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Fri 24 May

Mark BRUSSE (born 1937). Rose of Quito. Lithograph. Signed and dated 2000 lower right, justified XV/XX lower left. 91 × 60 cm. Not examined out of frame. This work was commissioned in 2000 by the Conseil général du Val-de-Marne for the roseraie départementale du Val-de-Marne. It refers to a high-quality red rose produced in Quito, the capital of Ecuador, at a time when the country, known as the main leader in cut flower production, is undergoing political, economic and social upheaval as a result of its abundant petrodollar production. [Source: Mac Val - Musée du Val de Marne, Rose is a rose 2023 exhibition]. A set of 18 books and booklets on the artist is included: - Mark Brusse "Spirit of the waters". S.l. Le Petit Jaunais 1998. In-8 oblong. on ff. in covers and folder designed by the artist. One of 12 copies (No. 2) containing 8 black lithographs signed b.m. Autograph signed letter from the artist: "paris oct 1998 un petit livre pour toi, jacques, voila, je n'ai rien a ajouter... ton markbrusse". - COLLECTIVE] Twelves Monkeys plus one. Livingstone Editions, Den Haag & Galerie Willy Schoots, Eindhoven 2004. In-4 oblong, publisher's boards, spirals. Autograph signed letter from the artist: "12 monkeys for Jacques, as a token of friendship from "plus one" whom you know better as Mark Brusse. Paris June 2005." - Mark Brusse. Recent works (1993-2000). Musée de l'Hôtel-Dieu, Mantes-la-jolie 2000. In-4, br. exhibition catalog. - Mark Brusse. The Answer in Question. Buenos Aires, Centro Cultural Recoleta 2005. In-4 br. with flap cover. Exhibition catalog. - Mark Brusse. S.l., Dirimart 2005. In-4 br. with flap cover. Exhibition catalog. - The woods of markbrusse. Munich, Tanit 1975. In-4 br. - Mark Brusse. Paris, Galerie Louis Carré 2003. In-4 br. with flap cover. Exhibition catalog. - Mark Brusse. Veen/Reflex Utrecht-Antwerpen, Van Reekum Museum Apeldoorn - Institut Néerlandais Paris 1990. In-8 br. - Mark Brusse Sculptures Collages. Institut Néerlandais Paris 1982. In-8 stapled. Exhibition brochure. - Le stranger. Mark Brusse with the Centre Culturel, Centre de Créations pour l'Enfance de Tinqueux 2001. In-4 ff. in red publisher's flap folder. One of 200 copies signed and numbered by the author 22/200, containing 6 serigraphs and 12 linocuts. Autograph signed letter from the artist: "to Jacques, this 'stranger' or, if you like, the man with the heart that beats again like the heart of his friend mark. Paris, 16-3 2002". - COLLECTIVE]. Mark Brusse. Breda De Beyerd/ Uitgeverij Sun, Nijmegen 1999. In-4 hardback with dust jacket (dust jacket damaged). Autograph signed letter from the artist. - Mark Brusse Réponse en question. Corbeil-Essonnes, Centre d'Art Contemporain 1992. In-4 br. exhibition catalog. - Mark Brusse. My exhibition. Aix le Bains, Ed. de la Tour 2009. in-8 br. Autograph signed letter from the artist. - Mark Brusse. Ville de Vitry sur Seine 2003. in-8 br. Exhibition brochure for the municipal gallery. Autograph signed letter from the artist. - Yes, we love project Galerie Patricia Dorfmann 2021. in-8 stapled. Exhibition brochure. Autograph signed letter from the artist. - Mark Brusse. The White Moment. Livingstone Editions, Den Haag & Galerie Willy Schoots, Eindhoven 2001. In-4 br. - Mark Brusse. Berliner Object. Berlin, Galerie Undre 1971. In-12 br. Autograph signed letter from the artist. - VALLET (Jacques) Mark Brusse. Un perpétuel printemps. Bruxelles, le Salon d'Art 2006. In-16 br. Booklet edition of 50 copies on laid paper, this one signed by the artist and author.

Estim. 80 - 120 EUR

Fri 24 May

Roman CIESLEWICZ (1930-1996). Party. Silkscreen print. Signed and dated 1976/82 lower right, titled and justified E.A. lower left. Sheet size: 56 × 40 cm. Not examined out of frame. BIBLIOGRAPHY : - Le Fou parle n°18 - September 1981, reproduced 16. - NAGGAR (Carole). Corps. 1977, reproduced p. 15. - Roman Cieslewicz, Stodola warszawa. Warsaw, Wystawa Fotomontaz luty 1984, reproduced. - Roman Cieslewicz - La fabrique des images. Paris, Les Arts décoratifs, 2018. Catalog of the exhibition at the Musée des Arts Décoratifs, Paris, May 3 - September 23, 2018, 2 vols. original photomontage reproduced p. 161 (vol. 2). Also included: - Rose Mary's baby. Offset print. Signed, dated 1982, titled and justified "e/a". 56.5 × 40 cm. - L'auréole pesante. Offset print. Signed, dated 1976, justified 100/100 and dedicated "to Jacques VALLET 100/100 fou-Roman". 65 × 38 cm. (Mottling on lower left margin, upper left corner corroded and folds broken). - Graphics. Cahier de l'Art Mineur n°20. Paris, Limage, 1977. In-4 br. Numerous full-page reproductions of Roman Cieslewicz's work in black. - Exhibition catalog Roman Cieslewicz: La fabrique des images. Paris, MAD 2018. In-4 br. in ed. folder and slipcase. - Body. Texts by Carole Naggar Collages by Roman Cieslewicz. Malakoff, Imprimerie Pallas 1977. In-4 stapled. - Calmels Cohen auction catalog. Atelier Roman Cieslewicz, Drouot 19/03/2006. In-8 br. - Cieslewicz - Postmodernista. Warsaw, Galerie Sztuki Bialo-Czarnej 1984. In-8 br.

Estim. 80 - 150 EUR

Fri 24 May

Jean-Pierre DESCLOZEAUX (born 1938). Cover Le fou parle revue d'art et d'humeur n°2 - July/August 1977. Pencil and watercolor on paper. Signed lower right. 13.5 × 11 cm. A set of books and booklets illustrated by the artist is included: - 130 observational drawings made for the Nouvel Observateur. Grenoble, J. Glénat 1974. In-8 br. faded ed. cover. Fine signed autograph letter from the artist, enriched with a pencil and graphite drawing. - AUDOUARD (Yvan). L'heure d'été. Paris, Ed. Stock 1978. In-8 br. without cover. The endpapers were used by Desclozeaux to illustrate Jacques Vallet mad or reading Les chiens de la nuit, his first collection of poems published in 1960. - Le petit vampire. Paris, Gerfau Impressions, 1970. 6 artist's impressions in a publisher's envelope as is, enriched with a signed and illustrated autograph letter in black and red ink. - Cyclounes. Paris, Gerfau Impressions, 1969. 5 artist's impressions in a publisher's envelope, as is, enriched by a signed and illustrated autograph letter in black and red ink. - Lune et l'autre. Paris, Gerfau Impressions, 1971. 6 artist's impressions in a publisher's envelope, numbered 131/500. - DESCLOZEAUX - PUIG ROSADO. Hannover, Whilhelm Busch Museum 1978. Partially unbound exhibition catalog in unused condition. - A set of 13 silent-covered in-16 plates, and 6 catalogs or plates illustrated by the artist. Bernard CRETIN. Au bou-lon! Paris, Gerfau Impressions, 1970. 6 prints by the artist in a publisher's envelope, as is.

Estim. 80 - 120 EUR

Fri 24 May

Medi HOLTROP (born 1943). - The game of the goose. Graphite on paper. Signed and dedicated lower right, located and dated Malakoff 2008 lower left. 42.5 × 32.8 cm. Not examined out of frame. BIBLIOGRAPHY : - HOLDROP (Medi). Plaisir. Preface by Pierre Bourgeade. Interview by Jacques Vallet. Sl. Orbis Pictus Club, 2008, reproduced. - HOLDROP (Medi). Paper dolls. Talence, Éditions Humeurs, 2006, reproduced. - Vanity with bird. Silkscreen. Signed in the lower right margin, located and dated Malakoff 2004, dedicated to Jacques [Vallet]. 42 × 30 cm. Not examined out of frame. BIBLIOGRAPHY: Medi Holtrop - Poupées de papier. Talence, Éditions Humeurs, 2006. - Self-portrait with head under a bell. Charcoal. Signed lower right. 42 × 29.8 cm. - The Raven and the Little Girl with the Apple. Reproduction. Signed lower right and dedicated. 40 × 30 cm. - 4 exhibition posters by the artist. 10 books or prints by the artist: - 9 self-portraits, inkjet prints, based on charcoal drawings by Medi Holtrop, preserved including a makeshift portfolio. Published for the EXTASE exhibition at ESPACE ACCATONE in summer 2003. Malakoff 2004. Autograph signed letter. 29 × 21 cm each plate. - Medi Holtrop - Poupées de papier. Talence, Éditions Humeurs, 2006. In-8 br. lipstick marks on first page. Signed autograph letter. A second copy is enclosed. - Ma mère, ma sœur, ma fille, et moi. Text: adaptation by Jacques Vallet. S.l. Orbis Pictus, vol. IV 2011. In-4 br. Ex. 146/375 on natural Munken paper. Autograph signed letter from the artist: "Jacques, thank you for your work, your patience and your kindness. Thank you for our good book. Merci". A second copy on plain paper is enclosed. - I'm killing myself telling you! S.l. Orbis Pictus Club 2017.In-4 br. Autograph signed letter from the artist (some wear and tear). - Letterheads. Montreuil-Sous-Bois Ouvroir Humoir Vol. 9 [2010]. In-4 accordion-fold in publisher's flap folder. Autograph signed letter from the artist. - Plaisir. Interview by Jacques Vallet. S.l. Orbis Pictus Club 2008. In-4 br. cover ed. - COLLECTIF] Un moment d'inattention Numéro 3, 2004. In-8 booklet and publisher's folder. Autograph signed letter from the artist on one of his illustrations on page 17. Ex. 68/200. - 7 laser prints of Norwegian tales, preserved in publisher's red envelope, Medi Holtrop 2004.

Estim. 200 - 300 EUR

Fri 24 May

Jean-Marie KERLEROUX (b. 1959). Set of 18 drawings in ink and/or black felt pen (two on both sides). - Un jour l'empereur m'a donné une cacahuète. BIBLIOGRAPHY: Le Fou parle n°6 - May 1978, reproduced on p. 24. - Will I be greater dead than alive? BIBLIOGRAPHY: Le Fou parle n°19 December 1981/January 1982, reproduced p. 22. - I'm very happy to have escaped this appalling massacre. - Family party (late 20th-century Europe) / Mannequin and lioness. - Marshal Croquignol. - Raymond Barre - We'll have to resist the cult of personality / Long-distance runner. - Oh, what the hell. - Oh Charles, will you always love me? Toujours Madeleine (white highlights). - Sketch for a Balzacian character (white highlights). - We bring you beauty, culture, intelligence... in a word, civilization. BIBLIOGRAPHY: Le Fou parle n°28 - June 1984, reproduced on p. 56. - My people adore me... yes they do. - Don't talk nonsense, I'm not a revolutionary... BIBLIOGRAPHY: Le Fou parle n°29/30 - November 1984, reproduced on p. 73. - Lenin didn't want that. - I read somewhere that American researchers had developed a vaccine against bullshit (white highlights). - Listen... first things first. - Revolutions are my thing [...]. - German Spring. - You'll see your father when he comes home! BIBLIOGRAPHY: Le Fou parle n°16 - March 1981, reproduced on p. 45 Signed (except for two), three signed "GOT", some dated. Also included: - Le fantasme. Ink. Model with tracing paper for the magazine Le Fou parle. BIBLIOGRAPHY: Le Fou parle n°25 -September 1983, reproduced on p. 14. - Two posters (as is, one folded). - Jean Marie KERLEROUX. Quidams Foreword by Alain Rey. Paris, ed. Stil, 2002. In-8 br. Autograph signed letter from the artist.

Estim. 80 - 120 EUR

Fri 24 May

Lise LE COEUR (1942-2020). Set of inks and watercolors: - Le châle étendu. Signed lower right. Sheet size: 23 × 21 cm. (Poster enclosed). - Still life with flowers. Monogrammed and dated 7.7.[19]73 in the composition. 41 × 33 cm. - Still life with a garden gnome. Unsigned. 39.9 × 29.8 cm. - Still life with a bouquet of flowers in a cylindrical vase. Unsigned. 44.8 × 31 cm. - Still life with ashtray. Dated 18.4.[19]82 lower right and titled Fréquence Gay 20h. 44.5 × 31 cm. Portrait of a woman with a pearl necklace. Signed lower right. 32.3 × 25 cm. - Mimi de Buzenval. Unsigned. Dated 16.6.[19]85 and titled. 24.5 × 31.3 cm. - Still life with a painting by Stotzky. Signed lower left, dedicated. 32.2 × 23.2 cm. - Portrait of Jacques. Signed and dated [19]78 lower right. 23 × 24 cm. - Park. Unsigned. 25.8 × 35.8 cm. (Small folds at the ends). - In a Canson sketchbook: Jacques Vallet with a bottle of Bordeaux. Double sheet. 49 × 31.5 cm. Jacques Vallet writing. Double sheet. 49 × 31.5 cm. Also included: - Le châle étendu. Etching in color. Signed and dated [19]87 lower right, justified 1/20 lower left. 39.5 × 29 cm. - Still life with cup and postcard. Color etching. Signed and dated [19 ]88 lower right, justified E.A lower left. 33 × 25 cm. - 4 posters (including one for the artist's exhibition). - 2 sketchbooks, formats 16 × 11 cm and 15.8 × 12 cm, containing 29 mostly watercolored drawings, dated 1980 and 20 mostly watercolored drawings, dated 1982-83.

Estim. 150 - 200 EUR

Fri 24 May

Olivier O. OLIVIER (1931-2011) (Pierre-Marie OLIVIER, dit). Il est souhaitable que sa reproduction en captivité rende la survivance de cette belle espèce (extract du guide général du jardin des plantes 1968) / 1982-1988. Charcoal on paper. Signed lower right and dedicated to Jacques Vallet lower left. 35 × 27 cm (view). Under marie-louise. Not examined out of frame. BIBLIOGRAPHY: - Le Fou parle n°double [21 +22], reproduced on p. 20. - GARNIER (Philippe). OLIVIER (Sarah). OLIVIER (Olivier O.). Olivier O.Olivier Peintures. Paris, Les cahiers dessinés, 2019, oil on canvas reproduced on p. 204. - Olivier O. Olivier. Paintings and drawings. Preface by André Ruellan. Paris, Berggruen & Cie, 1990, oil on canvas reproduced. Also by the same artist: - COLLECTIF] Peintures. Paris, Les Cahiers Dessinés, 2019. In-4 br. - Notre monde ou presque. Paris, Buchet Chastel 2005. In-4 br. Autograph signed letter from the author and Dominique Noguez (author of the preface). - OLIVIER O. OLIVIER. Istanbul, Tesvikiye Sanat Galerisi 2000. In-4 br. Exhibition brochure with signed autograph letter from the artist, enriched with a blue ink drawing. - Tours et détours. Paris, Galerie Les Yeux Fertiles 2011. In-4 br. Exhibition brochure - Almost our world. Beijing, Museum of the Central Institute of Fine Arts 1999. In-8 br. Bilingual exhibition catalog (French and Chinese). - Paintings and drawings. Preface by André Ruellan. Paris, Berggruen & Cie, 1990, In-8 br. - Paris-Rome. Paris, Ed. Jannink 1993. In-8 br. in publisher's slipcase. Ex. 129/218 containing an original lithograph of a bat signed and justified 129/218. Autograph signed letter from the artist enriched with a graphite drawing. We enclose a second ordinary copy in the same condition. - Le retour de l'éléphant prodigue. S.l., Au crayon qui tue 2004. In-8 br. Ex. 79/111. Autograph signed letter from the artist. - Adventures on the lake. S.l., Au crayon qui tue 2004. In-8 br. Ex. 67/133 on Boufant. Autograph signed letter from the artist. Blue cover a little rubbed. - ARRABAL. Le peintre et l'Aborigène followed by Arènes gelées by Olivier O. Olivier. Creil, Bernard Dumerchez 1998. In-8 br. Signed autograph letter from the artist, enriched with a pencil and graphite drawing of bullfighting in winter. Slight soiling on front cover. - SCUTENAIRE (Louis). La cinquième saison. Bruxelles, La Pierre d'Alun s.d. In-8 ff. in publisher's jacket. Press copy without original lithograph by Olivier.

Estim. 100 - 150 EUR

Fri 24 May

Set of 19 books about, by or illustrated by Roland TOPOR : - SYNGE (J.M). Cavaliers à la mer. Translated from the English by Fouad El-Etr [SL], La délirante, 1975. In-8, br. in sheets, undersleeve with flaps and slipcase. Illustrations by Roland TOPOR. One of 26 H.C. copies (justified c/z), signed by the author and illustrator. Including a suite of four lithographs signed and justified c/z. Copy with two etchings signed and justified e.a. - SYNGE (J.M). The baladin of the western world. Translated from the English by Fouad El-Etr. Paris, La délirante, 1974. In-8, br. with illus-trations by Roland TOPOR. First edition. Copy no. 143 (traces of discoloration on covers). - TOPOR Roland. Le grand macabre. Zurich, Diogenes, 1980. In-8, br. - ALMEIDA (Helen d'), TOPOR (Roland). Les amazones. Paris, Ed. rochevigne, 1984. In-8, br. (a few annotations in graphite and some wear and tear). Autograph signed letter from Hélène D'Almeida. - TOPOR (Roland). Toporland. Paris, Balland, 1977. In-4, br. (some wear and tear). - TOPOR (Roland). Drawings and prints. Jerusalem, The Israel Musuem, 1980. Exhibition catalog booklet, In-4. br. - TOPOR (Abram). Spaïte Bilder. Ed. Braus, 1991. Herausgegeben fon Gina Kehayoff. In-4, br. publisher's dust jacket. - TOPOR (Roland). A la bombe. Lausanne, zannettaci gallery exhibition catalog, 1981. In-4, br. - TOPOR (Roland). Florence, Galleria Vivita, 1990. In-4, br. - TOPOR (Roland). XHONNEUX (Henri). Marquis. Paris, Imprimerie nationale, 1990. In-4, br. (some wear and tear). Photographs by Christian Carez. - TOPOR (Roland). Antwerp, Lens Fine Art Gallery exhibition catalog, 1977. In-8, br. - Topornapoli. Naples, French Institute of Naples, 1995. In-8, br. (some wear). Catalog of the Roland Topor exhibition at the French Institute of Naples in 1995. - TOPOR (Roland). Laid poulet (chickens). Paris, Yves Rivières, 1978. In-12, br. - TOPOR (Roland). The true nature of the V!erge Mar!e. Monaco, Ed. du rocher, 1996. In-12, br. Illustrations by Michael Bastow. - TOPOR (Abram). Laval museum exhibition catalog, 1973. In-8, br. - COLLECTIVE]. TOPOR (Arrabal). Vagabondages Folie. Paris, Association Paris poète, [SD]. In-8, br. - TOPOR (Roland). Conceptual photography by Erwahn Ehrnich (1894-1961). La Louvière, Le Daily-Bull, 1982. In-8, br. publisher's headband. One of four nominative copies, this one numbered R.T. (for Roland TOPOR). - COLLECTIVE]. To Claude Aveline on his eightieth birthday. Paris, Imprimerie Marchand, 1981. In-8, br. One of 250 copies on Velin paper (n°42). Illustrations by Kerleroux, Poli, Pouppeville, Puig Rosado, Roland Topor...

Estim. 100 - 150 EUR

Fri 24 May

e - Christian ZEIMERT (1934-2020). Cover for the magazine Le Fou parle n°17 - June 1981. Pencil and graphite. Signed at bottom. 39 × 29 cm (view). (Minor scattered foxing). Under marie-louise. Not examined out of frame. BIBLIOGRAPHY: Le Fou parle n°17 - June 1981, reproduced on cover. - Military marches". Two lithographs. Signed, printed at 75 copies, one dedicated. 95 × 69.6 cm. (Some folds and marks on the margins). - Le Fils de Père Barbelé". Silkscreen print. Signed, dated 1990, justified 31/80 and dedicated. Dry stamp lower left: Buyse-Lille sérigraphe. D. 57 × 76 cm. BIBLIOGRAPHY: Le Fou parle n°29/30 - November 1984, reproduced on p. 63 - ZEIMERT (Christian). Le roman d'Edgar. Paris, Au crayon qui tue, publisher 2013. In-8 br. pink cover with flaps, partly soiled. Ex. 63/133 on Bouffant paper. First edition. Autograph signed letter from the author. - ZEIMERT (Christian). Un peintre toujours à l'heure. Montigny, Ed. Voix Richard Meier 1993. In-8 br. flap cover. First edition. Uncut copy. Autograph signed letter from the author. A second copy, also uncut, containing a signed autograph letter from the author. - LASCAULT (Gilbert) & ZEIMERT (Christian). Le petit Zeimert illustré. Bruxelles, La pierre d'alun 1985. In-8 br. in ff. flap cover. First edition. Ex. 393/600 uncut. Autograph signed letter from the author. Cover a little soiled. - MARTIN (Yves) & ZEIMERT (Christian). Le nymphéa et le confetti. Montigny, Ed. Voix Richard Meier 1992. In-8 br. flap cover. Original edition containing a small unjustified lithograph and a loose leaf with signatures of author and artist. -BOYER (Jean-Pierre). Le monde riant de Zeimert " 50 ans d'arrière-garde " Peintures. Créteil, Maison des Arts/Paris, Le Tout sur Tout 1984. In-8 br. ed. cover (crease). Exhibition catalog. - ZEIMERT (Christian). Réponses à n'importe quoi [...]. Paris, Les cahiers de l'humoir 1997. 3 br. in-8 booklets in wallet folder with flap (some wear and tear). Ex. 100/200 on Rivoli ivory, signed and justified by the author. - ZEIMERT (Christian). Le poulpe. Viens Poupoulpe. S.l. Ed. Baleine 2013. In-8 br. Autograph signed letter from the author. - ZEIMERT (Christian). Moreau...lure of glory. Paris, ed. Jannink 1993. In-8 br. with flap cover. Autograph signed letter from the author. - Schwarzer Humor, Maler aus Kalau. Painter from Calembourg. C. Zeimert 2004. In-12 br. oblong. Autograph signed letter from the author. - VINCENT (Jean Didier) & ZEIMERT (Christian). Trous de mémoire. Montigny, Ed. Voix Richard Meier 1995. In-8 br. First edition. Autograph signed letter from the author on the colophon. - Thirteen unpublished letters. C. Zeimert Maria Picasso. Paris, Aéea 1995. In-8 br. Ex. H.C. without drawing. - BESNIER (Patrick) ZEIMERT (Christian). La vie est un MECCaufrage. Paris, Arein/Alin Avila. In-8 br. Ex. 58/75 signed by the authors. - COLLECTIVE]. Christian Zeimert's century. Paris, Arein/Alin Avila 1999. In-4 br. wear to spine. Autograph signed letter from the author. - ZEIMERT (Christian). Une odeur d'art cadavérique. Orbis Pictus, S.l S.d. In-4 br. with flap cover and dust jacket. Autograph signed letter from the author. A second ex. without dust jacket. - 2 copies of the exhibition Rétrospectives 1964-2009 at the Musée de Louviers 2009. In-4 br.cover, one with signed autograph letter from the author. - 4 catalogs and one booklet as is.

Estim. 80 - 120 EUR

Fri 24 May

Constantin ANDREOU (São Paulo, 1917- Athens, 2007) Eye globe, 1973 Sculpture in soldered brass, signed and dated on the back Approx. 20.5 x 20.5 x 18.5 cm Born in São Paulo in 1917, Constantin Andreou spent his early years in Brazil, before moving to Athens with his family at the age of 8. It was in 1942, with Portrait de mon frère (1935), a marble head exhibited at the Salon Panhellénique in Athens, that he achieved notoriety and won a grant from the French government. After arriving in Paris in 1945, where he had previously worked exclusively in stone and marble, Andréou developed his experience as a metallurgist, perfecting a welded brass technique. In parallel with his work as a sculptor, Andréou began a career as a painter in the 1950s. At the heart of Andréou's work, the theme of the eye holds a special place, as it is the organ that enables man to apprehend the world around him. Constantin Andréou's work has been the subject of numerous solo and group exhibitions since the late 1940s: Sao Paulo, Rio de Janeiro, Paris, Brussels, La Chaux-de-Fonds, Monaco, Lund, Bordeaux, Mulhouse... and notably a special exhibition at the Galerie La Boétie in Paris in 1951, and at the Petit Palais in 1953 "Sept sculpteurs grecs de Paris", at the Sao Paulo Museum of Modern Art in 1953, or a retrospective at the Musée des Beaux-Arts in Le Havre in 1971... The ensemble of works - sculptures, paintings, drawings, lithographs and jewelry - presented today is testimony to the nearly 40 years of friendship between the artist and his collectors.

Estim. 800 - 1 200 EUR

Fri 24 May

Constantin ANDREOU (São Paulo, 1917- Athens, 2007) Around the sun, 1982 Oil on canvas signed upper right, countersigned, titled and dated on back 95.5 x 144.5 cm on view (Small dent and some missing parts) Born in São Paulo in 1917, Constantin Andreou spent the first years of his life in Brazil, before moving to Athens with his family at the age of 8. It was in 1942, with Portrait de mon frère (1935), a marble head exhibited at the Salon Panhellénique in Athens, that he achieved notoriety and won a grant from the French government. After arriving in Paris in 1945, where he had previously worked exclusively in stone and marble, Andréou developed his experience as a metallurgist, perfecting a welded brass technique. In parallel with his work as a sculptor, Andréou began a career as a painter in the 1950s. Constantin Andréou's work has been the subject of numerous solo and group exhibitions since the late 1940s: Sao Paulo, Rio de Janeiro, Paris, Brussels, La Chaux-de-Fonds, Monaco, Lund, Bordeaux, Mulhouse... and notably a special exhibition at the Galerie La Boétie in Paris in 1951, and at the Petit Palais in 1953 "Sept sculpteurs grecs de Paris", at the Sao Paulo Museum of Modern Art in 1953, or a retrospective at the Musée des Beaux-Arts in Le Havre in 1971... The ensemble of works - sculptures, paintings, drawings, lithographs and jewelry - presented today is testimony to the nearly 40 years of friendship between the artist and his collectors.

Estim. 700 - 1 000 EUR

Fri 24 May

Constantin ANDREOU (São Paulo, 1917- Athens, 2007) Somewhere in Rio, 1975 Oil on canvas signed lower right, titled and dated on back and no. 74 or 79 89 x 116 cm Bibliography: Andréou, Les Editions du Temps, Paris, 1984, no. 17. Born in São Paulo in 1917, Constantin Andreou spent his early years in Brazil, before moving to Athens with his family at the age of 8. It was in 1942, with Portrait de mon frère (1935), a marble head exhibited at the Salon Panhellénique in Athens, that he achieved notoriety and won a grant from the French government. After arriving in Paris in 1945, where he had previously worked exclusively in stone and marble, Andréou developed his experience as a metallurgist, perfecting a welded brass technique. In parallel with his work as a sculptor, Andréou began a career as a painter in the 1950s. Constantin Andréou's work has been the subject of numerous solo and group exhibitions since the late 1940s: Sao Paulo, Rio de Janeiro, Paris, Brussels, La Chaux-de-Fonds, Monaco, Lund, Bordeaux, Mulhouse... and notably a special exhibition at the Galerie La Boétie in Paris in 1951, and at the Petit Palais in 1953 "Sept sculpteurs grecs de Paris", at the Sao Paulo Museum of Modern Art in 1953, or a retrospective at the Musée des Beaux-Arts in Le Havre in 1971... The ensemble of works - sculptures, paintings, drawings, lithographs and jewelry - presented today is testimony to the nearly 40 years of friendship between the artist and his collectors.

Estim. 600 - 900 EUR
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