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Tue 04 Jun

Ludwig Windstosser - Ludwig Windstosser Untitled 1950s Vintage, high-gloss gelatin silver print on Agfa Brovira paper. 29.1 x 23.3 cm. Photographer's stamp on verso and numbered in pencil by an unknown hand. Provenance Estate of Bert and Agnes Weißenburg-von Berg, Duisburg The photographs by Ludwig Windstosser offered for sale here (lots 644-646) come from the estate of Bert and Agnes Weißenburg-von Berg, who worked as advertising experts for Ruhrkohle GmbH, among others, and worked closely with the photographer in this capacity. The photographer had met Bert Weißenburg-von Berg at the first "Photokina" in Cologne in 1950.

Tue 04 Jun

Ludwig Windstosser - Ludwig Windstosser Railroad crossing 1951 Vintage, high-gloss gelatin silver print on Leonar paper. 29.8 x 23.2 cm. Photographer's stamp on the verso and numbered in pencil by an unknown hand. Provenance Estate of Bert and Agnes Weißenburg-von Berg, Duisburg Literature Art Library/SMB (ed.), Ludwig Windstosser. Photography of Postwar Modernism, exhib. cat. Museum of Photography/SMB, Berlin, Bielefeld 2019, fig. 2 The photographs by Ludwig Windstosser offered for sale here (lots 644-646) come from the estate of Bert and Agnes Weißenburg-von Berg, who worked as advertising experts for Ruhrkohle GmbH, among others, and worked closely with the photographer in this capacity. The photographer had met Bert Weißenburg-von Berg at the first 'Photokina' in Cologne in 1950.

Tue 04 Jun

Ludwig Windstosser - Ludwig Windstosser Untitled (Thomasstahlwerk) 1955 Vintage, high-gloss gelatin silver print on Agfa Brovira paper. 29.4 x 23.2 cm. Photographer's stamp, the 'Thomasstahlwerk' stamp and numbered in pencil by an unknown hand on the verso. Provenance Estate of Bert and Agnes Weißenburg-von Berg, Duisburg Literature Art Library/SMB (ed.), Ludwig Windstosser. Photography of Postwar Modernism, exhib. cat. Museum of Photography/SMB, Berlin, Bielefeld 2019, ill. 41 The photographs by Ludwig Windstosser offered for sale here (lots 644-646) come from the estate of Bert and Agnes Weißenburg-von Berg, who worked as advertising experts for Ruhrkohle GmbH, among others, and worked closely with the photographer in this capacity. The photographer had met Bert Weißenburg-von Berg at the first 'Photokina' in Cologne in 1950.

Tue 04 Jun

Walde Huth - Walde Huth Untitled (advertising shot Schaub Lorenz) 1960s Cibachrome print. 39 x 27.7 cm (40.4 x 30.3 cm). Signed in felt-tip pen and with photographer's stamp on the verso. Provenance From the photographer to the present owner; private collection, Rhineland

Tue 04 Jun

Peter H. Fürst - Peter H. Fürst Gaby in Goa (India) 1975 Gelatin silver print 1995. 48.9 x 40 cm (50.4 x 40.4 cm). Signed and dated in felt-tip pen lower right. Signed, dated, titled and with personal dedication in pencil and with photographer's stamp on the verso, including the negative no. in pencil. Literature Michael Euler-Schmidt (ed.), Peter H. Fürst. Die entkleidete Frau. 40 Jahre Dessous-Fotografie, Cologne 2009, p. 34 with illustration and illustration on the back cover of the book

Tue 04 Jun

Peter H. Fürst - Peter H. Fürst Danielle in black lingerie. Homage to Anton Räderscheidt 1983 Gelatin silver print 1989. 49.5 x 39.5 cm (50.5 x 40.5 cm). Signed and dated in felt-tip pen lower right, numbered left. Signed, dated, titled, numbered and with personal dedication in pencil verso. Copy 2/15. Literature Michael Euler-Schmidt (ed.), Peter H. Fürst. Die entkleidete Frau. 40 Jahre Dessous-Fotografie, Cologne 2009, illustration on the book title

Tue 04 Jun

André Gelpke - André Gelpke Taboo, St. Pauli 1978 Gelatin silver print on Agfa paper 1984. 22 x 32.7 cm (29.1 x 38.1 cm). Signed, dated, titled and with personal dedication in pencil on the verso. Provenance From the photographer to the present owner; private collection, Rhineland

Tue 04 Jun

André Gelpke - André Gelpke Channel swimmer, Brighton 1977 Gelatin silver print on Agfa paper 1984. 21.8 x 32.5 cm (28.9 x 38 cm). Signed, dated, titled and with personal dedication in pencil verso. Provenance From the photographer to the present owner; private collection, Rhineland Literature André Gelpke, Thoughts of Flight. Ein Monolog, Munich et al. 1983 , no pp. with illus.

Tue 04 Jun

Heinrich Riebesehl - Heinrich Riebesehl Schillerslage, Hanover (from the series: Agricultural Landscapes) October 1978 Gelatin silver print. 17.8 x 28.2 cm (23.8 x 30.3 cm). Signed, dated, titled, numbered and with photographer's stamp in pencil verso. Copy 12/25. Provenance From the photographer to the present owner Literature Heinrich Riebesehl, Agrarlandschaften, Bremen 1979, illustration on the book title; Ulrike Schneider (ed.), Heinrich Riebesehl. Fotografische Serien 1963 - 2001, exhib. cat. Sprengel Museum Hannover et al., Ostfildern-Ruit 2004, p. 125 with ill.

Tue 04 Jun

Detlef Orlopp - Detlef Orlopp Untitled 1977.1985 2 gelatin silver prints on Agfa paper. 25.2 x 25.2 cm. 24.2 x 25.7 cm. Each signed and dated in ballpoint pen in the lower right margin.

Tue 04 Jun

Joakim Eskildsen - Joakim Eskildsen Volcano (from the series: Nordtegn - Nordic Signs) 1994 Gelatin silver print 2001. 68 x 103.5 cm. Flush-mounted on lightweight foam board. Frame with photographer's label verso, signed, dated, titled and numbered in felt-tip pen. Copy 2/4 (+ 2 A.P.). - In artist's frame. Literature Joakim Eskildsen, Nordtegn - Nordic Signs, Helsinki 1995, no pp. with illus.

Tue 04 Jun

Stefan Moses - Stefan Moses Joseph Beuys, Neue Pinakothek, Munich 1968 Vintage, gelatin silver print on Agfa paper. 23 x 34 cm (30.3 x 40.2 cm). Signed, dated and titled in crayon and with photographer's stamp on the verso. - Framed under passepartout and glass. Provenance Johanna Breede Gallery, Berlin; private collection, Southern Germany

Tue 04 Jun

Gottfried Helnwein - Gottfried Helnwein Arno Breker, Düsseldorf 1988 Gelatin silver print. 33.8 x 21.9 cm (38.7 x 25.8 cm). Signed in felt-tip pen and with handwritten copyright notice and photographer's stamp on the verso. Literature Reinhold Misselbeck (ed.), Photographie des 20. Jahrhunderts. Museum Ludwig Köln, Cologne et al. 1996, p. 237 with ill.

Tue 04 Jun

Gottfried Helnwein - Gottfried Helnwein Charles Bukowski, Los Angeles 1991 Gelatin silver print. 33.8 x 21.9 cm (38.7 x 25.8 cm). Signed in felt-tip pen and with handwritten copyright notice and photographer's stamp on the verso.

Tue 04 Jun

Abe Frajndlich - Abe Frajndlich Leo Castelli with Jasper Johns' target 1992 Gelatin silver print. 36 x 22 cm (40.3 x 30.3 cm). Signed, dated, titled and handwritten copyright notice in felt-tip pen on the verso. Literature Abe Frajndlich, Portraits, Munich et al. 2000, p. 11 with illus. (cropped version)

Tue 04 Jun

Duane Michals - Duane Michals The Man who invented himself 1970 Gelatin silver print. 12.1 x 17.7 cm (20.3 x 25.1 cm). Signed and numbered in ink in the lower right margin, titled in ink in the upper margin and inscribed in detail in ink by the artist in the upper and lower margins. Copy 2/25. Provenance From the artist to the present owner; private collection, Netherlands

Tue 04 Jun

Claus Sautter - Claus Sautter Gilbert & George, Backyard Fournier Street, London 1986 2 gelatin silver prints. Each 49.8 x 39.7 cm (50.5 x 47 cm). Each signed, dated and titled in pencil verso. Provenance Private collection, Northern Germany

Tue 04 Jun

Gottfried Helnwein - Gottfried Helnwein Michael Jackson, Gelsenkirchen 1988 Gelatin silver print. 33.8 x 21.9 cm (38.7 x 25.7 cm). Signed in felt-tip pen and with handwritten copyright notice and photographer's stamp on the verso. Literature Gottfried Helnwein. Faces. With texts by William S. Borroughs et al., Schaffhausen et al. 1992, p. 57 with illus.; Reinhold Misselbeck (ed.), Photographie des 20. Jahrhunderts. Museum Ludwig Köln, Cologne et al. 1996, p. 237 with ill.

Tue 04 Jun

Frank Schramm - Frank Schramm Madonna 1983 Gelatin silver print 2015. 40.5 x 45.8 cm (60.5 x 50.5 cm). Signed, dated, titled and numbered in pencil verso. Copy 1/20.

Tue 04 Jun

Albert Watson - Albert Watson Kate Moss, Marrakech 1993 Later gelatin silver print. 35.1 x 27.7 cm (60.2 x 50.5 cm). Signed, dated and titled in pencil verso - Mounted under passepartout. Literature Raimund Stecker (ed.), Albert Watson. Mad Dog, exhib. cat. Kunstverein für die Rheinlande und Westfalen, Düsseldorf and others, Munich 1996, no pp. with illus. The Vienna Album, exhib. cat. KunstHaus Wien, Munich 2005, no p. with illus.; James Crump (ed.), Albert Watson, London 2007, p. 86 with illus. and illus. on the book title

Tue 04 Jun

Peter Lindbergh - Peter Lindbergh Nadja Auermann, Mojave Desert, California, USA 1996 Gelatin silver print on Ilford paper 2015. 50 x 40.3 cm (59.9 x 50.1 cm). Signed, dated, titled and numbered in pencil verso as well as indication of the negative no. Copy 1/25 - Framed under mat and glass. Provenance Gagosian Gallery, Paris (with label on the reverse); private collection, Rhineland Literature Klaus Honnef (ed.), Peter Lindbergh. Images of Women, exhib. cat. Mönchehausmuseum für Moderne Kunst, Goslar, Cologne 2008, no pp. with illus. (variant)

Tue 04 Jun

Benjamin Katz - Benjamin Katz Per Kirkeby, Cologne 1984 Vintage, high-gloss gelatin silver print on Agfa paper. 28.6 x 18.7 cm (30.7 x 23.8 cm). Signed, dated, titled, inscribed "Vintage" and negative no. as well as with two copyright stamps of the photographer on the verso in pencil. - Mounted under passepartout. Literature Peter Feierabend (ed.), Benjamin Katz. Souvenirs, Cologne 1996, p. 122 with illus.

Tue 04 Jun

Benjamin Katz - Benjamin Katz Richard Hamilton, Westkunst, Cologne 1981 Gelatin silver print. 46.7 x 16 cm (49.5 x 39.5 cm). Copyright stamp of the photographer in the lower margin. Signed, dated, titled, negative no. and photographer's stamp in pencil verso.

Tue 04 Jun

Abe Frajndlich - Abe Frajndlich Roy Lichtenstein 1985 Cibachrome print 2000. 38.3 x 38.2 cm (40.5 x 51 cm). Signed, dated, titled and handwritten copyright notice in felt-tip pen on the verso. Provenance From the photographer to the present owner; private collection, Rhineland Literature Abe Frajndlich, Portraits, Munich et al. 2000, p. 57 with illus. (cropped version)

Tue 04 Jun

Tata Ronkholz - Tata Ronkholz Heyestrasse 110, Düsseldorf-Gerresheim 1979 Vintage, high-gloss gelatin silver print on Agfa paper. 30.8 x 40.5 cm. Handwritten indication of the archive no. '165' in pencil on the verso. Provenance Estate of Tata Ronkholz

Tue 04 Jun

Tata Ronkholz - Tata Ronkholz Martinstrasse 46, Düsseldorf 1978 Vintage, high-gloss gelatin silver print on Agfa paper. 29.4 x 40.3 cm (30.7 x 40.3 cm). Handwritten indication of the archive no. '108' in pencil on the verso. Provenance Estate of Tata Ronkholz

Tue 04 Jun

Tata Ronkholz - Tata Ronkholz Hatzfeldstrasse 28, Düsseldorf-Gerresheim 1979 Vintage, high-gloss gelatin silver print on Agfa paper. 30.8 x 40.5 cm. Handwritten indication of the archive no. '168' in pencil on the verso. Provenance Estate of Tata Ronkholz

Tue 04 Jun

Loretta Lux - Loretta Lux The Red Ball 1 2000 Cibachrome print on Ilford paper. 22.9 x 22.9 cm (30.1 x 30.1 cm). Flush-mounted on lightweight foam board, signed, dated, titled and numbered on the reverse. Copy 4/20 - Framed under glass.

Tue 04 Jun

Jim Rakete - Jim Rocket Johanna Wokalek, Berlin 2007 Gelatin silver print. 90 x 75 cm. Flush-mounted on card, signed in felt-tip pen on the reverse. From an edition of 6. - In artist's frame. Provenance From the photographer to the current owner; private collection, Hesse Literature Jim Rakete, 1/8 sec. Vertraute Fremde, Munich 2007, p. 18 with ill.

Tue 04 Jun

Jim Rakete - Jim Rocket Julia Hummer, Berlin 2007 Gelatin silver print. 90 x 71 cm. Flush-mounted on card, signed and numbered in felt-tip pen on the reverse. Copy 3/6 - In artist's frame. Provenance From the photographer to the present owner; private collection, Hesse Literature Jim Rakete, 1/8 sec. Vertraute Fremde, Munich 2007, p. 31 with ill.

Tue 04 Jun

Jim Rakete - Jim Rocket Jana Pallaske, Berlin 2007 Gelatin silver print. 160 x 109.5 cm (103 x 112.5 cm frame). Flush-mounted on plastic panel, signed in felt-tip pen on the reverse. - In artist's frame. Provenance From the photographer to the present owner; private collection, Hesse Literature Jim Rakete, 1/8 sec. Vertraute Fremde, Munich 2007, illustration on the book title

Tue 04 Jun

Anonymous photographer from the 1960s Photographic portrait of Bernard Réquichot (1929-1961) Rare and beautiful low-angle portrait taken on the terrace of a restaurant, circa 1961. Vintage silver print, titled, dated and inscribed Dyja on the back. 38.5 x 28.5 cm (view)

Tue 04 Jun

Roland MICHENET (1945-1974) Untitled, circa 1968 Photomontage silver print enhanced with ink and gouache, mounted on canvas and mounted on an American stretcher, unsigned. 46 x 58 cm PROVENANCE: Daniel Cordier collection, Paris. Roland MICHENET (1945-1974), born in Paris on June 17, 1945, trained at the École des arts décoratifs and the École des métiers d'arts, where he learned stained glass. In 1967, he exhibited at the Karl Flinker gallery in Paris, and in 1968 at the Maeght Foundation in Saint-Paul-de-Vence. His work was also shown in New York in 1969 at the Cordier-Ekström Gallery, as Daniel Cordier was fascinated by this dazzling creator, involved in a totally renewed search for expression in terms of techniques, supports and formats. Prematurely deceased in 1974 at the age of 29, this meteor of pop-culture remains little-known (only a handful of works are included in the Daniel Cordier Donations). Nevertheless, his work remains fundamental to the pivotal period between the late 1960s and early 1970s, making him the French Pop artist in terms of both technique and subject matter, tackling head-on the concerns of his time, from sexuality to drugs and violence. His compositions, complex assemblages borrowing from the framework of photography, the points of view of cinema and the ancestral technique of stained glass, confer on the viewer the status of voyeur, and make him an eloquently relevant contemporary image-maker.

Tue 04 Jun

Roland MICHENET (1945-1974) Untitled diptych, 1969 Mixed media, gouache, ink, collage of various elements including small plastic soldiers on paper glued to canvas, both elements signed and dated lower right. Each of the two parts of the diptych is mounted in a wooden box with white melamine-coated inner edges. A pouch containing various elements for refixing is included. 145 x 145 x 20 cm approx. PROVENANCE: Daniel Cordier collection, Paris. Roland MICHENET (1945-1974), born in Paris on June 17, 1945, trained at the École des arts décoratifs and the École des métiers d'arts, where he learned stained glass. In 1967, he exhibited at the Karl Flinker gallery in Paris, and in 1968 at the Maeght Foundation in Saint-Paul-de-Vence. His work was also shown in New York in 1969 at the Cordier-Ekström Gallery, as Daniel Cordier was fascinated by this dazzling creator, involved in a totally renewed search for expression in terms of techniques, supports and formats. Prematurely deceased in 1974 at the age of 29, this meteor of pop-culture remains little-known (only a handful of works are included in the Daniel Cordier Donations). Nevertheless, his work remains fundamental to the pivotal period between the late 1960s and early 1970s, making him the French Pop artist in terms of both technique and subject matter, tackling head-on the concerns of his time, from sexuality to drugs and violence. His compositions, complex assemblages borrowing from the framework of photography, the points of view of cinema and the ancestral technique of stained glass, confer on the viewer the status of voyeur, and make him an eloquently relevant contemporary image-maker.

Tue 04 Jun

Arnault JOUBIN (born 1962) Three female nudes Suite of three black-and-white photographic prints mounted on aluminum plate. Minor scratches and handling marks. 139 x 109.5 - 141.5 x 109 - 143.5 x 108.5 cm

Tue 04 Jun

Ralf MARSAULT (born 1957) Self portrait au lambeau, 2001 Color photographic print, mounted on aluminum, numbered 1/3, signed, titled, dated, justified and located in Villeneuve-Saint-Georges on a label on the back. 84.5 x 62.5 cm

Grand tirage d'une dame, signée E.Adam à Liège. - Large print of a lady, signed E.Adam in Liège. Small stains. Dimensions :95 cm x 57 cm

Photographie des fonds de Mary. - Alfred van Beneden. Photograph from Mary's collection. December 1957. Dimensions : 15.5 cm x 21.5 cm

Photographie d'un couple et leur fille. - M.Stern.1907. Photograph of a couple and their daughter. Under glass. Size : 30 cm x 40 cm

" Le pendule du destin".Photographie - Michel Raudon ( ? ) " Le pendule du destin" Photograph signed, titled and dated 03 lower right. Size : 34,5 cm x 22,5 cm

Photographie encadrée d'un navire à quai. - Framed photograph of a ship at dock. Under glass. Year 60. 22 cm x 34 cm

Myriam MARCHAND Photo - Myriam MARCHAND (XX/XXIth) "Métamorphose V 1/10 Série Esquisses 2010" (Metamorphosis V 1/10 Sketch Series 2010) Photographic technique Plexiglas and aluminum support size: 120 x 80 cm

Tue 04 Jun

Giorgio Morandi - Giorgio Morandi (Bologna 1890-1964) - Il poggio al mattino, 1927 etching, ed. 39/50 cm 27,9 x 21,8 (measure of the plate) Signed and dated in pencil lower right Edition of: I° stato, 50 copies + 01 proof on India paper 2° stato, 01 copy LITERATURE cfr. L. Vitali (curated by), L'opera grafica di Giorgio Morandi, Giulio Einaudi Editore, Turin 1989, s.p., n. 35. Photo certificate of authenticity issued by Comitato per il Catalogo di Giorgio Morandi, signed by Marilena Pasquali. This lot is subject to Artists Resale Rights

Tue 04 Jun

LASZLO MONTREAL (active 21st c.) Portrait of Leonard Cohen Photographic print on canvas Signed in the plate on the upper left: Laszlo Mtl Signed on the reverse Provenance: Collection of Mr L.M., Montreal 61x41cm - 24x16"

Wed 05 Jun

A Collection of Albumen Photographs/Prints. To include: (1) Country, social history photographs. Labourers and dogs with horse and cart. Albumen prints Early 20c. Botanical samples on reverse 29cmx24cm (B3). (2) Portrait and family Portrait. 19thC Albumen Prints. Mounted on Paper. Approx 28x23cm (B3). (3) Photographs of Horses pulling coach, one at The Guildhall London, Scarfell Pike and Pillar Rock, Cumbria, Plus Shanklin Chine, IOW. Albumens (Approx 29x38cm).

Wed 05 Jun

Album of photographs and sketches, some prints. Of artworks, sculptures and people most captioned by hand. Dated 1879

Wed 05 Jun

Christo - Christo Empaquetages 1959-62 5 Vintages, gelatin silver prints, high gloss, 4 of them by Harry Shunk & János Kender, 1 by Raymond de Seynes. From 23 x 17.5 cm (23.7 x 18.2 cm) to 23.1 x 18.1 cm, portrait and landscape formats. One print signed, dated, inscribed and inscribed by another hand in ink by Christo on the reverse, the other prints each inscribed by Christo in ballpoint pen, all prints with photographer's stamp. Provenance Galleria Apollinaire, Milan; private collection, North Rhine-Westphalia Literature cf. Lawrence Alloway, Christo, Stuttgart 1969, plate 8 (variant); David Bourdon, Christo, New York 1970, ill. 56/57 and p. 38 with ill. Motifs: Empaquetage avec voiture d'enfant, 1962 Empaquetage avec une galerie du voiture, 1962 Empaqueté moto, 1962 Empaquetage, 1959 Empaquetage, 1959

Wed 05 Jun

Bernd und Hilla Becher - Bernd and Hilla Becher Water Towers 1978 4 gelatin silver prints on high-gloss Agfa paper. Each 26.4 x 20.7 cm (30 x 24.2 cm). Each signed and numbered in ink in lower right margin. Each with copyright stamp on the verso. Copy 49/50, edition of the Kunstverein für die Rheinlande und Westfalen, Düsseldorf. - One print minimally yellowed. Literature Bernd and Hilla Becher, Wassertürme, Munich 1988, plates 34 and 83

Wed 05 Jun

Mappenwerk - Portfolio Düsseldorf photo portfolio 1985-1989 Portfolio with 4 photographs 1989: 2 C-prints and 2 gelatin silver prints, one of which is mounted on cardboard. From 26.7 x 49.8 cm (30.8 x 54 cm) to 58.3 x 41.5 cm (60.8 x 44.5 cm), portrait and landscape formats. Each signed and numbered in pencil or felt-tip pen on the reverse, three prints additionally dated or titled. Individually mounted under passepartout and together with cover sheet, this with printed work details, in folding folder. Copy 15/30, edition of the Kunstverein für die Rheinlande und Westfalen, Düsseldorf. Contents: Andreas Gursky, Düsseldorf, 1989 Axel Hütte, Düsseldorf, 1987 Thomas Struth, Overbruckstrasse, Duisburg-Bruckhausen, 1985 Thomas Ruff, House No. 1 I, 1987

Wed 05 Jun

Andres Serrano - Andres Serrano Semen & Blood I (from the series: Bodily fluids) 1990 Cibachrome print under Plexiglas (Diasec). 70 x 101.5 cm (82.5 x 114.5 cm frame). Signed, titled and numbered in pencil on the verso. Gallery label on the reverse of the frame, there with typewritten work details. Copy 1/10 - In artist's frame. Provenance Paula Cooper Gallery, New York; private collection, Italy

Wed 05 Jun

Thomas Demand - Thomas Demand Photo corner/photobooth 2009 C-print on Aludibond under Plexiglas (Diasec). 179.5 x 197.7 cm. With gallery label verso, there with typewritten work details. Copy 5/6 (+ 2 A.P.). Provenance Galería Helga de Alvear, Madrid; Christie's London, July 1, 2022, lot 725, private collection, Berlin Literature Udo Kittelmann (ed.), Thomas Demand. Nationalgalerie, exhib. cat. Neue Nationalgalerie, Göttingen 2009, no pp. with illus.; Hans Ulrich Obrist (ed.), Thomas Demand und die Nationalgalerie. Gespräch über die Ausstellung mit Hans Ulrich Obrist, Cologne 2009, p. 103 with illus.; Thomas Demand, exhib. cat. PKM Trinity Gallery, Seoul, New York 2011, n.p. with illus.; Christy Lange (ed.), Thomas Demand. The Complete Papers, London 2018, pp. 279, 297 with illus.; Douglas Fogle (ed.), Thomas Demand. The Stutter of History, exhib. cat. UCCA Edge Shanghai and others, London 2022, p. 71 with illus.

Wed 05 Jun

Mappenwerk - Portfolio How you look at it 1974-1999 Portfolio with 8 photographs 1998-2000: 7 C-prints on Kodak-Professional or Fujicolor-Professional paper, 1 gelatin silver print. From 21.9 x 16.6 cm (25 x 20 cm) to 29.6 x 23.9 cm (41.9 x 30 cm), portrait and landscape formats. Each signed, dated and numbered in pencil or felt-tip pen on the reverse, 6 prints also titled. Individually mounted under passepartout and together with cover sheet, this with printed work details and numbered in felt-tip pen, in portfolio box. Copy 14/32 (+ 8 A.P.). Edition of the Sprengel Museum, Hanover 2000. Contents: Rineke Dijkstra, Tiergarten, Berlin, July 4, 1999 Bernhard Fuchs, Wünschendorf, 1998 Andreas Gursky, Duisburg II, 1989 Axel Hütte, Explorer Glacier, Alaska, 1999 Thomas Ruff, Portrait, Alexej Koshkarov, 1999 Michael Schmidt, Untitled, 1998 Stephen Shore, Winnipeg, Manitoba, 8/16/74, 1974 Thomas Struth, Shanxi Nan Lu, Shanghai, 1999

Wed 05 Jun

Nobuyoshi Araki - Nobuyoshi Araki Untitled Gelatin silver print. 58 x 46.2 cm (60.5 x 50.4 cm). Signed in pencil verso. - Framed under glass. Provenance From the artist to the present owner; private collection, Hesse

Wed 05 Jun

Nobuyoshi Araki - Nobuyoshi Araki Untitled 1994/95 Gelatin silver print. 58 x 46.1 cm (60.5 x 50.4 cm). Signed in pencil verso. - Framed under glass. Provenance From the artist to the present owner; private collection, Hesse Literature Gijs van Tuyl/Gerard Hadders (ed.), Nobuyoshi Araki. Tokyo Novelle, exhib. cat. Kunstmuseum Wolfsburg, Eindhoven 1995, no pp. with illus.

Wed 05 Jun

Nobuyoshi Araki - Nobuyoshi Araki Untitled Gelatin silver print. 70.5 x 89.8 cm (77.5 x 96.8 cm). Signed in pencil verso. - Framed under glass. Provenance From the artist to the present owner; private collection, Hesse

Wed 05 Jun

Bettina Rheims - Bettina Rheims Kate Moss, London (from the series: Modern Lovers) 1989 Gelatin silver print. 104 x 83 cm (118.5 x 97 cm frame). Flush-mounted on card, signed, dated, titled and numbered in felt-tip pen on the reverse as well as the catalogue raisonné number. Copy 3/3 - In artist's frame. BR 429 Provenance Galerie Thaddaeus Ropac, Paris; Private collection, Hesse Literature see Patrick Remy (ed.), Bettina Rheims, Cologne et al. 2017, pp. 158/159 with illus. (Variants, here titled: Kate before she became Kate Moss)

Wed 05 Jun

A Mixed Selection of Medium Format Photographica - A Mixed Selection of Medium Format Photographica to include Mamiya plate holders, battery grips for Mamiya and Bronica and other items

Wed 05 Jun

Various Parisian publishers Set of sixteen stereoscopic views of ruins during the Paris Commune, including the Rue Royale, Caisse des Dépôts et Consignations, Hôtel de Ville, Grenier d'abondance, Poudrière, Ministère des Finances, Rue de la Roquette. Faint contrasts. Stereoscopic view of Saint-Vincent-de-Paul.

Wed 05 Jun

Anonymous French, circa 1910 Presumed portrait of Odilon REDON at home Aristotype print. Vintage print. A white area at the bottom of the print can be interpreted as a label on the glass negative. Address: 129 avenue de Wagram, Paris 17eme. Damage to lower right corner. 9 x 6.3 cm Provenance: A REDON specialist.

Wed 05 Jun

After Felix RICHARD The Old Exchange Bridge, Lyon. Circa 1840. Countertype, cynaotype print circa 1910, from a daguerreotype plate. Reproduction of a daguerreotype contemporary with the one sold at Oger-Blanchet on November 8, 2023. Readers will be able to confirm that this is neither the same day, nor the same time, by observing the shadow cast on the restaurant's advertising, as well as the bridge pier on the left.

Wed 05 Jun

LANGEROCK Photographer, Numa Blanc's successor in Paris Porte de Clichy barricade with cannon. Albumin print. 11.1 x 16.5 cm

Wed 05 Jun

Photograph of barricades with their fighters, captioned "Barricade de la rue de Flandre (Salle de la Marseillaise) 18 mars 1871". Albumin print. Low contrast, but the photograph is still legible, and a large crowd can be seen surrounding the National Guard. 26.8 x 32.2 cm (with mounting card)

Wed 05 Jun

Rue de Castiglione barricade with about 45 Communards posing around their cannon. Albumin print An enigmatic figure on the right remains slightly in the background, possibly an assistant to the photographer. Good condition, with one scratch. 16 x 21.3 cm

Wed 05 Jun

[PHOTOGRAPHS]. View of Montenegro: Kotor, Dubrovnik, Ragusa. Seven silver prints, circa 1900. Dimensions: 23 x 28 cm. Good condition.

Wed 05 Jun

[PHOTOGRAPHS]. Ten documentary photographs of decorative elements and furniture from the Châteaux of Versailles, Fontainebleau, Bagatelle, Musée du Louvre, Grand Trianon: representation of sphinxes in the Empire style. Dimensions: 22 x 28 cm

Wed 05 Jun

Beautiful cabinet-sized album of royal celebrities. The album is in good condition, with a few tears to the mount board. Of note are actresses Hortense Schneider, Marguerite Moreno, Réjane, singer Chaliapine (with dedication), pianist Rubinstein, Emile Zola, Edmond Rostand, Alexandre Dumas père et fils, Ferdinand de Lesseps, presidents Jules Ferry, Saadi Carnot, Jules Grévy, Felix Faure, Prince Philippe d'Orléans, Alphonse XIII as a child, Ferdinand of Bulgaria, the star Alexander III and Tsarevitch Nicholas in 1894, Franz Joseph, the Prince of Serbia, the Princess of Romania etc... Ex-libris LEPROUX, binding in perfect condition.

Wed 05 Jun

PHOTOGRAPHIES - 24 color photographs from the film La tour de Nesle by Alexandre DUMAS. From Fernand Rivers S.A. Format in-4°oblong. - Set of black and white photographs from the film Bonnes à tuer. Approx. 24.5 x 29 cm

Wed 05 Jun

[PHOTOGRAPHS]. Monte Carlo (the Casino and its gardens, the theater), Cannes (boulevard de la Croisette), Baie de Beaulieu. Eight albumen prints. 21 x 27 cm

Wed 05 Jun

Charles DELAHAYE (1836-1878) & Charles MARVILLE (1813-1879) Group of 6 albumen prints, all from the DELAHAYE family. Produced during the collaboration between MARVILLE and assistant DELAHAYE. Portraits created in MARVILLE's studio are rare. Related works: Similar prints: - Musée d'Orsay (ref.: PHO 1998 5 29, PHO 1998 5 26) - In public sales, Drouot on 14.03.1998 and 08.06.2011 Charles Marville (with Charles Delahaye) Marie Delahaye, c. 1860 Albumen, 20 x14.3 cm Charles Delahaye Hélène Berthe Delahaye, c. 1860 Albumen, 21.6x15.2 cm, blue mounting board Charles Marville (with Charles Delahaye) Hélène Delahaye, c. 1860 Albumen, 19.6 x13.6 cm Charles Delahaye Eugène Alphonse Delahaye (père), Paris, c. 1860 Albumen, 22.5 x 15.5 cm, blue mounting board Charles Marville (with Charles Delahaye) Eugène Alphonse Delahaye (father), c. 1865 Albumen, 22.5 x 15.5 cm, white mount board Charles Marville (with Charles Delahaye) Clémence Victoire Delahaye (mother), c. 1865 Albumen, 19.4 x13 cm, white mount board

Wed 05 Jun

Documentary set on the war outside Paris circa 1870 including: - Photographer to be specified War of 1870 and view of the Saint-Julien encampment Albumin prints 11 x 16 cm and 9.6 x 13.6 cm - COLLET Photographer Pont à Mousson Poorly legible inscription on the back in pencil: Baraque Chambui (?) ambulances during the 1870 war. Albumin print. 10.8 x 16.6 cm - Militaries to be specified Albumin print, signed A. PERLAT in Poitiers. Damaged. 12.3 x 16.6 cm

Wed 05 Jun

Reunion of two allegorical compositions: - Reproduction of a print about France's defeat entitled: "La France signe les préliminaires de la paix" (by Ange-Louis Janet circa 1871) first published in L'Illustration, March 11, 1871. - Studio photograph entitled "L'Amazone musicienne" featuring a nude young woman from the back, symbolizing the Paris insurrection, captioned in German "Uniform der neu formirren Amazonen - Bataillon Paris 1871". Albumin prints. 11.1 x 15.2 cm and 10.5 x 6.4 cm

Wed 05 Jun

Nine views of Alaska and a portrait of a missionary father. Scenes of fishing, villages, the Russian church of Saint-Michel. All photos are captioned and dated July 1889. They were printed from the missionary's negative by Alfred Baron in Douai (active from 1880 in Douai). A very rare item! Very deteriorated album from which the photographs come.

Wed 05 Jun

Eugène APPERT (1830 - 1905) Set of four portraits of "pétroleuses" including Mme Lacroix, Hortense David, Marie Lécourt and Mme Desdoit. Albumin prints in carte de visite format. The Prussian collector titled the mount "Einige Petroleusen" and added "condamné à mort" under the first two portraits.

Wed 05 Jun

Prussian Red Cross Ambulance of March 1871 Varnished albumen print in very good condition The word "externat" is noted on the front. Legend on verso. 12.3 x 17.2 cm

Wed 05 Jun

French Daguerreotypist An elegant man surrounded by six women in traditional dress with lace bonnets. Probably a family (a father, his wife and their five daughters). Half plate, circa 1850. Oxidation, nice chemistry. 11 x 15.5 cm

Wed 05 Jun

Emile PECARRERE (1816 - 1904) Gaston Phébus's Château de Pau, 1851 Proof on salted paper, mounted on bristol board. Some foxing. 19 x 26 cm Very rare.

Wed 05 Jun

BISSON FRERES Work at Notre-Dame Large salted print, lightly albuminized, circa 1853. Black signature stamp on the proof, dry stamp on the mount. Some foxing on the mount. 36 x 26 cm

Wed 05 Jun

BISSON FRERES Château de Blois, Grand Staircase Large salted print, lightly albuminized, numbered 8 on the mount, circa 1854. Black signature stamp on the proof, dry stamp on the mount. Stains, foxing. 38 x 26 cm

Wed 05 Jun

Jean LAURENT, known as Juan LAURENT (1816 - 1886) Set of six architectural views and one reproduction of a painting in Seville, Spain. Large albumen prints, mounted on Bristol board. 24.5 x 33 cm

Wed 05 Jun

Jean LAURENT, known as Juan LAURENT (1816 - 1886) Granada, Panorama and architectural details in Granada, Spain Circa 1870. Eleven large albumen prints, mounted on Bristol board. Pleasant contrasts. Approx. 38 x 25 cm

Wed 05 Jun

Paul LOUBERE (photographer). Photographic album of the ruins of Paris. Collection de tous les monuments et édifices incendiés et détruits par la Commune de Paris (Paris, Librairie rue Visconti 22, [Jules Bonaventure impr., 1871]); oblong in-4, publisher's red percaline boards with gilt title. Album of 21 small albumen prints (95 x 125 mm. approx.), mounted on bristol board, signed P (aul) L(oubere) ; preceded by a historical note by Justin Lallier. Photomontage with portraits of commune figures and 20 views of monuments burned during the bloody week: Hôtel de Ville, Palais des Tuileries, Palais de Justice, Ministère des Finances, Vendôme column, Palais-Royal, Palais de la Légion d'honneur, Cour des Comptes, Arsenal, Caisse des Dépôts et Consignations, Grenier d'abondance, Porte-Saint Martin theater, Villette docks, Palais de Saint-Cloud, Fort d'Issy, etc. At the head, a montage of nine medallion portraits. Bears the Debuisson stamp. Percaline worn, defect at hinge. 22.2 x 28 cm

Wed 05 Jun

French Amateur Views of Bordeaux Early proof, unidentified calyotype. Rousseurs. 21 x 16 cm Early print 11 x 8.5 cm

Wed 05 Jun

Unidentified Parisian photographer Set of 12 photocards in business card format. Views of ruins including Palais de la Légion d'honneur, Hôtel de Ville, Caisse des dépôts Mounted on anonymous cardboard, but captioned on verso in ink. 10.3 x 6.2 cm These ink captions on the reverse may one day enable the photographer to be identified. Attached: View of a ruin in another format.

Wed 05 Jun

QUINET Achille (1831-1907) Inauguration of the equestrian statue of Napoleon in Rouen Circa 1865. Albumin print. Bears a dedication from the sculptor Vital-Gabriel DUBRAY (1813-1892). 25 x 19 cm

Wed 05 Jun

Attributed to Jules AMOUROUX (1806 - 1905) Fête à Aurillac sous le Second Empire. Three albumen prints, mounted on Bristol board, circa 1860. The appearance lends charm to the three images. His early work is not well known, but it won awards. For many years, he was the only photographer in Aurillac. 27 x 17 cm

Wed 05 Jun

Attributed to Giorgio SOMMER (1834-1907) Four Views of Pompeii Albumin prints, mounted on Bristol board. Very strong contrasts. 21 x 25 cm

Wed 05 Jun

Attributed to BRESSOLA View of St. Anthony's Cathedral, Padua Large-format salted paper print, mounted on bristol board. Publisher's dry stamp PONTI RIVA DEI SCHIAVONI VENEZIA. 25 x 33.5 cm

Wed 05 Jun

Jean LAURENT, known as Juan LAURENT (1816 - 1886) Three architectural views. Albumin prints, mounted on Bristol board. 34 x 26 cm Attached: Reproduction of work in Burgos Albumin print, mounted on Bristol board.

Wed 05 Jun

Jean LAURENT, known as Juan LAURENT (1816 - 1886) Six architectural views of Toledo, Spain Large albumen prints, mounted on Bristol board. 34 x 26 cm

Wed 05 Jun

J. R. Photographer Twelve cabinet-sized albumines including rare views of Paris ruins. 10.8 x 16.4 cm

Wed 05 Jun

BISSON FRERES Brocante au Louvre Large salted print, lightly albuminized. Dry stamp on mount. Small tear on mount. 23 x 17.5 cm

Wed 05 Jun

BISSON FRERES Work at the Louvre, Entrance to the Imperial Library on the Seine Large salted print, lightly albuminized. Black signature stamp on the proof, dry stamp on the mount. Stains, foxing on mount. 36 x 25 cm Also included: BISSON FRERES Detail of the door restored the following year Dry stamp on mount. 24.5 x 18 cm

Wed 05 Jun

BISSON FRERES Panorama of Paris with the Square du Vert Galant, 1854. Large salted print, lightly albuminized. Dry stamp on mount. Note the Henri IV swimming school in the foreground. Stains, foxing. 16.6 x 25 cm

Wed 05 Jun

BISSON FRERES Schooner docked in front of the Pont des Saints Pères in Paris Large salted print, lightly albuminized, circa 1854. Black signature stamp on the proof, dry stamp on the mount. Stains, foxing on mount. 22.5 x 37 cm Little-known view.

Wed 05 Jun

BISSON FRERES The Pantheon Circa 1854. Large salted print, lightly albuminized. Dry stamp on mount. Some foxing. 24 x 18 cm

Wed 05 Jun

BISSON FRERES Square Louvois with the façade of what would become the Bibliothèque Nationale de France. Large albumen print, circa 1860. Top margin tondo cut. 35 x 37 cm

Wed 05 Jun

BISSON FRERES Fountain at Place St Michel, Paris Large albumen print, circa 1858. A large number of onlookers can be seen. Slightly faded tones. 45 x 35 cm

Wed 05 Jun

DURANDELLE Louis-Emile (1839 - 1917) Construction of the Opéra Garnier Unfinished facade on the Place de l'Opéra, circa 1867. Large albumen print. Dry stamp on mount. Some foxing on the mount, not affecting the print. Beautiful tonality. 28 x 40 cm

Wed 05 Jun

BISSON FRERES Entrance to the 1855 Exhibition at the Palais de l'Industrie Large salted print, lightly albuminized. Dry stamp on mount. 24 x 18 cm

Wed 05 Jun

BISSON FRERES Completion of the Louvre - Molien Pavilion - Turgot Pavilion Two large albumen prints, circa 1857. Small labels on the mount with titles. Nice tonality. 35 x 45 cm