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Pablo PICASSO Portrait de Max Jacob, plate for Chronique des temps héroïques de M. Jacob, 1956, etching, 19.5 x 15 cm, margins 50 x 33 cm (Baer 960), fine proof on Rives wove paper, unsigned and unnumbered, separate large-margin edition of approximately 90 proofs, 60 of which on Rives wove paper, signed and numbered.

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Pablo PICASSO Portrait de Max Jacob, plate for Chronique des temps héroïques de M. Jacob, 1956, etching, 19.5 x 15 cm, margins 50 x 33 cm (Baer 960), fine proof on Rives wove paper, unsigned and unnumbered, separate large-margin edition of approximately 90 proofs, 60 of which on Rives wove paper, signed and numbered.

Estimate 400 - 600 EUR

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For sale on Friday 20 Sep : 13:30 (CEST)
paris, France
Daguerre
+33145630260
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Jacob, MaxChronique des temps héroiques. With 1 original lithograph as frontispiece, 3 original etchings, 24 woodcuts and col. Cover lithographs by Pablo Picasso. Paris, Louis Broder, 1956. 126 p., 4 vols. 4°. White marocco with gilt-stamped title and black geometric marocco applications on covers. Red marocco doublure with gilt-stamped monogram (L-P. L.). Gilt edges on three sides, flyleaf endpapers from Japan. (Spine and joints minimally rubbed.) Original brochure and spine bound in. Binding signed: J. Clasat. Picasso, Pablo Jacob, Max Chronique des temps héroiques. With 1 original lithograph as frontispiece, 3 original etchings, 24 woodcuts and col. Cover lithographs by Pablo Picasso. Paris, Louis Broder, 1956. 126 p., 4 vols. 4°. White marocco with gilt-stamped title and black geometric marocco applications on covers. Red marocco doublure with gilt-stamped monogram (L-P. L.). Gilt edges on three sides, flyleaf endpapers from Japan. (Spine and joints minimally rubbed.) Original brochure and spine bound in. Binding signed: J. Clasat. First edition (published posthumously). - Second volume of the series Écrits et Gravures. - Mourlot 271, Bloch 743 and 802-804, Cramer 78, Monod 6297 - One of 150 numbered copies signed by Picasso in the printer's mark (GA 170). - One of Max Jacob's works illustrated by Picasso. Like Picasso, Max Jacob lived in the Bateau-Lavoir Rue Ravignan in 1907. He was one of Picasso's first and closest friends. "Max Jacob talks about the Futurists, the Surrealists, his friends Apollinaire and Picasso and, of course, Paul Guillaume, a collector of African art. Picasso made three drypoints for this book in honor of his friend, who died young, on September 7, 1956: Max Jacob writing, in back view and in profile. A lithographic portrait taken in Vallauris on September 23 served as the frontispiece ... The book is also illustrated with 24 woodcuts by Georges Aubert after Picasso drawings" (cat. Basel 1995). - Some pages with copies of the illustrations. Paper slightly browned in the margins. Good copy in decorative hand binding. With original lithograph as frontispiece, 3 original etchings, 24 woodcuts in text and ill. wrappers by Pablo Picasso. White morocco with gilt title and black geometric morocco applications on covers. Doublure in red morocco with gilt monogram (L-P. L.). Gilt edges, Japan flyleaf endpapers. (Spine and joints minimally rubbed.) Orig. wrappers and spine bound in. Binding signed: J. Clasat. - First edition (published posthumously). - Second volume of the series "Écrits et Gravures". - One of 150 numbered copies signed by Picasso in the imprint (total ed. 170). - One of Max Jacob's works, which were illustrated by Picasso. Like Picasso, Max Jacob lived in the Bateau-Lavoir Rue Ravignan in 1907. He was one of Picasso's first and closest friends. "Max Jacob narrates about the Futurists, the Surrealists, about his friends Apollinaire and Picasso and, of course, about Paul Guillaume, as a collector of African art. Picasso made three drypoint works for this book in honor of his friend, who died at an early age, on 7 September 1956: Max Jacob writing, in back view and in profile. A lithographic portrait made in Vallauris on 23 September served as the frontispiece ... The book is also illustrated with 24 woodcuts by Georges Aubert after Picasso drawings" (exh. cat. Basel 1995). - A few pages with offset from the illustrations. Paper slightly browned in the margins. Good copy in decorative hand binding.