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A RIVER LANDSCAPE AFTER WANG YUANQI BY WEI QING A RIVER LANDSCAPE AFTER WANG YUANQI BY WEI QING China, first half of the 20th century. Ink and watercolor on segmented paper. The fan-shaped painting depicts a landscape with a river and mountains in the background and two cabins hidden behind trees and rocks in the foreground. A fisherman waiting on a boat nearby to catch a fish. Calligraphy and a seal mark on the left. A seal mark on each bottom corner. Inscriptions: Text (translated): 'Wei Qing imitated Wang Lutai's work' (pseudonym for Wang Yuanqi, 1642-1715) and 'Painted in Shenjiang'. One seal mark on the upper left, and one seal on the bottom left. Another seal on the bottom right (translated): 'Wei Ting learns drawing at 57 years old.' Fan paintings by Wang Yuanqi are highly sought after. For a landscape fan shaped painting by the master artist see Fine Chinese Classical Paintings and Calligraphy in Christie’s Hong Kong on 01 June 2015, lot 1117, sold for HKD 3,200,000. Provenance: From the collection of Professor Jan Wirgin (1932-2020). Jan Wirgin studied Classic Chinese and History of Art at Stockholm University. Later, he joined the Museum of Far Eastern Antiquities in Stockholm, first as a curator and then between 1981-1998 as the director of the museum. Further, he published numerous articles during his work as the editor of the Bulletin of the Museum of Far Eastern Antiquities. One of his most famous works is the book "Chinese Art history" (1972), which is still one of the most read books for students of Chinese art history in Sweden. Condition: Good condition. The painting with some abrasions along the folds, minor material loss to the lower left corner. Dimensions: Image size 50.4 x 21.5 cm, paper cover 63.5 x 65 cm Laid down on paper with protective cover.

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A RIVER LANDSCAPE AFTER WANG YUANQI BY WEI QING A RIVER LANDSCAPE AFTER WANG YUANQI BY WEI QING China, first half of the 20th century. Ink and watercolor on segmented paper. The fan-shaped painting depicts a landscape with a river and mountains in the background and two cabins hidden behind trees and rocks in the foreground. A fisherman waiting on a boat nearby to catch a fish. Calligraphy and a seal mark on the left. A seal mark on each bottom corner. Inscriptions: Text (translated): 'Wei Qing imitated Wang Lutai's work' (pseudonym for Wang Yuanqi, 1642-1715) and 'Painted in Shenjiang'. One seal mark on the upper left, and one seal on the bottom left. Another seal on the bottom right (translated): 'Wei Ting learns drawing at 57 years old.' Fan paintings by Wang Yuanqi are highly sought after. For a landscape fan shaped painting by the master artist see Fine Chinese Classical Paintings and Calligraphy in Christie’s Hong Kong on 01 June 2015, lot 1117, sold for HKD 3,200,000. Provenance: From the collection of Professor Jan Wirgin (1932-2020). Jan Wirgin studied Classic Chinese and History of Art at Stockholm University. Later, he joined the Museum of Far Eastern Antiquities in Stockholm, first as a curator and then between 1981-1998 as the director of the museum. Further, he published numerous articles during his work as the editor of the Bulletin of the Museum of Far Eastern Antiquities. One of his most famous works is the book "Chinese Art history" (1972), which is still one of the most read books for students of Chinese art history in Sweden. Condition: Good condition. The painting with some abrasions along the folds, minor material loss to the lower left corner. Dimensions: Image size 50.4 x 21.5 cm, paper cover 63.5 x 65 cm Laid down on paper with protective cover.

Estimate 150 - 300 EUR
Starting price 150 EUR

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For sale on Thursday 05 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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A FAN PAINTED WITH A SNOWY LANDSCAPE, AFTER WANG HUI, c 1900s A FAN PAINTED WITH A SNOWY LANDSCAPE, AFTER WANG HUI, c 1900s China, after Wang Hui (1632-1717) but dating to the late 19th to early 20th century. Ink, watercolors, and gouache on a paper folding fan. Finely painted to depict a snow-covered landscape with layers of snow piled atop pavilions and pine trees. The verso with calligraphy. Inscriptions: Inscribed to the painting, ‘The mountains are covered with snow’ 连山积雪 , further inscribed, ‘Painting a Winter Scene in the Summer Months in 1705 by Wang, the Plow and Smoke Scatterer’ 乙酉夏月写寒意 , 耕烟散人王翚 . Two seals, ‘Shigu’ 石谷 and ‘wanghui zhi yin’ 王翚之印 . The verso signed with seals ‘Wang Su’ 王素 and Xiao Mou 小某 and inscribed with a poem, ‘The snow has fallen into the forest, and the woodcutter's songs are sung all over the land in the twilight/ the high pavilion is leaning on the sky and the monks want to settle down, while the bells on one side of the pavilion are scattered with the voices of the people who know them/ the spring smoke on the rock, the wind on the rock, a thousand branches of snow with clouds closed/ at dawn, I suddenly lost the color of the green mountains, and I was in the middle of ten thousand plum blossom trees.’ Provenance: Swiss private collection. Condition: Good condition with minor wear and soiling, few small tears along the folds, minimal losses and some soiling. Dimensions: Length 60 cm, Height 20 cm (the painting) and 33.5 cm (the frame) Wang Hui (1632-1717) was a Chinese landscape painter, one of the Four Wangs. He and the three other Wangs dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today. Museum comparison: Compare a related folding fan mounted as an album leaf, by Wang Hui, depicting a landscape, in the collection of the Metropolitan Museum of Art, accession number 1989.363.144.