Description

School of Girolamo da CARPI (Ferrara 1501-1556) Three women in antique style after a bas-relief Pen and brown ink. Small losses at top left, small stains. 17.2 x 24.5 cm

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

Go to lot
<
>

School of Girolamo da CARPI (Ferrara 1501-1556)

Estimate 500 - 600 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 30 %
Leave bid
Register

For sale on Tuesday 24 Sep : 14:00 (CEST)
paris, France
Daguerre
+33145630260
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

GIROLAMO FORABOSCO (Venice, 1605 - Padua, 1679). "Joseph and the wife of Potiphar". Oil on canvas. -Bibliography: Girolamo Forabosco. Chiara Marin. Venezia Barocca. Close Edizioni. Page 457. Fig. 98 (cat.69). Measurements: 105 x 135 cm. In this magnificent painting the biblical episode of the attempt of Potiphar's wife to seduce Joseph is narrated. This one tries to flee from the embrace of the beautiful young woman, whose nudity reveals an agile and slender body. Joseph, dressed in tunic and cloak, tries not to look at her, adopting a gesture of rejection. Her sensual insinuation and frank nudity contrasts with his double layer of clothing and modesty. Since the Renaissance, this has been a much treated theme, and the artist picks up this legacy by entering into a fruitful dialogue with tradition, as is usual in his best compositions. In the flesh tones ignited by passion, in the histrionic gestures and the satin finishes of the garments, the painter succeeds in reviving the sensuality of the Venetian school, infusing it with a romantic imprint. Potiphar, who was a high official belonging to the Pharaoh's court, had acquired Joseph, who had been sold as a slave. After his diligence, Potiphar, appointed Joseph head of the house, it was at that moment, when Potiphar's wife began to notice Joseph, trying to seduce him. Taking advantage of an occasion when the house did not have any of the men in charge, the woman insinuated herself to Joseph, who fled. However, upon Potiphar's return, the woman accused Joseph of attempted rape, for which Joseph was sent to prison. Girolamo Forabosco or Gerolamo Ferrabosco was a 17th-century Venetian Baroque painter active in Padua and Venice between 1636 and 1644. After studying with Alessandro Varotari (il Padovanino) in Venice, Girolamo Forabosco was artistically influenced by Bernardo Strozzi. He was admitted to the Fraglia dei Pittori between 1634 and 1639 and was a paying member from 1640 to 1644. He adopted the compositional style and subjects of Tiberio Tinelli. By 1653 he had a studio in Padua, but the following year he was back in Venice, where he painted an altarpiece for the patriarch Federico Cornaro, who died in 1654, and a Portrait of Carlo Contarini, Doge. Throughout his career he produced a relatively small number of works, mainly portraits, a genre that secured his reputation, recovering models of sixteenth-century compositions and reviving them through a more vibrant use of color. -Bibliography: Girolamo Forabosco. Chiara Marin. Venezia Barocca. Cierre Edizioni. Page 457. Fig. 98 (cat.69).

- History of Fra Girolamo Savonarola 1744-1913. 21 titles - - - - - - - Number of pieces: 9 Pages: - Burlamacchi, Pacifico. Vita del P. F. Girolamo Savonarola dell'ordine del Predicatori. Luca: 1744. Lucas, Herbert. Fra Girolamo Savonarola: a biographical study based on contemporary documents. London: Sands and Co. 1899. Pastor, Louis. Contribution à l'Histoire de Savonarole. Paris: P. Lethielleux, 1898. Benivieni, Girolamo. Canzona d'un piagnone pel bruciamento delle vanita nel carnevale del 1498: da una rarissima stampa contemporanea. Firenze: 1864. Burlamacchi, Pacifico. La vita, con alcuni scritti del padre F. Girolamo Savonarola: arso in Firenze: l'anno 1498. Milan:Dalla, Tipografia di Gio Silvestri, 1847. Revere, Giuseppe. I Piagnoni e gli Arrabbiati al tempo di fra Girolamo Savonarola. Milan: Tipografia di Vicenzo Guglielmini, 1843. Randi, Luigi. Frate Girolamo Savonarola. Firenze: Tip. di G. Carnesecchi e figli, 1893. Capponi, Carlo. Del dispregio del mondo: opuscolo latino. Firenze: Tipografà di Federigo Bencini, 1862. Savonarola, G. Salmo di Fra Girolamo Savonarola recato in Italiano da N. Tommaseo; col testo a fronte. irenze: Tipografia Galileiana, 1862. Savonarola, G. Poesie di fra Girolamo Savonarola: tratte dall'autografo. Firenze: Presso Antonio Cechii, 1862. Savonarola, G. Salmo di Fra Girolamo Savonarola recato in Italiano da N. Tommaseo; col testo a fronte. Firenze:Tipografia Galileiana, 1862. Capponi, Carlo. L'Officio proprio per Fra Girolamo Savonarola e i suoi compagni scritto nel secolo XVI con un proemio. Prato: Per Ranieri Guasti, 1863. Savage Landor, Walter. Savonarola e il priore de San Marco. Firenze: typografia Barbèra, 1860. Miscellaneous: Gherardi, Alessandro. Nuovi Documenti e studi intorno a Girolamo Savonarola, Firenze: 1876. Savonarola, G. Lettere inedite di Fra Gerolamo Savonarola e documenti concernenti lo stesso. Tipografia Galileiana, 1847. Luschino, Benedetto. Cedrus Libani, ossia, Vita di fra Gerolamo Savonarola, s.e, 1847. Procter, Giovanni. Il domenicano Savonarola e la Riforma. Milano: Tipografia pontificia di S. Giuseppe, 1896. Guasti, Cesare. Il Savonarola e i piratesi. Firenze: Tipografia E. Lit Di G. Carnesecchi e figli, 1876. Morçat, Raoul. La cronaca del convento fiorentino di San Marco. Rome: Ermanno Loescher, 1913. Rouard de Card, Marie. Jerome Savonarole et La statue de Luther a Worms Leuven: Fonteyn, 1867. Rouard de Card, Marie. Jerome Savonarole et La statue de Luther a Worms. Leuven: A dai principali librai d' Italia, Genova and Firenze, 1868. Extraordinary early compilation of works on Girolamo Savonarola, a central figure in the religious and political history of Italy during the Renaissance. Savonarola, a Dominican friar, is known for his vehement sermons against the corruption of the Church and its influence on Florentine politics. His eventual arrest and execution in 1498 did not diminish his legacy; on the contrary, his life and work continued to inspire debate and study for centuries. Notable among the various critical biographies and works of fervent followers is the 1744 book, an early and very rare biography embellished with engravings of the influential reforming friar.