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Engraving of a Chinese peasant at work

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Engraving of a Chinese peasant at work

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Estimate 20 - 30 EUR
Starting price  20 EUR

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morigny-champigny, France
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TSUKIOKA YOSHITOSHI: RAINY MOON - KOJIMA TAKANORI TSUKIOKA YOSHITOSHI: RAINY MOON - KOJIMA TAKANORI By Tsukioka Yoshitoshi (1839-1892), signed Yoshitoshi with seals Japan, dated 1889 Color woodblock print on paper. Vertical oban. Signed Yoshitoshi with seals; publisher Akiyama Buemon. Titled uchu no tsuki - Kojima Takanori (Rainy Moon - Kojima Takanori), number 78 from the series Tsuki no hyakushi (One Hundred Aspects of the Moon). The warrior Kojima Takanori kneeling by a budding cherry tree, praying for success in bringing Emperor Go-Daigo back to power, under the falling rain. SIZE of the sheet 35 x 24.1 cm Condition: Good condition with minor wear and slight browning of paper. The colors slightly faded. Tiny losses to the top-left and bottom-right corners. One stain to the left margin. Slightly trimmed margins. Backed with Japan paper. Provenance: From the estate of Sear Hang Hwie Pao (1937-2009). Pao was one of Canada’s leading dealers of Chinese porcelain and works of art. His antique store, Pao & Moltke Ltd., owned together with his wife Mrs. von Moltke, who descended from a German and Danish noble family, was a fixture in Toronto’s trendy Yorkville area from the 1980s to early 2000s. This print is part of Yoshitoshi's famous series One Hundred Aspects of the Moon, which consists of one hundred prints with the moon as a unifying motif and depicts scenes from traditional Chinese and Japanese history and lore. Prints from the series were released individually or in groups every few months, with the final image completed shortly before Yoshitoshi's death. The series proved tremendously popular, with patrons lining up to purchase the new releases as soon as they became available. Today, One Hundred Aspects of the Moon remains Yoshitoshi's most well-known work. Kojima Takanori, lord of the Bizen province, was not only known for his bravery but also for his deep knowledge of the Chinese classics. This designs illustrates his famous act of loyalty, which is recorded in the 14th-century chronicle Taiheiki (‘Chronicle of the Great Peace’). Takanori led a small group of loyal retainers to rescue Emperor Go-Daigo, who was sent into exile as a result of a power struggle between the court and the military leaders. Takanori lost his way, but eventually found the inn where the emperor was held. Disguised as a peasant, he carved a Chinese poem alluding to the rescue of an ancient Chinese king on the bark of a cherry tree in front of the inn, knowing that only the emperor would understand the underlying message of hope. Tsukioka Yoshitoshi was one of the leading woodblock print artists during the Meiji era (1868-1912) and one of the last to work in the traditional ukiyo-e manner. Born in Edo (today’s Tokyo), he showed a strong interest in classical Japanese literature and history. When he was 11, he became a student at Kuniyoshi Utagawa’s studio. Under his teacher’s guidance, he showed exquisite draftsmanship skills and learned how to draw from life, something not necessarily part of the training schools of painting and illustration in Japan. Museum comparison: A closely related print, with similar seals, is in the collection of the Art Gallery of New South Wales, accession number 258.2012.78.