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Sat 27 Jul

BUGATTI Rembrandt (1884-1916) (After) "Walking Panther Black patina bronze proof, numbered "III/XXIV". Facsimile signature on the terrace. Foundry stamp Ebano (Spain). On a rectangular base in veined marble. With proof of print. Modern reproduction casting. Total height: 23 cm x Length: 51 cm x Width: 21 cm

Sat 27 Jul

BUGATTI Rembrandt (1884-1916) (After) "Elephant on the march" Large black patina bronze subject numbered "11/48". Facsimile signature on the terrace. Foundry Ebano (Spain). With proof of print. Modern reproduction casting. Height 45 cm x L : 62 cm x W : 24 cm

Sat 27 Jul

MODIGLIANI Amedeo (1884-1920) (After) "Head of a Young Woman Bronze proof with coppery brown patina, numbered "XIII/XXIV" on the side. Facsimile signature at the base of the neck. Foundry Ebano (Spain). On a square base in gray veined marble. With proof of print. Modern lost-wax cast from a model dated between 1911 and 1912. Height 55.5 cm x W 12.5 cm x D 15.5 cm Total height: 76.5 cm

Sat 27 Jul

POMPON François (1855-1933) (After) "Big Brown Bear Black patina bronze proof signed on the right rear paw, numbered "IX/XXIV". Foundry stamp Ebano (Spain). With proof of print. Modern reproduction lost-wax casting after the model created in 1918. Height 28.5 cm x L 41.5 cm x D 13 cm Bibliography: Pierre KJELLBERG, "Les Bronzes du XIXe siècle - Dictionnaire des sculpteurs", les éditions de l'Amateur, Paris 1987, pages 551 f., for a presentation of the artist.

Sat 27 Jul

POMPON François (1855-1933) (After) "Large Hippopotamus Black patina bronze proof signed on the right hind leg, numbered "25/48". Foundry stamp Ebano (Spain). With proof of print. Modern reproduction lost-wax casting after the model created in 1918. Height 28 cm x L 41 cm x D 12.5 cm Bibliography: Pierre KJELLBERG, "Les Bronzes du XIXe siècle - Dictionnaire des sculpteurs", les éditions de l'Amateur, Paris 1987, pages 551 f., for a presentation of the artist.

Sat 27 Jul

POMPON François (1855-1933) (After) "Taureau" (Bull) Black patina bronze proof with facsimile signature on the terrace and numbered "15/48" on the side. Foundry stamp Ebano (Spain). On a rectangular base in hard grey stone. With proof of print. Modern reproduction casting after the model created in 1930. Bronze height: 21.5 cm x Length: 35.5 cm Bibliography: Pierre KJELLBERG, "Les Bronzes du XIXe siècle - Dictionnaire des sculpteurs", les éditions de l'Amateur, Paris 1987, pages 551 f., for a presentation of the artist.

Sun 28 Jul

Metal sculpture with polychrome patina depicting the painter Raphael standing, painting a canvas on an easel, alabaster terrace, bears a cartouche marked "Raffaelo SANZIO" and numbered 21/200, Dim. 42 x 40 x 26 cm.

Sun 28 Jul

Michel WOHLFAHRT (1949), Touareg, Very imposing bronze sculpture with bluish patina, signed on the base and numbered II/IV, H. 175 cm. Certificate of origin enclosed - Provenance La Fonderie Barthélemy

Sun 28 Jul

Emile Louis PICAULT (1833-1915), Sculpture in bronze and black marble base, signed, titled and marked "Après la moisson des lauriers, l'olivier renaitra plus beau" and "Post Pugnam". Signed on the base. H. 32cm. Minor patina damage.

Sun 28 Jul

Gaston D'ILLIERS (1876-1932/52), Cheval au licol, Sculpture in bronze with green patina, marble base bearing a cartouche with the inscription "A l'adjudant Maître Maréchal RAYNAUD, Le Colonel et les officiers du 8ème Chasseurs", signed on the terrace, Dim. 19.5 x 22 x 7 cm.

Sun 28 Jul

ART NEW CONCEPT, Jean-Pierre COLMON (Lorraine artist), "VENUS Chaîne", Metal sculpture made from elements of motor vehicle chains, forming a female bust resting on a support, bust and support painted in gold, H. 104 cm.

Sun 28 Jul

ART NEW CONCEPT, Jean-Pierre COLMON (Lorraine artist), "L'ANGE", Metal sculpture made from multiple elements assembled by welding, forming a bust with feminine contours spreading its metal wings, H. 121 cm, L. 150 cm.

Sun 28 Jul

ART NEW CONCEPT, Jean-Pierre COLMON (Lorraine artist), "VENUS Damier", Metal sculpture made from square metal elements welded together to form a woman's bust resting on a support, bust and support painted stainless steel grey, H.98 cm.

Sun 28 Jul

ART NEW CONCEPT, Jean-Pierre COLMON (Lorraine artist), "VENUS Ecrou", Metal sculpture made from screw elements, forming a woman's bust resting on a support, bust and support painted metallic gray, H. 98 cm.

Sun 28 Jul

Gaston D'ILLIERS (1876-1932/52) Horse Patinated bronze proof, signed H : 19 cm - L : 20 cm Yellow marble base

Sun 28 Jul

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930

Sun 28 Jul

Georges LAVROFF (1895-1991) Panther on stepped black marble base Bronze with golden patina Signed Lavroff on the back leg and Marcel Guillemard bronze 18 26 x 59 x 15 cm

Sun 28 Jul

Ferdinand PARPAN (1902-2004) Hippopotamus Bronze sculpture, black patina with brown shading Signed with the artist's initials "FP", "F.Parpan", numbered 1/8, dated 2001 and founder's mark "Fd d'art Brière 2001". H : 17 L : 45 cm

Sun 28 Jul

Jean DUNAND (1877-1942) "Waders" also known as "Birds Rare folding screen featuring four articulated rectangular panels in lacquered wood with finely incised polychrome decoration on a gilded leaf background. Signed lower right "JEAN DUNAND". Created in 1933, unique piece H : 180 L : 200 cm Provenance: Private collection, South of France Bibliography: "Jean Dunand", by Félix and Amélie Marcilhac, Norma Éditions, Paris, 2020, documented in black and white on page 212 under number 169. Exhibition: Galerie Georges Petit, Paris, 1933, n7 Note: We know of a gouache-on-paper project for a four-leaf folding screen with a design almost identical to ours, titled La nichée and dating from 1933-1935. It was made for a project commissioned by Valentine Brun, but apparently never realized. Jean DUNAND Born in Switzerland in 1877, Jean Dunand specialized in metalworking at the École des Arts Industriels in Geneva from the age of 14. With his diploma in hand, he moved to Paris in 1897, working as a chaser while studying at the École Nationale des Arts Décoratifs in the workshop of sculptor Jean Dampt. His introduction to the subtleties of coppersmithing with a Geneva artisan during his vacations in Switzerland, and his commitment to the Association des Artistes Suisses in Paris, which he founded in 1899, testify to his deep bond with his native country. In 1900, Dunand received a gold medal for a sculpture at the Exposition Universelle in Paris. His first exhibition of dinanderie at the Salon de la Société nationale des Beaux-Arts in 1904 encouraged him to move definitively into the decorative arts. Determined to produce unique pieces, he abandoned the turning and stamping processes in favor of hammering and hand chasing, incorporating gold or silver inlays, patinas, lacquers or enamels. After a first international success at the Milan International Exhibition in 1906, Dunand discovered Chinese and Japanese bronzes, influencing his style towards more realistic ornamentation. In 1912, he deepened his knowledge of lacquer with Japanese master Seizo Sugawara, a technique that would become central to his work. Although the Great War interrupted his activity, he remained in France, signing on as an ambulance driver and designing a combat helmet for French soldiers. After the war, Dunand devoted himself intensely to lacquer, a technique that fascinated him, and created works that integrated metal and lacquer. His work attracted attention at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, where he was recognized as a master of lacquer and metal. In the 1930s, he completed prestigious commissions, notably for the liners l'Atlantique and Normandie. Working with his son Bernard, Jean Dunand continued to perfect his art until his death in 1942. His work, combining technical skill and creativity, made him an icon of the Decorative Arts, symbolizing the spirit of the Roaring Twenties.

Sun 28 Jul

Sacha SOSNO (1937-2013) Venus obliterated Bronze proof with brown patina and veined white marble Signed, dated 86, HC n°1/4 Height: 52 cm

Sun 28 Jul

P. CONTI (early 20th century) Woman with doe Sculpture in Carrara marble and bronze with brown patina Signed and located "P.CONTI Firenze". Circa 1900-1920 H : 38 W : 57 D : 18 cm

Sun 28 Jul

Alain CHERVET (born 1944) Large "Cactus Chalco" sculpture in oxidized brass with turquoise patina resting on a gilded steel base Unique piece, signed and dated "Chervet 1974". H : 220 W 92 D : 63 cm

Sun 28 Jul

Igor MITORAJ (1944-2014) "Centurion II Sculpture in antique green bronze with brown shading Signed "Mitoraj" at the base of the neck and numbered 239/1500 Created in 1985 H : 18.5 cm

PAIRE FAUTEUILS Paire de fauteuils Louis XV, fin XVIII début XIXè en bois naturel, recouverts de tapisserie. Bon état

TABLE BASSE Table basse carrée art déco en bois de placage, H: 50cm L: 58 cm, bon état

TABLE Table ronde à plateau basculant, en bois de placage reposant sur 3 pieds fin XIX, début XXI, bon état Diam: 57cm H: 75cm

LAMPE Lampe en céramique rouge sang de boeuf, H: 63cm, bon état

COFFRE Important coffre en bois naturel, ouvrant sur le dessus, à décor de losanges étoilés et cloutés. XVIII / XIXè L: 166cm, H: 60, P: 60cm Bon état

TABLE Table de milieu, ouvrant à un tiroir en ceinture, reposant sur des pieds tournés à entretoise, H: 56cm, L: 50cm, Bon état

MIROIR Miroir en bois doré, teint usé, bon état

MIROIR Miroir en bois doré, teint usé, bon état

LAMPE Lampe d’atelier articulée en métal peint, H: 100cm bon état

LAMPE Lampe de bureau en métal, socle pour charge téléphone, H: 90cm, bon état

CLIMATISEUR Clim portable avec son tuyau d’évacuation, bon état

TABLE Table basse en bois exotique plaqué, de la maison Flamand L: 100cm, bon état

BATEAU Bateau modèle réduit en bois naviguant, la machine à vapeur fonctionne L: 70cm, bon état

BATEAU Bateau modèle réduit en bois naviguant à la voile, H:120 L: 90cm, bon état

BATEAU Bateau de course, sloop , modèle réduit en bois naviguant à la voile, H:120 L: 90cm, bon état

MINKIS Lot de 4 minkis en terre cuite Chine, dynastie Tang (618-907) restaurations d’usage, H: environ 30cm

MINKIS Lot de 4 minkis en terre cuite Chine, dynastie Tang (618-907) restaurations d’usage, H: environ 30cm

MINKIS Lot de 4 minkis en terre cuite Chine, dynastie Tang (618-907) restaurations d’usage, H: environ 30cm

MINKIS Lot de 4 minkis en terre cuite Chine, dynastie Tang (618-907) restaurations d’usage, H: environ 30cm

ANONYME Huile sur toile dans le gout de Tamara de Lempicka, 50x40cm

GROMAIRE Gravure porte l’inscription en bas à droite» épreuve d’artiste, et une signature en bas à gauche, dim totale: 60x50cm

LAPICQUE Lithographie, signée et numérotée en bas 14/60, Dim totale: 70x55cm

VASARELY Print polychrome sur fort papier, 65x65cm

JOUVE Gravure signature une date (97) en bas à droite 50x60cm

ANONYME Gravure Dim totale: 40x30cm

ANONYME Print, femme au coq, dim totale: 40x30cm

ANONYME Huile sur toile corps mêlés, 55x55cm

ANONYME Procédé technique mixte, vue de Venise, 50x60cm

ANONYME Print, corrida, porte une signature et un justificatif de tirage, dim totale: 50x60cm

SCHURR Claude SCHURR, print signé en bas à droite

AMBROGIANI Le Lion, Print signé en bas à droite dim totale: 55x45cm

STROLL Gravure, signée et numérotée dans le bas, dim totale: 60x50cm

TUCRU Bouquet de fleures Huile sur toile signé et dédicacée, 60x50cm

COCTEAU Affiche pour une exposition rue de seine Paris 70x60cm

COCTEAU Affiche pour une exposition rue Mazarine Paris 70x60cm

ALECHINSKY Affiche exposition 90x75cm

VAN DONGEN Print Brigitte Bardot 83x70cm

PICASSO dapres Corrida, print 110x80cm

ANONYME Huile sur toile dans le gout de Mannet 60x90cm

ANONYME 2 Technique mixte sur toile dans le gout Hollandais 90X60, 75x100cm

MICHAUX Les musiciens, huile sur toile, signée en bas à droite, 45x55cm

MICHAUX huile sur toile, signée en bas à droite, 38x48cmcm

HARING Keith BUBBIES, dessin au feutre, signé et daté 89 sur la droite, 30x21cm, provenance, collection privée de Urbano Quinto, acquis auprès de l’artiste dans les années 80, un certificat de Urbano Quinto Heritage sera remis à l’acquéreur

DEGAS dapres DEGAS, Cheval reproduction en bronze à patine brune, Estampille cire perdue ART & ART, 20x29cm signature sur la terrasse.

DEGAS dapres DEGAS, Cheval reproduction en bronze à patine brune, Estampille cire perdue ART & ART, 16x21cm signature sur la terrasse.

DEGAS dapres DEGAS, Danseuse reproduction en bronze à patine brune, Estampille cire perdue ART & ART, 54x30cm signature sur la terrasse.

Mon 29 Jul

GEORGES ROUSSE (Paris, 1947). "Luxembourg: Fers à Bétons", 2004. Print on aluminum, copy 1/5. Signed and titled on verso. Label with stamp on the back. Measurements: 160 x 125 cm; 165 x 132 cm (frame). Georges Rousse's work is characterized, since the beginning of the eighties, by the relationships he establishes between photography, painting, sculpture and architecture. His interest in abandoned, dismantled and ruined places, as well as in what these spaces reveal about the culture that has generated them, led him, in 1986, to settle for a time in the former Van Gogh psychiatric hospital in the French town of Arles. The result of this stay was the Arles series, which was the starting point of the MACBA exhibition. His work is a very significant example of the importance that photography achieved throughout the eighties and further proof of the value of the photographic device as a tool for contemporary creation. Collapsing the usual restrictions among artistic media, his unique work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued to create his installations and show his photographs all over the world, in Europe, in Asia (Japan, Korea, China, Nepal), in the United States, in Quebec and in Latin America. He has participated in numerous biennials (Paris, Venice, Sydney) and received many prestigious awards: 1983: Villa Medicis hors les murs, New York City 1985 -1987: Villa Medicis, Rome 1988: International Center of Photography Award, New York 1989: Drawing Prize Salon de Montrouge 1992: Romain Roland Fellowship, Calcutta 1993: Grand Prix National de Photographie 2008: Succeeded Sol LeWitt as associate member of the Royal Belgian Academy. He is represented by several European galleries and his works are included in many important collections around the world.

Ferdinand LEVILLAIN (1837-1905) - Coupe circulaire à anses en bronze à double patine à décor d'une scène à l'Antique intitulé "Aetas Aurea" ou l'Age d'Or et reposant sur trois petits pieds. Signé dans le décor. Fonte Barbedienne. H: 8 cm - Diam: 29 cm. On y joint deux coupes sur piédouche de fonte barbedienne à anses latérales. Le bassin orné d'un profil pour l'un, d'une scène mythlogique pour l'autre (H. 9 et 10 cm).

Ferdinand LEVILLAIN (1837-1905) Coupe circulaire à anses en bronze à décor d'une scène à l'Antique et reposant sur un piédouche. Signé dans le décor. Fonte Barbedienne. H: 8 cm - Diam: 26 cm.

Réunion de deux médailles en bronze ornées de profils, un buste de femme en bronze à patine verte, une vierge à l'enfant sur un socle colonne et une petite boite circulaire en laiton. H. du plus grand : 15,5 cm D. boite : 7,5 cm

Wed 31 Jul

Osvaldo Bruschetti (Rovereto, second half of the 20th century). Horse, 1987. Height cm. 29x27x17 Patinated bronze sculpture. Exemplar 27/120. Numbering on the base of the right hind leg. Signed BRUSCHETTI along the right front leg.