1 / 2

Description

Hans-Agne JAKOBSSON (1919-2009) in MARKARYD (Sweden), Polished and gilded brass three-light pendant model T 376/3, circa 1960. Label on frame. D: approx. 42 cm

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

284 
Online
in progress
Go to lot
<
>

Hans-Agne JAKOBSSON (1919-2009) in MARKARYD (Sweden), Polished and gilded brass three-light pendant model T 376/3, circa 1960. Label on frame. D: approx. 42 cm

Time
Estimate 150 - 200 EUR
Starting price  150 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 26.6 %
Bid

Sale closing from
Sunday 08 Sep - 19:00 (CEST)
macon, France
Quai des Enchères
+33385387507
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Golden Transports Services
More information
MBE - Chalon - Mâcon
More information
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

Axel Nordgren, Coast in the Moonlight atmospheric nocturnal coastal landscape with a lonely rowing boat on the water in front of fishermen's cottages on the beach, atmospheric, glazed, partially impasto painting in almost monochrome colours, Brita Linde comments "... Together with his younger colleague Gustaf Rydberg, Nordgren discovered the beaches of Arild and Skälderviken in the 1870s. From here he mainly painted moonlight pieces. The dark, stony beach usually forms an ellipse ... and contrasts with the wide expanse that glistens on the slightly undulating water surface. The horizon is low, so that the sky with the full moon between clouds dominates the scenery. ...", c. 1870, signed "A. Nordgren" on the reverse of the canvas, framed in gilt stucco moulding, folded dimensions approx. 49 x 84.5 cm. Artist information: actually Axel Wilhelm Nordgren, Swedish portrait and landscape painter (1828 Stockholm - 1888 Düsseldorf), first instructed by his father, the painter Carl Vilhelm Nordgren (1804-1857), studied at the Stockholm Academy from 1845-48, travelled with a scholarship from the Swedish crown prince Karl Ludvig Eugen Bernadotte, later King Charles XV (1826-1872). (1826-1872) travelled to Düsseldorf, from 1851 further training in Düsseldorf, among others with Hans Fredrik Gude and Andreas Achenbach, then freelanced in Düsseldorf, maintained friendship with Morten Müller, undertook annual summer study trips with Gude and Müller to Småland, Norway and Finland, in the 1860s to Trollhättan, Huskvarna, Bohuslän, Arild and Skälderviken and in the 1870s trips to southern Sweden (Skåne), was appointed Swedish court painter in 1869 and became a member of the Stockholm Academy, travelled to the Netherlands in 1871, suffered a stroke in 1883 and gave up travelling, exhibited in Berlin, Stockholm, Gotenburg, Königsberg, Düsseldorf, Bergen/Norway, Dresden, London, Lyon, Mainz, Munich, Bremen, Hamburg, Hanover and Vienna, member of the Düsseldorf artists' association "Malkasten" from 1857-88, active in Düsseldorf-Pempelfort, source: Thieme-Becker, Saur "Bio-Bibliographisches Künstlerlexikon", Swedish biographical lexicon, Boetticher, Müller-Singer, Baumgärtel/Schroyen "Die Düsseldorfer Malerschule und ihre internationale Ausstrahlung 1819-1918", Bruckmann "Lexikon der Düsseldorfer Malerschule", Seubert, Müller-Klunzinger and Wikipedia.

A WHITE JADE MINIATURE PENDANT, SIGNED ZIGANG, 18TH CENTURY A WHITE JADE MINIATURE PENDANT, SIGNED ZIGANG, 18TH CENTURY Expert’s note: This jade belongs to a group of white jade plaques of various round or rectangular forms and signed ‘Zigang’, commonly dated to the 18 th century or more broadly to the Qing dynasty. It stands out from the other plaques in its exceptionally small size and the rustic yet highly skillful carving, making the present jade exceedingly rare. China. The top carved with scrolling clouds and pierced with a small aperture for suspension, above an oval panel carved to one side with a gnarled pine tree and craggy rocks. The translucent stone of an even white tone. Inscription: The reverse with a poetic verse in cursive script followed by the signature ‘Zigang’. Provenance: From a private collection in the United Kingdom, by repute acquired at Christie’s London in June 1999. The reverse with an old inventory label, ‘62’. Condition: Very good condition with minor wear and minute nibbles. Weight: 5.5 g Dimensions: Length 3.5 cm Little is known regarding Lu Zigang in contrast with his legendary reputation as the finest Suzhou jade carver. Craig Clunas notes that Lu's name appeared in the 1642 edition of the Gazetteer of Taicang Subprefecture, Taicangzhou Zhi, recording him as a native of this district, 'fifty years ago there was in this prefecture a certain Lu Zigang, whose skill at carving [jade] with the knife remains unsurpassed to the present. Jade hairpins by him sell for fifty or sixty ounces of silver each. The skill was not handed on at Zigang's death'; see Craig Clunas, Superfluous Things. Material Culture and Social Status in Early Modern China, Honolulu, 1991, p. 64. Literature comparison: Compare a related white jade oval pendant, dated late 18 th to early 19 th century, illustrated in J.C.Y. Watt, Chinese Jades from Han to Ch'ing, New York, 1980, pl. 217. Auction result comparison: Type: Related Auction: Bonhams Hong Kong, 28 May 2019, lot 80 Price: HKD 313,125 or approx. EUR 40,000 converted and adjusted for inflation at the time of writing Description: A superb white jade 'quails' pendant, inscribed Zigang, Qianlong Expert remark: Compare the related manner of carving and even white color. Note the size (5.5 cm), which is still considerably larger than the present lot.

A GREEN-GLAZED POTTERY FLASK, LIAO DYNASTY A GREEN-GLAZED POTTERY FLASK, LIAO DYNASTY China, 907-1125. Of saddle shape with stiff, seamed edges, a short cylindrical neck, the top flap is notched and pierced with two hanging holes and applied with two small figures facing forward towards the spout, the body incised with floral motifs on each side, all under an intentionally crackled emerald-green glaze. Provenance: From the collection of André Dubreuil. André Dubreuil (1951-2022) was a French designer and craftsman. At the age of eighteen he moved to England to study drawing at the Inchbald School of Design, while exploring the London underground nightlife scene. After graduating, he started working for a decorating agency and designed flats with trompe l'oeil paintings. He learned the art of ironwork with Tom Dixon and Mark Brazier-Jones, and they quickly became the reference for 1980s English avant-garde design. As a collector, Dubreuil was particularly interested in metalwork, and his collection included a wide range of objects, such as 18th-century French candelabras, medieval ironwork, and contemporary metal sculptures. He was known for his eclectic taste and his ability to appreciate the beauty and craftsmanship of objects from different periods and cultures. His collection was a reflection of his passion for art, as well as his interest in history and cultural heritage. Condition: Fine condition, commensurate with age. Old wear as expected, the spout with a small old repair, some flaking and minor losses to glaze, and firing irregularities including scattered glaze recesses. The head of one figure lost. Weight: 1,447 g Dimensions: Height 27 cm Traditionally known as a pilgrim's flask, the shape of these containers derived from leather prototypes and has retained many features of the originals such as the seam and the hanging lug. It is quite rare to find two applied figures on the flask. Literature comparison: Compare an example in the Museum of Fine Arts Boston, Charles B. Hoyt Collection, accession no. 50.1747. A flask and cover with very similar designs and also with two applied figures in the Museum of Fine Arts, Boston, is illustrated in Hai-wai Yi-chen Chinese Art in Overseas Collections Pottery and Porcelain (II), p. 88, no. 86; another flask with two figures on the rim but slightly different decoration on the body from the Chang Foundation, Taipei, is illustrated in Selected Chinese Ceramics from Han to Qing Dynasties, p. 78, col. pl. 20. An example with one figure is in the Fengtian Museum, illustrated in Koyama Fujio ed., Sekai Toji Zenshu, 1961, vol. 10, p. 244, fig. 148. Auction result comparison: Type: Closely related Auction: Christie’s New York, 20-21 March 2014, lot 2078 Price: USD 8,750 or approx. EUR 10,500 adjusted for inflation at the time of writing Description: A rare olive-green glazed pottery flask and cover, Liao dynasty Expert remark: Compare the closely related form and glaze. Note the similar size (30.5 cm). Auction result comparison: Type: Closely related Auction: Christie’s London, 17 June 2003, lot 10 Price: GBP 4,541 or approx. EUR 7,700 adjusted for inflation at the time of writing Description: A very large green-glazed flask. Expert remark: Compare the closely related form and glaze. Note the smaller size (24.8 cm).