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Sat 22 Jun

Kippenberger, Martin Martin Kippenberger - Candidature à une retrospective. Ausstellungsplakat. 1993. Farboffset auf glattem Offsetpapier. 69,8 x 49,8 cm. Signiert, datiert und nummeriert sowie typographisch beschriftet mit Ausstellungsangaben. - Ecken v - Fluxus Kippenberger, Martin Martin Kippenberger - Candidature à une retrospective. Exhibition poster. 1993. color offset on smooth offset paper. 69.8 x 49.8 cm. Signed, dated and numbered as well as typographically inscribed with exhibition details. - Corners slightly creased in places. Verso slight traces of handling and with an adhesive label. Overall very good. Excellent impression of the full-format image. Curiger/ Magnaguagno, p. 188 - One of 200 copies. - Our copy numbered differently to Curiger/ Magnaguagno. - Published to accompany the exhibition of the same name at the Centre Georges Pompidou, Paris 1993 - Based on a photograph by Martin Kippenberger from 1972. Color offset on smooth offset paper. Signed, dated, numbered and typographically inscribed with exhibition details. - Corners somewhat bumped and occasionally slightly creased. Slight traces of handling in the lower area. On the verso with an adhesive label. The signature on the verso somewhat showing through. All in all good. Superb impression of the full-sized depiction. - One of 200 copies. -- Our copy is numbered, differently from Curiger/Magnaguagno.- Pub. on the occasion of the exhibition of the same name at the Centre Georges Pompidou, Paris 1993 as exhibition poster. - Based on a photograph by Martin Kippenberger from 1972.

Estim. 1 000 EUR

Sat 22 Jun

Helnwein, Gottfried Marlene. 1990. Farboffsetlithographie auf Velin. 47,5 x 43,5 cm (54 x 44,5 cm signiert). Signiert, bezeichnet "E.A.", zudem von Marlene Dietrich signiert und mit der Signatur des Künstlers im Druck. Punktuell unter Passepartout festmo - Hyperrealism Helnwein, Gottfried Marlene. 1990. Color offset lithograph on wove paper. 47.5 x 43.5 cm (54 x 44.5 cm signed). Signed, inscribed "E.A.", also signed by Marlene Dietrich and with the artist's signature in the print. Mounted in places under passepartout and framed under glass (unopened). - Upper left margin with short, round and restored tear, left side with longer and also restored tear (approx. 17 cm). There partially with paper and color abrasion. Partially with paper creases and compressions, these smoothed. Soiling in places. Selective retouching visible under UV. Overall neat. Excellent, color-fresh and nuanced impression. Our work with the signatures of Gottfried Helnwein and Marlene Dietrich. Rare. Copy épreuve d'artiste outside the edition. - Based on the 1984 documentary film "Marlene", Gottfried Helnwein, who was commissioned by director Maximilian Schell to design the film poster, came into contact with Marlene Dietrich. A closer, friendly relationship developed between the Austrian artist and the great German actress based on their professional relationship. Helnwein continued to visit the actress until 1992, when Dietrich died. The color offset lithograph was created in 1990 as an edition and is based on the photograph of the 1984 film poster. Color offset lithograph on wove paper. Signed, indicated "E.A.", additionally signed by Marlene Dietrich and with artist's signature in the print. Mounted to mat and under passepartout, framed under glass (unopened). - Upper left margin with short, round and restored tear, left side with longer and also restored tear (approx. 17 cm). There with partial paper and color abrasion. Partially with paper creases and compressions, these smoothed. Some spots slightly with soiling. Some retouching recognizable under UV. Overall neat. Superb, color-fresh and nuanced impression. {Our work with the signatures of Gottfried Helnwein and Marlene Dietrich. Rare}. - Copy épreuve d'artiste aside the edition. - Based on the 1984 documentary film "Marlene", Gottfried Helnwein, who was commissioned by director Maximilian Schell to design the film poster, came into contact with Marlene Dietrich. The professional contact developed into a closer, friendly relationship between the Austrian artist and the great German actress. Helnwein continued to visit the artist until her death in 1992. The color offset lithograph was created in 1990 as an edition and was based on the photograph of the 1984 film poster.

Estim. 900 EUR

Sat 22 Jun

Martin, Agnes o.T. 1981. Farboffsetlithographie auf Reispapier. 27,2 x 22,8 cm (30,2 x 30,2 cm). Mit typographischer Bezeichnung mit Werksangaben. - Kanten teils etwas bestoßen und mit wenigen, vertikalen Randeinrissen, diese sehr kurz und wenig merklich - Online - Modern and Contemporary Art American Modernism - Minimalism Martin, Agnes n.d. 1981. Color offset lithograph on rice paper. 27.2 x 22.8 cm (30.2 x 30.2 cm). With typographical inscription with work details. - Edges somewhat bumped in places and with a few vertical marginal tears, these very short and barely noticeable. Good overall. Excellent, nuanced and delicate impression with narrow margins. Published by Galerie Pace as an exhibition poster on the occasion of an exhibition. Color offset lithograph on rice paper. With typographic inscription with details of the work. - Edges partly a little bit bumped and with a few vertical marginal tears, these very short and not very noticeable. All in all good. Superb, nuanced and delicate impression with narrow margins. - Published by the Pace Gallery as an exhibition poster in celebration of her exhibition. This work is taxed. The hammer price is subject to a 23.95% buyer's premium and the final invoice amount is subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 600 EUR

Sat 22 Jun

Janssen, Horst 7 Arbeiten. 1975 - 1987. Mit 6 Radierungen und 1 Offsetlithographie. Auf verschiedenen Papieren. Blattmaße von 28,2 x 22 cm bis 41,7 x 30 cm. Je monogrammiert, nahezu sämtlich datiert, teils nummeriert und betitelt (auch in der Platte). 3 - Online - Modern and Contemporary Art German Postwar Modernism Janssen, Horst 7 works. 1975 - 1987. 6 etchings and 1 offset lithograph. On various papers. Sheet dimensions from 28.2 x 22 cm to 41.7 x 30 cm. Each monogrammed, almost all dated, some numbered and titled (also in the plate). 3 works each mounted on support, 2 of which additionally mounted under passepartout. - Edges slightly bumped in places, occasional faint handling marks, 1 work with faint brown stains in places. Good overall. Excellent to outstanding impressions, predominantly with wide margins. Frielinghaus 1975/ 127, 1975/ 129, 1977/ 4, Kruglewy 91 - Contains, among others: Selbstbilnis - Selbstbildnis (II) - Friely-Blüte - Lieselottenland. - With copies of the Griffelkunstvereinigung, Hamburg. - Enclosed: Ders., 2 posters. 7 works. With 6 etchings and 1 offset lithograph. On different papers. Each monogrammed, almost all dated, some numbered and titled (also in the plate). 3 works mounted on underlying mat, 2 of which additionally under mat. - Edges slightly bumped in places, occasional faint handling marks, 1 work with faint brown stains in places. Good overall. Superb to excellent impressions, mostly with wide margin. - With works as mentioned above. - With copies of the Griffelkunstvereinigung, Hamburg. - Added: Idem, 2 posters.

Estim. 350 EUR

Sat 22 Jun

Mulheimer Freiheit Proudly Presents The Second Bombing. Ausstellungsplakat. 1983/84. Offset Lithographie auf leichtem Velin. 54 x 76 cm. - Im Blattrand vereinzelt mit kurzen Einrissen, drei Ecken mit oberfl. Abrieb (wohl als Spur vorheriger Montierung). I - Online - Modern and Contemporary Art German Postwar Modernism Mulheimer Freiheit Proudly Presents The Second Bombing. Exhibition poster. 1983/84. Offset lithograph on light wove paper. 54 x 76 cm. - Sporadic short tears in sheet margins, three corners with superficial abrasion (probably as a trace of previous mounting). Overall good. Excellent impression filling the format. The "Mülheimer Freiheit", the association of the artists Peter Adamski, Peter Bömmels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever and Gerhard Naschberger are named after the address "Mülheimer Freiheit Nr. 110" in Cologne-Mülheim, where they exhibited their works in a joint studio. - This poster for the exhibition from November 19 - December 31, 1983 at the Fruitmarket Gallery in Edinburgh and subsequently from January 11 - February 12 at the Institute of Contemporary Arts in London. Exhibition poster. Offset lithograph on light wove paper. - With occasional short tears in sheet margins, three corners with superficial abrasion (probably as a trace of previous mounting). Good overall. Excellent impression filling the format. - Mülheimer Freiheit", the association of artists Peter Adamski, Peter Bömmels, Walter Dahn, Jiri Georg Dokoupil, Gerard Kever and Gerhard Naschberger, is named after the address "Mülheimer Freiheit Nr. 110" in Cologne-Mülheim, where they exhibited their works in a collective studio. - This poster for the exhibition from 19 November - 31 December 1983 at the Fruitmarket Gallery in Edinburgh and subsequently from 11 January - 12 February at the Institute of Contemporary Arts in London.

Estim. 300 EUR

Sat 22 Jun

Vautier, Ben La jungle de l'art. 1988. Brettspiel über Kunst und Künstler. Bestehend aus: 1 aufklappbaren Spielbrett, 550 Karten "Histoire de l'Art", 54 Karten "C'est la Vie", 54 Karten "Théorie", 54 leere Karten, 7 Tiere, 1 Baum der Weisheit, eine Pap - Online - Modern and Contemporary Art Fluxus Vautier, Ben La jungle de l'art. 1988. board game about art and artists. Consisting of: 1 fold-out game board, 550 "Histoire de l'Art" cards, 54 "C'est la Vie" cards, 54 "Théorie" cards, 54 blank cards, 7 animals, 1 tree of wisdom, a cardboard box for turning the cards, 2 plastic fences, rules of the game and a folded poster. - The game is missing the dice, 2 fences and 1 zebra. Cover of the cardboard box somewhat rubbed and the mounting detached at the corners. Otherwise in well-preserved condition. One of 1100 copies. - Text in French. - Designed for the exhibition at the Centre de Création Contemporaine, C.C.C., Tours, France, 1988. Board game about art and artists. Consisting: 1 fold-out game board, 550 cards "Histoire de l'Art", 54 cards "C'est la Vie", 54 cards "Théorie", 54 blank cards, 7 animals, 1 tree of wisdom, a cardboard box for turning the cards, 2 plastic fences, rules of the game and a folded poster. - The game is missing the dice, 2 fences and 1 zebra. Cover of the cardboard box somewhat rubbed and the mounting detached at the corners. Otherwise in good condition. - One of 1100 copies. - With text in french. - Conceived for the exhibition at the Centre de Création Contemporaine, C.C.C., Tours, France, 1988. This work is taxed. A premium of 23.95% will be added to the hammer price and the final invoice amount will be subject to 7% (books) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books) or 19% VAT on the final invoice amount in the European Union.

Estim. 300 EUR

Sat 22 Jun

Lichtenstein, Roy 2 Ausstellungsplakate. 1994. "Roy Lichtenstein. Die Retrospektive aus dem Solomon R. Guggenheim Museum New York." im Haus der Kunst, München. 1994. Je Farboffset bzw. -offsetlithographie auf glattem Offsetpapier. Blattmaße von 109,5 x - Online - Modern and Contemporary Art Pop Art Lichtenstein, Roy 2 exhibition posters. 1994. "Roy Lichtenstein. The Retrospective from the Solomon R. Guggenheim Museum New York." at the Haus der Kunst, Munich. 1994. each color offset and offset lithograph on smooth offset paper. Sheet dimensions from 109.5 x 59.5 cm to 119 x 84 cm. Each with favor signature. Minimally creased and slightly fingerstained in the edges. Overall in very good condition. Richly colored prints of the format-filling depictions. Döring 157 and 159 (color variant). - The posters are reproductions of the paintings "Femme dans und fauteuil" from 1963 and "Blonde Waiting" from 1964 (ours in a slightly different color variant). - Included: exhibition catalog for the exhibition of the same name. The title page signed by Lichtenstein. 2 exhibition posters. Each color offset resp. offset lithograph on smooth offset paper. Each with favor signature. Minimally creased and slightly fingerstained in the edges. Overall in very good condition. Richly colored impressions of the full-format depictions. - The posters are reproductions after the paintings "Femme dans und fauteuil" from 1963 and "Blonde Waiting" from 1964 (ours in a slightly different color variant). - Added: Exhibition catalog for the exhibition of the same name. The title page signed by Lichtenstein.

Estim. 500 EUR

Sat 22 Jun

Luther, Adolf Die Bewältigung des Lichts. 1981. S/W Silbergelatine mit einem collagierten Spiegel auf Photopapier. 83,5 x 59,3 cm. Mit eingeritzter Signatur, Datierung, Betitelung und Nummerierung. Verso mit dem Etikett der Photographin Zoa, dieser recto - Online - Modern and Contemporary Art ZERO Luther, Adolf The mastery of light. 1981. B/w silver gelatin with a collaged mirror on photographic paper. 83.5 x 59.3 cm. With incised signature, date, title and numbering. With the photographer's label Zoa verso, the latter shimmering gold and mirror-inverted in the same place recto. - Corners bumped. Overall very good. Excellent and rich impression. Offset with two collaged mirrors on offset paper. With occasional signature and date. - With a short tear and traces of handling and creasing in places. At all still good. Superd impression of the full-sized depiction. - Unique work due to the individually applied and collaged mirrors. - Published as a poster on the occasion of the exhibition of the same name by the Bols Galerie in the Zeughaus Neuss. One of 50 serial unique works due to the individually applied and collaged mirrors. - Created as a collaborative work with the photographer Zoa (Brigitte Müller-Fehn), who photographed Luther during an action. B/w silver gelatin with a collaged mirror on photographic paper. With incised signature, dating, titling and numbering. On the verso with the photographer's label Zoa, the latter shimmering gold and mirror-inverted in the same place on the recto. - Corners bumped. Very good overall. Superb and rich impression. - One of 50 serial unique works due to the individually applied and collaged mirrors. - Created as a joint work with the photographer Zoa, who photographed Luther during a performance act.

Estim. 500 EUR

Sun 23 Jun

[COMBAS (Robert), DI ROSA (Hervé), CRUZ-DIEZ (Carlos), VILLEGLE (Jacques)]. L'Angélus a 150 ans, 150 artistes pour l'Angélus. Barbizon, Espace culturel Marc Jacquet, 2010. In-folio with spiral binding and illustrated boards, 33 x 25 cm. Catalog of the exhibition curated by Jean-Michel Gout-Wermer and Jacques Simonin in which 150 contemporary artists reinterpreted Millet's famous painting. Signed autographs from 69 exhibiting artists, including Robert Combas (French contemporary artist Figuration Libre), Hervé Di Rosa (contemporary French artist, co-founder of the Figuration Libre movement), Carlos Cruz-Diez (Venezuelan artist, known for his kinetic and optical art), Jacques Villeglé (French artist, known for his urban art and and collages of torn posters). When signing this copy, some artists have not hesitated to alter the reproduction of their work to modify the reproduction of their work or add a previously unpublished drawing. The catalog contains autographs and original drawings by Serge Abril, Philippe Ainsi, Jean Pierre Alaux, Carmelo Arden Quin (the artist was dying, so his wife signed), Claire Bastanti, Michel Battle, Ben (who signed signed on two occasions), Gaudin Bolivar, Mane Bossion, Gael Bourmaud, Herman Braun-Vega, Pierre Marie Brisson, Jérôme Btesh, Axel Cassel, Christophe Chassol, Charlelie Couture, Piero Cipolat, Robert Combas, Mauro Corda, Carlos Cruz-Diez, Jean Daviot, Renaud Delorme, Marco Del Corso, Philippe Desloubières, Hervé Di Rosa, Joel Ducorroy, Michel Dufresne, Anne Sophie Emard, Gérard Fromanger, Claude Gilli, Horacio Garcia-Rossi, Claude Guenard, Patrick and Anne Guallino, Jean Michel Guinebault, Philippe Huart, Jean Pierre Huser, Christian Jaccard, Jin Bo, Jean Pierre Jourdan, Tomek Kawiak, Joel Kermarrec, Ladislas Kijno, Peter Klasen, Bodgan Korczowski, Kriki, Patrick Marques, Véronique Mercier-Millet, Pierre Merliet, Jérôme Mesnager, Jacques Monory, Martine Orsoni, Biagio Pancino, Malgorzata Paszko, Francesca Piqueras, Joan Rabascall, Yehiel Rabinowitz, Jean-Pierre Raynaud, Johnny Razzia, Laurent Redoules, François Riou, Gérard Schlosser, Antonio Segui, Yvon Taillandier, Toko Tokunaga, Toxic, Miki Toshiharu, Andréas Vanpoucke, Jacques Villegle, Placide Zephir... Experts: Ms Loup AXMANN and Mr Jean-Luc BOISSEAU

Estim. 400 - 700 EUR

Schuiten/Original drawing symbolically illustrating a hand held back by barbed wire that manages to get through a wall... a powerful work created for the French newspaper Libération in January 2008 about the situation in Gaza, which is unfortunately still relevant today. India ink, watercolor and grease pencil. Signed. TBE+. Pass included: 58 X 45 cm François Schuiten (1956) was just 16 when his drawings were published for the first time: "Mutation", a short story drawn entirely in bic, appeared in the Belgian edition of Pilote. At the Institut Saint-Luc comics workshop, he met Claude Renard, with whom he produced two albums: Aux médianes de Cymbiola and Le Rail, published by Casterman under the title Métamorphoses. Over the years, he and his brother Luc developed the "Terres creuses" cycle in Métal Hurlant. Since 1982, he has been working with his childhood friend Benoît Peeters on the "Les Cités obscures" series. These albums have been translated into ten languages and won numerous awards. It remains considered one of the major series of recent decades. The album La Fièvre d'Urbicande won the Best Album award at the Angoulême Festival in 1985. In 2002, François Schuiten was awarded the Grand Prix de la Ville d'Angoulême, the ultimate accolade for any cartoonist. He has designed a dozen stamps for the Belgian postal service. He has also designed countless posters, illustrations, serigraphs and lithographs. In 2019, he produced a new album of the adventures of Blake and Mortimer for Dargaud, but on the bangs of the series. A special edition in a style completely different from that of Edgar P. Jacobs, one of his great masters. A Blake et Mortimer à la Schuiten, with the help of Thomas Gunzig on the script (and to a lesser extent Jaco Van Dormael) and the Durieux brothers for their graphic contributions and coloring. In parallel with this project, François Schuiten is part of the ScanPyramids mission led by engineer Mehdi Tayoubi. This is a scientific expedition to Egypt where archaeologists and other specialists descend to the center of Khéops to unravel the mystery of the largest of the pyramids, the only vestige of the Seven Wonders of the World.

Starting price  1800 EUR

Manara/Original drawing illustrating an erotic scene between two women and a man. Signed and no. 12. India ink and watercolor for a portfolio. Superb quality of execution by the master of eroticism for this atypical composition where the women take control of the situation...India ink and watercolor done for a portfolio. TBE+. 40 X 30cm Milo Manara (1945) was an Italian cartoonist who, like most of his local colleagues, got his start at the age of twenty-four, blacking out pages of fumetti, the inexpensive fascicles that made transalpine newsstands happy. He made a name for himself and his style during the 70s, moving from satire to children's books, from fantasy serials to pirate tales. Nothing yet set him apart from the compact pack of his hard-working colleagues. In 1976, with Le Singe, notably translated in France by Charlie Mensuel, he signed his first truly personal work. This was followed by L'Homme des Neiges and, above all, the bewildering HP and Giuseppe Bergman. The initials HP are none other than those of Hugo Pratt, to whom Manara pays his first tribute. The two men were already friends. In 1981, Hugo Pratt returned the compliment to Manara, designing the screenplay for the formidable Indian Summer, followed by The Gaucho, which Manara completed just before his mentor's death in 1993. Manara drew the first volume of Le Déclic in 1983. The album immediately earned him a sulphurous reputation - and huge success. Later, with Le Déclic n° 2 and Le Parfum de l'Invisible, he became THE erotic artist of the 80s. In 1987, for Federico Fellini, Manara designed the posters for Intervista and La Voce della Luna, before drawing two of his unfilmed scripts, Le Voyage à Tullum and Le Voyage de G. Mastorna. On this occasion, the filmmaker wrote that "the pencils, Indian inks and halftones of our friend Manara are the equivalent of the staging, costumes, actors' faces, sets and lighting with which I tell my stories in my films". Later, Manara borrowed from Gulliver's Travels his Gulliveriana, a highly feminine and seductive alter ego of Jonathan Swift's character. The first chapter of Aphrodite arrived in 1999, with an illustration of Pierre Louÿs' sultry novel. For Humanoïdes Associés, Manara also produced a comic adaptation of an ancient erotic novel, La Métamorphose de Lucius. Publication in 2004 by Albin Michel of the Borgia series. The Borgia clan conjures up a sulphurous image: poisonings, Caesar Borgia the enlightened despot, Lucrezia the venomous beauty. Manara has embarked on a reconstruction of the Italian Renaissance period that is so dear to him, and Jodorowsky offers us a saga based on historically recognized facts. Published by Albin Michel, Kama Sutra is Manara's vision of love. Based on a screenplay by Vincenzo Cerami, he directed Les yeux de Pandora, a diabolical thriller in which family secrets are revealed in the midst of hectic action... More recently, he has taken on the American superhero genre with a female version of the X-Women.

Starting price  2500 EUR

Tillieux/César et Enestine. Original plate #17 illustrating a very "witty" gag published in the journal moustique. India ink and blue pencil circa 1970. Superb and amusing collector's item in perfect condition. Quality frame with anti-reflective glass included (Schleiper): 55 X 45 cm Born in Huy in 1921 and died in 1978, Maurice Tillieux was destined for a career in the merchant navy, when the German invasion deprived him of any opportunity to pursue this profession. From 1947 to 1956, Tillieux developed his talent in the full-length weekly HEROïc-ALBUMS, where he became a master of humorous and atmospheric detective stories. In keeping with his maritime nostalgia, he began with the perilous cruises of the radio operator "Bob Bang". He went on to write a dozen realistic stories, often inspired by American cartoonists, but it was with the development of the "Félix, Allume-Gaz and Cabarez" trio that he discovered his true calling, producing some fifty episodes in which humor, mystery and action were finely balanced. With the demise of Heroïc-Albums, he finally became a Dupuis star, with "Marc Jaguar" for the short-lived weekly Risque-Tout, "Gil Jourdan" investigations for Spirou and "César" gags for Le Moustique. Towards the end of the '60s, drawing began to weigh on him, and the storyteller in him began to awaken. He entrusted the graphic side of "Gil Jourdan" to Gos, and turned mainly to scripting for Francis ("La Ford T"), René Follet ("S.O.S. Bagarreur"), Arthur Piroton ("Jess Long"), Will ("Tif et Tondu"), Roba ("La Ribambelle"), Leonardo Vittorio ("Hultrasson"), Walthéry ("Natacha"), etc... The man who imagined and drew so much vehicle destruction died in a road accident in France.

Starting price  1200 EUR

Stibane et Franquin/Noël et L'éalaoin. Original end plate from the 4-page story "Retrouvailles" published in the 1990 album of the same name. Superb quality of execution in collaboration with the master. India ink and graphite. Signed and contextualized by the author. Circa 1990. TBE+. Rare. 33 X 22 cm Luc Van Linthout (1958), alias Stibane, graduated in plastic arts from the Institut Saint-Luc. In addition to illustration, he has devoted himself to comics and painting. Stibane first appeared in Tintin in 19864. He produced Woody et Willy, then Peticric, based on a script by Michel Dusart. In comics, Stibane produced the 1989 revival of Petit Noël, under Franquin's direction (Marsu Productions). He also drew the comic adaptation of Sherlock Holmes, with André-Paul Duchâteau on the script, for Editions Lefrancq, in the "BDétectives" collection. Three albums appeared in the early 1990s6. With his brother as scriptwriter, he draws the series Les Enquêtes Scapola (three albums with Casterman). Also with Georges Van Linthout and Didgé, he adapted the TV series Caméra Café (five albums from 2003 to 2006, published by Jungle). In 2006, he also produced a comic book about French humorists Chevallier and Laspales. In collaboration with Bruno Di Sano, he published the first two volumes of Les Aventures de Fred et Jamy, an adaptation of the TV show C'est pas sorcier. In 2012, with Didgé and Georges Van Linthout, he produced a comic adaptation of the TV series Camping paradis.

Current bid 500 EUR
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