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FILINTO VIANA (1956). "Figura com chapéu" (2017) FILINTO VIANA (1956). "Figura com chapéu" (2017) Filinto Viana (1956), "Figura com chapéu" (2017). Técnica mista sobre papel. Assinado e datado. Dim. Mancha: 27x38 cm; Moldura 46x59x3 cm # Bom estado geral. Pequena falha de tinta na moldura. # Filinto Viana (1956) Filinto Viana (1956), nasceu na Figueira da Foz, onde reside e trabalha, num atelier no Bairro Novo. Começou a pintar depois dos 30 anos de idade. É um pintor autodidata, que foi construindo e aperfeiçoando a sua técnica ao longo do tempo. Trabalhou em conjunto e chegou a partilhar atelier com Michael Barrett e Mário Silva. Iniciou a exposição da sua obra em 1993. Possui uma matriz neofigurativa, onde se liberta da figuração estereotipada e tem um método de trabalho instintivo e anárquico, que resulta em composições de policromia intensa. Recebeu o 1º Prémio do Concurso de Pintura "Pintar Viseu" (2017) e a sua obra incorpora várias coleções particulares.

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FILINTO VIANA (1956). "Figura com chapéu" (2017) FILINTO VIANA (1956). "Figura com chapéu" (2017) Filinto Viana (1956), "Figura com chapéu" (2017). Técnica mista sobre papel. Assinado e datado. Dim. Mancha: 27x38 cm; Moldura 46x59x3 cm # Bom estado geral. Pequena falha de tinta na moldura. # Filinto Viana (1956) Filinto Viana (1956), nasceu na Figueira da Foz, onde reside e trabalha, num atelier no Bairro Novo. Começou a pintar depois dos 30 anos de idade. É um pintor autodidata, que foi construindo e aperfeiçoando a sua técnica ao longo do tempo. Trabalhou em conjunto e chegou a partilhar atelier com Michael Barrett e Mário Silva. Iniciou a exposição da sua obra em 1993. Possui uma matriz neofigurativa, onde se liberta da figuração estereotipada e tem um método de trabalho instintivo e anárquico, que resulta em composições de policromia intensa. Recebeu o 1º Prémio do Concurso de Pintura "Pintar Viseu" (2017) e a sua obra incorpora várias coleções particulares.

Estimate 180 EUR
Starting price 190 EUR

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HANNAH COLLINS (United Kingdom, 1956). "Kitchen. La Laboral Gijón". 2006 Digital print on canvas. Diptych. With Joan Prats gallery stamp on the back. Provenance: Joan Prats Gallery. Barcelona. Measurements: 192 x 274 cm. This photograph was part of the solo exhibition "A future Life", held in 2006 at the Joan Prats gallery in Barcelona. Hannah Collins' photographic work is a reflection on the passage of time and the presence of the human trace in different environments. Her photographs of interior spaces reveal an implicit, latent social history. For the artist, fleeting glimpses of cities do not provide a full understanding of their existence. Far from the documentary character, her scenes consciously mix that reality with a fiction that gives them a new meaning. The dreary, institutional "Kitchen" shown in this photograph is part of the artist's research on migrant lives and memory. It is worth linking it to a later series she would present at LABoral Centro de Arte y Creación Industrial in Gijón (2017), entitled "The Fragile Feast", which focused on kitchen photography, and opened a dialogue between culinary art and photographic art. A British artist and filmmaker, Hannah Collins studied at the Slade School of Fine Arts in London, and later extended her training in the United States thanks to a Fullbright scholarship (1978-79). Throughout her career she has held important solo exhibitions in leading art galleries and art centers in Europe and America, and has participated in group exhibitions held at the Victoria & Albert Museum in London (1987, 1989, 1989, 1989). Albert Museum in London (1987, 1989, 1989, 1995, 2002), the Centre National des Arts Plastiques in Paris (1989), the Museum of Modern Art in Kyoto (1990), the Fundació Joan Miró in Barcelona (1992, 1998), the Museo Español de Arte Moderno in Madrid (1994, 2008), the Saatchi Gallery in London (1994), the Helga de Alvear Gallery in Madrid (1999), the Tate Modern in London (2000), the Centre Georges Pompidou in Paris (2006) and the Kulturhaus in Vienna (2011), among others. Based between London and Barcelona, in 1993 she was nominated for the Turner Prize, in 1991 she won the European Photography Award and in 2004 the Olympus Award. She is currently represented at the Tate Modern in London, the Centre Georges Pompidou in Paris, the MNCA Reina Sofía in Madrid, the MACBA in Barcelona and other public and private collections in Europe and America.

A. R. Penck, Kiessstraße Zwanzig Uhr edited by Jürgen Lentes Frankfurt am Main 1993, Husssche Universitätsbuchhandlung, unique edition, format Lex. 8°, 321 pp, with woodcuts as endpapers and corresponding numbered drypoint etching signed by the artist, typical stick figure for the artist, surrounded by a swirl, below the image signed in lead on the right "ar. penck" and numbered on the left "20/100", image dimensions approx. 13.8 x 12.8 cm, original dust jacket, this with loss, in original slipcase, minimal traces of study inside. Artist info: real name Ralf Winkler, also used the pseudonyms "Mike Hammer", "T.M.", "Mickey Spilane", "a.Y." or "Y", German painter, graphic artist and object maker. Painter, graphic artist and object artist (1939 Dresden to 2017 Zurich), 1953-54 painting and drawing lessons with Jürgen Böttchen (Strawalde), from 1956 the artist applied four times to art academies in Dresden and Berlin without success, 1955-56 apprenticeship as a draughtsman at DEWAG, worked in various professions after breaking off his apprenticeship, 1966 admitted as a candidate for the VBK of the GDR and renamed "A. R. Penck", 1971 member of the "Künstlergruppe Lücke", 1976 encounter with Jörg Immendorff, from this time he campaigned for the abolition of the inner-German border, 1980 expatriation from the GDR, 1981 awarded the Rembrandt Prize of the Goethe Foundation Basel, 1983 moved to London, 1988 appointed professor at the Düsseldorf Art Academy, has lived in Dublin since 2003, participated in documenten 5, 7 and 9, source: Wikipedia and Internet.