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Wed 26 Jun

Pair of piriform molded blue opaline glass vases, the body with leaf motifs in slight relief, enameled gold highlights. 19th century Height: 24.5 cm

Wed 26 Jun

Circular box in green opaline ouraline glass. Partially covered with brass mesh, the lid centered with a medallion depicting Saint Peter of Rome. Two side rings. Travel souvenir, 19th century or early 20th century Height: 8 - Diameter: 10.5 cm Missing fishnet

Wed 26 Jun

Pair of white opaline glass vases, polychrome enameled with flowers, scalloped lip hemmed with gold fillet. Late 19th or early 20th century Height: 25 cm Some wear to the decoration

Wed 26 Jun

Pair of celadon molded opaline glass vases, decorated with foliate motifs in slight relief, scalloped lip. 19th century, in the PORTIEUX style. Height: 23.5 cm

Wed 26 Jun

MOSER KARLSBAD (attributed to) Double-layered translucent garnet and opaque white overlay vase. Baluster-shaped, it is enameled in polychrome with gold highlights of bouquets of flowers. 19th century Height 42.3 - Diameter 19 cm

Wed 26 Jun

Gilded brass jewelry box. Rectangular in shape, it stands on four small flattened ball feet. The lid and sides are engraved with character profiles. German Renaissance style, 19th century Height 4.3 - Length 7.1 - Depth 4.3 cm Does not open, traces of wear

Wed 26 Jun

Circular cardboard box with stamped brass frame. The lid is painted under glass with a rose and two pansies on a black background, the outside with a stylized design on a midnight-blue background. 19th century Height 2.3 - Diameter 8.4 cm Wear

Wed 26 Jun

Circular box in boiled cardboard and pink lacquer. The lid is centered with a trophy motif of a market gardener in stamped three-tone metal. The interior in polychrome straw marquetry centered on a heart. Late 18th or early 19th century Height: 3.5 - Diameter: 6.7 cm Minor accidents

Wed 26 Jun

Circular box in lacquer and mother-of-pearl chips, the interior in two-tone straw marquetry with floral decoration. On the lid, concealed erotic decoration: a miniature depicts a flowering vase. The bezel slides to reveal a text (illegible, partially faded), then two nude young women. 18th or 19th century Height: 3 - Diameter: 6.4 cm Wear and minor chips

Wed 26 Jun

Cardboard box or case lined with damask fabric featuring cherubs and flowers. Octagonal in shape, the edges highlighted with passementerie, the lid domed and padded in the center. 19th century ? Height 7.8 - Diameter 12.5 cm Wear

Wed 26 Jun

Porcelain cookie medallion representing the profile of Louis XIV. Trace of signature under the shoulder. 17th or 18th century In a molded and gilded wood frame Diam. 8.9 cm

Wed 26 Jun

Pair of Medici vases on pedestal, in gilt bronze. The vases are decorated with gadroons and foliage friezes. 19th century Height: 11 cm

Wed 26 Jun

AUVERGNE Green glazed terracotta oil jar with three handles and a spout. Decorated with grapes in light relief. 19th century Height: 41 cm Neck cracked, small chips, bottom pierced, spout probably broken and glued back together.

Wed 26 Jun

VASE en cristal taillé et moulé à décor floral - Cut and molded crystal VASE with floral decoration H: 31 cm and D: 21 cm (chips and wear)

Wed 26 Jun

MIROIR en bois et stuc doré à partie haute cintrée et frise de perles - Wood and gilded stucco MIRROR with arched top and pearl frieze Late 19th - Early 19th century 88 x 85 cm (accidents and missing parts)

Wed 26 Jun

Ecole FRANCAISE vers 1660 - Pentecost Canvas 102 x 135.5 cm

Wed 26 Jun

** Edmund CULPEPER (vers 1660-1740), Londres début XVIIIe siècle - Astronomical ring or universal equinoctial dial, in engraved brass, the meridian circle bearing a 0°-90° latitude scale on one face and a graduated scale on the other, the hour ring graduated in Roman numerals, the central bridge adorned with the scale of the months and signs of the zodiac with a movable cursor in the center. Suspension ring Diameter: 9 cm Signed E Culpeper Londini ** This lot is presented as a temporary import

Wed 26 Jun

Miroir composé d’éléments du XVIIIe siècle - Inscribed in a wood and gilded stucco frame with Bérain-style decoration, topped by an openwork pediment featuring a floral basket, foliage and a large shell. H: 93 - W: 51 cm Wear, accidents and missing parts

Wed 26 Jun

Commode de style Louis XV - curved on the front and sides, with rosewood, satinwood, rosewood and leaf inlaid decoration in frames. It opens with two drawers in two rows, with concealed rails. Mounts and cambered legs. Chased and gilded bronze ornaments, decorated with scrolls and foliage, falls, keyholes, fixed handles and lamp bases. Breche d'Alep marble top. H: 86 - W: 114 - D: 59 cm Restorations, missing veneer

Wed 26 Jun

Cartel à poser composé d’éléments d’époque Louis XV - and a bracket decorated in Boulle marquetry with foliate scrolls in brass and brown tortoiseshell. Ornamented with chased and gilded bronzes, acanthus leaves, foliate scrolls, volutes, scrolls, shells and the representation of Galatea seated on a dolphin in the center of the composition. Renommée at the amortization. Enameled dial with twenty-five cartouches and Arabic and Roman numerals, signed Waltrin in Paris, as is the plate. Square-shaped movement with count wheel chimes. Cartel dimensions H: 80 - W: 36.5 - D: 17 cm Console dimensions H: 29.5 - W: 37 - D: 19 cm Wear, accidents, missing parts, restorations, modified suspension, parts refurbished, parts to be refixed.

Wed 26 Jun

Bibliothèque basse d'époque Louis XV - Rectangular in shape, with a slightly arched front, arched sides, rounded uprights, cut-out plinth base and curved legs. Decorated with chevrons and butterfly wings in violet wood. It opens with two mirror-darkened doors. Royal Red molded marble top. H : 116 - W : 93 - D : 32 cm Restorations

Wed 26 Jun

Bureau plat de milieu de style Louis XV - Rectangular, in violet wood and rosewood veneer, the top, encircled by a copper moulding, is sheathed in black leather. It features three drawers, the central one slightly recessed, the other two boxed, and identical simulated drawers on the visitor's side. Rocaille ornamentation in chased and gilded bronze, leafy falls highlighting the curves of the legs, mirrors on the short sides, staples decorating the side drawers, keyholes, fixed handles, sabots. H: 78 - W: 180 - D: 87 cm Wear, missing veneer

Wed 26 Jun

Secrétaire à rideaux de style Louis XVI - rectangular, with rosewood and satinwood inlaid decoration, opening with two leaves topped by a writing tablet and two curtains. The latter reveals a large locker, four drawers and a niche with a darkened mirror door. Sharp-edged uprights surmount sheathed legs. Royal Red marble top. H: 124 - W: 98 D: 33 cm Wear, cracks, curtain opening to be revised

Wed 26 Jun

Pendule portique dite aux griffons, début du XIXe siècle - in chased gilt bronze and white marble. The movement is supported by two crouching griffins, the shock absorber decorated with a fountain from which two dogs are drinking. White enameled dial with Arabic numerals, signed Lefèvre in Paris. The oblong base is adorned with applique bronzes, acanthus leaf scrolls and lion masks. Toupie feet. Oblong, molded base in turquoise-blue marble, underlined by a frieze of pearls. H without base: 43 - W: 31 - D: 10.5 cm Dimension of base H: 5.5 - W: 36 - D: 14.5 cm Wear and tear, including the stamp and probably the plumes on the griffins' heads. The general pyramidal composition of a base composed of various real or mythological animals - ibexes, lions, sphinxes or griffins - supporting the circular movement surmounted by a vase, a fountain or a divinity, lent itself well to multiple variants that ensured the enduring success of these clocks. A model with sphinxes and swans instead of dogs is listed.

Wed 26 Jun

Paire de fauteuils de style Louis XVI - in molded, carved and cream-painted wood, the cabriolet gendarme-cap back decorated with plumes. Armrests with cuffs rest on fluted and grooved console posts. They stand on tapered, fluted legs. Connecting thimbles decorated with flowers. H: 90 - W: 58 - D: 50 cm

Wed 26 Jun

Bureau cylindre, fin de l'époque Louis XVI - with inlaid decoration in mahogany, satinwood, holly and stained wood in checkered frames, rectangular in shape, topped by a cylinder and a step. It opens with two drawers in the waistband, a cylinder - revealing drawers and pigeonholes - placed between two series of drawers. Sheath legs. White marble top with copper gallery. H. 115 - W 96 - D 56 cm Wear, accidents, missing parts and restorations

Wed 26 Jun

ITALIE, XVIIIème et XIXème siècle - Reliquary frame in molded, carved and gilded wood, the rectangular view set in a frame with winged cherubs on the sides and lower part. H: 40 - W: 27 - D: 6 cm Missing A pyramid-shaped carved wooden crucifix base decorated with acanthus leaves and instruments of the passion is included. H : 27 cm

Wed 26 Jun

Paire de fauteuils de style Louis XVI - in molded, carved and cream-painted wood, straight cabriolet back, armrests with cuffs resting on fluted console uprights. Legs They stand on tapered, fluted and filleted feet. H: 92 - W: 59 - D: 53 cm Worn, damaged upholstery

Wed 26 Jun

Baromètre-thermomètre du début du XIXème siècle - in gilded wood, the bezel in the center of the composition between fluted and filleted uprights, a vase on the cushion holding a garland of acanthus leaves, the thermometer in the lower part, H: 100 - W: 36 cm Signed Erra fecit, Grande rue du faubourg / St Antoine à la Boule Blanche

Wed 26 Jun

Paire de bougeoirs de style Louis XVI - in gilded and patinated bronze, depicting two young fauns holding two arms of light. Base underlined by a wreath of laurel leaves. Inspired by a model by Clodion. H : 21 - W : 18.5 cm

Wed 26 Jun

Semainier, en partie d'époque Transition - with butterfly-wing inlaid decoration in rosewood, framed by stained wood fillets on an amaranth background, the uprights with canted sides, the waistband scalloped. Cambered legs. Rance marble top. H: 158 - W: 64.5 - D: 36.5 cm Wear, accidents, missing parts, restorations and insolation

Wed 26 Jun

Sphère armillaire ptolémaïque de Charles-François Delamarche (1740-1817), géographe - made of wood and cardboard covered with engraved paper to reproduce the apparent movement of the sun and moon, represented by cardboard disks fixed on brass armatures, free to rotate. The globe, whose cartography consists of twelve spindles, bears the inscription Globe / Terrestre/A Paris/Chez Delamarche Geogr/rue du Foin Jacques/au collège de/Me Gervais in a cartouche. It is located at the center of a system of rings representing meridian circles (arctic pole circle, tropic of cancer, equator, tropic of capricorn, antarctic pole circle), equatorial circles (colure of equinoxes, colure of solstices) and the ecliptic ring, each identified and graduated. Longitude, zodiac signs and months are indicated on the equatorial table. Turned blackened wood base. Early 19th century. H : 39 cm Wear, small accidents and missing parts

Wed 26 Jun

Thomas COMPIGNÉ, d’après Joseph VERNET (1714-1789) - Rare gilded pewter medallion on a tortoiseshell base, presenting an animated port view surrounded by the inscription: "Seconde vue de Marseille - Fontaine St Jean excutée sur le tour par Compignié Tourneur du Roi à Paris d'après le Tableau original de M. Vernet peintre de Sa Majesté". Wear and tear. In a round wooden frame (cracks). Second half of the 18th century. Diameter: 7.8 cm (as seen). Frame: Diam: 10.4 cm History : The preferred tablemaker of King Louis XV, COMPIGNÉ specialized in the manufacture of boxes, tric-trac, a checkers, chess and snuffboxes. Today, his name is still associated with pewter relief paintings, the process of which remains a mystery. These works are executed on a lathe on a sheet of pewter embossed in relief on a matrix, then placed on a scale or cardboard support and decorated with gouache, gold, silver and colored varnish, giving them a precious charm. The most frequently represented subjects are landscapes with figures (views of Italy, Paris, etc.), historical subjects, reproductions of paintings by famous artists such as Horace Vernet, or views of châteaux. COMPIGNÉ's production is characterized by high quality craftsmanship; his epigone Claude-Louis Chevalier, who was probably trained in his workshop and received his master's degree in 1776, did not achieve the same degree of perfection. Solicited by cabinetmakers and "merchant-merchants", these craftsmen frequently decorated small tables, as attested by the example in the Doucet collection or the one in the Musée de l'Ile-de-France in St Jean Cap Ferrat. Other examples of this technique are preserved at Chantilly and at the Musée des Arts Décoratifs in Paris.

Wed 26 Jun

Boîte de la fin du XVIIIe siècle - in tortoiseshell, the lid adorned with a miniature portrait of an officer encircled in gilded metal. Diameter: 6.2 cm The box is damaged and missing

Wed 26 Jun

Commode de forme demi-lune, fin XVIIIe siècle - in rosewood veneer, satinwood, in amaranth frames, opening with three superimposed drawers, the waist drawer separated by an exposed crosspiece. Straight uprights, tapered legs. White marble top with openwork copper gallery. H. 81 - W 59 - D 33 cm Accidents, missing parts, missing veneer and restorations

Wed 26 Jun

Paire de vases rhyton d’époque Charles X - in crystal and chased and gilded bronze, the mounting in the form of ram heads, the rectangular base in rosewood veneer and inlaid decoration of fillets and palmettes in light wood. H: 24 and 27 cm. Base dimensions W: 17 - D: 8.5 cm Different models of bowls, one damaged, worn, soiled, broken and missing veneer.

Wed 26 Jun

Miroir sorcière d'époque Restauration - in a rosewood veneered doucine frame with foliate scrolls and palmettes in light wood H: 58.5 - W: 58.5 cm Wear, sunstains, minor accidents

Wed 26 Jun

Coffret à bijoux d'époque Napoléon III - rectangular in shape, with Boulle marquetry decoration of foliage on a tortoiseshell background, the lid decorated with two miniatures, L'Amour vaincu and L'Amour triomphant, signed Mauroy ? H :12 - W : 25.5 - D : 16.5 cm Wear, minor accidents, restorations, no key

Wed 26 Jun

Gaine d'applique du XIXe siècle - Napoleon grand mélange molded marble, square cross-section H: 119 - W: 31 - D: 28 cm

Wed 26 Jun

Pendule d’inspiration japonisante d’après le modèle d’Emile-Auguste REIBER (1826-1893) pour l’Escalier de Cristal - in chased and gilded bronze and polychrome enamels, the dial formed by the shell of a turtle climbing a portico to grasp a crab at the cushion. Kanji calligraphy numerals, hands formed by the body of a dragon. Platinum stamped Médaille d'argent Vincenti & Cie 18. H: 60 - W: 30 - D: 14 cm Probably cast by Gustave-Isaac Lévy Wear, minor accidents The design of this clock, of which there are several variations, can be attributed to the ornamentalist Emile-Auguste Reiber, who thus illustrates his infatuation with the arts of the land of the Rising Sun. In addition to oriental motifs, his creations also included oriental production techniques, such as the cloisonné enamels found on our clock...

Wed 26 Jun

MEISSEN, XIXe siècle - Porcelain bowl with polychrome decoration of a semi with flowers and insects H : 10 - Diam : 19 cm

Wed 26 Jun

Paire de vases couverts dans le goût de Sèvres, XIXe siècle - porcelain, spindle-shaped, large blue background, body decorated with gallant scenes inscribed in reserves. Height: 68 cm

Wed 26 Jun

Boite ou écrin à bijoux, de la maison Barbedienne - formed by an ostrich egg, the frame in chased and gilded bronze, the handles in the shape of elephant heads. Japanese gold lacquer decoration of fans and insects. Openwork base. Mounting signed F Barbedienne H : 22.5 cm. Cracks

Wed 26 Jun

D'après François-Joseph BOSIO (1768-1845) - Henri IV as a child, near a tree trunk, left hand clutching his sword, right leg slightly bent Bronze with brown patina H: 75 - L 29 cm F Barbedienne founder and Colas mechanical reduction stamp Deformation to the sword Based on the silver original intended for the King, this full-length figure of Henri de Navarre, founder of the Bourbon dynasty, was inspired by a painting by François Bunel at Versailles (n°inv. MV 3282). A highly successful propaganda figure for the Bourbon dynasty, it was produced in various sizes and materials, including silver, marble and bronze. Bibliography Stéphanie Deschamps-Tan, Unique et multiple. L'Henri IV enfant de François-Joseph Bosio, in Annales monégasques, 42, 2018, 33-48, p. 33-48. Related works: - François Joseph Bosio, Henri IV enfant, plaster presented at the Salon of 1822 - François Joseph Bosio, Henri IV enfant, 1824, silver statue commissioned by Louis XVIII, signed and dated, H. 125 x L. 42 x W. 40 cm, Paris, Musée du Louvre (n°inv.CC 37) - François Joseph Bosio, Henri IV enfant, 1824, original marble, H. 125 x L. 42 x W. 40 cm, Château de Versailles - François Joseph Bosio, Henri IV enfant, 1823, marble, H: 126.7 x W. 51 x D. 50 cm; H: without plinth 118.7 cm, Musées des Beaux-arts de Pau, acquired 1864 (former inv. no. 864.1.1; 1)

Wed 26 Jun

Canne de compagnon, fin du XIXe siècle - in wood, horn, silver-plated metal and silver, the hexagonal horn pommel marked C.J. ANGEVIN LA BELLE PENSEE R.A. BORDEAUX SAINT ELOI D'HIVER 1891 with masonic decoration. Lyon 1894. H : 132 cm

Wed 26 Jun

D’après Frederick-William MAC MONNIES (1863-1937) - Pan de Roballion Proof in bronze with brown patina of a young man playing the flute, standing on a sphere surrounded by erect fish. Bronze height: 54 cm Total height: 60 cm Titled on the terrace Pan op Rohallion, signed on the back of the sphere MacMonnies 1894 Pan of Rohallion, is the design for a fountain figure for Howard Adams' Rohallion estate in New Jersey. It was produced by French and American foundries in various sizes.

Wed 26 Jun

D'après Emmanuel FRÉMIET (1824-1910) - Joan of Arc on horseback carrying a standard Bronze with brown patina H : 73 cm Signed Fremiet on the terrace, cast by F Barbedienne Deformed standard Reduction of the Joan of Arc sculpture in Place des Pyramides, Paris

Wed 26 Jun

BRUGES, vers 1640 - The meeting of Astrée and Alexis Tapestry from the Histoire d'Astrée hanging, based on Honoré d'Urfé's novel Les Amours d'Astrée et de Céladon. Cartons probably inspired by the engravings in the first editions of the novel. Wool weft, wool and silk chains Wide border with floral vases and cartouches inscribed with landscapes 340 x 394 cm Restorations, reweaving, missing lower border, coin inlays, lined with canvas strips As early as the 1630s, hangings of the story of Astrée were woven in Felletin and then in Aubusson. But the novel's success soon spread beyond France's borders, and Flemish workshops, particularly Bruges, took up the subject. Two other tapestries with this subject are preserved, one in Bruges' Musées Communaux, the other in Castolovice Castle in Czechoslovakia. Bibliography : Guy Delmarcel, Erik Duverger, Bruges et la tapisserie, Bruges, Mouscron, 1987. Guy Delmarcel, La tapisserie flamande, 1999, p. 370 Masterpieces of Bruges Tapestry, Musée Gruuthuse et Memling, 1987, P.381, fig. 46-51/6, possibly illustrating our copy.

Wed 26 Jun

MIROIR à pareclose octogonal en bois et églomisé - Octagonal wood and stucco PARECLOSED MIRROR with polychrome and eglomisé floral scroll decoration 20th century 104 x 80 cm (wear, cracked glass)

Wed 26 Jun

CARTIER, Paris, for the English market. Circa 1915. Yellow gold 750‰, silver 800 ‰ and black lacquer box with two bordering tulip friezes centered on a red enameled flower motif on a royal blue background (small accident) enhanced by four rose-cut diamonds in a 950‰ platinum tube setting. In its original case. Numbered 1986 (lid), S658 (lid) and 5297 (grip) signed CARTIER MADE IN FRANCE 661, poinçon de Maître : Auguste Peyroulx. Weight : 87 g Dimensions : W : 7.5 - D : 3.9 - H 1.8 cm

Wed 26 Jun

VAL DE SAONE Large chevrette with red-brown glaze on the upper part and yellow decoration of spirals and stylized clusters First half of the 19th century H : 40 cm (small missing parts)

Wed 26 Jun

Paire de candélabres aux Victoires d’époque Empire, signés Rabiat, Claude-François Rabiat (1756-1815) - In chased, patinated and gilded bronze, the base is formed by a Victoire dressed in Antique-style drapery, standing with her feet joined on a half-sphere, her arms raised in front of her and carrying a bouquet of five lights - the central one missing - those of the corolla decorated with busts of Psyche supporting the binnacle. Quadrangular base decorated with applied lyres and palmettes. H without bouquet of lights: 55.5 cm Signed below the Rabiat base in cursive and at the end of another signature IRE Wear, oxidation, rust, incomplete light clusters, several elements missing from the center of the light arms, as well as a binet, some wicks missing and others of two different models. Drilled for electricity. Missing wings and detached wing. Related works : A similar model attributed to Claude Galle was delivered on December 23, 1809 for the Petit Trianon. Bibliography: D. Ledoux-Lebard, Le Grand Trianon, Paris 1975, p. 34 H. Ottomeyer / P. Pröschel, Bronzes dorés - Les œuvres en bronze du baroque tardif et du classicisme, Munich 1976; II, page 705, figure 21

Wed 26 Jun

Paire de fauteuils de style Louis XVI - in cream-painted wood, reupholstered in gold, the straight back decorated with an openwork lyre, the armrests with cuffs resting on baluster uprights with twisted flutes, the tapered, fluted and curved legs. H: 85 - W: 52 - D: 44 cm Cracks in backrest

Rectangular silver (925) guilloché box, the lid decorated with a miniature (trace signature lower right) depicting an allegorical scene in a black enameled frame, the interior vermeiled. Goldsmith's hallmark: André Delpy (act.1905-1933) Early 20th century Gross weight : 120,42 g. ; Dim : 6 x 8 cm (Misses, scratches, oxidation)

An oval brass box, the lid decorated with cloisonné enamel. Dimensions: 5 x 3.5 x 1.3 cm A few pieces of base metal are attached.

A small openable purse-shaped box and a metal shell-shaped pill box.

Wed 26 Jun

SCATOLA PORTAPILLOLE IN ARGENTO DORATO E SMALTI, MOSCA, 1896-1908 - oval section, surface entirely decorated with naturalistic motifs; defects H cm 1.5, W cm 6, D cm 5; weight gr 52 A RUSSIAN SILVER-GILT AND CLOISONNÉ ENAMEL PILL-BOX, MOSCOW, 1896-1908; DEFECTS

Wed 26 Jun

COPPIA DI VASI IN VETRO E ORO, SAN PIETROBURGO, 1870, MANIFATTURA IMPERIALE - baluster-shaped, the green body is decorated in gold with naturalistic elements; defects H. cm 35 A PAIR OF RUSSIAN GREEN AND GOLD GLASS VASES, IMPERIAL GLASS FACTORY, ST PETERSBURG, 1870; DEFECTS (2)

Wed 26 Jun

CENTROTAVOLA IN ARGENTO, SICILIA, XIX SECOLO - base with mixtilinear outline, vase-shaped body, applications with shells, leaves, anthropomorphic figures and three projecting faces with cornucopia; defects H. cm 54, W. cm 24, weight gr 3985 AN ITALIAN SILVER CENTREPIECE, SICILY, 19TH CENTURY; DEFECTS

Wed 26 Jun

SPECCHIERA IN ARGENTO DORATO E LEGNO, MILANO, INIZI DEL XX SECOLO, ORAFO A. GIACCHE' - with two scrolled feet, mixtilinear rim with naturalistic decorative elements, noble coat of arms on the cymatium; defects H 59 cm, W 45 cm AN ITALIAN ARMORIAL SILVER AND WOOD DRESSING TABLE MIRROR, MILAN, EARLY 20TH CENTURY, MARKS OF A. GIACCHE'; DEFECTS

Wed 26 Jun

PORTA PILLOLE IN ARGENTO, ITALIA, 1935-1940 - square in shape, bears on the lid the profile of Mussolini with the inscription Dux; defects H 2 cm, W 5 cm; weight 88 g. AN ITALIAN SILVER PILL-BOX, 1935-1940; DEFECTS

Wed 26 Jun

MANICO DI OMBRELLO IN LEGNO, ARGENTO E SMALTI, VIENNA, XX SECOLO, ORAFO G.A. SCHEID - united with A SET OF A POCKET AND ROSSTICK HOLDER IN A CASE, A PIPER HOLDER AND A PILL HOLDER IN SILVER AND ENAMELS, 20th CENTURY; defects 39 cm long handle AN AUSTRIAN WOOD, SILVER AND ENAMEL UMBRELLA HANDLE, VIENNA, 20TH CENTURY, MARKS OF G.A. SCHEID, TOGETHER WITH A SET OF A MOUTHPIECE AND LIPSTICK HOLDER IN A CASE, AND A SILVER AND ENAMEL POWDER BOX AND A PILL-BOX, 20TH CENTURY; DEFECTS (4)

Wed 26 Jun

SCATOLA IN ARGENTO, MILANO, XX SECOLO, ORAFO MIRACOLI - with four feet, domed body, surface decorated scrolls, lid with two-slide socket; defects H. cm 13, W. cm 23, D. cm 17; weight gr 1027 AN ITALIAN SILVER BOX, MILAN, 20TH CENTURY; DEFECTS

Wed 26 Jun

GUTTE ERIKSEN (1918-2008) Set including : - A small pear-shaped stoneware pourer, partially glazed with blue glazed vertical lines. - A spherical vase in partially blue-glazed stoneware, with glazed interior. Each piece is signed "Gutte" on the reverse of the base. Circa 1950 Height: 21 cm - 9.5 cm A lot including: - A small pitcher in enamelled stoneware. - A vase in stoneware, partially enamelled. Each signed. H. 8 1/4 in. - 3 3/4 in.

Wed 26 Jun

ANDRÉ ALETH MASSON (1919-2009) Galet" vase in incised white clay, ultramarine blue enamel under beige glaze, three off-center bulbous necks. Incised handwritten signature "Masson" on reverse of base. Circa 1960 (Accidents and restorations) Height 16 cm - Length 23 cm - Width 21 cm A 'Galet' vase in incised and enamelled clay. Signed (Accidents and restorations). 6 1/4 x 9 x 8 1/4 in.

Wed 26 Jun

ROGER CAPRON (1922-2006) White-glazed earthenware square-section bottle vase with polychrome stripe decoration in kerosene. Enameled signature "Capron Vallauris" on reverse of base. Height: 24.5 cm A vase in enamelled arthenware. Signed. H. 9 5/8 in.

Wed 26 Jun

POL CHAMBOST (1906-1983) Rare two-tone glazed earthenware "Buste de femme" vase, white for the neck and black for the bust. Incised handwritten signature "Poterie Pol Chambost 1044 Made in France" on reverse of base. Circa 1955 Height 32 cm - Width 27 cm A rare 'Buste de femme' vase in enamelled earthenware. Signed. H. 12 5/8 in. - W. 10 5/8 in. PROVENANCE : Private collection, France BIBLIOGRAPHY : Philippe Chambost, "Pol Chambost, Sculpteur-Céramiste 1906-1983", Somogy Éditions d'Art, Paris, 2006, pp. 84, 81 and 128

Wed 26 Jun

JACQUES AND DANI RUELLAND Galet" vase, rectangular cross-section, in manganese gray clay, flamed yellow glaze on the outside and milky white on the inside. Handwritten signature incised on the reverse of the base. Height 22.5 cm - Width 10.5 cm A 'Galet' vase in manganese clay and enamel. Signed. H. 8 3/4 in. - W. 4 1/8 in.

Wed 26 Jun

GUTTE ERIKSEN (1918-2008) Partially yellow-glazed stoneware ovoid vase with geometric decoration of horizontal stripes. Signed on the reverse of the base. Circa 1950 Height: 23 cm A vase in stoneware, partially enamelled. Signed. H. 9 in.

Wed 26 Jun

GUTTE ERIKSEN (1918-2008) Set comprising : - A beige glazed stoneware piriform vase on a heel, with a flared cylindrical neck, with incised decoration of vertical lines. - A spherical vase with a wide opening, in sand-beige glazed stoneware, with incised decoration of horizontal dotted lines. - A stoneware pitcher, glazed corn beige, with horizontal dotted incised decoration. Each piece is signed on the reverse of the base. Circa 1950 Height 20 cm - 13.5 cm - 19.5 cm A set including: - A vase in enamelled stoneware.- A vase in enamelled stoneware.- A pitcher in enamelled stoneware.Each signed. H. 7 7/8 in. - 5 1/4 in. - 7 5/8 in.

Wed 26 Jun

JACQUES POUCHAIN (1927-2015) Two stoneware vases symbolizing stylized faces, one in black slip with bronze highlights, the other in beige slip. Stamps stamped "Dieulefit" and JP on each vase. White vase: Height 16 cm Black vase : Height 17.5 cm Two vases in stoneware. Stamped. White vase : H. 6 1/4 in. Black vase : H. 6 7/8 in.

Wed 26 Jun

ALICE COLONIEU (1924-2010) Large earthenware vase, with quadrangular body, decoration of friezes and bands stamped in hollow, beige, brown and blue polychrome enamels. Unsigned Height 50.5 cm - Width 18.5 cm A large vase in enamelled earthenware. Unsigned. H. 19 7/8 in. - W. 7 1/4 in.

Wed 26 Jun

SWEDISH WORK Art nouveau vase, in water-green glazed earthenware, with two plant-shaped handles joining on either side to form a gnarled tuber. Probably produced in the town of Höganäs. No mark. Circa 1920 (Scratches and traces of rubbing) Height 17.5 cm - Length 27.5 cm A vase in enamelled earthenware. No marks (Scratches and rubbing marks). H. 6 7/8 in. - L. 10 7/8 in.

Wed 26 Jun

GABRIEL VIARDOT (ATTRIBUTED TO) Dark mahogany-tinted wood cabinet with Far Eastern carved decoration, featuring a dragon at the top and flowers in bone marquetry. It opens onto a glass door with a velvet-upholstered back, a door in the middle and two niches, and stands on high claw feet joined by a brace shelf. (Wear, scratches, small missing parts in the lower part, bottom to be refixed). Height 187 cm - Length 68 cm - Depth 30 cm A display cabinet in dark mahogany tinted wood and bone marquetry. (Wear, scratches, small lacks on the bottom part, bottom to be refixed). 73 5/8 x 26 3/4 x 11 3/4 in.

Wed 26 Jun

DAUM Baluster vase on pedestal, in multi-layered glass, with acid-etched decoration of a lake landscape with russet trees, set against an orange background. Signed in the decoration. Height: 20 cm A vase in multilayered glass and acid-etched decoration. Signed. H. 7 7/8 in.

Wed 26 Jun

ÉMILE LENOBLE (1875-1940) Stoneware cylindrical vase, narrowed base and neck; enameled decoration of wave friezes and dark brown arrows set against a beige background. Signed with the artist's monogram on the reverse of the base. Circa 1925 Height: 25 cm A vase in stoneware. Monogrammed. H. 9 7/8 in.

Wed 26 Jun

HENRI SIMMEN (1879-1963) Small ovoid vase with cylindrical neck in earthenware, brick enamel with silver and brown streaks under dark blue glaze. Signed "H. Simm" on the reverse of the base. Height: 13 cm A small vase in enamelled earthenware. Signed. H. 5 1/8 in.

Wed 26 Jun

RENÉ BUTHAUD (1886-1986) Cracked earthenware ovoid vase, brown slip, off-white and beige glazes forming a geometric design highlighted with gold highlights. Signed with the artist's initials on the reverse of the base. Circa 1930 Height: 29 cm A vase in enamelled earthenware. Signed. H. 11 3/8 in.

Wed 26 Jun

MARIE CHAUVEL (1895-1988) Pair of small lamps featuring a floral composition of pearls, flowers, leaves and multicolored glass beads, fixed on a metal wire structure; in white earthenware vases (reported). Circa 1940 (Misses) Height 33 cm - Width 10 cm A pair of small lamps in multicolored glass beads fixed on a metal wire structure. Posterior earthenware vases (Lacks). H. 13 in. - W. 4 in.

Wed 26 Jun

ANDRÉ THURET (1898-1965) Small vase, with flattened body and pinched sides, in thick translucent hot-molded glass, with intercalated copper-colored metal oxide inclusions in the central part. Engraved signature on reverse of base. Height: 10.5 cm - Length: 11.5 cm A small vase in translucent glass, metal oxide interlayers. Signed. H. 4 1/8 in. - L. 4 1/2 in.

Wed 26 Jun

ANDRÉ THURET (1898-1965) Small flattened ovoid vase, in thick translucent hot-molded glass, with intercalary inclusions of pale blue metallic oxides, neck opening stretched and grooved. Engraved signature on reverse of base. Height: 11.5 cm A small vase in translucent glass, metal oxide interlayers. Signed. H. 4 1/2 in.

Wed 26 Jun

ANDRÉ THURET (1898-1965) Small vase, with elongated body and pinched sides, in thick translucent hot-molded glass, with gold-colored metal oxide inclusions in the center. Engraved signature on reverse of base. Height 8.5 cm - Length 14.5 cm A small vase in translucent glass, metal oxide interlayers. Signed. H. 3 3/8 in. - L. 5 3/4 in.

Wed 26 Jun

LIISA HALLAMAA (1925-2008) Cylindrical vase on recessed base, in brown engobed stoneware. Manufacture Arabia. Handwritten signature incised on the reverse of the base "LH Arabia". Circa 1970 Height: 20.5 cm - Diameter: 18 cm A vase in stoneware. Arabia workshop. Signed. H. 8 1/8 in. - Diam. 7 1/8 in.

Wed 26 Jun

TIMO SARPANEVA (1926-2006) Orkidea" mini soliflore vase, oblong block of molded and blown crystal with an off-center cavity. Signed at the point, numbered 190, and dated 1983 on the reverse of the base. Littala edition. Height: 16 cm A small 'Orkidea' soliflore vase in moulded and blown crystal. Signed, numbered and dated. Edited by Littala. H. 6 1/4 in. HISTORICAL : The model won the Grand Prix at the Milan Triennale in 1954. It is an iconic object of Finnish design in the '50s. BIBLIOGRAPHY : Catalog of the exhibition "La Verrerie européenne des années 50", Michel Aveline éditeur, Musées de Marseille, 1988, p. 59

Wed 26 Jun

MARIA PERGAY (1930-2023) Large rectangular box in chromed metal, decorated with an agate inclusion on the lid; cedar veneered interior. Circa 1970 Length 25 cm - Width 12 cm A large rectangular box in chromed metal, agate and cedar-veneered interior. L. 9 7/8 in. - W. 4 3/4 in.

Wed 26 Jun

ARTHUR ANDERSSON (1888-1980) Large cylindrical vase in glazed earthenware, with slightly domed body and narrow neck. Manufacture Wallåkra. Signature of the artist's monogram on the reverse of the base and "Made in Sweden" stamped in hollow. Height: 41 cm A large vase in enamelled earthenware. Wallåkra workshop. Monogrammed and stamped. H. 16 1/8 in.

Wed 26 Jun

ARTHUR ANDERSSON (1888-1980) Very large ovoid vase in brown and black glazed stoneware, decorated with incised geometric friezes. Manufacture Wallåkra. Signature of the artist's monogram incised on the reverse of the base, dated 55 and maker's mark. Height: 47 cm A large vase in enamelled stoneware. Wallåkra workshop. Monogrammed, dated and workshop's mark. H. 18 1/2 in.

Wed 26 Jun

GUIDO GAMBONE (1909-1969) Glazed earthenware vase with pan-shaped body topped by a spherical pinched neck, featuring abstract pink and green decoration on a beige background. Enameled handwritten signature "Gambone Italy" on reverse of base. Circa 1960 Height 30 cm - Width 20 cm A vase in enamelled earthenware. Signed. H. 11 3/4 in. - W. 7 7/8 in.

Wed 26 Jun

TAPIO WIRKKALA (1915-1985) Cylindrical vase in two-tone blue and violet glass, model "3584". Signature and model number engraved on the edge of the base. Height 21 cm - Diameter 11 cm A vase in bicolor glass, model '3584'. Signed, engraved model number. H. 8 1/4 in. - Diam. 4 3/8 in.

Wed 26 Jun

TAPIO WIRKKALA (1915-1985) Set of three "Kalvolan kanto" vases, model "3241", in thick translucent glass in three different shades, with gadrooned bodies. Artist's signature and model number engraved on the reverse of each base. Littala publisher. Height 18 cm - 12 cm - 10 cm Diam. 20 cm - 12.5 cm - 13.5 cm A set of three 'Kalvolan kanto' vases, model '3241', in translucent glass. Signed, engraved model number. Edited by Littala. H. 7 1/8 in. - 4 3/4 in. - 4 in. Diam. 7 7/8 in. - 4 7/8 in. - 5 1/4 in.

Wed 26 Jun

OTTO BRAUER (1902-1981) Suite of five large bottle vases in translucent orange glass. Holmegaard publisher. Circa 1965 Height 51.5 cm - 41.5 cm - 37 cm - 30 cm - 30 cm A set of five large vases in glass. Edited by Holmegaard. H. 20 1/4 in. - 16 3/8 in. - 14 5/8 in. - 11 3/4 in. - 11 3/4 in.

Wed 26 Jun

PHILIPPE STARCK (BORN 1949) Rare "Tom Double" model psyche mirror Frame in pressed and perforated sheet steel, tubular steel base and PVC glides, finished in epoxy lacquer. (One rubber glide missing, rust and metal distortion). Height 179 cm - Width 58 cm - Depth 15 cm A rare 'Tom Double' psyche mirror in pressed and perforated sheet steel, tubular steel base and PVC glides, epoxy lacquer finish. (One rubber pad is missing, rust and metal deformations). 70 1/2 x 22 7/8 x 5 7/8 in. HISTORY : Designed in 1985, published and distributed exclusively by Les 3 Suisses. Marketed: Spring-summer 1990. The mirror was neither produced nor distributed after that year. PROVENANCE: Les 3 Suisses. Ordered from the mail-order catalog in summer 1990 by the current owner. Private collection, France BIBLIOGRAPHY : Pierre Doze, "STARCK", Cologne, Taschen, 1996, p. 299 We would like to thank Florine Barnet of the STARCK agency for the information she provided on this mirror.

Wed 26 Jun

ANDREA BRANZI (1938-2023) "Eugobino" Baluster vase in raku clay, silver-plated metal portico structure on circular base. Uomini E Fiori Collection. Publisher's plate "Design Gallery Milano 2006", numbered 14/20 on reverse of base. Height of structure: 45 cm - Length: 34 cm Vase height: 31 cm An 'Eugobino' vase from the Uomini e Fiori collection in terracotta raku, silver plated metal. Editor's plate. Numbered. Structure's Height : 17 3/4 in. - L. 13 3/8 in. Vase's height : 12 1/4 in. PROVENANCE : Private collection, Paris

Wed 26 Jun

ANDREA BRANZI (1938-2023) Aluminium "A51" vase from the Amnesie series. Publisher's plate Design Gallery Milano, numbered 3/50 on reverse of base. Circa 1991 Height 40.5 cm - Diameter 10.5 cm An 'A51' vase from the Amnesie serie in aluminium. Editor's plate. Numbered. H. 16 in. - Diam. 4 1/8 in. PROVENANCE : La Galerie Moderne, Paris Private collection, Paris

Wed 26 Jun

ETTORE SOTTSASS (1917-2007) Large "Neobule" vase in black and white blown glass of diabolo form, embellished with a yellow bell housing two green and red glass rings. Signed "E. Sottsass per Memphis by Toso Vetri d'Arte" on the base. Height 54 cm - Diameter 23 cm A large 'Neobule' vase in blown glass. Signed. H. 21 1/4 in. - Diam. 9 in. PROVENANCE : Private collection, Paris BIBLIOGRAPHY : "Ettore Sottsass: Il vetro", Skira, Milan, 2017, model reproduced p. 197

Wed 26 Jun

NESTOR PERKAL (BORN 1951) Pair of "Combien de temps" silver oxidized blown glass covered vases, baluster shape, housing a pink blown glass cornet stopper surrounded by a black net and surmounted by a sphere. Both vases are engraved "Nestor Perkal/CIRVA Grands Prix Nationaux 1998 du Ministère de la Culture" on the reverse of the base. Height 39 cm - Diameter 20 cm A pair of 'Combien de temps' covered vases in blown glass. Each signed and bear an inscription. H. 15 3/8 in. - Diam. 7 7/8 in. PROVENANCE : Private collection, Paris

Wed 26 Jun

ETTORE SOTTSASS (1917-2007) Vase model "629" from the Onde series, in red-glazed earthenware. Signed on the reverse of the base "Sottsass Il Sestante 629 Italy". Height 29 cm - Width 10 cm A vase, model '629', from the Onde serie in enamelled earthenware. Signed. H. 11 3/8 in. - W. 4 in. PROVENANCE : Pierre Bergé & associés sale, April 22, 2008, lot 50 Private collection, Paris BIBLIOGRAPHY : Fluvio Ferrari, "Ettore Sottsass tutta la ceramica", Umberto Allemandi & C, Milan,1996, reproduced under no. 749

Wed 26 Jun

MARCO ZANINI (BORN 1954) Shin" truncated-cone-shaped vase in translucent glass, resting on a pink hemispherical base. Handwritten signature "M. Zanini Per Memphis By Toso Vetri d'Arte Prova autore" on the base. Height: 24.5 cm A 'Shin' vase in translucent glass. Signed. H. 9 5/8 in. PROVENANCE : Private collection, Paris

Wed 26 Jun

MARCO ZANINI (BORN 1954) Nami" glass vase, truncated cone shape on a translucent circular base holding a white disk topped by a small bowl on a foot with a blue and green square receptacle. Signed "M. Zanini Per Memphis By Toso Vetri d'Arte Prova d'autore" on the base. Height 32.5 cm - Diameter 30.5 cm A 'Nami' vase in glass. Signed. H. 12 3/4 in. - Diam. 12 in. PROVENANCE : Private collection, Paris BIBLIOGRAPHY : "Memphis Céramique Argent Verre 1981-1987", Michel Aveline Éditeur, Musées de Marseille, Paris, 1991, model reproduced p. 137 under number 117

Wed 26 Jun

OLIVIER GAGNÈRE (BORN 1952) White enameled porcelain cornet vase decorated with a stoneware grid punctuated with geometric elements. Trace of CRAFT label, inscription in red "Vase Olivier Gagnère blanc et grès version définitive 6" and inscription "Limoges" on reverse of base. Height: 27.5 cm - Diameter: 21 cm A vase in enamelled porcelain. CRAFT label trace and inscriptions. H. 10 7/8 in. - Diam. 8 1/4 in. HISTORY : Olivier Gagnère created the vases in this series at CRAFT Limoges (Centre de recherche sur les arts du feu et de la terre) between 1991 and 1993. PROVENANCE: Sale of the Craft Collection, Auction Art, November 17, 2010, lot 147 Private collection, Paris BIBLIOGRAPHY: "L'expérience de la Céramique, Craft - Limoges", Bernard Chauveau éditeur, Paris, 2007, p. 5