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Description

Ay-O, Japanese b.1931- Alpine Skiing; Men's 100 metres, 1988; two screenprints in colours on wove, each signed, dated and numbered 69/100 in pencil, each sheet: 76 x 56 cm, (unframed) (2)

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Ay-O, Japanese b.1931- Alpine Skiing; Men's 100 metres, 1988; two screenprints in colours on wove, each signed, dated and numbered 69/100 in pencil, each sheet: 76 x 56 cm, (unframed) (2)

Estimate 500 - 700 GBP
Starting price 340 GBP

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 26 %
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For sale on Wednesday 04 Sep - 10:00 (BST)
london, United Kingdom
Roseberys
+442087612522
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Extensive documentation on earthenware Extensive documentation on earthenware, including : - B.J Verlingue and J. Glérant, Odetta, Musée de la faïence de Quimper, 1999. - C. Soudée Lacombe, Les faïences de Sinceny, 1737-1887, Musée de Laon, 1993 - Les pots de pharmacie, Paris et l'île de France, Dacosta, 1981. - C. De la Hubaudière, C. Soudée Lacombe, L'art de la faïence de Caussy, Lilou, (with CD), 2007. - Faïence de Marseille et de Saint Jean du Désert", exhibition catalog, 1985. - M. Desnuelle, La faïence de Marseille au XVIIe siècle, Aubanel, 1984. - Les plaques en faïence de Delft", catalog, 1989. - C. Massin, S. de Plas "Faience de Rouen du nord et de la région parisienne", - Faïences du nord (3 volumes), ABC collection, 1979. - Faïences de Nevers, ABC collection, 1984. - Poteries grès et faïences du center est, ABC collection, 1991. - Faïences de Rouen, ABC Collection, 1985. - Les Faïences de Moustiers, Musé de Sèvres, musée national de la céramique, Limoges Musée Adrien Doubouché Ministère de la culture et de la communiation, 1988. - La faïence de Meillonnas, 1760-1845, exhibition catalog 1993. - Dauguet, Reconnaître l'origine des faïences française, Massin, circa 1990. - Tumin Collection, sale catalog 1936. - Faïence de Sinceny 1737, 1775, collection catalog, Lille Morel, 1990. - R. Dacosta, Les pots de pharmacie, Rouen et la Normandie la Picardie et la Bretagne, Dacosta, 1982. - E. Mannoni, Les faïences révolutionnaires, Massin, 1989. - Céramiques I.Musée du petit palais1984. - J-D. Picard, "Voyage vers les apothicaireries françaises", Editions de l'amateur, 2004. - H-P Fourest, La Faïence de Delft, Office du livre Fribourg, 1980. - A. Pottier, Histoire de la faïence de Rouen, Editions de Neustrie, 1986. - J-M André, Restauration de la céramique et du verre, Office du livre de Fribourg. - P-A Mariaux, La Majolique, la faïence italienne et son décor, Musée historique de Lausanne, Albert Skira 1995. - Les Della Robbia, Sculptures en terre cuite émaillée de la Renaissance italienne, Réunion des musées nationaux, 2003. - M. J Marryat, Histoire des poteries faïences et porcelaines, Paris, Jules REnoaurd, 1866, two volumes bound in red cloth. - J. Rosen, La faïence de Nevers, 4 volumes in slipcase, Faton, 2009. - P. Rada, Les techniques de la céramique, Gründ 1989. - La faïence européenne au XVIIe siècle, Le triomphe de Delft, Réunion des musées nationaux, 2004. - Booklet by M-F. Arlaud and A. Josserand, "Les faïences". Amateur printing. Approx. 100 pages. - M. Taburet, La faïence de Nevers et le miracle lyonnais au XVI siècle, Editions Sous le vent, 1981. - R. Paquot, La céramique musicale et instrumentale , Paris, Lévy, 1889. - O. Rayet et M. Collignon, Histoire de la céramique grecque, illustrations in and out of text, Paris, Decaux, 1888. - M-J BALLOT, La céramique française, Paris, Albert Morancé, 1924. - Ris-Paquot, Manuel du collectionneur de faïences anciennes, avec 56 sujets en couleur, Paris, Raphael Simon and Amiens chez l'auteur, 1877-1878. Modern binding.

YOSHITOMO NARA (Japan, 1959) for MOMA, New York. "Welcome girl," 2017. Screenprint on Canadian wood. Skateboard. Printed signature. Limited edition, unnumbered. Sold out (sold out). Measurements: 78,9 x 20 cm. This skateboard reproduces the painting "Welcome Girl" (2017) by Japanese artist Yoshitomo Nara. The piece, a limited edition, was produced by MOMA, the quintessential institution of international contemporary art,in whose collection Nara is represented. The skateboard was made in Canada from 7-ply maple wood. Yoshitomo has become a cult artist, and his works are sought after by the most prestigious galleries. The secret of his popularity seems to lie in the fact that he amalgamates coldness and tenderness, violence and innocence, perversity and naïff aesthetics. He drinks from multiple languages: graffiti, anime, punk art, comics... He currently lives in Tokyo and has exhibited in many parts of the world. He graduated in Fine Arts at the University of Aichi in 1985, obtaining a master's degree at the same university after two years. Between 1988 and 1993 he studied at the Kunstakademie in Düsseldorf. Nara emerged from the Japanese pop art movement of the 1990s. His works are at the same time bellicose and simple. In them he even depicts children or animals with weapons and an inquisitive gaze, but for Nara his creations are not aggressive at all. Nara was educated after World War II and is the spokesman for a generation that takes refuge behind naïve or kawaii aesthetics to demonstrate its disagreement with traditional Japanese society.