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A JADE DISC, LIANGZHU CULTURE OR LATER A JADE DISC, LIANGZHU CULTURE OR LATER China, possibly Liangzhu culture, c. 2600-2300 BC or later. Of irregular thickness, carved from a mottled celadon jade showing numerous creamy striations and patches. The circumference is slightly irregular, as is the central hole, thus giving the ring an uneven width. Condition: Good condition with wear and minor weathered chips along the edges. Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother’s business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out together with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Weight: 147 g Dimensions: Diameter 9 cm

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A JADE DISC, LIANGZHU CULTURE OR LATER A JADE DISC, LIANGZHU CULTURE OR LATER China, possibly Liangzhu culture, c. 2600-2300 BC or later. Of irregular thickness, carved from a mottled celadon jade showing numerous creamy striations and patches. The circumference is slightly irregular, as is the central hole, thus giving the ring an uneven width. Condition: Good condition with wear and minor weathered chips along the edges. Provenance: Estate of Paolo Bertuzzi. Paolo Bertuzzi (1943-2022) was a fashion stylist from Bologna, Italy. He was the son of Enrichetta Bertuzzi, founder of Hettabretz, a noted Italian fashion company with customers such as the Rothschild family, Audrey Hepburn, and Elizabeth Taylor. Paolo Bertuzzi later took over his mother’s business and designed exclusive pieces, some of which were exhibited in the Costume Institute of the Metropolitan Museum in New York, USA. He was also an avid collector of antiques for more than 60 years. His collection includes both archaic and contemporary art, and he edited two important books about Asian art, Goa Made - An Archaeological Discovery, about a large-scale archaeological project carried out together with the Italian and Indonesian governments, and Majapahit, Masterpieces from a Forgotten Kingdom. Weight: 147 g Dimensions: Diameter 9 cm

Estimate 200 - 400 EUR
Starting price 200 EUR

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For sale on Thursday 05 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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A MOTTLED JADE YUE AXE, DAWENKOU CULTURE, C. 4500-2500 BC A MOTTLED JADE YUE AXE, DAWENKOU CULTURE, C. 4500-2500 BC Published: Filippo Salviati, 4000 Years of Chinese Archaic Jades, 2017, pp. 80-81, no. 87. Of elongated form with tapering side, the axe with a lens-shaped cross section, and a central aperture to the top which has been drilled from both sides. The translucent stone with inclusions of mustard, brown, and dark chocolate, as well as russet veins. Provenance: Private collection of Prof. C. Eberhard Klein, Germany. Condition: Excellent condition with minor wear and natural imperfections. Minor erosion and shallow surface wear. Weight: 277.2 g Dimensions: Height 17 cm The Dawenkou culture (c.4500-2500 BC) is one of the early societies that made use of jade during the late Neolithic period and transition to the Bronze Age, with sites mostly distributed in the Shandong province. The jades found in these sites are mostly derived from types developed by the two neighboring and major jade-using cultures, Hongshan in the north and Liangzhu in the south. Particularly favored were jade axes, which are more elongated than the Liangzhu ones, and often chisel shaped, like the present lot. Because jade was so costly, it is unlikely this was a utilitarian tool. Its use was probably more symbolic or ritual. The thin, sharp blade shows no sign of wear. The presence of such jade objects indicates a high level of skill in fine crafts. Due to its hardness, jade cannot be carved with metal blades but must be ground with abrasive sand in a slow, labor-intensive process. Literature comparison: Compare a closely related axe discovered at a Neolithic tomb at Dawenkou, published in Shanghai: Shanghai jiaoyu chubanshe, 1989, pg. 5 of illustrations.

A JADE ARC-SHAPED ‘MASK’ PENDANT, HUANG, LIANGZHU CULTURE A JADE ARC-SHAPED ‘MASK’ PENDANT, HUANG, LIANGZHU CULTURE China, circa 3300-2200 BC. The flattened pendant neatly incised to one side with a mask with bulging eyes at the center and two apertures to the edges for suspension. The translucent stone of a soft ivory-white color with extensive calcification. Provenance: From a Czech private collection. Condition: Very good condition, commensurate with age. Extensive wear and weathering, as expected. The stone with natural inclusions and fissures, some of which may have developed into small hairline cracks over time. Weight: 54.9 g Dimensions: Length 9.2 cm Huang were a part of the elite adornments during the Neolithic period, especially within Hongshan, Liangzhu, and Longshan cultures. These were worn along with headgear, knee decorations, elaborate beaded necklaces, and other body ornaments, all made primarily from jade. Dr. Elizabeth Childs-Johnson dubs these cultures a part of the ‘Jade Age’, a period during which an abundance of jade objects accompanied the elite burials for the first time. The imagery carved on these jade adornments was highly standardized, and the most prominent image, which appears on this lot, is that of the godhead (also called a spirit person, shenren, or an anthropomorphized deity). This image is flat, often covered in cosmic cloud scrolls, and has zoomorphic attributes combining bird and semi-human elements. Literature comparison: Compare a related jade huang from the Liangzhu culture in the Ancient Chinese Jade Gallery of the Shanghai Museum. Compare a related jade huang from the Liangzhu culture included in the jade relics exhibition of the Dawenkou, Longshan, and Liangzhu cultures at the Shandong Museum, Jinan, in 2014. Compare a related jade ornament with a mask design, dated mid-3 rd millennium BC, in the Metropolitan Museum of Art, accession number 18.63.