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UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER By Utagawa Hiroshige I (1797–1858), signed Hiroshige ga Japan, 1857 Color woodblock print on paper. Vertical oban. Signed Hiroshige ga; publisher Uoya Eikichi. Titled Sumidagawa Hashiba no watashi kawaragama (Tile Kilns and Hashiba Ferry, Sumida River), number 37 from the series Meisho Edo hyakkei (One Hundred Famous Views of Edo). A scene at the Sumida River with the billowing smoke of the Imado ceramic tile kilns, by the Hashiba crossing. SIZE of the sheet 34.3 x 23.1 cm Condition: Very good condition with minor wear. Very good impression and bright colors. Trimmed margins, some foxing, and backed with Japan paper. Museum comparison: A closely related print is in the collection of the British Museum, museum number 1906,1220,0.649. Auction comparison: Compare a closely related print sold at Christie’s, Japanese and Korean Art Including the Collection of David and Nayda Utterberg, 22 March 2022, New York, lot 181 (sold for USD 4,410). Compare a closely related print sold at Christie’s, Japanese and Korean Art, 20 September 2022, New York, lot 215 (sold for USD 2,772).

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UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER By Utagawa Hiroshige I (1797–1858), signed Hiroshige ga Japan, 1857 Color woodblock print on paper. Vertical oban. Signed Hiroshige ga; publisher Uoya Eikichi. Titled Sumidagawa Hashiba no watashi kawaragama (Tile Kilns and Hashiba Ferry, Sumida River), number 37 from the series Meisho Edo hyakkei (One Hundred Famous Views of Edo). A scene at the Sumida River with the billowing smoke of the Imado ceramic tile kilns, by the Hashiba crossing. SIZE of the sheet 34.3 x 23.1 cm Condition: Very good condition with minor wear. Very good impression and bright colors. Trimmed margins, some foxing, and backed with Japan paper. Museum comparison: A closely related print is in the collection of the British Museum, museum number 1906,1220,0.649. Auction comparison: Compare a closely related print sold at Christie’s, Japanese and Korean Art Including the Collection of David and Nayda Utterberg, 22 March 2022, New York, lot 181 (sold for USD 4,410). Compare a closely related print sold at Christie’s, Japanese and Korean Art, 20 September 2022, New York, lot 215 (sold for USD 2,772).

Estimate 350 - 700 EUR
Starting price 350 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

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For sale on Wednesday 04 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER UTAGAWA HIROSHIGE: TILE KILNS AND HASHIBA FERRY, SUMIDA RIVER By Utagawa Hiroshige I (1797–1858), signed Hiroshige ga Japan, dated 1857 (Ansei 4), 4th month Color woodblock print on paper. Vertical oban. Signed Hiroshige ga, censor’s seals: aratame, Snake 4; publisher Uoya Eikichi. Titled Sumidagawa Hashiba no watashi kawaragama (Tile Kilns and Hashiba Ferry, Sumida River), number 37 in the series Meisho Edo hyakkei (One Hundred Famous Views of Edo). A scene at the Sumida River with the billowing smoke of the Imado ceramic tile kilns, by the Hashiba crossing. SIZE of the sheet 37 x 24.6 cm Condition: Good condition with some mounting residue, creasing, minor material loss, slight fading of colors, otherwise presenting well. Utagawa Hiroshige (also referred to as Ando Hiroshige) is recognized as a master of the ukiyo-e woodblock printing tradition, having created 8,000 prints of everyday life and landscape in Edo-period Japan. Much of Hiroshige’s work focuses on landscape. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after traveling that coastal route linking Edo and Kyoto. Hiroshige’s prolific output was somewhat due to his being paid very little per series. Still, this did not deter him, as he receded to Buddhist monkhood in 1856 to complete his brilliant and lasting One Hundred Famous Views of Edo (1856–58). He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art. Museum comparison: A closely related print is in the collection of the British Museum, museum number 1906,1220,0.649. Another closely related print is in the collection of the Art Institute Chicago, reference number 1925.3749. Auction comparison: Compare a closely related print sold at Christie’s, Japanese and Korean Art Including the Collection of David and Nayda Utterberg, 22 March 2022, New York, lot 181 (sold for USD 4,410). Compare an identical print sold at Christie’s, Japanese and Korean Art, 20 September 2022, New York, lot 215 (sold for USD 2,772).