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Description

Samuel Palmer, British 1805-1881, The Sleeping Shepherd, Early Morning, 1857; etching on India paper, signed in pencil, published as plate 5 in 'Etchings for the Art Union', image: 9.5 x 7.8 cm, (framed) Note: Ref: Lister 6 IV/4 Provenance: P and D Colnaghi, London, 1976

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Samuel Palmer,

Estimate 2 000 - 3 000 GBP
Starting price 1 400 GBP

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 26 %
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For sale on Wednesday 04 Sep - 10:00 (BST)
london, United Kingdom
Roseberys
+442087612522
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A JADE ‘SILKWORM’ PENDANT, LATE NEOLITHIC PERIOD TO SHANG DYNASTY A JADE ‘SILKWORM’ PENDANT, LATE NEOLITHIC PERIOD TO SHANG DYNASTY China, c. 1300 BC or earlier. The pendant pierced vertically and carved in the form of a silkworm, incised at one end with its head, detailed with large rounded eyes and slightly open mouth, the body with stylized ‘comma-scrolls’. The translucent stone is of a pale celadon tone with few dark inclusions and patches of opaque creamy-white calcification. Provenance: Collection of Harry Geoffrey Beasley (1881-1939) and thence by descent to his widow Irene Beasley. Collection of Alfred William Cowperthwaite (1890-1964), acquired from the above c. 1939 and thence by descent in the same family. Harry Geoffrey Beasley (1881-1939) was a British anthropologist and museum curator who developed an important ethnographic collection during the early 20th century that is now held in various British museums. With his wife Irene, Beasley set up the Cranmore Ethnographical Museum which eventually held more than 6,000 objects of ethnographical interest. The Beasleys collected objects from across Europe, buying from auction houses and local museums to expand the collection, which contained material from the Pacific, Asia, Africa, and Northwestern America. Beasley wrote numerous articles for anthropological journals and was considered an expert in his field. He died in 1939 and his collection was stored with the British Museum collections during the war, which was fortunate, as the Cranmore Museum was destroyed by bombing. After the war, substantial portions of the collection were passed to the British Museum, the Royal Museum in Edinburgh, the Museum of Archaeology and Anthropology, the University of Cambridge, the Pitt Rivers Museum, and the Merseyside County Museum. Other pieces, such as the present lot, were sold by his widow and, after her death in 1974, by their daughters. Alfred William Cowperthwaite (1890-1964) was a contributor to the Cranmore Museum and became good friends with Harry Beasley. Shortly after Harry Beasley’s death, he acquired a number of objects from Irene Beasley, including the present lot. Condition: Good condition, commensurate with age. Wear, minor nibbling, small chips, some of which have smoothened over time, signs of weathering and erosion. The stone with natural fissures, some of which have developed into small hairline cracks over time. Weight: 5.4 g Dimensions: Length 4.5 cm

A JADE ‘BIRD’ PENDANT, LATE SHANG TO WESTERN ZHOU DYNASTY A JADE ‘BIRD’ PENDANT, LATE SHANG TO WESTERN ZHOU DYNASTY China, 11 th-8 th century BC. The thick flattened plaque finely carved in the form of a recumbent bird in profile, detailed with incised feathers, sharp beak with pierced aperture for suspension, and round eyes. Opaque stone of a mottled greenish-brown tone with russet veins. Provenance: Collection of Harry Geoffrey Beasley (1881-1939) and thence by descent to his widow Irene Beasley. Collection of Alfred William Cowperthwaite (1890-1964), acquired from the above c. 1939 and thence by descent in the same family. Harry Geoffrey Beasley (1881-1939) was a British anthropologist and museum curator who developed an important ethnographic collection during the early 20th century that is now held in various British museums. With his wife Irene, Beasley set up the Cranmore Ethnographical Museum which eventually held more than 6,000 objects of ethnographical interest. The Beasleys collected objects from across Europe, buying from auction houses and local museums to expand the collection, which contained material from the Pacific, Asia, Africa, and Northwestern America. Beasley wrote numerous articles for anthropological journals and was considered an expert in his field. He died in 1939 and his collection was stored with the British Museum collections during the war, which was fortunate, as the Cranmore Museum was destroyed by bombing. After the war, substantial portions of the collection were passed to the British Museum, the Royal Museum in Edinburgh, the Museum of Archaeology and Anthropology, the University of Cambridge, the Pitt Rivers Museum, and the Merseyside County Museum. Other pieces, such as the present lot, were sold by his widow and, after her death in 1974, by their daughters. Alfred William Cowperthwaite (1890-1964) was a contributor to the Cranmore Museum and became good friends with Harry Beasley. Shortly after Harry Beasley’s death, he acquired a number of objects from Irene Beasley, including the present lot. Condition: Good condition with expected old wear, minuscule nibbling, small losses, tiny nicks, minor signs of weathering and erosion. Weight: 8.6 g Dimensions: Length 4.6 cm Literature comparison: Compare a related jade bird, dated to the Western Zhou dynasty, 5.1 cm long, in the Minneapolis Institute of Art, accession number 50.46.247. Compare a related jade bird pendant, dated to the Western Zhou dynasty, 4.3 cm long, in the British Museum, registration number 2022,3034.111. Auction result comparison: Type: Related Auction: Sotheby’s Hong Kong, 2 April 2019, lot 3446 Price: HKD 75,000 or approx. EUR 9,500 converted and adjusted for inflation at the time of writing Description: A celadon jade ‘bird’ plaque, Shang dynasty Expert remark: Compare the related form and incision work. Note the smaller size (4.7 cm).

TWO CELADON JADE PENDANTS, EASTERN ZHOU DYNASTY TWO CELADON JADE PENDANTS, EASTERN ZHOU DYNASTY China, c. 6 th-5 th century BC. The plaque of rectangular form, each corner with a drilled aperture, and one side incised with interlacing scroll and rope-twist designs. The ceremonial axe pendant of typical form with rounded cutting edge and drilled with an aperture for suspension to the upper end, both sides incised with a taotie mask and with a Wang character (‘king’) centered between the eyebrows. (2) Provenance: The plaque: Collection of Harry Geoffrey Beasley (1881-1939) and thence by descent to his widow Irene Beasley. Collection of Alfred William Cowperthwaite (1890-1964), acquired from the above c. 1939 and thence by descent in the same family. Harry Geoffrey Beasley (1881-1939) was a British anthropologist and museum curator who developed an important ethnographic collection during the early 20th century that is now held in various British museums. With his wife Irene, Beasley set up the Cranmore Ethnographical Museum which eventually held more than 6,000 objects of ethnographical interest. Alfred William Cowperthwaite (1890-1964) was a contributor to the Cranmore Museum and became good friends with Harry Beasley. Shortly after Harry Beasley’s death, he acquired a number of objects from Irene Beasley, including the present plaque. The axe: Formerly part of an important collection of archaic Chinese bronzes, built by three generations of the Chasseloupe-Laubat family in France. One side with an old collector’s number ‘45’. Prosper de Chasseloup-Laubat (1805-1873), was a prominent aristocrat, politician, and art collector who became Minister of the French Navy and the Colonies under Napoleon III, traveling extensively through all of Asia. His son Louis (1863-1954), an engineer in ship design, significantly expanded the family collection, also during his frequent travels throughout Asia. François (1904-1968), Prosper’s grandson, eventually inherited the family passion and became a renowned explorer and participant in the Hoggar Expedition. He was the first French explorer to reach English Malaysia, bringing back previously unpublished documents on the isolated Sakai tribes. As a collector, François Chasseloupe-Laubat was advised by Jean Claude Moreau-Gobard, an important French collector and dealer specializing in Asian art. Published: J.C. Moreau-Gobard, Chine – Terres cuites, 1 July 1965, p. 6, no. 3 (the axe). Condition: Overall good condition with wear, minor signs of weathering and erosion, minute nibbling to edges, natural fissures. Weight: 20.8 g and 10 g Dimensions: Length 4.9 cm and 4.6 cm Literature comparison: Compare three pairs of related jade plaques, each decorated with similar motifs and also pierced to the corners, dated Eastern Zhou dynasty, 6 th-5 th century BC, in The British Museum, registration numbers 1945.1017.152-153, BM 1945.1017.11-12, and BM 1935.0115.9-10.