All lots "Impressionist and modern paintings" Advanced search

FRANÇOIS-AUGUSTE RAVIER (1814-1895) SUNSET Oil on paper laid on cardboard Oil on paper laid on cardboard 19,5 X 26 CM - 7 5/8 X 10 1/4 IN. Madame Christine Boyer Thiollier has confirmed the authenticity of this work. A certificate of authenticity can be issued on request and at the purchaser's expense.

Painting on raw wood board signed illegibly, dated 94 on the back and entitled "Paysage volontairement mouvementé", in a white wooden frame, painting size 36.5cmx33cm, overall size 48cmx42.5cm.

GIRARD Georges, (1967 - ), La Chambre Rouge, oil on canvas signed lower right and countersigned on the back, wood frame covered with green velvet, size of canvas 41cmx33cm, slightly missing.

Early 19th century school in the taste of the 17th century. Crucifixion. Oil on canvas. 63.5 x 54cm. Misses, holes and wear.

French school of the 18th century. The hunting break. Color burin engraving. 47.5 x 35.5 cm. In a wood and gilded stucco frame. Fading, wear to lower right and missing frame.

TURPIN, after. Plaqueminier de Virginie and grenadier à fruit doux. Set of two color engravings, probably from the Recueil des plus beaux fruits cultivés en France by Pierre-Antoine POITEAU. Engraver Bouquet and printer Langlois. 19th century. 39 x 29 cm (with frame). Some foxing and insolation.

LOMET, after. The port of Les Sables d'Olonne, view from La Chaume. Color engraving by Le Gouaz, Paris. 22 x 27 cm, on view. This engraving is one of a series of harbor views commissioned by Louis XVI from marine draftsman Nicolas Ozanne (1728-1811). Some of the views were produced by Lomet.

School of the XIXth century. Gentlemen and ladies hunting. Color lithograph. 14 x 19 cm, sight.

Fran. CASANOVA, after. Strawberries and cherries. Two chromolithographs, located Bologna and dated 1887 and 1888. 15 x 25.5 cm and 16.5 x 25 cm on view. Slight foxing.

Philippe HAUCHECORNE (1907-1976). Harbor entrance. Oil on canvas signed and dated 52 lower left. 46 x 55 cm (unframed). Faded and restorations.

Philippe HAUCHECORNE (1907-1976). Sea. Watercolor signed, dated 57 and located St Marc lower right. 43 x 52.5 cm. Under glass, unframed.

Robert LARROQUE (1921-2015). Flowers in a Vase. Oil on canvas signed lower right and titled on back. 66 x 55 cm. Accident to frame.

Auguste CLERGE (1891-1963). Strasbourg, the locks. Oil on canvas signed and dated 27 lower right, titled on back. 54 x 65 cm. Slightly missing.

R.BETOURNE in Limoges. The fisherman in the lake at dusk. Painted enamel from Limoges, signed lower left. In a beautiful curved blackened wood frame and mahogany sub-frame. 20th century. 14 x 22cm.

R.BETOURNE in Limoges. The road between the trees. Painted enamel from Limoges, signed lower left. In a fine curved blackened wood frame and mahogany sub-frame. 20th century. 14 x 10cm.

Louis LASBOUYGUES (1943). The park of the prefecture of Agen. Watercolor on paper signed and dated 92 lower left. In a gilded molded wood frame under protective glass. 50 x 61 cm sight / 74 x 84.5 cm with frame. Pupil of the Montmartre painter Léopold Lecomte.

Alexandre MIELNIKOFF (1940-2015). The Meuse Canal, evening. Oil on canvas signed and dated 1984 lower right. 48 x 63 cm / 67 x 82 cm with frame. Painter from Lorraine.

Henri DE TOULOUSE-LAUTREC (1864-1901), after. Reine de joie by Victor Joze. Lithograph. Modern reduction print of the 1892 edition, on heavy paper, numbered 257/275 and with the Musée Lautrec dry stamp. 49 x 69 cm at sight.

Lucien Hector JONAS (1887-1947), after. Mineur. Lithograph signed, dated 1935 and located in Anzin in the plate. Dedicated in pencil. 34 x 25.5cm. Rousseurs.

Louis ICART (1888-1950), after. Orchids. Etching and aquatint in colors, signed in pencil lower right and numbered. Bears the dry stamp of the studio. 81 x 57 cm. Slight scratches.

20th CENTURY FRENCH SCHOOL. Flood. Oil on canvas signed J.Sièyes lower right. 42 x 49 cm with frame. Slight wear to frame.

Bernard BUFFET (1928-1999), after, Le port de Tréboul. Artist's proof with certificate of authenticity signed on the back. Ornemur" tapestry hand-printed on wool by Corot in Paris. 95 x 142 cm.

Michel DELAQUAIZE (1929). Still life with avocados. Oil on canvas signed lower right MD. 70 x 55 cm with frame.

Shoji TANAKA (1957). The triumph of Venus. Tempera and oil on wood signed on the back and dated 2017. (57.8 x 27.4cm).

Régis RIZZO (1970). Men on the march. Oil on canvas signed on the back and with dedication. 33.5 x 41cm.

Pascal GEYRE (1965) Two men. Mixed media on wood panels, signed and dated 97 lower right. 42.5x57.5cm.

Attributed to Hervé DI ROSA (1959) Flame. Acrylic on cut wood panel, signed lower right "Di Rosa" and dated 87. Approx. 97 x 45cm. Missing pieces.

Fri 03 May

André DUNOYER DE SEGONZAC (1884-1974) - "Saint-Tropez - La plage de Pampelonne sur fond du massif des Maures" Etching 36 x 46 cm (as seen) and 54 x 64 cm with frame signed lower right. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Maurice MARTIN (1894-1978) - "Oil on canvas 54 x 66 cm and 71 x 82 cm with frame, signed lower left and on the back, titled on the stretcher and countersigned on the canvas. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at buyer's expense by carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Danièle DEGORCE (1903-1988) - "Oil on canvas 50 x 61 cm and 69 x 80 cm with frame, dated 1929 and signed lower right. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Lucien GENIN (1894-1953) - "Montmartre" Gouache 19 x 24 cm (view) and 32 x 37 cm with frame. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Lucien GENIN (1894-1953) - "Montmartre - Rue de l'Abreuvoir" Gouache 12 x 15 cm (view) and 27 x 30 cm with frame, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Lucien GENIN (1894-1953) - "Paris - Le pont sur la voie ferrée" Gouache 9.5 x 14 cm (à vue) and 20 x 25 cm with frame, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Lucien GENIN (1894-1953) - "Saint-Germain-des-Prés" Gouache 10.5 x 11 cm (on view) and 24.5 x 25 cm with frame, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment to FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Élisée MACLET (1881-1962) - "Montmartre - Rue des Saules" Watercolor 17 x 24 cm (view) and 30 x 39 cm with frame, located and signed lower left and countersigned on the back. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at buyer's expense by carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Fri 03 May

Élisée MACLET (1881-1962) - "Watercolor 27.5 x 23 cm (view) and 47 x 39 cm with frame, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Alain MATHIOT (Né en 1938) - Family meal Gouache on paper. Signed upper right "A.MATHIOT". 48 x 62 cm on view.

Anonyme (XXe) - Female nudes Mixed media. Signed lower right "FAL BRI ART?". "To my friend A.BILINE". 42.5 x 60.5 cm on view.

AUBERT (XXe) - Abstract composition Ink on paper. Signed and dated lower right "Aubert 79". 70 x 99 cm at sight.

Ecole du XXème - The village Oil on canvas Signed lower right "M Henon" (?) 40 x 80 cm (accidental damage)

ECOLE FRANCAISE XXe - Village Ink on paper. 16 x 26 cm Traces of humidity.

Ecole ITALIENNE du XVIIème siècle - Landscape with ruins Pen and brown ink 11.5 x 16.5 cm

Ecole moderne XXe - Fight of the Sphinx Ink on paper. Signed and dated lower left. 24.5 x 32.5 cm

ENSEMBLE DE PIECE ENCADREES - Including: -various engravings -signed oils on canvas -reproduction H: 21 x W: 25.5 cm

FIFAX (1962) dans le gout de Gustav KLIMT - Gorgons Oil on canvas Signed lower left 130 x 88 cm

FORT LOT DE DESSINS - Comprising: -preparatory drawings for various architectural projects, including tracing. Some with the ink stamp of the "Kaiserliche Technische Schule" in Strasbourg and handwritten date. -Industrial drawings from the late 19th century And various lithographs As is

FORT LOT DE LITHOGRAPHIES - Including contemporary lithographs and old etchings: -François BOUCHE (1924-2005) Semiramis Lithograph Signed and justified 268/300 42 x 62 cm -Ossip ZADKINE (1890-1967) Les Rois Mages Lithograph Signed lower right and justified 27/250 lower left 32.5 x 46 cm -Robert WOGENSKY The Bird Lithograph Signed lower left, justified 141/150 lower right As is

G.CHARBIT (XXe) - Abstract composition Mixed media on isorel. Signed lower right "G.CHARBIT". 65 x 50 cm.

G. GALLIBERT (XXème) - Map of France and its monuments Engraving enhanced with gouache and ink Signed lower right and justified 12/50 lower left 64.5 x 73 cm (stains)

Grand vitrail - two-tone with geometric motifs with missing parts

Probablement RUBIN Genia (1906-2001) - Composition with boat Mixed media, collage. Signed lower right "R2B 71". Titled on the back "Opus. La sainte Baume 71..." 77 x 48 cm on view

Stefan Wu Tedone (Né en 1975) - Cry of stw cloots Beuys Acrylic on canvas Signed, titled and dated on the back "Cry of stw cloots Beuys. 2003..." 73 x 60 cm

Willy EISENCHITZ (Vienne 1889 - Paris 1974) - The pier Willy EISENCHITZ (Vienna 1889 - Paris 1974) The pier Sanguine on paper 30 x 46 cm Signature stamp lower right Provenance : Private collection, Paris

REPRODUCTIONS (XXe) - Still lifes with apocryphal signatures after Anthelme Eugène GROBON (1820-1878). Various chips and alterations. 26 x 21 cm.

REPRODUCTION (XXe) - Reproduction after PICASSO. 38.5 x 29.5 on view.

ROBERTI dit Gustave MASCART (1834 - 1914) - Mill and canal in Holland / Fishermen's boats at sea Pair of oil paintings 32.5 x 41 cm Signed lower right ROBERTI (Restoration, missing, unframed)

Hovhannes HAROUTIOUNIAN (1950) - Nude female musician Oil on panel Signed lower left 33 x 24.5 cm

Fri 03 May

Mimmo Germana' - Mimmo Germana' (Catania 02/07/1944-1992) - Figure, 1991 H cm 75x105 Oil on cardboard Signed and dated on the front at lower left.

Fri 03 May

Bruno Caruso - Bruno Caruso (Palermo 1927-Rome 2018) - Girl, 80s H cm 48x33 - in frame H cm 70x54.5 mixed media on paper Signed on the front at lower left and author's stamp on the front at lower right. Authentication on photo by the Artist.

Fri 03 May

Mino Maccari - Mino Maccari (Siena 1898-Roma 1989) - Figure, 60's H cm 24x18 - in frame H cm 41x35 Oil on canvas cardboard Signed on front bottom left. Authentication on photograph of the Artist.

Fri 03 May

Giacomo Manzù - Giacomo Manzù (Bergamo 1908-Rome 1991) - Portrait of a Woman, 1946 H cm 65x46 - in frame H cm 73x53 charcoal on paper Signed on front in center

Fri 03 May

Eliano Fantuzzi - Eliano Fantuzzi (Modena 1909-Verona 1987) - Woman on balcony H cm 70 x 50; (in frame) 92 X 72 Oil on canvas Signed at lower left. Authentication by the author on photograph. Authentication document from the "Renzo Spagnoli" gallery.

Fri 03 May

Ernesto Treccani - Ernesto Treccani (Milan 1920-Milan 2009) - Woman's face, 1960 H cm 40x30 - in frame H cm 59x50 Oil on cardboard Signed lower right.

Fri 03 May

Bruno Caruso - Bruno Caruso (Palermo 1927-Rome 2018) - Girl sitting at the Villa Bellini in Catania 58x73 cm in frame 69x86 cm Watercolor drawing Signed at bottom center

Fri 03 May

Jean Calogero - Jean Calogero (Catania 1922-Acicastello 2001) - The Red Chair, 1952 H cm 24 x 19 (unframed): H cm 44 x 39 oil on canvas Signed lower right; Present authentication of Jean Calogero's work General Archive (20/11/2023); Signed by President Patrizia Calogero

Fri 03 May

Giovanni La Cognata - Giovanni La Cognata (1954) - Seated Figure cm 90x80 in frame 95x85 Oil on canvas Signature on front bottom right

Fri 03 May

Giovanni La Cognata - Giovanni La Cognata (1954) - Figure with cat, 2002 H cm 80x60 - in frame H cm 95.5x75 Oil on canvas Signed and dated on the front at lower right. Exhibition Giovanni La Cognata, March 8-April 12, 2003, Gallery 61, Palermo.Published in the exhibition catalog on p. 23.Authentication on photo of the Artist.

Fri 03 May

Federico Lombardo - Federico Lombardo (Castellammare di Stabia 1970) - Untitled, 2012 H cm 50 x 50; (framed) cm 58 x 58 Digital paint Exemplar 1/3. Signature on back. Certificate of authenticity from Art&Co Galleries.

Fri 03 May

Ernesto Treccani - Ernesto Treccani (Milan 1920-Milan 2009) - Face of woman cm 50x35 in frame cm 67x51 Mixed media on canvas Signed at lower right. Authentication by the author on photograph.

Fri 03 May

Furio Cavallini - Furio Cavallini (Piombino 10/08/1929-Cecina 02/06/2012) - Nude of a woman crouching cm 35x40 in frame cm 54x59 Signed n lower right Signed n lower right

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Nude of a woman cm 25x35 Oil on panel Signed at lower right. Work without frame

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Nude of a woman cm 35x25, in frame cm 48x38 Oil on board Signed at top right

Fri 03 May

Luigi Bianchi - Luigi Bianchi - Nude of woman lying among polychrome fabrics, early 20th century H cm 60x100 Oil on canvas

Fri 03 May

Santi Alleruzzo - Santi Alleruzzo (Messina 1929-Villa San Giovanni 2006) - Woman in an Interior H cm 54 x 54; (framed) cm 65 x 65 Oil on canvas Signed on the front at lower left. authentication on photograph. Provenance Andre Cefaly gallery, Catania.

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Autoritratto cm 49x67 Oil on canvas Signed at lower left. Work without frame

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Lungomare, 60s/70s H cm 80x60 Oil on masonite On the back, intervention by the painter Stefano Puleo. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution in this way permeates with a realism that through the brown and earthy colors connotes themes of rural and popular life really lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Women with oxen, 60s/70s H cm 70x50 Oil on masonite On the back intervention by the painter Stefano Puleo. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Peasant, 60s/70s H cm 100x70 Oil on masonite On the back intervention by painter Antonio Sciacca. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Chariot with oxen, 60s/70s H cm 80x60 Oil on masonite On the back present intervention by the artist Stefano Puleo. Signed at lower right. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Albino Lorenzo was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Women in the fields H cm 70x50 Oil on masonite On the back, intervention by the painter Stefano Puleo. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution in this way permeates with a realism that through the brown and earthy colors connotes themes of rural and popular life really lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Lobster, 60s/70s H cm 106x64 Oil on masonite On the back intervention by painter Antonio Sciacca. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Rocco Lentini - Rocco Lentini (Palermo 17/10/1858-Venice 20/10/1943) - Roman Ruins H cm 31x22.8 - in frame H cm 49x41 Watercolor on cardboard Signed lower left

Fri 03 May

Giacinto Gigante (attribuito a) - Giacinto Gigante (attributed to) (Naples 11/07/1806-Naples 29/09/1876) - Golfetto with ancient tower and characters, nineteenth century H cm 30x45 - in frame H cm 40x56 Oil on canvas board Signed at lower left Gi. Giant. On the back stamp and signature of the Expert of the Court of Milan Carlo Angelini for authenticity

Fri 03 May

Valentino White - Valentino White (Positano 1909-Rome 1986) - Capri H cm 33 x 36.5; (framed) Hcm 53 x 56 Oil on panel Foreshortening of hillside with trees and goats. Signed at lower left. On the back signed and titled Capri.

Fri 03 May

Gennaro Pardo - Gennaro Pardo (Castelvetrano 12/04/1865-Castelvetrano 04/09/1927) - Peasant woman in the field at sunset, Montesanto, 03/19/1919 H cm 9.7x17.9 - in frame H cm 22x30 Oil on panel Signed on back with dedication and dated.

Fri 03 May

Luigi Canali - Luigi Canali (20th century) - marina with boats and fishermen, 20th century H cm 45x65 - in frame H cm 67x88 Oil on masonite Signed lower right

Fri 03 May

Radames Scoppa - Radames Scoppa (Naples 1820) - Church by the River H cm 22 x 35, (in frame) cm 40 x 53 Oil on panel Signed on front lower left. Descriptive label, signature, title, technique and measurement on back.

Fri 03 May

Carmelo Comes - Carmelo Comes (Catania 1905-Catania 1988) - Still Life, 1937 H cm 60 x 75 ; (framed) H cm 70 x 85 Oil on canvas Label on the back "Exhibition of the National Fascist Arts Union" Naples, year fifteen

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Still life with flower and fruit H cm 60 x cm 40 (unframed) - H cm 84 x cm 64 oil on canvas Signed bottom left

Fri 03 May

Carmelo Comes - Carmelo Comes (Catania 1905-Catania 1988) - Acitrezza with church, 1960 H cm 55 x80 ; (framed) H cm 67 x 92 Oil on canvas. Signed and dated at lower left. On the back label with title and technique.

Fri 03 May

Vincenzo Aprile - Vincenzo Aprile (Naples 1952) - Fish H cm 50 x 40, (framed) cm 53 x 63 Oil on panel Signed on the front at lower left. Signature and title on the back. Descriptive label on the back. Authentication by the artist on photograph.

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Still life with wine jug H cm 39.5 x 60; (framed) H cm 63 x 84 Oil on canvas Signed lower right.

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Plant with vases H cm 53 x 70; (framed) H cm 65.5 x 82.5 Oil on canvas. Signed at lower right.

Fri 03 May

Salvador Dalì - Salvador Dali (Spanish 1904-1989) - Masochist Instrument, reproduction work by Dali 29.5x19.5 cm in 28x48 cm gold-plated frame

Fri 03 May

Salvador Dalì - Salvador Dali (Spanish 1904-1989) - L'Académie des Beaux Arts, Paris 66x85 cm Etching lithograph

Fri 03 May

Salvador Dalì - Salvador Dali (Spanish 1904-1989) - Pegasus, 1981-1990 H cm 76x56 - framed H cm 83x62 lithograph Proof D'Autore

Fri 03 May

Salvador Dalì - Salvador Dali (Spanish 1904-1989) - Six plates from the Sacred Bible cycle H cm 51x38 Rizzoli Editore, MilanRizzoli Editore, Milan

Fri 03 May

Piero Zuccaro - Piero Zuccaro (Catania 1967) - Wreck, 2004 H cm 62x70 Oil on canvas Exhibition Beyond the Lighthouse, Gallery 61, Palermo, November 6-December 23, 2004, work published in the catalog on p. 56.Authentication on photo by the Artist.

Fri 03 May

Piero Vignozzi - Piero Vignozzi (Florence 1934) - Sul davanzale cm 50 x 70 Oil and pastel on cardboard applied to canvas Signed is on the front at lower right. Authentication on photo.

Fri 03 May

Piero Vignozzi - Piero Vignozzi (Florence 1934) - The back of the house, 2001 H cm 32x26 - in frame H cm 68x58 Mixed media Signed lower right. Exhibition: Landscapes for Quasimodo, Gallery 61, November 24, 2001-January 26, 2002, Palermo.Published in the exhibition catalog on p. 42.