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472 results

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Emile Edmond PEYNOT (1850-1932) "L’angelus", sujet en bronze figurant une jeune fille en prière, fondeur Houdebine, Paris, H 57 cm

Estim. 600 - 800 EUR

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Bronze encrier à décor d'un jeune garçon sur un petit pont de bois, base ovale en marbre noir, époque XIXème. H 13 x L 18,5 cm (manque le godet intérieur en verre)

Estim. 80 - 120 EUR

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Ferdinand BARBEDIENNE (1810-1892) - Allégories de la Fontaine des Innocents d'après Jean Goujon, paire de plaques en relief en bronze, signées F.Barbedienne en partie basse. H 45 x L 11,5 cm

Estim. 400 - 600 EUR

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James PRADIER (1790-1852) - "Sapho et sa lyre", sujet en bronze à patine médaille représentant Sapho assise sur un tabouret, signé "J.PRADIER" et cachet du fondeur "SUSSE Fres". H 23 x L 30 cm

Estim. 200 - 300 EUR

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Alexandre OULINE (1918-1940) - "La Force", sujet en bronze à patine verte nuancée, base marbre de couleurs, avec plaque "Hommage de la Ville de Sézanne". H. 54 x L 63 x 20 cm

Estim. 400 - 600 EUR

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Jules MOIGNIEZ (1835-1894) "Lévrier au lièvre", sujet en bronze, signé sur la terrasse, H 18,5 x L 24 cm

Estim. 200 - 300 EUR

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Robert MICHEAU-VERNEZ (1907-1989) - Sculpture coulée en bronze, réalisée en 2010, numérotée 8/8, représentant une jeune femme de Loctudy, en costume bigouden, portant son enfant dans les bras. H 36,5 cm

Estim. 1 000 - 1 500 EUR

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Charles CUMBERWORTH (1811-1852) - "Femme nubienne", bronze à patine brune, formant encrier, signée sur la terrasse. H 29 x L 31,5 x P 23,5 cm env.

Estim. 400 - 600 EUR

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George Minné, 1866 Gent-1941 Sint-Martens- Latem, large bronze sculpture, mother with child, the mother walking through ankle-deep water and raising the child protectively in front of her body, depiction of motherhood, dark patina, rectangular plinth, signed and dated on the side 1929, height approx. 77cm; Minné studied at the Ghent Academy and maintained an acquaintance with the designer Henry van de Velde

Estim. 9 000 - 18 000 EUR

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Hugo Lederer, 1871 Znaim/South Moravia-1940 Berlin, The Fencer, bronze sculpture, signed, foundry stamp Gladenbeck & Sohn, height approx. 54cm, marble plinth, total height approx. 57cm

Estim. 2 400 - 5 000 EUR

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Hermann Joachim Pagels, 1876 Lübeck-1959 Berlin, three male nudes on horseback, bronze sculpture, monogr. P, cast Füssel Berlin, approx. 40x37x37cm

Estim. 5 000 - 10 000 EUR

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Christoph Fischer, born 1956 Mayen, horse tamer, cubist representation, bronze sculpture with gray patina, signed and dated 88, approx. 39x41x20cm, C.F. studied at the University of Applied Sciences for Art and Design in Cologne, at the University of the Arts in Bremen and was a studio assistant to Prof. Bernd Altenstein; he lives and works in Worpswede

Estim. 600 - 1 200 EUR

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Paul Silvestre, 1884 Toulouse-1976 Ivry-sur- Seine, La Chevauchee, rider with three horses in the waves, cast bronze, signed, inscribed Cire perdu, foundry Susse freres Paris, approx. 39x55x24cm

Estim. 2 200 - 4 500 EUR

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Georg Kolbe, 1877 Waldheim-1947 Berlin, #'Ringkampf#' or #'Man and woman, wrestling with each other#', bronze sculpture after the orig. Plaster model of 1913, on octagonal plinth monogrammed #'GK#' caster stamp #'H. Noack Berlin#', brownish patinated, 35.5x29x16.5 cm; The present plastic is one oftwo existing forms of a fountain design for the Werkbund exhibition in Cologne 1914; the counterpart of cement has been located since 2011 in Georg-Kolbe-Museum (Inv.No. Gi353); dynamic figure group with standing motif in extreme tension; The composition, which was provocative at the time of its creation, can be seen in a series with Kolbe's #'Liebeskampf#' and the two #'Amazon#'; with accompanying letter woman Dr. Ursel Berger from September 2011

Estim. 40 000 - 60 000 EUR

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Jean Ossaye Mombur, 1850 Ennezat-1896 Vichy, L#'enfant retrouvé, Bronze sculpture green patinated, signed, inscribed: medal of the Beaux Arts 1885, acquis par la Ville de Paris,H. approx. 50cm

Estim. 1 200 - 2 400 EUR

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Julius Obst, 1878 - 1939, bronze figure, male nude playing the flute, patinated bronze, signed on the plinth, height approx. 50 cm

Estim. 850 - 1 600 EUR

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Karl-Heinz Krause, 1924 Angermünde-2019 Mainz,seated youth, bronze sculpture from 1986, monogr., dat., num. 1/10, foundry stamp Venturi Arte, height approx. 29cm

Estim. 2 800 - 6 000 EUR

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Arno Breker, 1900 Elberfeld-1991 Düsseldorf, 'Große Grazie', bronze sculpture, green patinated, foundry stamp Fondeur HSD, signed, height approx. 44cm

Estim. 5 000 - 9 000 EUR

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Arno Breker, 1900 Elbersfeld - 1991 Düsseldorf, bronze sculpture 'Junge Venus', dark green patinated, signed. and numbered, edition 42/300, approx. 20x16x27 cm, female kneeling nude, leaning backwards

Estim. 1 500 - 3 000 EUR

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Arno Breker, 1900 Elbersfeld - 1991 Düsseldorf, bronze sculpture 'Dancer' 1977, limit. Edition 19/300, red-brown patinated andmatted, female nude leaning on the base with adraped cloth, signed on the reverse and dated Arno Breker 1977, H. 29 cm

Estim. 1 200 - 2 400 EUR

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Heinrich Faltermeier, 1909 Munich-1999 Piesenkam, The Wave, bronze casting from the trilogy: The Sea and the Girl, signed, dated 1980, number. 28/999, foundry stamp Venturi Arte, approx. 56x21x15cm

Estim. 900 - 1 800 EUR

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Bacchus head, France, around 1890-1900, fine bronze casting, depicted as a young man with grapes and vine leaves in his curly hair, metal base, total. approx. 21cm

Estim. 400 - 800 EUR

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Fawn with cymbals, bronze after Hellenistic model, around 1900, Bronze, patinated, received shape after Pietro Cipriani's copy inthe Uffizi Florence, standing Fawn with fig leaf and cymbals, on round plinth inscribed #'Fawn-Florence#', on black pedestal , right upper arm with breaking point, H. 22/25 cm

Estim. 200 - 300 EUR

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Bronze sculpture, after ancient model, young antique lady drying off after the bath, marblepedestal, total h. approx. 46cm

Estim. 200 - 400 EUR

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Large sculpture after Albert Moritz Wolff, (1854 Berlin-1923 Lüneburg), lion fighter on horseback, based on a preliminary design by Christian Daniel Rauch (1777-1857), here cast tin-zinc with bronze-colored patina, lance missing, horse's tail broken, H. approx .55cm

Estim. 250 - 500 EUR

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Georges Coste, #'Femme nue allongée#', Bronze sculpture, lying female nude, green patinated,signed on plinth, approx.25x 60 x 12 cm

Estim. 580 - 1 200 EUR

Sun 28 Jul

Georges-Lucien GUYOT (1885-1973) "Lioness Rare bronze sculpture with brown patina Signed "Guyot", founder's stamp Susse Frères Éditeurs Paris and annotated "Cire perdue". Cire perdue" (lost wax) Circa 1930 H: 29 cm - W: 54 cm - D: 12.5 cm Bibliography: "Mobilier et Décoration", year 1930, model reproduced on page 17. GEORGES-LUCIEN GUYOT Georges-Lucien Guyot was a French sculptor born in Paris on December 10, 1885. Paris. Despite his modest background, Guyot showed an obvious talent for art, but his financial situation prevented him from pursuing artistic studies. financial situation. He was apprenticed to a wood sculptor, but his passion for art for art led him to study nature on his own, drawing the animals animals at the Jardin des Plantes. At the age of 17, his father gave him the option of training for a year before joining the army. Guyot spent this year studying at the d'Histoire Naturelle, where he closely observed wild animals and their anatomical details. In 1904, he joined the army while attending evening classes evening classes at the École des Beaux-Arts in Rouen. In 1906, when a ceramic kiln was installed at the École des Beaux-Arts, Guyot creates a clay bear that attracts the attention of a teacher. This sculpture is exhibited at the Salon des Artistes Français and marks the beginning of artistic career. After the war, Guyot settled in Montmartre and enjoyed creative period, exhibiting his sculptures, Cubist-influenced paintings Cubist-influenced paintings and animal drawings in numerous galleries. In 1931, he joined the Douze Animaliers Français group and regularly and regularly exhibited his work at art fairs. He received numerous commissions for monumental sculptures from the French state and municipalities. At the same time, Guyot worked for the Manufacture nationale de Sèvres from 1929 to 1950. In 1950, he was named Chevalier, then Officier de la Légion d'Honneur, and in 1972, he became the first sculptor to receive the Prix Edouard Marcel Sandoz Prize. The end of his life was marked by the fire in his studio at the Bateau Lavoir in 1970, destroying much of his work. Guyot died three years later, on December 31, 1972. Furniture and decoration January 1930

Estim. 6 000 - 8 000 EUR

Sun 28 Jul

Jean DUNAND (1877-1942) "Waders" also known as "Birds Rare folding screen featuring four articulated rectangular panels in lacquered wood with finely incised polychrome decoration on a gilded leaf background. Signed lower right "JEAN DUNAND". Created in 1933, unique piece H : 180 L : 200 cm Provenance: Private collection, South of France Bibliography: "Jean Dunand", by Félix and Amélie Marcilhac, Norma Éditions, Paris, 2020, documented in black and white on page 212 under number 169. Exhibition: Galerie Georges Petit, Paris, 1933, n7 Note: We know of a gouache-on-paper project for a four-leaf folding screen with a design almost identical to ours, titled La nichée and dating from 1933-1935. It was made for a project commissioned by Valentine Brun, but apparently never realized. Jean DUNAND Born in Switzerland in 1877, Jean Dunand specialized in metalworking at the École des Arts Industriels in Geneva from the age of 14. With his diploma in hand, he moved to Paris in 1897, working as a chaser while studying at the École Nationale des Arts Décoratifs in the workshop of sculptor Jean Dampt. His introduction to the subtleties of coppersmithing with a Geneva artisan during his vacations in Switzerland, and his commitment to the Association des Artistes Suisses in Paris, which he founded in 1899, testify to his deep bond with his native country. In 1900, Dunand received a gold medal for a sculpture at the Exposition Universelle in Paris. His first exhibition of dinanderie at the Salon de la Société nationale des Beaux-Arts in 1904 encouraged him to move definitively into the decorative arts. Determined to produce unique pieces, he abandoned the turning and stamping processes in favor of hammering and hand chasing, incorporating gold or silver inlays, patinas, lacquers or enamels. After a first international success at the Milan International Exhibition in 1906, Dunand discovered Chinese and Japanese bronzes, influencing his style towards more realistic ornamentation. In 1912, he deepened his knowledge of lacquer with Japanese master Seizo Sugawara, a technique that would become central to his work. Although the Great War interrupted his activity, he remained in France, signing on as an ambulance driver and designing a combat helmet for French soldiers. After the war, Dunand devoted himself intensely to lacquer, a technique that fascinated him, and created works that integrated metal and lacquer. His work attracted attention at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes, where he was recognized as a master of lacquer and metal. In the 1930s, he completed prestigious commissions, notably for the liners l'Atlantique and Normandie. Working with his son Bernard, Jean Dunand continued to perfect his art until his death in 1942. His work, combining technical skill and creativity, made him an icon of the Decorative Arts, symbolizing the spirit of the Roaring Twenties.

Estim. 20 000 - 30 000 EUR

Mon 29 Jul

GEORGES ROUSSE (Paris, 1947). "Luxembourg: Fers à Bétons", 2004. Print on aluminum, copy 1/5. Signed and titled on verso. Label with stamp on the back. Measurements: 160 x 125 cm; 165 x 132 cm (frame). Georges Rousse's work is characterized, since the beginning of the eighties, by the relationships he establishes between photography, painting, sculpture and architecture. His interest in abandoned, dismantled and ruined places, as well as in what these spaces reveal about the culture that has generated them, led him, in 1986, to settle for a time in the former Van Gogh psychiatric hospital in the French town of Arles. The result of this stay was the Arles series, which was the starting point of the MACBA exhibition. His work is a very significant example of the importance that photography achieved throughout the eighties and further proof of the value of the photographic device as a tool for contemporary creation. Collapsing the usual restrictions among artistic media, his unique work quickly made its mark on the contemporary art world. Since his first exhibition in Paris, at the Galerie de France in 1981, Georges Rousse has continued to create his installations and show his photographs all over the world, in Europe, in Asia (Japan, Korea, China, Nepal), in the United States, in Quebec and in Latin America. He has participated in numerous biennials (Paris, Venice, Sydney) and received many prestigious awards: 1983: Villa Medicis hors les murs, New York City 1985 -1987: Villa Medicis, Rome 1988: International Center of Photography Award, New York 1989: Drawing Prize Salon de Montrouge 1992: Romain Roland Fellowship, Calcutta 1993: Grand Prix National de Photographie 2008: Succeeded Sol LeWitt as associate member of the Royal Belgian Academy. He is represented by several European galleries and his works are included in many important collections around the world.

Estim. 15 000 - 18 000 EUR