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APELES MESTRES OÑÓS (Barcelona, 1854 - 1936). "Peace and progress". Oil on canvas. Signed and titled in the lower right corner. Measurements: 75 x 102 cm; 94 x 220 cm (frame). The painting that we show has a great artistic, documentary and historiographic value. The Catalan painter Apeles Mestres displays here his particular mastery to compose a multitudinous and celebratory scene, a popular celebration before an anecdotal but significant event, the inauguration of the Monument to Peace that was erected at the end of what would be the Ramblas de Santa Monica, in Barcelona, in the year 1876. It was erected in the place now occupied by the monument to Columbus. The city council wanted to celebrate peace in a symbolic way, after the third and bloody Carlist war. Antoni Rovira i Trias was in charge of the monument, presided over by a female allegory flanked by lions on a staircase. Flags of Spain and Catalonia coexist in harmony. Men and women with barratinas dance sardanas, others carry bundles of straw. They are probably going to light a bonfire in honor of peace. In the distance, boats can be seen approaching the port and, on the other side, several chimneys are smoking. Children are running around. One is doing the vertical on his hands and his friends are singing. A group of men are waving flags. The anecdote is juicy and immense. A blue sky, without a cloud, enhances the colors of popular joy. Writer, cartoonist, painter, cartoonist and musician, Apelles Mestres was invested in 1908 with the title of Mestre en Gai Saber. He was also decorated with the Cross of the Legion of Honor of the French government (1920) and with the Gold Medal of the city of Barcelona. Apeles Mestresa (Barcelona, October 29, 1854-Barcelona, July 19, 1936) was a Spanish writer and cartoonist, notable figure of Catalan literature and precursor of the comic strip. Mestres, a multifaceted artist who cultivated poetry, music and theater, collaborated with cartoons in the periodical press of the time in addition to being a prolific illustrator of books. Progressive and linked to republicanism at certain stages of his life, he opposed the most conservative sectors of the Catalan literary scene, of which Mestres is considered a notable figure.

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APELES MESTRES OÑÓS (Barcelona, 1854 - 1936). "Peace and progress". Oil on canvas. Signed and titled in the lower right corner. Measurements: 75 x 102 cm; 94 x 220 cm (frame). The painting that we show has a great artistic, documentary and historiographic value. The Catalan painter Apeles Mestres displays here his particular mastery to compose a multitudinous and celebratory scene, a popular celebration before an anecdotal but significant event, the inauguration of the Monument to Peace that was erected at the end of what would be the Ramblas de Santa Monica, in Barcelona, in the year 1876. It was erected in the place now occupied by the monument to Columbus. The city council wanted to celebrate peace in a symbolic way, after the third and bloody Carlist war. Antoni Rovira i Trias was in charge of the monument, presided over by a female allegory flanked by lions on a staircase. Flags of Spain and Catalonia coexist in harmony. Men and women with barratinas dance sardanas, others carry bundles of straw. They are probably going to light a bonfire in honor of peace. In the distance, boats can be seen approaching the port and, on the other side, several chimneys are smoking. Children are running around. One is doing the vertical on his hands and his friends are singing. A group of men are waving flags. The anecdote is juicy and immense. A blue sky, without a cloud, enhances the colors of popular joy. Writer, cartoonist, painter, cartoonist and musician, Apelles Mestres was invested in 1908 with the title of Mestre en Gai Saber. He was also decorated with the Cross of the Legion of Honor of the French government (1920) and with the Gold Medal of the city of Barcelona. Apeles Mestresa (Barcelona, October 29, 1854-Barcelona, July 19, 1936) was a Spanish writer and cartoonist, notable figure of Catalan literature and precursor of the comic strip. Mestres, a multifaceted artist who cultivated poetry, music and theater, collaborated with cartoons in the periodical press of the time in addition to being a prolific illustrator of books. Progressive and linked to republicanism at certain stages of his life, he opposed the most conservative sectors of the Catalan literary scene, of which Mestres is considered a notable figure.

Estimate 8 000 - 9 000 EUR
Starting price 4 400 EUR

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JULIO BORRELL PLA (Barcelona, 1877 - 1957). "The letter". Oil on canvas. Signed in the lower corner. Measurements: 181 x 103 cm. Two young women read a letter. The emotion is revealed in their pearly smiles and in the brightness of their eyes. Julio Borrell captures with ingenuity the vivacity of the expressions and describes with skill the pleats and laces of the folkloric garments. Son and disciple of Pere Borrell del Caso, Julio Borrell was trained at the School of Fine Arts of Sant Jordi in Barcelona. From his father he was influenced by the Nazarenes Claudio Lorenzale and Pablo Milà i Fontanals. In 1888, at the age of eleven, he participated with a canvas in the Barcelona competition of the Universal Exposition, together with his brother Ramón, also a painter. From 1894 he took part in almost all the official exhibitions held in Barcelona and Madrid, being awarded with honorable mention in 1897. That same year he won a second medal at the exhibition in Arcachon, France. His name had a special resonance throughout his exhibitions at the Sala Parés in Barcelona, between 1915 and 1920. His wide production includes works in oil as well as in pastel, and covers a wide range of themes. The theme he most cultivated was that of the classic Spanish maja, the women with mantilla and comb, depicted in his personal sensorial style, with extraordinary skill and great mastery of drawing. Among his many paintings, some of which have been widely reproduced, it is worth mentioning "El viático al Liceo", "Lavapiés en Jueves Santo", "Bodas reales" (Royal Wedding), which he painted for King Alfonso XIII, "Luna de miel" (Honeymoon), "El triunfo del cristianismo" (The Triumph of Christianity), etc. He also dedicated himself to decorative painting, creating religious murals for the church of San Francisco in Buenos Aires and the dome of the Basilica de la Merced in Barcelona, which was destroyed in 1936. Throughout his career, Borrell held numerous solo exhibitions in various Barcelona galleries, and participated in group exhibitions and competitions. Many of his works are exhibited at the MACBA, as well as at the National Art Museum of Catalonia and others.

FRANCESC SERRA CASTELLET (Barcelona, 1912 - Tossa, Girona, 1976). "Female nude". Oil on tablex. Presents sketch on the back. Signed in the lower right corner. Measurements: 60 x 83 cm; 74 x 97 cm (frame). Painter and draftsman, Francesc Serra spent his youth in Granollers, Barcelona. Although he passed fleetingly through the School of La Lonja in Barcelona, he is basically a self-taught author. He had his first exhibition in 1932, at the Sala Parés in Barcelona, and participated in the Salones de Primavera between 1934 and 1936. In 1936 and 1937 he was a special guest of the Carnegie Institute of Pittsburgh, United States. He continued to hold individual exhibitions in Barcelona, mainly at the Sala Gaspar. A great admirer of Degas, he was especially influenced by his favorite theme, the feminine. Sporadically he also tackled other themes, such as the urban landscape, of which the series of Paris, presented in 1951, is worth mentioning. Likewise, with his portraits of the lead mine he approached the sensitive realism of Ingres. He won several awards, including the Sant Jordi of Barcelona (1953) and the first medals at the National Exhibitions of Madrid (1957) and Barcelona (1960). He collected several unpublished drawings under the title "Dibujos de Serra" (1973), with a prologue by Santos Torroella. Determined defender of realism in art and of traditional figuration against the avant-garde, he published the essay "La aventura del arte contemporáneo" (1953), with a prologue by Rafael Benet. He is represented in the Museums of Modern Art of Madrid and Barcelona and in the Museums of Fine Arts of l'Empordà and Sabadell.

RAMÓN CALSINA BARÓ (Barcelona, 1901 - 1992). "The living sculpture". Pencil on paper. Signed in the lower left corner. Measurements: 31 x 38 cm; 53 x 60 cm (frame). After initiating his formation in the Baixas Academy of Barcelona, Calsina enters in 1920 in the School of La Lonja, where he was a disciple of Feliu Mestres. He made his individual debut in 1930 at the Sala Parés, and the following year he exhibited his works in Paris. Of special importance were the anthologies he held in Barcelona in 1957 and 1966. His style, close to magical realism, is precise and stylized, often ironic and full of unusual or fantastic details. It also reveals certain influences of Goya, Daumier and Hogarth. As a draughtsman he made illustrations, posters and stained glass windows. He designed the costumes and scenery for the play "El casament de la Xela", by Xavier Berenguel (1938). Between 1931 and 1933 he collaborated with the German magazine "Der Querschnitt". He also illustrated novels, such as "Don Quixote" and the works of Edgar Allan Poe. In 1964 he won the Ynglada-Guillot international drawing prize, and in 1990 he was awarded the Cross of Sant Jordi. In 1984 a large group of poets, writers, artists and intellectuals made a social appeal for the recognition of Calsina, as a result of which the Caja de Ahorros de Barcelona, with the collaboration of the Generalitat de Catalunya, dedicated an anthological exhibition to him. In 1990 another one was held at the Centro Conde Duque in Madrid, with the collaboration of the City Council. He is represented in several Spanish museums, as well as in important private collections. In 2009 the Ramón Calsina Foundation was created, promoted by his heirs.

RAMÓN CALSINA BARÓ (Barcelona, 1901 - 1992). "Ecstasy". Charcoal on paper. Signed and dedicated. It has some rust stains in the margins that do not affect the drawing. Signed in the lower left corner. Measurements: 26.2 x 19 cm (drawing); 31 x 23.5 cm (paper); 34 x 27 cm (frame). After beginning his training at the Baixas Academy in Barcelona, Calsina enters in 1920 at the School of La Lonja, where he was a disciple of Feliu Mestres. He made his individual debut in 1930 at the Sala Parés, and the following year he exhibited his works in Paris. Of special importance were the anthologies he held in Barcelona in 1957 and 1966. His style, close to magical realism, is precise and stylized, often ironic and full of unusual or fantastic details. It also reveals certain influences of Goya, Daumier and Hogarth. As a draughtsman, he created illustrations, posters and stained glass windows. He designed the costumes and scenery for the play "El casament de la Xela", by Xavier Berenguel (1938). Between 1931 and 1933 he collaborated with the German magazine "Der Querschnitt". He also illustrated novels, such as "Don Quixote" and the works of Edgar Allan Poe. In 1964 he won the Ynglada-Guillot international drawing prize, and in 1990 he was awarded the Cross of Sant Jordi. In 1984 a large group of poets, writers, artists and intellectuals made a social appeal for the recognition of Calsina, as a result of which the Caja de Ahorros de Barcelona, with the collaboration of the Generalitat de Catalunya, dedicated an anthological exhibition to him. In 1990 another one was held at the Centro Conde Duque in Madrid, with the collaboration of the City Council. He is represented in several Spanish museums, as well as in important private collections. In 2009 the Ramón Calsina Foundation was created, promoted by his heirs.