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Description

Roman Token Aurelantoni Nuspius Emperor Caracalla 188 - 217 - PB approx : 4.32 g - Quotation on request (minimum 12€) : Postal delivery by registered colissimo with AR + compulsory insurance or Transfer to Paris, Deauville or Rouen

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Roman Token Aurelantoni Nuspius Emperor Caracalla 188 - 217

Estimate 10 - 30 EUR
Starting price 10 EUR

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For sale on Sunday 08 Sep : 10:30 (CEST)
caudebec-les-elbeuf, France
Enchères en Seine
+33618277554
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Set of 6 studies on Balzac: L-J Arrigon, Les années romantiques de Balzac. Paris, Perrin, 1927. A copy by Milan Markovic, a French-speaking Serbian writer active in the 1930s (autograph signature on the title), and a Balzacian. L-J Arrigon, Les débuts littéraires d'Honoré de Balzac. Paris, Perrin, 1924. Copy of Milan Markovic. F Roux, Balzac jurisconsulte et criminaliste. Paris, Dujarric, 1906. Copy by Milan Markovic. Pierre Descaves, Le président Balzac. Paris, Laffont, 1951. Long letter from Descaves to Lucienne Salvinien. Pierre Descaves, Les cent jours de Balzac. Paris, Calmann-Lévy, 1950. Philippe Hériat, Théâtre [volume III] contenant le "scénario pour un film" Balzac. Paris, NRF Gallimard, 1969. Set in fawn half-basane, spine ribbed, title-pieces, covers and spine preserved. Nice set. Set of 6 plates on Balzac: Serval, Autour d'un roman de Balzac: les chouans. 1921. Caro, Balzac, son oeuvre et son influence. Serval, César Birotteau. 1931. Letter to journalist Pierre Abraham. Chancel, Genèse de la Comédie humaine. E.M., Balzac's politics and his work. 1912. Biré, Balzac and Napoleon. 1894. Set in half-percaline. Hard-to-find set of plates and offprints. Sophie de Korwin-Piotrowska, Deux ouvrages: sa thèse et sa thèse complémentaire. Paris, Champion, 1933, 2 volumes in-8. Balzac and the Slavic world. Madame Hanska and the work of Balzac. 520-[2]p. Frontispiece portrait of Madame Hanska and 6 plates. Balzac in Poland - Essay on bibliography. 188-[2]p. Red half-maroquin, spine ribbed, covers and spine preserved. Very fine copies, uncommon.

Larger Than Life-Size Roman Bronze Sandaled Foot. 2nd-3rd century A.D. Modelled in the round and originally part of a monumental statue, the naturalistic right foot encased in a trochades leather sandal with median reversed tongue secured with side straps and thick looped laces; the thick platform sole slightly curved, toes and nails well defined; mounted on a substantial custom-made display stand. Cf. Racinet, A., The complete costume history, from ancient times to 19th century, Köln, 2003, pp.52-53, nos.23 and 36; 76-77, nos.10, 24, 38, 44 for similar footwear; Sebesta, J.L., and Bonfante, L., The World of Roman Costume, Madison, 2001; a similar type of footwear appears on a Roman bronze statue, today in Cleveland Museum of Art, Ohio, acc. no. 1986.5, believed to portray Emperor Marcus Aurelius in the guise of a simple itinerant philosopher rather than as a general or a nobleman; another example appears on a huge statue from the Mausoleum at Halicarnassus, British Museum accession no.1857,1220.232, reconstructed from more than seventy fragments recovered from the site. 5.84 kg total, foot: 30 cm wide (11 3/4 in.). The detailed bronze foot with a possible variant of the Greek trochades sandal, known to be a traveller's sandal, is all that remains of the once monumental statue. The trochades was a sturdy traveller's open boot of Greek origin with a flat sole. In the Consular Age it was also used by officers and guardsmen. Roman sandals consisted usually of a leather sole attached to the foot with interlacing thongs. German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12176-221443. [A video of this lot is available to view on Timeline Auctions Website]