training as a graphic designer. During his studies, he practiced photography, approaching this discipline in a self-taught way. In the artist's own words "My relationship with photography goes back to my childhood. I remember how I played with my brothers' cameras and how I was always in search of composition, paying special attention to volumes, lights and shadows". In Madrid, where I have lived since 2009, he began to develop me professionally and to turn completely to projects, getting into various styles that allowed him to grow and have his own expression. Color and emotion define her work. He currently works in portraits of celebrities, fashion and advertising, although the social reportage also marks much of his career. His work has been published in magazines and national and international media and I have worked with numerous actors and actresses such as Hugo Silva, Asier Etxeandía, Aitana Sánchez-Gijón or Paco León among many others... Enclosed is a certificate issued by the author.

Wed 15 May

Mamiya Eishu (possibly 1873 - 1948) A Japanese ink on paper painting mounted as hanging scroll, depicting Kannon with a large halo below inscription, signed by the artist with three seals,128 x 32.5cm, with a fitted Japanese woodbox.

Wed 15 May

John Candy Signed Photograph - Glossy 8 x 10 photo of John Candy smiling for the camera, signed in black felt tip. In very fine condition.

Wed 15 May

Gene Kelly Signed Photograph - Glossy 8 x 10 photo of Gene Kelly smiling for the camera, signed in black felt tip. In very fine condition.

Sat 18 May

4 ARGENTIQUE CAMERAS from the 1970s: KODAK Retinette), NIKKOREX, PORST ES35 and CADY

Sat 18 May

4 ARGENTIQUE CAMERAS from the 1970s: CANON EF, CANON FTb, CANON EX EE and HANIMEX 35SL

Sat 18 May

4 ARGENTIQUE CAMERAS from the 1970s: PRAKTIKA models Super TL1000, TLOVA B and Super TL; CHINONFLEX TTL

Sat 18 May

OPTICS: telephoto lens TAKUMAR, 4 lenses CANON, PRAKTIKAR (x2) and VIVITAR, 3 flash units MECABLITZ, FERRANIA and DUOLUX, light meter and film viewer CHERRY Triomat - N

Sat 18 May

ARGENTIQUE CAMERAS from 1980-1990: 12 CANON cameras, 2 MINOLTA cameras and INSTAMATIC CAMERA.

Sat 18 May

4 ARGENTIQUE CAMERAS from the 1970s: ULTRA FEX, PHOTOFAX, ZEISS ICON Vitessa 500S, ZENIT TTL

Sat 18 May

MACCHINA FOTOGRAFICA PERSONALE NIKON - "Nikon - MD-12" camera made in Japan, 1970s/80s. The master was a photography enthusiast and owned a large collection of cameras.

Tue 21 May

Lot d'appareils photos et et - objectives

Tue 21 May

Photographic lot including: - MINOLTA X-700 camera. - NISSIN 360 TXP Flash. - MINOLTA RIVA ZOOM 90EX. (not tested).

Tue 21 May

CANON. A35F 40 mm 2.8 camera (not tested). Presented in its carrying case (wear). Also included: PATHE. 8 mm motorcamera with KRAUS lens. (untested). With carrying case. (wear).

Tue 21 May

Lot of cameras including: - BERTHIOT Paris, ERCSAM. - KODAK, COMPUR. - KODAK, STARLUXE II. - DEHEL, MANAR. - REALT, light meter - ZEISS ICON, bellows camera. - KODAK, COMPUR. (not tested).

Tue 21 May

Lot of cameras including : - PENTACON. - MINOX 35 EL. A pair of binoculars in case.

Wed 22 May

SELECLINE 35MM DISPOSABLE CAMERA In original packaging. Unopened.

Thu 23 May

Jim Morrison Rare Signed Photograph - Extremely rare vintage glossy 4 x 8 photo of the influential Doors frontman staring directly into the camera, prominently signed in blue felt tip, "J. Morrison." Archivally corner-mounted, matted, and framed under Tru Vue Museum Glass to an overall size of 16.5 x 18. In fine condition, with a subtle bend at the center. Accompanied by full letters of authenticity from REAL and JSA. This iconic portrait was captured circa 1969 at Venice Pier by noted rock photographer Henry Diltz. The Doors came to be one of the most popular and successful American rock bands of all time, and Morrison one of rock's most legendary frontmen. Morrison remains highly elusive across all signed formats, with this striking example representing one of few autographed photos we have ever offered. Elevated by its lack of an inscription, this is an immensely desirable and seldom-encountered signed image of the counterculture icon—a truly superlative piece.

Sat 25 May

Nikon F, 1960s, with five lenses and accessories, #7135640, lenses: Nikkor-N 1:2.8/24mm, Nikkor 1:2.8/45mm, Micro-Nikkor-P 1:3.5/55mm, Nikkor-H 1: 1.8/85mm Nikkor-P 1:2.5 105mm. Accessories: intermediate ring, lens hood, various filters, cable release, flash; age-related signs of wear, no guarantee for accuracy of light meter

Sat 25 May

Hasselblad 500C, built in 1969, with three lenses and accessories, serial no. TE94984, lenses: Carls Zeiss Planar 1:2.8 80mm, Sonnar 1:4 150mm, Sonnar 1:5.6 250mm, original Hasselblad bag, original magnifying viewfinderand prism viewfinder, flash with SCA 3701 for Pentax, light meter; good condition with only a few signs of wear, Shutter speeds not checked

Wed 29 May

1970 ca. PHOTOGRAPHY: COLITA: LA NOVA CANÇÓ. Set of 53 photographs of 21 x 24 cm (most of them) taken by the photographer Isabel Esteve, better known as 'Colita'. All of them of musicians from the '60s and '70s, such as Joan Manuel Serrat, Guillermina Motta, Ovidi Montllor, Toti Soler, Maria del Mar Bonet, Jaume Sisa, La Trinca, among others. All of them bear the wet stamp on the back 'COLITA FOTOGRAFIA/ BARCELONA'. Important documentary collection of this famous catalan photographer. Isabel Steva, with the artistic name Colita, was born in Barcelona in 1940, and in this city she learned to look through the camera at a society in transformation with protagonists that she knew how to identify and portray. This facet of portraitist is very well captured in the lot that we offer, because through the art of the photographer the protagonists of the 'Nova Cançó' are exposed without artifice, with sincerity and naturalness.