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S. POWER (LATE 19TH/EARLY 20TH CENTURY) PAIR OF VIEWS OF CAIRO Signed, one titled on label verso Watercolour (25cm x 35cm) Qty: (2)

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S. POWER (LATE 19TH/EARLY 20TH CENTURY) PAIR OF VIEWS OF CAIRO Signed, one titled on label verso Watercolour (25cm x 35cm) Qty: (2)

Estimate 100 - 150 GBP
Starting price 90 GBP

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For sale on Wednesday 14 Aug : 09:30 (BST)
ripon, United Kingdom
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An Isoko Mask Isoko, Nigeria Mit Sockel / with base Holz, Rattan. H 38 cm. Provenienz: - Thierry Santos, Paris. - Galerie Alain & Abla Lecomte, Paris. - 2006: Westschweizer Privatsammlung. Ein Zertifikat der Galerie Lecomte (2006) wird dem Käufer ausgehändigt. Bei Sotheby's Paris (09.04.2022, "Living Contemporary", Lot 14) mit einer Schätzung von € 5'000-7'000 unverkauft. Eine identische (?) Maske wird von Philip M. Peek in "For Spirits and Kings - African art from the Paul and Ruth Tishman Collection" wie folgt beschrieben: 82. MASK FOR ERESE FESTIVAL Nigeria, Igbo-Isoko, Bendel State, Ase village Wood, raffa, cowrie sbells, brass tacks, H. 11¾ in. (29.8 cm.) 1940-60? This mask is virtually identical to one of three headdresses recorded in Ase, Bendel State, Nigeria, in 1971 (see fig. 30). The three are owned by Odiri, priest of Onye-uku-Ekukeni, the major clan deity for warfare. Fach mask is topped by a joined pair of unidentified animals further honoring the deity. Worn by masqueraders covered with feathers and colorful head scarves, such headdresses are the focus of the Erese festival celebrated each March to cleanse the town before other festivals can be held. This ceremony is properly known as Erese Okpokponso (from the Isoko kpo, "go," and Igbo nso, "forbidden," or "to move/drive away forbidden things"). The combination of Isoko and Igbo terms reflects Ase's complex history. The ancestors of Ase's founders left Benin centuries ago and gradually, over many generations, moved down the Niger River. Reaching the junction of the Niger and Ase rivers, two brothers went up the Ase and settled. The senior brother soon left to found what was to become the Isoko town of Aviara. For years Ase remained "junior" to Aviara, but later became affiliated with the powerful Ndosimili Igbo town of Abo. Ase now considers itself completely Igbo. A further reflection of the difficulty in tracing the origins of Niger delta and riverain communities is that Ekukeni quarter, where the creators of the Erese festival live, was settled by migrants from Erohwa, an ancient clan now linked to the Isoko but predating even the Ijo in the western Niger delta. Weiterführende Literatur: Vogel, Susan / Translations and additional research by Kate EZRA (1981). For Spirits and Kings. African art from the Paul and Ruth Tishman Collection. New York: The Metropolitan Museum of Art. Seite 143 CHF 2 000 / 4 000 Gewicht in Gramm: 1884 Zustand: Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.

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UNKOKU TORYU (1804-1895): ‘EAGLES AND FLOWERS’ UNKOKU TORYU (1804-1895): ‘EAGLES AND FLOWERS’ Japan, 19 th century. Ink, watercolors, gouache, and gold paint on silk. Mounted as a hanging scroll, on a silk brocade frame with wooden handles. Vividly painted with a pair of eagles, one cleaning its talon as the other, perched on a plum branch, looks on, the landscape with peony blossoms and a gushing stream. Inscriptions: To the left edge, signed ‘Sesshu matsuyo ...chusai Yoshi ga’ 雪舟末葉O中斎容之画 (‘Painted by Yoshi, a descendant of the Sesshu Toyo school’). Two seals, ‘Yoshi no in’ 容之之印 (‘The seal of Yoshi’) and ‘Tokei’ 等谿 (等渓). The box is inscribed with the dating ‘4th month of Meiji 6’ (corresponding to 1873). The box inscription (hakogaki) says "This scroll was given to a man who lived in Doma area of Sekishu Province (modern Shimane Prefecture). The person who inscribed this lived in Tanshu (Tajima), which is in modern Hyogo Prefecture near Kyoto. The white label on the box lid mentions Sesshu of Sesshu Toyo, the father of Unkoku School. Condition: Very good condition with traces of wear, and minor stains, some slight touch-ups to the background, not the imagery. The brocade frame with expected wear and traces of age. Dimensions: Image size 120.5 x 54.2 cm, Size incl. mounting 212 x 68 cm With an inscribed tomobako storage box. (2) Unkoku Toryu (1804-1895) was a prominent painter during the Edo period. He founded his own school, the Unkoku School of painting, establishing his school’s style in Chugoku and the northern Kyushu region. He painted landscapes in Indian ink in the tradition of Sesshu, proclaiming his school to be the Sesshu’s direct successor. Among his pupils were the renowned Tooku Unkoku who served Terumoto Mori, Toeki Unkoku, and Toji Unkoku. The Sesshu School, founded by Sesshu Toyo, is renowned for its distinctive approach to ink painting. Influenced by Chinese art, the school emphasizes monochrome ink (sumi-e) and bold brushwork. Sesshū, a Zen Buddhist monk and acclaimed artist, incorporated techniques from Chinese painting traditions like the Southern Song and Yuan dynasty literati styles. His landscapes are celebrated for dynamic compositions and expressive ink techniques, capturing nature's essence with simplicity and power. Sesshū's teachings and artistic philosophy passed down through generations, significantly shaping Japanese ink painting during the Muromachi period and leaving an enduring legacy in Japanese art.

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