All lots "Sculptures, marbles and bronzes" Advanced search

Richard Orlinski - Richard Orlinski Kong Oil, 2023 Sculpture, resin 17.8 × 9.7 × 5.3 cm Accompanied by certificate of authenticity and original box Mandatory shipping, 1 to 5 lithographs from €14.76 for mainland France, €29.64 for Europe (see CGE)

Richard Orlinski - Richard Orlinski Loup Sculpture, resin 14x13x4cm Accompanied by certificate of authenticity and original box Mandatory shipping, from 1 to 5 Lithographs from 14,76€ for Metropolitan France, 29,64€ for Europe (see CGE)

Richard Orlinski - Richard Orlinski Rhinoceros 2023 resin sculpture Approx. 11x19x8cm Accompanied by a certificate of authenticity and original box Mandatory shipping, 1 to 5 lithographs from €14.76 for mainland France, €29.64 for Europe (see CGE)

Richard Orlinski - Richard ORLINSKI Hippo spirit (Water green edition) Original resin sculpture Grey-green metallic 15 x 11 x 6 cm Presented in gift box with certificate Excellent condition Mandatory shipping, 1 to 5 Lithographs from 14,76€ for Metropolitan France, 29,64€ for Europe (see CGE)

Richard Orlinski - Richard ORLINSKI Kong Oil Spirit (Gold Edition) Original resin sculpture Metallic gold 17 x 10 cm Presented in gift box with certificate Excellent condition Mandatory shipping, 1 to 5 Lithographs from 14,76€ for Metropolitan France, 29,64€ for Europe (see CGE)

Two terracotta piggy banks in the shape of a fisherman's head, one numbered on the back 2558. Early 20th century. Height 12.5 and 12 cm. Width: 10 and 8.5 cm (one piggy bank is missing the bottom).

A terracotta tobacco pot painted in the shape of a fisherman's head, upside-down pipe at lip corner, brown waxed hat and blue scarf. Inscribed "Bray-Dunes". Height Height: 14 cm. Width: 12 cm (A chip at the base).

Two terracotta tobacco jars painted in the shape of a fisherman's head, pipe upside down in the corner of the lips, one with a brown waxed hat and blue scarf, the other with a green beret. Inscribed "Cancale" and "Morlaix". Numbered under the base. Height 15 and 12 cm. Width: 11 and 12 cm (Accidents and restorations).

Two painted terracotta tobacco jars in the shape of a fisherman's head, upside-down pipe in corner of lips, one with brown waxed hat and blue scarf, the other with green beret. Inscribed "Dieppe" and "Le Tréport". One numbered under the base. Height 16 and 13 cm. Width: 12 cm (Accidents).

A terracotta tobacco pot in the shape of a fisherman's head. Numbered under the base. Height Height : 15 cm. Width: 12 cm (Minor accidents).

Two painted terracotta tobacco jars in the shape of a fisherman's head with an upside-down pipe in the corner of the mouth, one with a brown waxed hat and blue scarf, the other with a green beret. Numbered under the base. Height 16 and 15 cm. Width: 14 and 12 cm (Accents and restorations). A third painted terracotta tobacco pot in the shape of a fisherman's head is very damaged.

Marie-Christine in Peygnier. The fisherman with the hawk. Painted and dressed Provencal terracotta Santon. Signed on the terrace. Height Height : 31 cm. Width : 16 cm.

Joseph LE GULUCHE, after (1849-1915). 4 days ... nothing! Polychrome terracotta sculpture. Numbered on the back. Height 23.5 cm. Width: 14 cm (Accident and missing parts). Ref. original work: L'Isle-Adam, Musée d'art et d'histoire Louis Senlecq.

Louis Alphonse HANNE (1890 - 1908). Return from fishing. Terracotta sculpture signed on the back A. Hanne and numbered. Hanne and numbered 107. Le Havre" inscription. Height 16 cm. Width: 14.5 cm. A small terracotta depicting a couple of fishermen is included. Inscribed "Calais".

Louis Alphonse HANNE (1890 - 1908). The seated fisherwoman. Terracotta sculpture signed on the back A. Hanne and numbered. Hanne and numbered 363. Inscription "St. Nazaire". Height 18.5 cm. Width: 10 cm (Accidents).

Early 20th century French school. Fawn. A bronze print with green patina. Signature illegible. Circa 1930. Height : 11.5 cm Width : 12.5 cm. Depth : 4.5 cm.

Mon 10 Jun

DE WINTER RONALD - Cat: patinated bronze sculpture. ('93). Pièce Unique. Bronze caster: De Groeve. 22 x 22 x 44.

Mon 10 Jun

HEILIGE ELISABETH - carved oak statuette. Southern Netherlands, circa 1500. 35 x 12 x 10 cm.

Mon 10 Jun

KNIELENDE ENGEL - sculpture of carved, polychromed and gilded wood. Early 18th century. H: 126 cm.

Mon 10 Jun

MADONNA - alabaster figurine on square pedestal of marble and wood. H: 21 cm. End of 17th century.

Mon 10 Jun

MARIA IMMACULATA - statuette of carved ivory standing on snake; on cylindrical wooden base. End of 18th century. H: 25.5 cm (fingers damaged). With CITES certificate.

Mon 10 Jun

MATER DOLOROSA - boxwood figurine. 18th century. H: 12 cm.

Mon 10 Jun

RELIEKHOUDER - in the form of a tomb crowned with statue of Saint Frederic of carved and polychromed wood. Southern Netherlands, 18th century. 58 x 36 x 18 cm.

Mon 10 Jun

SINT SEBASTIAAN - Polychromed wooden statue. Hispano-Flamenco. Renaissance, mid-16th century, circa 1540-50. H: 75 cm. With certificate.

Mon 10 Jun

STAANDE CAKRASAMVARA MET GEZELLIN - Statue of patinated, gilt bronze. Tibet, 19th century. 29 x 20 x 10.

Mon 10 Jun

STERVENDE CHRISTUS - ivory corpus on ebonised wooden cross. Southern Netherlands, 2nd half 17th century. 34 x 10 x 3. In a gilt wooden frame covered with velvet. With CITES certificate.

Mon 10 Jun

VLAAMSE SCHOOL CIRCA 1700 - Market vendors: pair of statues in patinated terracotta. H: 64 cm.

Mon 10 Jun

ZUIDELIJKE NEDERLANDEN CIRCA 1700 - pair of medallions of carved walnut: Christ and Mary. 70 x 43 cm.

Mon 10 Jun

ANFRIE - Boy with spinning top: bronze sculpture with brown patina. H: 62 cm.

Mon 10 Jun

ANFRIE C. - 'Espérance'. Bronze statue with brown patina on octagonal red marble base. H: 80 cm.

Mon 10 Jun

BOLENZ ULRIKE - 'Cocon'. Numbered 4/5. Signed. In plexi-box. 130 x 50 x 10.

Mon 10 Jun

BULIO - 'Psyche et amour': statue in patinated bronze. Bronze founder: Sus Frères. H: 70 cm.

Mon 10 Jun

DAME MET DRIE GEITJES - group of bronze and gilt metal, forearms and head in ivory. Belgium, circa 1925. On brown marble base. 48 x 85. With CITES certificate.

Mon 10 Jun

DESCHUYMER JOHAN EN WASTIJN KOEN - 'Têtes de Zoulous'. Seven heads of concrete. 23 x 12 x 15.

Mon 10 Jun

DUBUCAND - Wood snipe with young: bronze sculpture with brown patina on oval, brown marble base. 40 x 40 x 28.

Mon 10 Jun

DUPON JOSUE - Fisherman: bronze statue with brown patina. Bronze founder: Peetermann à Bruxelles. H: 34 cm.

Mon 10 Jun

ENGLER E. - Harlequin: bronze figurine with patinated and gilt decoration. H: 40 cm.

Mon 10 Jun

FAGGIONI CH. - Girl's bust of patinated bronze and white marble on square green marble base. H: 55 cm.

Mon 10 Jun

FERRARI - Working man carrying rock: green and brown patinated bronze sculpture. H: 68 cm.

Mon 10 Jun

GENTILS VIC - Relief. (9-63). Panel, 144 x 48.

Mon 10 Jun

JACQUET J.J. - Adam and Eve: bronze sculpture with brown patina on oval wooden base. 54 x 48 x 29.

Mon 10 Jun

JARRY MICHEL - Rooster: metal sculpture. 68 x 44 x 42.

Mon 10 Jun

LAMBEAUX JEF - Bachante: bronze sculpture with brown patina. H: 37 cm.

Mon 10 Jun

LAMBEAUX JEF - Female bust of carved white marble. H: 51 cm.

Mon 10 Jun

LEONARD CH. - Girl's bust: sculpture in gilt bronze. Bronze caster: Susses Frères Editions. H: 44 cm.

Mon 10 Jun

MANZU (POSTUUM) - 'Cardinale seduto'. Bronze sculpture with green patina. NFMM, numbered 2/3. 47 x 33 x 37.

Mon 10 Jun

MARIOTON EUG. - 'Vainqueur': bronze statue with brown patina. H: 69 cm.

Mon 10 Jun

MERCIE A. - David: bronze sculpture with brown patina. H: 91 cm.

Mon 10 Jun

OOSTERSE DAME MET WAAIER OP KAMEEL - alabaster and bronze sculpture with green patina on green marble base. 60 x 50 x 18.

Mon 10 Jun

PAESBRUGGHE R. - Horse: terracotta sculpture. 1/1. Signed.

Mon 10 Jun

PIETTE O. - Standing nude: bronze statue with green patina. Bronze caster: Vindevogel Gendbrugge. H: 50 cm.

Mon 10 Jun

PIETTE O. - Standing nude: bronze sculpture with green patina. H: 42 cm.

Mon 10 Jun

PINTENS ROGER - Owl: metal sculpture on stone rock. 54 x 25 x 26.

Mon 10 Jun

PREISS F. - Boy with fish: statuette in ivory. H: 12.7 cm. On octagonal base in green onyx. With CITES certificate.

Mon 10 Jun

PREISS F. - Nude boy with ball and nude girl with blue box. H: 10.4 cm. Both on octagonal base in green onyx. With CITES certificate.

Mon 10 Jun

RABAEY HUGO - Couple. (1977). Pair of statuettes in gilt and patinated bronze. H: 31 cm. In a case.

Mon 10 Jun

ROJA TING - 'Mickey Mouse': double-sided painted wooden sculpture on black marble base. Numbered 1/1. 70 x 30. Under plexi glass cover on white base.

Mon 10 Jun

RUITER MET STEIGEREND PAARD - bronze figurine with brown and gilt decor. 19th century. 18 x 21 x 8.

Mon 10 Jun

RUSSISCHE SCHOOL - Rider with two horses: bronze sculpture with green patina (posthumous). 70 x 75 x 35.

Mon 10 Jun

SATER - bronze statue with brown patina on rectangular brown marble base. H: 28.5 cm.

Mon 10 Jun

STAANDE EDELDAME - bronze figurine, hands and face in ivory. Belgium, circa 1900. On white marble base. H: 41.4 cm. With CITES certificate.

Mon 10 Jun

STOFFIJN PAUL - Accordeonist: bronzen beeld met groen patina. H: 53 cm._EN

Mon 10 Jun

TISSOT E. - Birds: bronze sculpture with brown patina. On oval, black marble base. 51 x 97.

Mon 10 Jun

VAN BEURDEN ALHP. - Fishing boy: bronze sculpture with green patina on round, red marble base. H: 57 cm.

Mon 10 Jun

VAN BEURDEN ALPHONSE - bronze statuette with green patina on round marble base. H: 51 cm.

Mon 10 Jun

VAN OVERMEIREN SHARON - 'Underwater Love'. (2016). Ceramic sculpture. 36 x 36 x 30.

Mon 10 Jun

VERDUYN - Seated nude on canapé: terracotta sculpture. 23 x 45 x 15.

Mon 10 Jun

VEREYCKEN ED. - The kiss: bronze sculpture with brown patina. Bronze foundry: Batardy, cire perdue, Bruxelles. H: 28 cm. On octagonal, wooden base.

Mon 10 Jun

VIER PUTTI MET GEITENBOK - Bronze group with brown patina on red marble base. 24 x 24 x 17.

Mon 10 Jun

WEYNS JULES - Saint Hubert with spear: statue of silvered rubbed bronze with ivory hands, head and neck (one hand damaged). H: 79 cm. With CITES certificate.

Mon 10 Jun

D'ASTE J. - Alabaster bust of a woman on square marble base. H: 57 cm.

Mon 10 Jun

LEDUC M. - Lady with jug: patinated bronze sculpture. H: 60 cm.

Mon 10 Jun

ZHENG B.C. - Horse: patinated bronze sculpture on oval marble base. 34 x 36 x 16.

Mon 10 Jun

Edmund Gomansky, Tierfigur - Edmund Gomansky, animal figure (Stettin 1854-1930 Berlin) Bronze, dark patina. Heron standing on a terrain base, head tilted downwards. Artist's signature "GOMANSKI, W.N.". Mounted on a stone base. H 20 cm. - Traces of age. Minimally bumped (stone base).

Mon 10 Jun

Anhängekreuz mit Kette - Pendant cross with chain Byzantine, ca. 5th-7th century A.D. Bronze. Greek cross made of two crossbars, riveted in the middle. Chain parts with fastening hooks attached to the horizontal ends of the crossbars. Beautiful age patina. 12.5x13 cm (cross) and L 43 cm (chain). Comes with: Illuminated display case on plinth. H 77.5 cm. - Slight signs of wear.

Mon 10 Jun

Lot: 5 Kozuka - Lot: 5 Kozuka Japan, 18th/19th century Patinated non-ferrous metal (shakudô, bronze, copper) with gold and silver accents. 1st shakudô with gold accents. Depicted are a warrior and a demon, sign. "Hamano Shinsui" with "kao". L 10 cm. 2. copper, shakudô, gold and silver. Motif: monkey hiding from an eagle, sign. "Ichirakusai Hirotoshi". L 10 cm. 3. shakudô, gold. Motif: freezing hermit with breath visible in gold, sign. "Katsuryuken Naochika". L 7 cm. 4. shakudô, bronze, gold, silver. Two ayu fish with gold accents and silver bellies, the reverse engraved with a willow. Gold pommel piece. L 6.8 cm. 5. gilded copper with shakudô, gold and silver accents. The front depicts a wedding procession of three mice, with the bridegroom below. The bridal procession is simply engraved on the reverse. L 10 cm.

Mon 10 Jun

PROCESSIEMADONNA - of carved and polychromed linden wood. Southern Netherlands, 18th century. H: 110 cm.

Mon 10 Jun

STAAKMADONNA - of carved and polychromed wood. Southern Netherlands, late 18th century. H: 99 cm.

Mon 10 Jun

Two-patina bronze inkwell with two cups decorated with an eagle, the marble base resting on four small ball feet. Empire style. 22 x 33 x 21 cm.

Mon 10 Jun

Thomas CARTIER (1879-1936) after. Braque dog. Large plaster sculpture with gilded patina on a black terrace bearing a small metal cartouche. Early 20th century. 30 x 72 x 18 cm.

Mon 10 Jun

36 LOUIS XV - CORSICA LUD. XV. REX CHRISTIANISS. King's head encircled by a headband. Below FM in monogram, signature of engraver Mauger. R/. REBELLES CORSICAE - MOTUS COMPRESSI. In exergue: M. DCC. XL. Corsica personified kneeling before Mars bearing the fleurdelisé flag, which orders her to submit to the Republic of Genoa personified as a tourelé woman. Signature J.C.R. Smooth, unmarked edge. Bronze medal of the Pacification of Corsica, 1740 (43.49 g) Beautiful patina. Superb. In 1729, a revolt broke out in Corsica that soon became a revolution. The Corsicans' rejection of Genoese tutelage, which never faded, created de facto domestic instability. From then on, throughout the century, geopolitical opportunities opened up for Europe's great powers, making Corsica a key player in the Mediterranean. Called to the rescue by the Genoese, the Austrians and the French led successive military campaigns on the island, with varying degrees of success. Thus, in 1739-1740, French royal troops came to support Genoese sovereignty, as this medal testifies.

Mon 10 Jun

After Roger GODCHAUX Lioness head Black patina bronze, signed on the side. Posthumous casting: E. Godard. Numbered 5/8 On blackened bronze base Height 32 cm Printed from the original plaster donated by the artist's family to the Musée de Vernon. Reference: Reproduced on page 89, ref. F23 "Roger Godchuax, l'oeuvre complète" by Jean-François Dunand and Xavier Eckhout, 2021, éditions Faton

Mon 10 Jun

A. CARRIER-BELLEUSE (1824-1887) Melody Large patinated bronze. Signed on the side Height: 62.5 cm

Mon 10 Jun

Mid-nineteenth century school Cow and bull Two patinated bronzes on onyx bases, forming a pendant Height: 9 cm - Length: 12.5 cm

Mon 10 Jun

After Ch. PAILLET Stag Large patinated bronze. Signed on the terrace Sea-green marble base Height 78 cm - Width 63 cm - Depth 24 cm

Mon 10 Jun

BARYE Reclining doe Patinated bronze, signed on the terrace and marked F. BARBEDIENNE Fondeur. With several marks under the base: "6803 24 Z". Height 9 cm - Length 15.3 cm - Depth 6 cm

Mon 10 Jun

After BARYE Elephant of Senegal Patinated bronze, under the base engraved "43 et TT". Signed on the terrace and marked F. BARBEDIENNE Fondeur Height 24.5 cm - Width 34 cm

Mon 10 Jun

Irénée ROCHARD (1906-1984) Trotting horse Bronze, patinated. Signed and founder's stamp Height 19 cm - Width 23 cm

Mon 10 Jun

Irénée ROCHARD (1906-1984) Hercules, horse jumping the hedge Bronze, titled and signed on the terrace. Foundry stamp: "Fonte d'art I. Rochard Paris". Height: 25 cm - Length: 31 cm

GIOVANNI DE MARTINO (Naples, 1870 - 1935). "Bust of a child. Patinated bronze and marble base. Signed on the back. Measurements: 16 cm (height); 3 cm (height, base). Italian sculptor of the end of the 19th century and beginning of the 20th century, Giovanni de Martino was trained in the Real Istituto di Belle Arti in Naples, and his teachers were Stanislao Lista, Giocchino Toma and Achille d'Orsi. In the early years of his career he mainly depicted figures of young fishermen, a subject inherited from his teacher d'Orsi and Vincenzo Gemito. Later he focused his work on pensive, sad, abandoned and suffering children's figures. From 1900 onwards he became known through numerous national and international exhibitions, including the Venice Biennale (1906, 1922, 1924 and 1928), the exhibition of the Fascist Syndicate of Fine Arts of Campania (1929) and the Universal Exhibition of Paris in 1900, where his bronze "Pescatore di locuste" was awarded a prize. He is currently represented in the Galleria Regionale d'Arte Moderna of the Accademia di Belle Arti in Naples, as well as in various private collections.

Figure gallant. Germany, 19th century. Glazed porcelain. With porcelain stamp on the base. Measures: 31 x 14 cm; 7 x 16 cm (base). Sculpture made of polychrome and glazed porcelain representing a man wearing a hat and holding a cockerel in his hands. It has a delicate style, with soft, warm finishes and naturalistic gestures and movements. The subject has been treated from a bucolic perspective, due to the manner and aptitude of the figure. It should be noted that the main figure is leaning on a hollow trunk, possibly a vase. The mark that can be seen in the lower area in the shape of an arrow is similar to the one used by the Giesshübel Pottery and Porcelain Factory, Germany, 1803-1828.

Pair of figures. Central Europe, 19th century. "Lady playing the mandolin" and "Young woman with gift". Hand-painted porcelain. With stamps on the base. One of them has some chipping. Measurements: 23 x 13 x 12 cm (the largest). With an 18th-century atmosphere, this pair of young musicians is directly inspired by 18th-century porcelain sculpture, both in its careful modelling and its polychromy and in the dynamic, rotating composition itself, which invites the spectator to surround the piece to contemplate the scene as a whole.

Spanish school; 19th century. "The Holy Family". Wood, fabric and glass Measurements: 39 cm (Virgin); 22 cm (Saint Joseph), 20 cm (Child); 53 x 39 x 23 cm (urn). Sculptural group in which the Holy Family is represented inscribed in a leafy foliage. The Virgin rests seated while looking at her son, who is placed on a promontory in the landscape, so that his figure is not only in the centre but also slightly elevated. The composition is completed by the image of Saint Joseph in the background, as is customary. All the sculptures, modelled in terracotta, have a lively polychromy that harmonises with the quality of the clothing of each of them, which, being fabric, lends veracity to the scene as well as dynamism and movement. The representation and model of the Holy Family has served as an image that reinforces family portraiture and the moral representation of the Christian family. The different variants that have come down to us from the history of art have been due to the political and religious needs of the time. In the Italian Renaissance period for art, but late medieval for society, the iconography of the Holy Family was predominantly based on the Virgin, Child and Saint Anne, especially in Tuscany, as the mother of the Virgin was the patron saint of the city of Florence. Although the figure of Saint Joseph is not usually depicted in the iconography of this theme, or if he is, it is in a more restrained and almost secondary manner, it was during the 17th century that his figure as the Child's earthly father became more prominent in scenes in which his paternal and protective role was more palpable and even, on occasions, the protagonist. This is due to the way in which the Church has thought of him throughout history, whose interest in the figure of Saint Joseph was reconsidered as new beliefs were reworked, adding to this the development of bourgeois society.

ANTONIO CAMPUZANO SOLANS (1919 - 1988). Side table. Glass with white crackled earthenware base. Signed. Measurements: 50 x 55 cm (glass diameter). Antonio Campuzano began his training in the art of miniature, although he would later devote himself entirely to sculpture and, following his self-taught line, he conscientiously studied the difficult speciality of ceramics. He specialised in small-format figures, mainly in terracotta, although he also tackled monumental sculptural projects. He exhibited for the first time in Barcelona in 1944. Among other distinctions, he was awarded the Medal of the Paestum Academy in Milan in 1969. He was also known for the figurines he made for Nativity scenes, and some examples of his work are kept at the Asociación de Pesebristas de Barcelona, which awarded him its Second Prize in 1943. In 1952 Campuzano began his activity in the field of ceramics, developing an important body of work until, in 1978, he began a second stage in his career, in which his final work was cast in bronze.

Pair of figures in Sèvres style, 20th century. "Lady and gentleman seated". With stamps on the base. Measurements: 14 x 16 x 16 cm. With a gallant theme and 18th-century setting, it is directly inspired by 18th-century Sèvres porcelain sculpture, both in its careful modelling and its polychromy and in the dynamic, rotating composition itself, which invites the spectator to surround the piece to contemplate the scene as a whole. This type of sculpture is contemporary and very similar to the pictorial genre known as "de casacons", scenes worked with a precious and descriptive workmanship set in the 17th and 18th centuries, very much to the taste of the clientele of the second half of the 19th century.

Sculptural group. Central Europe, first half of the 20th century. Hand-painted porcelain. Size: 17 x 34 x 12 cm. This sculptural group represents a horse-drawn coach with coachman. With a gallant theme and eighteenth-century setting, it is directly inspired by Meissen porcelain sculpture from the 18th century, both in its careful modelling and its polychromy and in the dynamic and rotating composition itself, which invites the spectator to surround the piece to contemplate the scene as a whole. This type of sculpture is contemporary and very similar to the pictorial genre known as "de casacones", scenes worked with a precious and descriptive workmanship set in the 17th and 18th centuries, very much to the taste of the clientele of the second half of the 19th century.

Pair of RAVENSTEIN figures. Germany, 19th century. "Young musicians". Hand-painted porcelain. With stamps on the base. Measurements: 24 x 8 x 8 cm. With an eighteenth-century atmosphere, this pair of young musicians is directly inspired by eighteenth-century porcelain sculpture, both in its careful modelling and its polychromy and in the dynamic, rotating composition itself, which invites the spectator to surround the piece to contemplate the scene as a whole.

Mon 10 Jun

COPY AFTER A 17TH CENTURY SPANISH SCHOOL The Black Madonna of Montserrat limestone sculpture wear H: 42.5 cm

Mon 10 Jun

Antoine GILLIS (1702 - 1781), attribué à, d'après Alessandro ALGARDI (1595 - 1654) - Antoine GILLIS (1702 - 1781), attributed to, after Alessandro ALGARDI (1595 - 1654) Charity oak sculpture pitting, missing parts and restorations H: 57 cm l: 27 cm

Mon 10 Jun

NINETEENTH-CENTURY FRENCH SCHOOL, BASED ON BAS-RELIEFS FROM THE QUEEN'S DAIRY AT RAMBOUILLET Milking the goat alabaster bas-relief H: 15 cm W: 35 cm