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Louis MAJORELLE (1859-1926). Mahogany and mahogany veneer bedroom furniture, the edges of the dressing table carved with a frieze of flowers. Stamped with a MAJORELLE Nancy shell on the right side panel. It includes : - low rectangular cupboard opening with three leaves fitted with blackened wood handles, Height. 160 cm - Width: 210 cm - Depth: 49 cm, - dressing table with large oval pivoting mirror flanked by two drawer and leaf boxes (damaged base, traces of damp, missing key), Height. 168 cm - Width 130 cm - Depth 30 cm Late Art Nouveau period.

Estim. 1 000 - 1 500 EUR

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Suite of four walnut chairs with curved full backs, triangular-section fluted front legs and slightly saber-shaped back legs (wear). Circa 1940. Height : 88 cm - Width : 46 cm - Depth : 45 cm

Estim. 100 - 200 EUR

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INDOCHINESE LIVING ROOM "AUX CHAUVES-SOURIS" IN EXOTIC WOOD Comprising a two-seater sofa and two armchairs Partially openwork backs decorated with grasshoppers in reeds and ideograms for the armchairs and herons in flight or near reeds for the sofa Slightly curved legs Sofa: 96.5 x 125 x 53 cm approx. Minor wear and tear, slightly missing

Estim. 1 800 - 2 200 EUR

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Aurelio ZANOTTA (XX-XXI) SUITE OF 4 CHAIRS AND 2 ARMCHAIRS ZANOTTA 2 end-of-table armchairs and 4 chairs, metal frame upholstered in foam and covered in leather, saddle-stitched (removable covers) Chairs : H : 84 cm Width : 41 cm Depth: 37 cm Seat height: 46 cm Armchairs : H : 84 cm Width : 55 cm Depth: 38 cm Armrest height: 66 cm Seat height: 46 cm

Estim. 600 - 800 EUR

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Maison THONET, Vienne, circa 1900. An arched wooden SALON with a cross-braced back, comprising a sofa, two armchairs and two chairs, upholstered in green velvet stamped with flowers. Model 62 reproduced in the 1895 Thonet catalog.

Estim. 2 000 - 3 000 EUR

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Set of teak veneered DINING ROOM FURNITURE comprising an extension table, a sideboard, a enfilade, two chairs and two armchairs, the door openings of the sideboards sliding on slats. Sideboards attributed to Svend Aage LARSEN, 20th century, for the publisher Faarup Mobelfrabrik. Armchairs and chairs by Thomas HARLEV (act.circa 1950), Farstrup Møbler. Scandinavian work, circa 1960. Stripes

Estim. 1 800 - 2 000 EUR

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Ole WANSCHER (1903-1985) LIVING ROOM FURNITURE comprising a sofa and two armchairs, Senator model, by Ole Wanscher for France and Son Denmark circa 1950-60. 80 x 182 x 74 and 80 x 60 x 74 cm (traces of damp, scratches)

Estim. 800 - 1 200 EUR

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Hans OLSEN (1919-1992) for FREM ROLJE. Extendable dining-room TABLE and its four stackable tripod CHAIRS in teak and black skai. Circa 1960. D. 106 cm

Estim. 400 - 600 EUR

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Charles POLLOCK (1930-2013) Suite of three executive chairs, chrome-plated metal, ABS and black leather (slight wear).

Estim. 400 - 600 EUR

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Gastone RINALDI (in the style of) TABLE and four CHAIRS in chromed metal, the table top in glass. 75 x 110 cm

Estim. 250 - 300 EUR

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HENRI AUGUSTE FOURDINOIS (1830-1907) Attributed to Exceptional, high-quality Neo-Renaissance dining room by the cabinetmaker "Henri Auguste Fourdinois" (1830-1907), carved oak and walnut and carved walnut including : 1) Exceptional multi-part display cabinet opening with two doors at the top with two drawers underneath, the whole surrounded by two detached columns on either side and two other pairs of columns. The two doors feature the French royal couple of the Second Empire in Renaissance costume. Empire in Renaissance costume, the Spanish Countess de Teba Eugénie de Montijo and Charles Louis Napoléon III, Emperor of France from 1851 to 1870. Two "fous du roi", emblematic of the comic characters of the Neo-Renaissance period support the upper part, which rests on a tray (Two small fingertips missing from the left one). on the left) It opens with two large lower panels decorated with interlacing, puttos and puttos and carved birds, with gilded patinated bronze bronze escutcheons. Two drawers in the waistband with draw handles in bronze with a bronze gilding patina. Flat sides decorated with frames and scrolls. Dimensions: H: 244; W: 150; D: 61 cm 2) A sideboard with two large leaves at the top, decorated with decorated with interlacing, and receive bronze lock escutcheons. bronze escutcheons. Two drawers in the waistband with gilded patinated bronze pull handles. Open reserve at bottom. Flat sides decorated with frames. Top decorated with geometric checkerboard pattern. Dimensions: H: 101; W: 130; D: 61 cm 3) A large rectangular dining-room table with eight legs four in the center connected by an X-shaped crotch when folded. when the table is folded. Decorated with eight character heads on the belt. Top with geometric checkerboard pattern. No extensions supplied. Dimensions: H: 78; W: 140; D: 105 cm 4) Six carved walnut chairs in the Neo-Renaissance style Neo-Renaissance style, decorated with openwork columns, seat and back upholstered in tobacco-colored leather with interlacing decoration. Dimensions: H: 100; W: 47; D: 50 cm Provenance: Purchased at the 1878 World's Fair in Paris and remained in the Luxembourg family for three generations. Period: 19th century Restoration for use and maintenance. Biography Maison Fourdinois was founded in 1835 by Alexandre-Georges Fourdinois (1799-1871). The 1851 World's Fair in London was undoubtedly their first great artistic and public success. Winning the the Grand Medal for a neo-Renaissance sideboard triggered a competitive competition with other cabinetmakers, as the press was unanimous in hailing their their success. His son Henri-Auguste (1830-1907), trained as a draughtsman the architect Duban, the London silversmith Morel, before working with the bronzier Paillard, went into partnership with him in 1860. His qualities as a draughtsman were recognized at the in London in 1862, where the jury awarded him two medals for "Excellence in Composition and Execution". In addition to commissions for the for the Mobilier de la Couronne, he also produced high-quality furniture for the Parisian haute bourgeoisie. The period 1862-1880 truly marked the apogee of the Fourdinois firm. French, English and American cabinetmakers, the example to follow, if not to dethrone. Museology - Monumental door inlaid and decorated with enamel painted on copper presented at the 1878 World's Fair, now in the Musée d'Orsay d'Orsay, Paris (Inv. DO 1980 1). - Two-body walnut cabinet inlaid with blood jasper, lapis lazuli lapis lazuli, ivory and silver, in the Musée des Arts Décoratifs, Paris (Inv. 29921). - Furnishings for the bedroom in the Papal Apartment at the Château de Fontainebleau Château de Fontainebleau, preserved in situ. - Psyché from Empress Eugenie's bathroom at the Palais de Saint-Cloud, preserved at Château de Compiègne. Bibliography - Sources et modèles d'un ébéniste au XIXe siècle: l'exemple d'Henri Fourdinois (1830-1907)", Olivier Gabet, in Bulletin de la Société de l'Histoire de l'Art Français l'Histoire de l'Art Français, Paris, 2003, p. 261-278. - Marqueteries virtuoses au XIXe siècle, brevets d'invention, Marc Maison and Emmanuelle Arnould, Paris, 2012, pp. 12-14 and 48-59. - Sketches and commissions, Henri-Auguste Fourdinois, Fourdinois Rue Amelot Paris, 1855-1865. - Nouveau recueil d'ameublement: meubles, sièges, lits, tentures, tapestries, etc., Henri-Auguste Fourdinois, Librairies Imprimeries Réunies, 1890, Vol. I.

Estim. 40 000 - 60 000 EUR

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Paul BRANDT (1883-1952). Armchair. Furniture design project, dated 1932. Drawing on Canson paper covered with tracing paper, black pencil, colored highlights, signed and dated. Size 36.5 x 25.5 cm. Slight soiling. This project testifies to Paul Brandt's new orientation towards interior decoration from 1930 onwards.

Estim. 800 - 1 200 EUR

Fri 03 May

Extremely rare, elegant "Coquelicot" salon chair by Carlo Bugatti Wooden core covered all over with parchment. Openwork, embossed copper applications and delicate polychrome painting. Delicate frame made of square struts arranged like scissors, connected at the sides by tondi as a support for the flat seat with a sloping, segment-shaped frame. Corresponding backrest made of slightly curved struts and a rectangular upper end. Seat and backrest made of stretched goatskin with fine, ornamentally arranged poppies, bordered by wide ornamental bands. Surrounded by delicate friezes of stylized dragonflies in red and blue and partly gold. H. 97 cm. 40 cm x 45 cm. Seat h. 43 cm. With his extravagant furniture creations and refined designs from the late 19th to the early 20th century, Carlo Bugatti (1856-1940) created a completely independent and unmistakable artistic style in which he freely combined allusions to various cultures, such as a distinctive Moorish vocabulary of forms, with the delicate, ornamental lines of Art Nouveau. Bugatti presented the above chair model for the first time in 1902 at the Esposizione Internazionale d'Arte Decorativa Moderna in Turin together with a ladies' desk. The furniture, completely covered in parchment, concealed the design details and heralded a new stylistic high point in his work. A version of this piece of furniture is in the collection of Alain Lesieutre, Paris. Cf. illustrations in: Dejan: Carlo-Rembrandt-Ettore-Jean Bugatti, 1981, p. 76 and Marie-Madeleine Massé: "reConnaître Carlo Bugatti", 2001, p. 57 and Marie-Madeleine Massé: "Carlo Bugatti au Musée d'Orsay, 2001, p. 64f. Another "Coquelicot" salon chair auctioned in Auktion Schloss Ahlden 2021, Auction 181, Lot 398. An extremely rare Italian painted and partly gilt parchment chair "Coquelicot" with embossed copper by Carlo Bugatti. Italy. Milan. Carlo Bugatti. Circa 1902.

Estim. 95 000 - 190 000 EUR