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VALERIUS MAXIMUS. Noviter recognitus cum cometario historico. Venetiis, Gulielmum de Fontaneto Montisferrati, 1523 Folio, 295x210 mm. Full vellum binding; gold title on spine gusset. Cc. [12], CCLXIV. Frontispiece in frame, printed in red and black. Hundreds of historiated or ornate initials on black ground of various sizes. Text on two columns in Gothic type with text framed by commentary in center of two columns. 9 xyl. engravings in text. Manuscript possession note to title page. Tear at c. CCXIX with minimal text interest. Diffuse veiling of moisture. Valuable edition of the Latin historian's work with text framed by commentary by Bade Josse (1462-1535), Chalcondylas Theophilus (15th-16th cent.) and Oliviero d'Arzignano (15th cent.), editors of the work whose names appear in the colophon. It is a collection of anecdotes of a moralising character in nine books. A scholarly work of a popular character, it collected facts and anecdotes taken from diverse sources including Cicero, Livy, Varro and, among the Greeks, Herodotus and Xenophon.Sander 7458; Essling 217; BM STC 708. Missing from Adams and Dibdin. Folio, 295x210 mm. Full vellum binding; Gilt title on spine. Leaves [12], CCLXIV. Framed title page, printed in red and black. Hundreds of historiated or decorated initials on a black background of various sizes. Text on two columns in Gothic type with text framed by the comment in the center of the two columns. 9 woodcuts within text. Handwritten ownership note on title page. Tear on leaf CCXIX with minimal text interest. Spread stain of humidity. Valuable edition of the work of the Latin historian with text framed by the commentary of Bade Josse (1462-1535), Chalcondylas Theophilus (15th-16th century) and Oliviero d'Arzignano (15th century), editors of the work whose names appear in the colophon. It is a collection of moralizing anecdotes in nine books. An erudite work of a popular nature, it collected facts and anecdotes taken from different sources including Cicero, Livy, Varro and, among the Greeks, Herodotus and Xenophon.

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VALERIUS MAXIMUS. Noviter recognitus cum cometario historico. Venetiis, Gulielmum de Fontaneto Montisferrati, 1523 Folio, 295x210 mm. Full vellum binding; gold title on spine gusset. Cc. [12], CCLXIV. Frontispiece in frame, printed in red and black. Hundreds of historiated or ornate initials on black ground of various sizes. Text on two columns in Gothic type with text framed by commentary in center of two columns. 9 xyl. engravings in text. Manuscript possession note to title page. Tear at c. CCXIX with minimal text interest. Diffuse veiling of moisture. Valuable edition of the Latin historian's work with text framed by commentary by Bade Josse (1462-1535), Chalcondylas Theophilus (15th-16th cent.) and Oliviero d'Arzignano (15th cent.), editors of the work whose names appear in the colophon. It is a collection of anecdotes of a moralising character in nine books. A scholarly work of a popular character, it collected facts and anecdotes taken from diverse sources including Cicero, Livy, Varro and, among the Greeks, Herodotus and Xenophon.Sander 7458; Essling 217; BM STC 708. Missing from Adams and Dibdin. Folio, 295x210 mm. Full vellum binding; Gilt title on spine. Leaves [12], CCLXIV. Framed title page, printed in red and black. Hundreds of historiated or decorated initials on a black background of various sizes. Text on two columns in Gothic type with text framed by the comment in the center of the two columns. 9 woodcuts within text. Handwritten ownership note on title page. Tear on leaf CCXIX with minimal text interest. Spread stain of humidity. Valuable edition of the work of the Latin historian with text framed by the commentary of Bade Josse (1462-1535), Chalcondylas Theophilus (15th-16th century) and Oliviero d'Arzignano (15th century), editors of the work whose names appear in the colophon. It is a collection of moralizing anecdotes in nine books. An erudite work of a popular nature, it collected facts and anecdotes taken from different sources including Cicero, Livy, Varro and, among the Greeks, Herodotus and Xenophon.

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PEROTTO, Nicholas. Cornucopiae linguae Latinae. Venice, Baptista de Tortis, October 19, 1490. Folio. 315x214 mm. Eighteenth-century binding in half-bock with gold title within cartouche on spine. Papers [16], 291. Markings: A-B8 a-z8 &8 [cum]8 [rum]8 A-O5. Typographic mark to paper N6v. Explicit on c. N6r: "Nicolai peroti pontificis Sypontini eruditissimi uiri Cornucopiae seu Commentariorum linguae latinae. Venetiis, per Baptistam de Tortis, 1490 die xix. octobri." On cc. O1-6: "In ... proemium Plynii commentariolus ... Ad Antonius Moretus." Roman and Greek characters. Spaces reserved for initials, some with guide letters. Ex libris "A. Damevino" pasted to spine and counterplate. On lower margin of page 1 ancient handwritten possession note "Est sancti Bartholomaei Astensis". Last blank paper O6 is missing. Specimen with wide margins. Rare and important third absolute edition and first with commentary on Pliny's Natural History. The Cornucopiae is the most important work of the celebrated humanist from Sassoferrato: begun as a commentary on Martial, it turned into a vast philological repertory of the Latin language on which Perotto worked for the rest of his life. It is a summa of humanistic knowledge, a source for the lexicons of Ambrogio Calepio and Robert Estienne, full of linguistic and erudite discussions, as well as thousands of quotations from ancient authors, some of them not handed down elsewhere. In the proem, his nephew Pyrrhus recounts that his uncle had composed the work for his own use: he allegedly copied it secretly, adding commentary on Martial's most obscene verses and accompanying it with summaries of epigrams, as well as rubrics and indexes. BMC: "The Commentariolus in Plinium is here for the first time appended to it." Folio. 315x214mm. Quarter calf binding from the 18th century, gilt title within a cartouche on the spine. Leaves [16], 291. Collation: A-B8 a-z8 &8 [cum]8 [rum]8 A-O5. The last blank leaf O6 is missing. Printer's device on leaf N6v. Explicit to leaf N6r: "Nicolai peroti pontificis Sypontini eruditissimi uiri Cornucopiae seu Commentariorum linguae latinae. Venetiis, per Baptistam de Tortis, 1490 die xix. octobri". At leaf O1-6: "In ... proemium Plynii commentariolus ... Ad Antonius Moretus." Roman and Greek type. Spaces for Initials, some with guide letters. Bookplate "A. Damevino" glued to the spine and inside cover. On the lower margin of page 1 an ancient handwritten note of ownership "Est sancti Bartholomaei Astensis". Copy with wide margins. Rare and important third absolute edition and first with the commentary on Plinius' Natural History. The Cornucopiae is the most important work of the famous humanist of Sassoferrato: begun as a commentary on Martial, it turned into a vast philological repertoire of the Latin language on which Perotto worked for the rest of his life. It is a summa of humanistic knowledge, source of the lexicons of Ambrogio Calepio and Robert Estienne, rich in linguistic and erudite discussions, as well as thousands of quotations from ancient authors, in part not handed down elsewhere. In the proem, his nephew Pirro recounts that his uncle had composed the work for personal use: he allegedly copied it secretly, adding the commentary to the more obscene verses of Martial and providing it with summaries of the epigrams, as well as rubrics and indexes. BMC: "The Commentariolus in Plinium is here for the first time appended to it."

GRATIANUS. Decretum. Venetiis, per Baptistam de Tortiis, XXX martii, 1496 [Venice, Baptista de Tortis, Mar 30, 1496]. Large folio. 428x287 mm. Magnificent coeval brown leather binding on wooden boards, original metal clasps still preserved and working. Papers 333 (of 335), [3]. Marking: a⁸+² b-z⁸ &⁸ [cum]⁸ [rum]⁸ A-Q⁸. Latin text in two columns, surrounded by commentary of 82 lines, Gothic and Roman typeface. Title and letterpress mark on paper 336 printed in red, text entirely printed in red and black. Papers 188-189 are missing. Slight traces of moisture on side and top margins, nice copy on strong crisp paper. Rare Venetian incunabulum. Valuable and significant edition from the Venetian workshop of Baptista de Tortis, one of the most famous Italian printers of the late 15th century, renowned for the rigorous correctness and formal beauty of his editions. Confirming the authority of the printer, the title in red in the buttonhole is "Decretum de tortis." The Decretum is the cornerstone of medieval canon law: a collection of sources of canon law compiled - and periodically updated - by Gratian and composed of multiple treatises with which the author resolved the antinomies that had emerged in the more than one thousand years of history of legal norms in Christendom (including conciliar decrees), between procedural, tributary, civil, administrative/ordinal, penal, penitential and sacramental subjects, which had become conflicting over time. Goff G-388; H 7915* = 7904 (?); BMC V, 329; BSB-Ink G-283; GW 11383; Voull(B) 3950; IBP 2466; Borm 1179; Sack(Freiburg) 1600; Pad-Ink 286. Large folio. 428x287 mm. Magnificent contemporary brown calf binding on wooden boards, original metal clasps still preserved and working. Leaves 333 (of 335), [3]. Collation: a⁸ + ² b - z⁸ & ⁸ [cum] ⁸ [rum] ⁸ A-Q⁸. Latin text on two columns, surrounded by 82-line commentary, Gothic and Roman type. Title and Printer's device on leaf 336 printed in red, text entirely printed in red and black. Leaves 188-189 are missing. Slight traces of humidity on the side and top margins, beautiful copy on crisp and thick paper. Rare Venetian incunabulum. Precious and meaningful edition from the Venetian workshop of Baptista de Tortis, one of the most famous Italian printer of the late fifteenth century, renowned for the rigorous correctness and the formal beautiness of his editions. In confirmation of the printer's authority, the title in red in the first leaf is "Decretum de tortis." The Decretum is the milestone of medieval canon law: a collection of sources of canon law drawn up - and periodically updated - by Gratian and composed of several treatises with which the author resolved the antinomies that emerged in the over a thousand years of history of the juridical norms of Christianity (including conciliar decrees), between procedural, tax, civil, administrative / ordinal, criminal, penitential and sacramental matters, which over time had become conflicting with each other.