DAXHELET Paul (1905-1993)
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Charcoal and watercolor by Paul Daxhelet "Marchande de masques". Unsigned. Dated 27. With passe-partout, unframed. 26x16.5 cm
SCAUFLAIRE Edgar (1893-1960)
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Drawing "Pierrot à la lune". Unsigned, tear. Exhibited in the Edgard Scauflaire retrospective at the Musée des Beaux-Arts de Liège in 1958. 33x26 cm
Abstract Composition, Vaccaro, 1971, Contemporary Art 20th century
Watercolor and ink on Japanese paper, framed measurements: 65 x 55 cm, paper measurements: 45 x 50 cm
Gouache on paper by Roberto Domingo Fallola (Paris, 1883 - Madrid, 1956)
Parisian school at the turn of the century, total measurements with frame: 66 x 50 cm, measurements only gouache on paper: 27 x 29 cm
DELACROIX school, Victor Eugène (Charenton, 1798 - Paris, 1863), signed
19th century French school. Signed with initials on the front and back, aquatint and charcoal on paper. Paper measurements. 30 x 25 cm, measurements with frame: 50 x 40 cm.
Bullfighting Scene - Roberto Domingo Fallola (Paris, 1883 - Madrid, 1956)
Watercolor and ink on Japanese paper, framed measurements: 25 x 33 cm, paper measurements: 37 x 48 cm
The Picador - Roberto Domingo Fallola (Paris, 1883 - Madrid, 1956)
Watercolor on paper, watercolor measurements: 50 x 65 cm, frame measurements: 85 x 70 cm
Pair of Studies by Cabeza de Banderillero and Miguel de Cervantes, Reig Vila, Spanish school at the turn of the century.
Beginning of the 20th century. Aquatint on paper. Measurements each framed: 40 x 35 cm, measurements each 25 x 20 cm
Large 18th century Aubusson "Verdure" tapestry, in wool
Tapestry measurements: 300 x 240 cm. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).
Exquisite and Decorative Pair of Views of the Bay of Naples with Vesuvius Erupting - 19th Century Neapolitan Italian School
Gouache on paper, framed, 55 x 70 cm (framed measurements), each. Excellent state of conservation. Provenance: property of an important private collection, acquired on the art and antiques market before 1980 (lots 168-259).
Large French Palace Tapestry "Verdure" Louis XIII period - French work from the early 17th century
In hand-knotted wool, good general condition: 263 x 200 cm. Provenance: liquidation of an important European private collection, lots 168-259).
Portrait of Charles Henry of Lorraine, Prince of Vaudemont (1649-1723) - Jean Ranc (1674-1735) French Baroque School 18th Century
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Portrait of Charles Henry of Lorraine, Prince of Vaudemont (1649-1723) - Jean Ranc (1674-1735) French Baroque School 18th Century Oil on canvas, measurements: 75 x 60 cm without frame, framed measurements: 100 x 75 cm.
Fine Portrait on panel of Juan Bautista de Muguiro, attributed to Francisco de Goya (1746-1828) - Aragonese School of the 19th century
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Fine Portrait on panel of Juan Bautista de Muguiro, attributed to Francisco de Goya (1746-1828) - Aragonese School of the 19th century Oil on panel: 23 x 18 cm, measures with frame 32 x 26 cm. Muguiro, banker and merchant, perhaps exiled in Bordeaux due to the services rendered to King Joseph Bonaparte by his family firm, "J. Irivaren y sobrinos", later held important political positions in the Spain of Isabella II, being, for example, president of the Cortes and senator between 1836 and 1845. Goya, in the dedicatory inscription of the painting, defines himself as a "friend" of the portrayed, perhaps to thank him with that term, so generic in Castilian, for the efforts or aid received from him, who was also the banker of his son Javier. A few years earlier, Goya had thus dedicated "to his friend Arrieta", the portrait he gave to the doctor who saved his life during the illness that affected him in 1819. The artist presented Muguiro for posterity in his most prosaic and mercantile aspect, reading a recently opened letter and seated next to a desk covered with papers, on which shines a large green and gold porcelain inkwell. Goya in his old age condenses his technique in a few brushstrokes, given with sudden impulses of energy, which reveal the effort of his hand and his eyes, almost blind, although it has remained intact. Pérez Sánchez, Alfonso E., "Goya in the Prado. History of a singular collection", Goya. New Visions. Tribute to Enrique Lafuente Ferrari, Isabel García de la Rasilla and Francisco Calvo Serraller (eds.), Madrid, Fundación Amigos del Museo del Prado, 1987, pp. 307-322.
Decorative Pair of Grand Views of the Bay of Naples - Pastel on Paper - Italian Neapolitan School of the Late 18th Century
Pair of pastels on paper, measurements each: 85 x 40 cm (each), framed measurements: 95 x 55 cm each, framed. Neapolitan School of the late 18th century to the early 19th century. Provenance: important private collection, Madrid.
Antoni Tàpies (Barcelona, 1923-2012) - Author's Proof in Mixed Technique of Etching and Acrylic on Paper, 1976
Mixed technique of etching and acrylic on paper, measurements: 80 x 60 cm, framed in a steel and methacrylate urn. Exhibited: Joan Prats Gallery, 1976. Provenance: important private collection from Barcelona (lots 450 to 462)
Antoni Tàpies, "Flocat Gris, 1978" Author's Test (Barcelona, December 13, 1923-February 6, 2012)
10/15. Flocking lithograph on Velin paper by Arches. Signed in pencil. Numbered 36/100 + 15HC + 18 PA. Edited by Galería Maeght, Barcelona. Measurements: 55.5 x 76.5 cm. Work reproduced in: Mariuccia Galfetti, "Tàpies. Das Graphische Werk, L'Oeuvre gravé. Volume II 1973-78". Erker-Verlag, St. Gallen, 1984, no. 686, p. 249."
Star Lot - "Two Nudes" ANTONIO SAURA (Huesca, 1930-Cuenca, 1998), original ink and collage on panel, 1975
Attached is a certificate of origin issued by the director of the Maeght Gallery Don Francisco Farreras Valenti, measurements: 53 x 73 cm. Year 1976. Provenance: important private collection, acquired directly from the Maeght Gallery in 1976.
Lithograph on paper, signed, Fernand Léger (February 4, 1881-August 17, 1955), 20th century French contemporary cubist school
Signed in the lower right corner, measurements only work: 50 x 40. Fernand Léger (February 4, 1881-August 17, 1955) was a prominent French cubist painter of the first half of the 20th century. The main collection of his works can be seen in the Fernand-Léger National Museum, located in Biot, in the Alpes-Maritimes, a French State museum inaugurated in 1960. Fernand Léger's painting was characterized by the confluence with architectural aspects, with special importance to the relationships between figures, lines and colors. Furthermore, his preference for mural painting allowed him to introduce other factors into his works. Bibliography: MORENO MORENO, María Pura. "Fernand Léger: Wall-architect-painter. Academic Texts, no. 11, 2019. Unreserved lot, ex-private Hungarian-Israeli collection, liquidation of important inheritance - legacy.
ENGLISH SCHOOL, CIRCA 1840. A young man.
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Gouache miniature
Signed “A. Philipps”
7x5.5 cm. Small moisture stains and partially damaged. Gilt wood frame.
ERNST DEGER. Christ and Madonna bestowing blessings.
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Pencil drawing on paper
Signed and dated 1833
30x42.5 cm. Folds and tears.Stuck to passe-partout. On the back, traces of adhesive and of an old support.
ARCADI MAS I FONDEVILA. An altar boy.
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Pastel on paper
Signed
60x46 cm. Rust and defects. Frame in stuccoed and gilt wood, with defects. Not examined outside the frame.
MARIANO FORTUNY MARSAL. The Holy Family of Saint John.
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Charcoal and pencil drawing on paper
Signed and re-signed in ink.
23x15.5 cm
Including a photocopy of the certificate issued by Dr. Carlos González López.
Literature: González López, C. and Martí Ayxelà, M., “Mariano Fortuny Marsal. Maestros del arte de los siglos XIX y XX”, volume II, Barcelona, Ediciones M.C.Ballester, 1989, p. 126 (reproduced). Rust stains. It has not been examined outside the frame. Frame in stuccoed and gilt wood.
JOAN CARDONA LLADÓS. "À Montmartre". (d)
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Pencil, charcoal and clarion on paper
Signed. Made circa 1903.
Literature: Gabriel Pinós Guirao (coord.), "Joan Cardona. El Glamour de la Belle Époque", Barcelona, Gothsland, 2017, p. 152, cat. no. 117 (reproduced).
45.8x35 cm. Wooden frame. It has not been examined outside the frame.
RICARD URGELL. View of Vallvidrera.
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Charcoal and gouache drawing on paper
Signed, located and dated 1893. On the back, inscription, probably by the printer: “6 cent ancho AE nº 118”.
17x30.8 cm. In good condition. Frame in stuccoed and gilt wood. Not examined without frame.
ARCADI MAS I FONDEVILA. Illustration.
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Pencil and charcoal drawing on paper
Signed
38.5x61.5 cm. Foxing. It has not been examined outside the framework. Painted wooden frame.
ARCADI MAS I FONDEVILA. "Salir por la puerta de los carros”.
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Ink, wash ink and gouache drawing on paper
Signed and titled. Literature: Ilustración Artística, Barcelona, November 11, 1907, p. 731 (reproduced)
38x54.5 cm. Rust. Wooden frame. Not examined without frame.
RICARD OPISSO. Maternity. (d)
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Pencil and gouache on paper
Signed
19.5x25.5 cm. Tear on the paper. Gilt wood frame. It has not been examined outside the frame.
RICARD OPISSO. Ballerinas. (d)
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Pencil, charcoal, pastel and gouache drawing on paper
Signed
27x31.7 cm. Wooden frame. It has not been examined outside the frame.
JOAN CARDONA LLADÓS. A conversation in the park. (d)
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Pencil, charcoal and clarion paper
Signed. On the back, two labels of Sala d'Art Artur Ramon
36x26.5 cm. Foxing. It has not been examined outside the frame. Varnished wood frame.
JOSÉ GARCÍA Y RAMOS. A girl.
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Ink and gouache drawing on paper
Signed and located in Seville
37x22 cm. Rust. Frame in stuccoed, gilt and partially upholstered wood. Not examined without frame.
ARCADI MAS I FONDEVILA. Rural view with a fortified building.
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Charcoal and gouache drawing on paper
Signed. Pencil inscription on the back: “encantada”. Literature: "La Ilustración Artística", Barcelona, January 10, 1910, p. 27 (reproduced).
23.5x18.5 cm. Rust and stains. Fragment of a larger work.
RAMON CASAS. Retrato de una niña.
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Dibujo a carbón y pastel sobre papel
Firmado y fechado en 1909
59,4x44,3 cm. Oxidación. Desperfectos, especialmente en los márgenes.
RAMÓN CASAS. Comic self-portrait with the dentist Adolfo Damians Vila.
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Ink, gouache and coloured pencils drawing on paper.
Signed and dated 1912.
16.5x12.5 cm
Caricature depicting the dentist Adolfo Damians Vila and Ramón Casas.
Origin: Gift of the artist to his dentist and by inheritance to his descendants. The photograph belongs to family documentation and is not attached to the work. Foxing. On the reverse side, attached to a cardboard passe-partout. Lacquered wood frame.
RICARD OPISSO. "Un mal carácter castigado". (d)
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Pencil drawing on paper
Signed. Sketch for the original published in TBO on November 15, 1937 (No. 1057, p. 2).
29.5x20 cm. Rust and sticker stains. Gilt wood frame. Not examined without frame.
SALVADOR DALÍ. Perseus and Andromeda.
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Lithograph
Signed and numbered 519/1000
52x48 cm. Damages, specially on the margins. On the corners of the back, traces of attached paper.
CATALAN SCHOOL, CIRCA 1930. Welcome to the Barça team.
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Watercolour and ink on paper.
23.5x30 cm. Gilt wood frame. It has not been examined outside the frame.
PERE PRUNA. A girl. (d)
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Ink and wash ink drawing on paper
Signed and dated 1973
44x53 cm. Slight foxing. It has not been examined outside the frame. Aluminium frame.
ANTONI TÀPIES. "L'escarnidor de diademes núm. IV". (d)
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Paint and pencil on paper
Signed in pencil. Made circa 1967
32.5x23 cm
It includes a certificate by Tàpies Commission. Foxing and slight folds on the margins.
ANTONI TÀPIES. Untitled.
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Etching and carborundum print
Signed and numbered 75/100
35x50 cm. Ebonised wood frame. It has not been examined outside the frame.
ANTONI CLAVÉ. “Pochoirs”. (d)
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Etching, Pochoir and Carborundo
Signed and numbered 3/13. Made in 1968.
60x80 cm. Oxidation. Painted wooden frame. It has not been examined outside the framework.
JOAN MIRÓ. Untitled (“À toute épreuve”). (d)
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Coloured xylograph and Canson paper collage on “Papier de Chine”
Made by Jacques Frélaut and Jaime Herrera at Atelier Lacourière in Paris. It was originally part of one of the 20 suites that were accompanied by a drawing. Slight foxing.
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