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UTAGAWA HIROSHIGE: YOKKAICHI, NAKO BAY AND THE MIE RIVER UTAGAWA HIROSHIGE: YOKKAICHI, NAKO BAY AND THE MIE RIVER By Utagawa Hiroshige I (1797–1858), signed Hiroshige hitsu Japan, dated 1855 Color woodblock print on paper. Vertical oban. Signed Hiroshige hitsu, censor’s seal aratame, Hare 7; publisher Tsutaya Kichizo (Koeido). Titled Yokkaichi Nagonoura Mie-gawa (Yokkaichi - Nago Bay, Mie River), number 44 from the series Gojusan tsugi meisho zue (Illustrated Guide to Famous Places along the Fifty-three Stations). Porters crossing a footbridge over a river, distant view of the sea. SIZE of the sheet 34.4 x 22.7 cm Condition: Very good condition with minor wear and fading. Trimmed margins, minor creasing, and some losses to the bottom-left corner. Backed with Japan paper. Museum comparison: A closely related print, with similar seals, is in the collection of the Museum of Fine Arts, Boston, accession number 11.16808. Utagawa Hiroshige (1797 – 1858) (also referred to as Ando Hiroshige) is recognized as one of the last great masters of the ukiyo-e (“pictures of the floating world”) woodblock printing tradition. His style can be characterized in the genre of landscape print, innovated by his early contemporary Hokusai (1760-1849). Hiroshige can be attributed to having created over 5,000 prints of everyday life and landscape in Edo-period Japan. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after a trip he made between Edo and Kyoto, which is acclaimed to be perhaps his finest achievement. He made numerous other journeys within Japan and issued a series of such prints, expressing in great detail the poetic sensibility inherent in the climate and topography of Japan and its people. He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.

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UTAGAWA HIROSHIGE: YOKKAICHI, NAKO BAY AND THE MIE RIVER UTAGAWA HIROSHIGE: YOKKAICHI, NAKO BAY AND THE MIE RIVER By Utagawa Hiroshige I (1797–1858), signed Hiroshige hitsu Japan, dated 1855 Color woodblock print on paper. Vertical oban. Signed Hiroshige hitsu, censor’s seal aratame, Hare 7; publisher Tsutaya Kichizo (Koeido). Titled Yokkaichi Nagonoura Mie-gawa (Yokkaichi - Nago Bay, Mie River), number 44 from the series Gojusan tsugi meisho zue (Illustrated Guide to Famous Places along the Fifty-three Stations). Porters crossing a footbridge over a river, distant view of the sea. SIZE of the sheet 34.4 x 22.7 cm Condition: Very good condition with minor wear and fading. Trimmed margins, minor creasing, and some losses to the bottom-left corner. Backed with Japan paper. Museum comparison: A closely related print, with similar seals, is in the collection of the Museum of Fine Arts, Boston, accession number 11.16808. Utagawa Hiroshige (1797 – 1858) (also referred to as Ando Hiroshige) is recognized as one of the last great masters of the ukiyo-e (“pictures of the floating world”) woodblock printing tradition. His style can be characterized in the genre of landscape print, innovated by his early contemporary Hokusai (1760-1849). Hiroshige can be attributed to having created over 5,000 prints of everyday life and landscape in Edo-period Japan. Inspired by Katsushika Hokusai’s popular Thirty-Six Views of Mount Fuji, Hiroshige took a softer, less formal approach with his Fifty-Three Stations of the Tokaido (1833–34), completed after a trip he made between Edo and Kyoto, which is acclaimed to be perhaps his finest achievement. He made numerous other journeys within Japan and issued a series of such prints, expressing in great detail the poetic sensibility inherent in the climate and topography of Japan and its people. He died in 1858, 10 years before Monet, Van Gogh, and a lot of Impressionist painters became eager collectors of Japanese art.

Estimate 250 - 500 EUR
Starting price 250 EUR

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For sale on Wednesday 04 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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