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PAUL VAN HOEYDONCK (Belgium, 1925). Untitled, 1991, from the "Suite Olympic Centennial". Lithograph on 270 grams Vélin d'Arches paper, copy 210/250. Signed, dated and justified by hand. Size: 90 x 63 cm. The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented are creators of great international renown, widely recognised by the critics. Paul Van Hoeydonck was born in Antwerp on 8 August 1925, and took courses in Art History and Archaeology in Antwerp and Brussels, a period which ended in 1951.2 In 1952 he had his first solo exhibition at the Buyle Gallery in the same city. Van Hoeydonck created the work as a tribute to mankind's desire for expansion into outer space. This contrasts with Scott's view, who saw the work as a memorial, which Van Hoeydonck would later regret. The artist would go on to create more replicas of the original work, one of which is in the hands of the Smithsonian Institution; he would later continue to make copies for sale.

Starting price  80 EUR

VLADIMIR VELICKOVIC (Belgrade, 1935). Untitled, from the series "Olympic Suite", 1992. Lithograph on 270 gr Velin d'Arches paper, copy 197/250. Signed, dated and justified by hand. Size: 90 x 63 cm. The Olympic Suite is made up of 50 lithographs and serigraphs chosen to represent various contemporary artistic trends. It was published to commemorate the first centenary of modern Olympism. The artists chosen work in very diverse movements and styles, from the hyperrealism of Antonio López to the abstraction of Sol Lewitt, including abstract expressionism, the geometrism of Arden Quin, conceptual art, pop art, the new realism of Baldaccini and Rotella, and the new fauvism of Dokoupil, among others. Among the artists represented there are creators of great international renown, widely recognised by the critics. Vladimir Velickovic is one of the most prominent Serbian artists. He trained at the Faculty of Architecture in Belgrade and between 1963 and 1966 worked as an assistant to Krsto Hegedusic in his studio in Zagreb. In 1965 he won the Paris Biennale prize and the following year he moved to Paris, where he continued to work and exhibit, gaining wide public acclaim with his exhibition at the Galerie du Dragon in 1967, for example. In 1983 he was appointed professor at the École nationale supérieure des Beaux Arts, a post he held until 2000. In 1985 he was also appointed member of the Serbian Academy of Sciences and Arts.

Current bid 80 EUR

Mon 10 Jun

PAOLINI GIULIO Genoa 1940 "Locus Solus" 1975 36x36x2, silkscreen on wood, 1/7 artist's proof Work signed, dated and inscribed on the back "1/7 (p.a.)" Work registered at the Paolini Archive, Turin with no. GPE-0020. Direct link to the online Cataologue raisonné of Giulio Paolini's graphic editions and multiples (https://www.fondazionepaolini.it/ita/catalogo-ragionato/edizioni-grafiche/7f3f682db6e2e). Multiples Edition, Turin This edition is part of the production of multiples by Galleria Multipli, Turin - founded in 1970 by Giorgio Persano and active until 1975 - made in close collaboration with some exponents of Arte Povera and Conceptual Art. The portrait of the French writer Raymond Roussel - divided into a grid of sixty-four alternately light and dark units - is reproduced on a wooden board in a square format, so as to evoke a chessboard. The title echoes that of a novel by Roussel himself, published in 1914. "In addition to being a sublime writer, Roussel was also an exalted connoisseur of chess techniques (a game that has always fascinated me, although I am ignorant of its rules). Hence the choice to associate his image with that of the chessboard. Roussel looks at us through the grid, remaining elusive," Paolini declares. The image of the sixty-four copies of the run of the multiple, set up on the wall to form, in turn, a chessboard, gave rise to the painting of the same title, made in the same year -Exhibitions: -1976, Turin, Galleria Multipli, "Giulio Paolini." -July 19-Aug. 25, 1985, Esslingen am Neckar (Germany), Galerie der Stadt, Villa Merkel, "Sein und Sehnsucht. 10 italienische Künstler der 60er und 70er Jahre," touring: Oct. 5-30, Kassel (Germany), Kunstverein Kassel, cited as exhibited s.p. (with incorrect indication of print run "50 copies"), ripr. no. 21; -May 12-18, 1989, Turin, Book Fair, "Impressions graphiques. Projects and editorial collaborations of Giulio Paolini," cat. no. 4 (section "Numbered editions"), not ripr; -1990 Kiel, Galerie Sfeir-Semler, Allegories, from May 8, not ripr. -1990 Bologna, Galleria Comunale d'Arte Moderna, Villa delle Rose, Giulio Paolini. Hotel de l'Univers, May 27-July 29, cited as exhibited p. 17, ripr. p. 53 (view of work in exhibition). -1992 Bonn, Bonner Kunstverein, Giulio Paolini. Impressions graphiques. Das graphische Werk 1967-1992, February 24-March 29 (catalog Impressions graphiques. The graphic work 1967-1992 of Giulio Paolini, Marco Noire Editore, Turin 1992, cat. no. 20). -1993 Winterthur, Kunstmuseum Winterthur, Giulio Paolini. Impressions graphiques. Das druckgraphische Werk 1967-1992, January 16-March 7 (catalog Impressions graphiques. The graphic work 1967-1992 of Giulio Paolini, Marco Noire Editore, Turin 1992, cat. no. 20). -1995 Lisbon, Fundação Calouste Gulbenkian / Centro de Arte Moderna José de Azeredo Perdigão, Giulio Paolini. Impressions graphiques. Múltiplos e Obra Gráfica 1969-1995, March 16-May 28, not repr. in foldout (catalog Impressions graphiques. L'opera grafica 1967-1992 di Giulio Paolini, Marco Noire Editore, Turin 1992, cat. no. 20). -1996 Nice, Musée d'Art Moderne et d'Art Contemporain, Arte Povera. Les multiples, March 23-June 16, cited as exhibited p. 37, repr. col. p. 23. -1996 Apolda, Kunsthaus Apolda Avantgarde, Giulio Paolini. Impressions graphiques, Sept. 27-Oct. 27 (catalog Impressions graphiques. The graphic work 1967-1992 of Giulio Paolini, Marco Noire Editore, Turin 1992, cat. no. 20). -1997 Göppingen, Kunsthalle, Giulio Paolini. Impressions graphiques. Das graphische Druckwerk 1967-1995, March 9-April 13 (catalog Impressions graphiques. The graphic work 1967-1992 of Giulio Paolini, Marco Noire Editore, Turin 1992, cat. no. 20). -2001 New York, Esso Gallery, Multiples 1967-2001. Multiples, editions and books by the Arte Povera Artists, January 16-March 3. -2002 Nuoro, MAN Museo d'Arte Provincia di Nuoro, Vis à vis. Artist self-reports, May 10-June 30, cited as exhibited p. 128, ripr. p. 93, ripr. col. pp. 94-95 (view of work in exhibition). -2003 Magdeburg, Kunstmuseum Kloster Unser Lieben Frauen, The Poetics of Arte Povera, Sept. 14-Dec. 7, cited as exhibited p. 236, ripr. col. p. 164; copy 22/64. -2004 New York, Esso Gallery, Portraits, June 4-July 31. -2008 Turin, Giorgio Maffei, Arte Povera. Artist's Books, Multiples, Photographs, Dec. 14-23, no catalog. -2014 Berlin, Sprüth Magers, Arte Povera and "Multiples," September 18-November 8; copy 45/64. -2018-19 Turin, Mastio della Cittadella, 100% Italy. One Hundred Years of Masterpieces, Sept. 21, 2018 - Feb. 10, 2019, ripr. col. p. 609. -2019 Turin, Biasutti & Biasutti, Multiples. Anselmo, Boetti, Fabro, Gilardi, Paolini, Pascali, Peno

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