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Hiroshi Asada Hiroshi ASADA (1931-1997) Architect's Compass Original etching on BFK Rives wove paper Signed in pencil lower right Numbered on /60 copies 65 x 50 cm Very good condition Mandatory shipping, up to 5 lithographs in your parcel for €14.76 incl. VAT in mainland France, and €29.64 incl. VAT for Europe (Transport insurance not included, see CGE)

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Hiroshi Asada Hiroshi ASADA (1931-1997) Architect's Compass Original etching on BFK Rives wove paper Signed in pencil lower right Numbered on /60 copies 65 x 50 cm Very good condition Mandatory shipping, up to 5 lithographs in your parcel for €14.76 incl. VAT in mainland France, and €29.64 incl. VAT for Europe (Transport insurance not included, see CGE)

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Estimate 80 - 100 EUR
Starting price  80 EUR

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Sunday 18 Aug - 20:00 (CEST)
le-mans, France
Pastor Maison de Ventes
+33963607352
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HIROSHI YOSHIDA: HIROSAKI CASTLE HIROSHI YOSHIDA: HIROSAKI CASTLE By Hiroshi Yoshida (1876-1950), signed Yoshida with seal Hiroshi Japan, dated 1935 Color woodblock print on paper. Vertical oban. Signed Yoshida with seal Hiroshi, further signed in pencil in Roman script to the outer-lower margin Hiroshi Yoshida, seal: jizuri (self-printed). Title Hirosaki Jo (Hirosaki Castle), from the series Sakura hachidai (Eight Views of Cherry Blossoms). Illustrating a view of Hirosaki castle, the seat of the Tsugaru clan, partially obstructed by the blooming cherry blossoms. SIZE of the sheet 40.6 x 27.5 cm Condition: Good condition with minor wear. Very good impression with vivid colors. Slight browning of paper and minor foxing. The jizuri seal is the most important mark on a Hiroshi Yoshida print as it helps distinguish an early edition where the printing process was directly supervised by him. Jizuri means "self-printed" and indicates that Hiroshi Yoshida played an active role in the printing process of the respective print. Hiroshi focused heavily on developing prints of the highest quality and normally only the prints with the best impressions received his jizuri seal. Hiroshi Yoshida (1876-1950) began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes, and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. While highly successful as an oil painter and watercolor artist, Hiroshi Yoshida turned to woodblock printmaking upon learning of the Western world’s infatuation with ukiyo-e. While widely traveled and knowledgeable of Western aesthetics, he maintained an allegiance to traditional Japanese techniques and traditions. Museum comparison: A closely related print, also bearing the jizuri seal, is in the collection of Museum of Fine Arts, Boston, accession number 50.2501.