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Description

An exquisite Buddhist sutra with Pu Ru mark, inscribed by Zhang Daqian. 20cm x 10cm

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An exquisite Buddhist sutra with Pu Ru mark, inscribed by Zhang Daqian. 20cm x 10cm

Estimate 1 000 - 2 000 GBP
Starting price 1 000 GBP

* Not including buyer’s premium.
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For sale on Monday 12 Aug : 10:00 (BST)
hertfordshire, United Kingdom
Cadmore Auctions
+441992633373
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A BRONZE FIGURE OF BUDDHA IN PARINIRVANA, 19TH CENTURY A BRONZE FIGURE OF BUDDHA IN PARINIRVANA, 19TH CENTURY Thailand. Cast reclining with the head held resting in one hand, the other arm extended along his body, wearing a long flowing monastic robe draped over one shoulder, the face showing an enlightened expression with almond-shaped eyes over gently arched eyebrows and slender lips, flanked by long earlobes, the hair surmounted by an ushnisha. Provenance: Danish private collection, since 1978. Condition: Good condition with wear, casting flaws, small nicks, and remnants of red pigment. Weight: 686 g Dimensions: Length 24.2 cm The death of the Buddha, also known as the Buddha’s Parinirvana referring to the Buddha’s enlightenment after death, has been depicted widely in Buddhist iconography and is accounted in the Mahaparinirvana sutra. According to Buddhist tradition, the Buddha died in Kushinagara, Northern India, with the traditional dates of Buddha's life from 566-486 BC. After his death, the Buddha’s body was cremated and distributed among his followers. The stupas that guarded his remains became important pilgrimage sites for Buddhists. The Mahaparinirvaṇa sutra is one of the most important Buddhist scriptures in China and Tibet, and it relates the events surrounding the Buddha’s death. The precise date of origin of this text is uncertain, but its early form may have developed in or by the second century CE. The original Sanskrit text is not extant except for a small number of fragments, but it survives in Chinese and Tibetan translation.

A GILT-LACQUERED WOOD FIGURE OF BUDDHA IN PARINIRVANA, LATE RATTANAKOSIN KINGDOM A GILT-LACQUERED WOOD FIGURE OF BUDDHA IN PARINIRVANA, LATE RATTANAKOSIN KINGDOM Thailand, late Rattanakosin period (1782-1932). Carved reclining on a stepped base, the head held resting in one hand, the other arm extended along his body, wearing a long monastic robe draped over the left shoulder, the face showing an enlightened expression, with downcast eyes below gently arched eyebrows, and slender lips flanked by long earlobes, the hair in tight curls surmounted by an ushnisha. Provenance: Danish private collection, acquired in 1978. Condition: With some wear, age cracks, fire damages to the upper arm, rubbing and light flaking to the lacquer. The head and lower arm reattached, and the ushnisha finial lost. Weight: 2,615 g Dimensions: Length 42.1 cm The death of the Buddha, also known as the Buddha’s Parinirvana referring to the Buddha’s enlightenment after death, has been depicted widely in Buddhist iconography and is accounted in the Mahaparinirvana sutra. According to Buddhist tradition, the Buddha died in Kushinagara, Northern India, with the traditional dates of Buddha's life from 566-486 BC. After his death, the Buddha’s body was cremated and distributed among his followers. The stupas that guarded his remains became important pilgrimage sites for Buddhists. The Mahaparinirvaṇa sutra is one of the most important Buddhist scriptures in China and Tibet, and it relates the events surrounding the Buddha’s death. The precise date of origin of this text is uncertain, but its early form may have developed in or by the second century BC. The original Sanskrit text is not extant except for a small number of fragments, but it survives in Chinese and Tibetan translations.

A GREEN-GLAZED ‘HEART SUTRA’ BRUSHPOT, BITONG, LATE QING DYNASTY A GREEN-GLAZED ‘HEART SUTRA’ BRUSHPOT, BITONG, LATE QING DYNASTY China, 1820-1900. Glazed all over in a vibrant apple-green, the brush pot is finely carved with eight lines of inscription along the exterior, in high relief, above a double-band border and beneath the raised lip of the rim. The bright glaze thins nicely at the edges and pools in the recesses of the script. The base with an apocryphal six-character seal mark da Qing Qianlong nianzhi within a square reserve in deep relief. Provenance: Austrian trade. Acquired from a private consignor. Condition: Good condition with expected old wear and minor firing irregularities, signs of use mostly to the inside, and a minor hairline crack to the rim. Weight: 1,445 g Dimensions: Diameter 18.1 cm, Height 15.2 cm A small group of independent ceramicists in Jingdezhen produced considerable numbers of carved quality porcelain during the later 19 th century. Among this group were famous potters like Zhang Mianyi and Wang Bingrong. At that time, some porcelain workshops started carving ceramic vessels, such as snuff bottles or brush pots, as a diversification and improvement from the earlier practice of molding. The uniformity and depth of the characters, as exemplified by the present lot, can only be achieved by careful and steady carving, which takes a lot of time and a highly advanced skillset. The monochrome glaze serves to highlight the sheer quality of the carving, unlike in molded designs, which almost always show painted details in polychrome enamels, gilt, and iron red. These details serve to ‘hide’ the many imperfections of the molded design. As opposed to that, the glaze - which pools around the characters –highlights every single imperfection to the design … unless there simply is none, such as in the present lot. The Heart Sutra is known also as the Prajnaparamita sutra and was translated into Chinese in the 7 th century by the pilgrim monk Xuanzang on the orders of the Emperor Gaozong (reigned 649-683 AD). It was one of the principal scriptures of the Madhyamika school of Buddhism, founded by the great Buddhist philosopher Nagarjuna (c. 100-200 BC), mostly because of its emphasis on true wisdom which eventually leads to enlightenment. Scholars agree that the Heart Sutra is the most recited, copied, and studied scripture in East Asian Buddhism. It is recited by adherents of the Mahayana schools regardless of sectarian affiliation with the exception of Shin and Nichiren Buddhists. In Sanskrit, the title translates to ‘The heart of perfect wisdom.’ In the Heart Sutra , Avalokiteshvara addresses Sariputra, explaining the fundamental emptiness of all events, known through and as the five aggregates of human existence: form, feeling, volitions, perceptions, and consciousness. Avalokiteshvara famously states, ‘Form is emptiness. Emptiness is form,’ and declares the other skandhas to be equally empty. Auction result comparison: Type: Related Auction: Christie's London, 13 December 2018, lot 47 Price: GBP 30,000 or approx. EUR 47,500 converted and adjusted for inflation at the time of writing Description: An inscribed 'heart sutra' pewter brush pot, 19th century Expert remark: Compare the closely related cylindrical form, heart sutra inscription, and size (18.1 cm). Note the different material.