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Description

A SILVER AND COPPER INLAID BRONZE FIGURE OF PADMAPANI, PALA REVIVAL, 17TH TO 18TH CENTURY A SILVER AND COPPER INLAID BRONZE FIGURE OF PADMAPANI, PALA REVIVAL, 17TH TO 18TH CENTURY Tibet. Cast as standing Padmapani, dressed in a long dhoti and with a sash encircling the body, the left hand holding a lotus stem issuing a blossom at her shoulder, and the right hand in abhaya mudra. The face with almond shaped eyes inlaid in silver and with full lips, flanked by circular earrings and surmounted by a tall crown centered by a Buddha. The details finely inlaid in copper and silver. Provenance: Austrian private collection. Condition: Very good condition with minor wear, light surface scratches, few minor nicks, and casting flaws. The feet mounted with later pegs, and one foot with remnants of adhesive. Fine, smooth patina. Weight: 378.6 g Dimensions: Height 15 cm Auction result comparison: Type: Related Auction: Christie’s New York, 28 September 2022, lot 138 Price: USD 5,040 or approx. EUR 5,200 converted and adjusted for inflation at the time of writing Description: A rare silver- and copper- inlaid bronze figure of Shakti Devi, North India, probably Himachal Pradesh, 17th century or later Expert remark: Compare the related subject, silver, and copper inlays. Note the size (22.5 cm). Auction result comparison: Type: Related Auction: Sotheby’s New York, 24 March 2021, lot 592 Price: USD 15,120 or approx. EUR 16,000 converted and adjusted for inflation at the time of writing Description: A gilt copper alloy figure of standing Tara, Tibet, Pala revival, 18th/19th century Expert remark: Compare the related subject, style, and size (15.9 cm). Note the gilt copper-alloy material.

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A SILVER AND COPPER INLAID BRONZE FIGURE OF PADMAPANI, PALA

Estimate 1 000 - 2 000 EUR
Starting price 1 000 EUR

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For sale on Thursday 05 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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Mesopotamian Copper Double Rein Guide for a Chariot. Circa mid 3rd millennium B.C. In the form of an advancing stallion on a plinth, holding its head high and gazing to the right; short standing mane with incised detailing, and a long tail extending to the plinth; recessed eyes, likely once inlaid, drilled nostrils and open mouth; the plinth joined at a right angle to two connected rings atop three parallel rods, the rods joined at the bottom to an arching bar with side lugs. See a similar terret ring in Muscarella, O.W.,Bronze and Iron, ancient Near Eastern Artifacts in the Metropolitan Museum of Art, New York, 1988, no.466; Basmachi, F., Treasures of Iraq Museum, Baghdad, 1976, pl.90; for a similar terret in silver and electrum at the British Museum, from Ur, see Crouwel, J.H., ’Wheeled Vehicles and their Draught Animals in the Ancient Near East – an Update’ in Raulwing, P., Linduff, K.M., Crouwel, J.H., Equids and Wheeled Vehicles in the Ancient World, Oxford, 2019, pp.29-48, fig.6; for the mounting on chariots and carts see Stillmann, N., Tallis, N., Armies of the Ancient Near East, 3000 BC to 539 BC, Worthing, 1984, pp.119-121, figs.56-58. 603 grams, 28.5 cm (11 1/4 in.). This magnificent chariot fitting was cast in one piece, probably made in arsenical copper in Mesopotamia in the Early Dynastic Period (ED). The reins were connected to the head harness and then passed through the rein ring, that was connected to a yoke pole. The purpose of the rein ring was to prevent the multiple reins snarling and also added an element of control for the driver. The lower concave bar was tied onto the pole by rope or leather, while the hooks served to secure the ends. These rein rings were not only practical instruments, but also ornamental elements of royal vehicles. A well-known example of this type is a terret crowned by an equid figure that was associated with Pu-abi’s sledge in the Royal Cemetery at Ur, today at the British Museum, inv.121438. Acquired from Toufic Arakji, Hamburg, Germany, 14 January 1997. with Mahboubian Gallery, London, UK. Property of a London gentleman. Accompanied by an academic academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12160-218627. [A video of this lot is available to view on Timeline Auctions Website]