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A LOT WITH TWO SMALL JADE CONGS, LIANGZHU CULTURE OR LATER A LOT WITH TWO SMALL JADE CONGS, LIANGZHU CULTURE OR LATER China, possibly Liangzhu culture, c. 2600-2300 BC or later. Each of square cross section surrounding a cylindrically hollowed tube to the center with rounded square corners. The sides are divided into registers with stylized masks at the corners. The opaque stones of mottled celadon colors with pale grey venining, one cong with extensive creamy inclusions. Condition: The creamy cong in good condition with wear as well as few, small, old, weathered chips. The other one broke in half and reattached. Both presenting well. Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother’s business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out together with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Weight: 101 g (in total) Dimensions: Length 8.2 cm and 8.9 cm

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A LOT WITH TWO SMALL JADE CONGS, LIANGZHU CULTURE OR LATER A LOT WITH TWO SMALL JADE CONGS, LIANGZHU CULTURE OR LATER China, possibly Liangzhu culture, c. 2600-2300 BC or later. Each of square cross section surrounding a cylindrically hollowed tube to the center with rounded square corners. The sides are divided into registers with stylized masks at the corners. The opaque stones of mottled celadon colors with pale grey venining, one cong with extensive creamy inclusions. Condition: The creamy cong in good condition with wear as well as few, small, old, weathered chips. The other one broke in half and reattached. Both presenting well. Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother’s business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out together with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Weight: 101 g (in total) Dimensions: Length 8.2 cm and 8.9 cm

Estimate 200 - 400 EUR
Starting price 200 EUR

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For sale on Thursday 05 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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A JADE ARC-SHAPED ‘MASK’ PENDANT, HUANG, LIANGZHU CULTURE A JADE ARC-SHAPED ‘MASK’ PENDANT, HUANG, LIANGZHU CULTURE China, circa 3300-2200 BC. The flattened pendant neatly incised to one side with a mask with bulging eyes at the center and two apertures to the edges for suspension. The translucent stone of a soft ivory-white color with extensive calcification. Provenance: From a Czech private collection. Condition: Very good condition, commensurate with age. Extensive wear and weathering, as expected. The stone with natural inclusions and fissures, some of which may have developed into small hairline cracks over time. Weight: 54.9 g Dimensions: Length 9.2 cm Huang were a part of the elite adornments during the Neolithic period, especially within Hongshan, Liangzhu, and Longshan cultures. These were worn along with headgear, knee decorations, elaborate beaded necklaces, and other body ornaments, all made primarily from jade. Dr. Elizabeth Childs-Johnson dubs these cultures a part of the ‘Jade Age’, a period during which an abundance of jade objects accompanied the elite burials for the first time. The imagery carved on these jade adornments was highly standardized, and the most prominent image, which appears on this lot, is that of the godhead (also called a spirit person, shenren, or an anthropomorphized deity). This image is flat, often covered in cosmic cloud scrolls, and has zoomorphic attributes combining bird and semi-human elements. Literature comparison: Compare a related jade huang from the Liangzhu culture in the Ancient Chinese Jade Gallery of the Shanghai Museum. Compare a related jade huang from the Liangzhu culture included in the jade relics exhibition of the Dawenkou, Longshan, and Liangzhu cultures at the Shandong Museum, Jinan, in 2014. Compare a related jade ornament with a mask design, dated mid-3 rd millennium BC, in the Metropolitan Museum of Art, accession number 18.63.

A TWO-TIERED IVORY JADE CONG, LIANGZHU CULTURE A TWO-TIERED IVORY JADE CONG, LIANGZHU CULTURE China, late Neolithic period, c. 3300-2200 BC. The thick-walled cong with gently rounded sides and a cylindrical interior, carved to each corner with a stylized human and animal mask design. The eyes and noses as well as the raised bands above the human mask and recesses in between are finely incised with line and scroll designs. The faces are divided with a gently recessed vertical band to the center of each side. The opaque stone of a cream and beige tone with milky inclusions, as well as russet veins, and calcification. Provenance: The Shibata family collection, Japan. Galleri Kokoro, Stockholm, Sweden. Swedish private collection, acquired from the above in 1998. Condition: Very good condition with wear commensurate with age. Natural imperfections, smoothened losses to edges, tiny nicks, few natural fissures, and signs of weathering and erosion. Few hairlines which may have developed into cracks. The stone with alterations. Weight: 512.8 g Dimensions: Diameter 9.7 cm, Height 5.6 cm With a padded silk box and cover. (2) The present cong displays the distinctive characteristic of Liangzhu culture cong vessels, with a square outer section around a circular inner part and decorated with stylised masks neatly arranged on each of the four corners. The exceptional craftsmanship is particularly notable in the very delicate and precise quality of the carving and incised decoration, enhanced by the lustrous patina formed on the surface over time. One interpretation of the function of cong is that it symbolised the earth. Although the precise meaning and use of the cong is not entirely clear, it was found in extensive numbers in Liangzhu tombs and is believed to be of great significance. Auction result comparison: Type: Closely related Auction: Sotheby’s London, 4 November 2021, lot 385 Estimate: GBP 250,000 or approx. EUR 354,000 converted and adjusted for inflation at the time of writing Description: A rare calcified jade cong, Neolithic period, Liangzhu culture Expert remark: Compare the closely related two-tiered form, manner of carving, mask motifs, and ivory-cream color of the stone. Auction result comparison: Type: Closely related Auction: Bonhams Hong Kong, 29 May 2018, lot 4 Price: HKD 21,700,000 or approx. EUR 2,863,000 converted and adjusted for inflation at the time of writing Description: A very rare archaic jade ritual vessel, cong, Neolithic Period, Liangzhu Culture Expert remark: Compare the closely related two-tiered form, manner of carving, ivory-cream color, and similar stylized human and animal mask design. Auction result comparison: Type: Closely related Auction: Christie’s Hong Kong, 30 May 2018, lot 3080 Price: HKD 3,700,000 or approx. EUR 486,000 converted and adjusted for inflation at the time of writing Description: A very jade cong, late Liangzhu culture, c. 3000-2500 BC Expert remark: Compare the closely related two-tiered form, manner of carving, mask motifs, and ivory-cream color of the stone with inclusions of russet.

A GREEN AND RUSSET JADE CONG, LIANGZHU CULTURE OR LATER A GREEN AND RUSSET JADE CONG, LIANGZHU CULTURE OR LATER China, possibly Liangzhu culture, c. 2600-2300 BC or later. Of square cross section, surrounding a cylindrically hollowed tube to the center with rounded square corners. The sides are divided into five registers with a stylized mask at each of the four corners. The opaque stone of a mottled light green color with creamy and russet inclusions and veining. Condition: Good condition with wear as well as nicks and minor losses, mostly along the edges. Traces of weathering and erosion. The stone with natural inclusions and fissures. Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was an engineer and fashion stylist from Bologna, Italy. Born as the son of Enrichetta Bertuzzi, the founder of Hettabretz, one of the most important leather merchants in Italy which crafted womenswear for royals and celebrities including The Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother’s business and created exclusive pieces, some of which were exhibited in the Costume Institute at Metropolitan Museum of New York. He was also an avid collector of antiques for more than 60 years. His collection includes archaic and contemporary art, focusing mainly on Asian ancient pieces. Over decades he developed close relations with galleries, museums, curators, and auction houses while shaping his collection. He edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Weight: 12.9 kg Dimensions: Height 14 cm, width 7.5 cm