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KATSUSHIKA HOKUSAI: SURIMONO OF KOTOBUKI SHIKI SANBASO KATSUSHIKA HOKUSAI: SURIMONO OF KOTOBUKI SHIKI SANBASO By Katsushika Hokusai (1760-1849), signed Hokusai ga Japan, late 18 th-early 19 th century Color woodblock print on paper. Signed Hokusai ga. The surimono (greeting card for the New Year) illustrated with symbols from the Kotobuki Shiki Sanbaso—Okina mask, fan, and a pine sapling. SIZE of the sheet 17.5 x 22.1 cm Condition: Good condition and impression with minor wear. The paper with some foxing, small touch-ups, and minor losses. Mounted on a passepartout with tape. Provenance: From an English private collection. Kotobuki Shiki Sanbaso is inspired from the Noh play ‘Okina’ which is said to derive from an ancient sighting, at the Kasuga Shrine in Nara, of an old man (taken to be the kami) dancing under a pine tree. The pine tree is used as a background to all Noh plays as a reminder of the origin of this first play, and to emphasize the religious aspects of Noh. Kotobuki Shiki Sanbaso is solemn and dignified and there is no narrative or plot, but only ritual to wish the audience prosperity. It is usually performed at the start of a New Year.

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KATSUSHIKA HOKUSAI: SURIMONO OF KOTOBUKI SHIKI SANBASO KATSUSHIKA HOKUSAI: SURIMONO OF KOTOBUKI SHIKI SANBASO By Katsushika Hokusai (1760-1849), signed Hokusai ga Japan, late 18 th-early 19 th century Color woodblock print on paper. Signed Hokusai ga. The surimono (greeting card for the New Year) illustrated with symbols from the Kotobuki Shiki Sanbaso—Okina mask, fan, and a pine sapling. SIZE of the sheet 17.5 x 22.1 cm Condition: Good condition and impression with minor wear. The paper with some foxing, small touch-ups, and minor losses. Mounted on a passepartout with tape. Provenance: From an English private collection. Kotobuki Shiki Sanbaso is inspired from the Noh play ‘Okina’ which is said to derive from an ancient sighting, at the Kasuga Shrine in Nara, of an old man (taken to be the kami) dancing under a pine tree. The pine tree is used as a background to all Noh plays as a reminder of the origin of this first play, and to emphasize the religious aspects of Noh. Kotobuki Shiki Sanbaso is solemn and dignified and there is no narrative or plot, but only ritual to wish the audience prosperity. It is usually performed at the start of a New Year.

Estimate 250 - 500 EUR
Starting price 250 EUR

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For sale on Wednesday 04 Sep : 11:00 (CEST)
vienna, Austria
Galerie Zacke
+4315320452
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KATSUSHIKA HOKUSAI: A COMPLETE SET OF THREE HOKUSAI'S PICTURES BOOKS KATSUSHIKA HOKUSAI: A COMPLETE SET OF THREE HOKUSAI'S PICTURES BOOKS By Katsushika Hokusai (1760-1849) Japan, dated 1849 (Kaei 2) Woodblock print albums. Ink and color on paper. Each ehon (picture book) sewn together and containing various illustrations. The three volumes titled Hokusai gafu (Hokusai’s picture book), publisher Eirakuya Toshiro. Each volume begins with a scene of a Noh performer in Okina, an auspicious dance play on the theme of longevity and good fortune. Volume 1 opens with a scene of the Sanbaso dance, and volume 2 begins with a dancer wearing the okina mask of an elderly god. Volume 3 shows Senzai wearing an elegant costume—like the one worn by the dancer in volume 1—and carrying a lacquer box that might contain a mask. These pages feature intense color and clearly were intended to refer to the world of the gods, which in Noh performances were evoked by music, stylized movement, and masks and costumes that obscured the actors’ physical features. By beginning each volume with an evocation of a benevolent god, Hokusai was expressing his personal understanding of the intimate relationship between the divine and visible realms. Dimensions: 22.7 x 15.8 cm Condition: Good condition with minor wear and slight browning of paper. Some fading, minor stains, wear to the covers, loose threads with some associated loose pages, few tears, and some creasing. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Museum comparison: A complete set of closely related woodblock print albums, formerly in the Pulverer Collection, acquired by the Freer Gallery of Art, is in the Smithsonian Institution, accession number FSC-GR-780.247.1-5.

KATSUSHIKA HOKUSAI: A GROUP OF FOUR WOODBLOCK PRINT ALBUMS KATSUSHIKA HOKUSAI: A GROUP OF FOUR WOODBLOCK PRINT ALBUMS Japan, 19 th century Woodblock print albums. Ink and color on paper. Each ehon (picture book) sewn together and containing various illustrations. 1. By Katsushika Hokusai (1760-1849), titled Manji-o sohitsu gafu (Old Manji’s Cursive Picture Album), dated 1843, depicting large illustrations of various people, plants and animals, insects, fish, birds, etc. Dimensions: 22.8 x 15.8 cm 2. Titled Banshoku zuko (Designs for All Artisans). Illustrating various people, plants and animals, fish, birds, mythological figures, landscapes, etc. The frontispiece by Katsushika Hokusai, depicting a hermit seated on a dragon-fish soaring through the skies. Dimensions: 22 x 14.8 cm 3. An album by Katsushika Hokusai (1760-1849), illustrating various people engaged in everyday activity, plants and animals, shelled animals, birds, landscapes, etc. Dimensions: 22.7 x 15.7 cm 4. An album by Katsushika Hokusai (1760-1849), illustrating several figures on a pilgrimage stopping at various pitstops before making it to their destination. Dimensions: 22.7 x 15.7 cm Condition: Good condition with minor wear and slight browning of paper. Some fading, loose threads with some associated loose pages, and minor losses. Provenance: Estate of Wolfgang Zacke (1942-2022), co-founder of Galerie Zacke, thence by descent. Museum comparison: Compare a closely related Old Manji’s Cursive Picture Album in the collection of the Metropolitan Museum of Art, accession number 2013.875. Compare a closely related Designs for All Artisans album in the collection of the Harvard Art Museums, object number 1978.477.41.3.