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Description

PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). French Empire style coffee table, 1950s. Walnut wood with different woods. Carved ornaments. It shows signs of wear and tear. Needs refinishing. Measurements: 70 x 100 x 100 cm. Coffee table designed by Pierre Lottier. On a tripod base rises a turned shaft decorated with a vegetal sheath carved with acanthus. The feet are topped with scrolls. The circular top has a geometric design of concentric figures based on fillets. Pierre Lottier was an outstanding furniture designer and decorator born in France but based in Barcelona, active from the post-war period onwards. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", mainly centered on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. By 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.

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PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). French Empire style coffee table, 1950s. Walnut wood with different woods. Carved ornaments. It shows signs of wear and tear. Needs refinishing. Measurements: 70 x 100 x 100 cm. Coffee table designed by Pierre Lottier. On a tripod base rises a turned shaft decorated with a vegetal sheath carved with acanthus. The feet are topped with scrolls. The circular top has a geometric design of concentric figures based on fillets. Pierre Lottier was an outstanding furniture designer and decorator born in France but based in Barcelona, active from the post-war period onwards. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", mainly centered on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. By 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.

Estimate 600 - 800 EUR
Starting price 400 EUR

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PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). Dining table. Wrought iron and painted brass. It shows marks of use and wear. Measurements: 72 x 200 x 110 cm. Dining table designed by Pierre Lottier. The originality of his designs (inspired by freely mixed historicist styles) is here embodied in forged legs with swan's head finials and an attractive openwork chambrana. The rectangular top, in painted brass, has been treated to acquire a particular patina that simulates wood. Pierre Lottier was a prominent furniture designer and decorator born in France but based in Barcelona, active from the post-war period onwards. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", centered mainly on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. By 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.

PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). Auxiliary table. Polychrome wood in black with carved decorations in gold. Signed on the back. Presents marks of use. Wear. Presents some lack of polychrome. Measurements: 61 x 55 x 36 cm. Side table designed by Pierre Lottier. It has a quadrangular top and trimmed waist embellished with fleurons and gilded details. Four sharply curved legs, narrowing towards the base, support a side tray. Pierre Lottier was a prominent furniture designer and decorator born in France but based in Barcelona, active from the post-war period onwards. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", mainly centered on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. Towards 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.

PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). Pair of floor lamps, 1950s. Hand painted iron. It has marks of use and wear. The lampshades need cleaning. Measurements: 155 cm. height; 166 cm. with lampshade. Pair of floor lamps designed by Pierre Lottier in the fifties. On an iron shaft that in the base opens in four thin sheets rest the truncated cone-shaped lampshades. The foot has hand-painted decorative motifs inspired by Greek greca. Pierre Lottier was a prominent furniture designer and decorator born in France but based in Barcelona, active from the post-war period. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", mainly centered on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. By 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.

PIERRE LOTTIER (France, 1916 - Santa Susana, Spain, 1987). Pair of planters George III style, ca. 1950's. Wood painted black and simulating root wood. It presents marks of use and wear. Measurements: 86 x 46 x 46 cm. Pair of planters designed by Pierre Lottier. The historicism and the free revisitation of the past was characteristic of Lottier's work, as can be seen in these planters in the form of cups with the exterior decorated with wooden ribs. He gives the wood different finishes and patinas. Pierre Lottier was a prominent furniture designer and decorator born in France but based in Barcelona, active from the post-war period. Already in the sixties and seventies he had an important workshop, where important cabinetmakers of the new generation were trained. Lottier was mainly dedicated to the decoration of important houses in the Catalan capital, although he also designed others outside the city, such as Ava Gardner's house in Madrid. Born into a family of artists (his father was the famous restaurateur and namesake Pierre Lottier who founded in 1880 "La Reserve" on the Côte d'Azur, one of the high society establishments most valued by millionaires and aristocrats), Pierre Lottier settled in Madrid in the 1930s, set apart by French society. He came into contact with the Spanish elite of the time as a procurer of important works of art, especially porcelain and oriental bronzes. In the 1950s he settled between Madrid and Barcelona. He collaborated with important design houses such as Casa Valentí or Casa Gancedo for the most historical fabrics. Pierre Lottier began emulating the career of Marc du Plantier and the famous Maison Jansen in Paris. His beginnings were based on the purity of the French "Grand Gout", mainly centered on Louis XV and XVI styles. Later, in the 1950's, it drifted to the English styles typical of the late 18th century: Hepplewhite, Adam, Chippendale, Sheraton or Gillwood were the surnames with which Lottier was most inspired. By 1970 the style drifted into a more modern wake. His new designs were based on Art Deco and classical rationalism, typical of a new, more intellectual society.