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[International exhibitions]. Arts et Métiers graphiques n°62. International exhibitions Paris 1937 New-York 1939. Paris, Charles Peignot, 1938. In-4 paperback, color illustrated cover. Numerous b&w photographic reproductions.

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1993

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[International exhibitions]. Arts et Métiers graphiques n°62

Estimate 30 - 40 EUR

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For sale on Saturday 24 Aug : 11:00 (CEST) , resuming at 14:00

limoges, France

Pastaud
+33555343331

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Poster design for the Dresden Art Exhibition 1897 Unrealised design for the poster of the International Art Exhibition in Dresden, still in the formal language of the late Wilhelminian period, gouache on light cardboard, around 1896, partly torn and slight losses, dimensions approx. 95 x 64 cm.

Lot 9

Estim. 1 600 - 2 000 EUR

ANDRÉS NAGEL (San Sebastián, 1947). "Pita". Collage and mixed media on paper with die-cut metal foil. Signed in the upper right corner. Measurements: 46 x 63 cm; 53 x 71,5 cm (frame). Nagel finished his Architecture degree in 1972, that same year he began to research on engraving techniques and met Chillida, who would be key in his career. In the mid 70's Nagel began a great exhibition activity, both in group and individual exhibitions: Madrid, Barcelona, Bilbao, Pamplona... In 1976 he participated in the exhibition "New Spanish Painting" (New York) and two years later in an exhibition in tribute to Joan Miró in Palma. In 1980, his works were included in several group exhibitions in the United States (Austin, Tallahassee and Cleveland) and he also participated in the Fredrikstad Biennial (Norway). From the 80's onwards, his presence in international exhibitions increased. In 1982 he participated in the "II Triennial of Drawing" in Nuremberg, in 1983 in the "Biennale of Graphic Art" in Varna (Bulgaria), and in 1984 he participated in group exhibitions in Dortmund, Bonn and Basel. In 1985 he is included in a selection of works of the Spanish Museum of Contemporary Art (predecessor of the Reina Sofia Museum) exhibited at the Gulbenkian Foundation in Lisbon. In 1986 he was invited by the Iraqi government to the "Baghdag International Festival of Arts" together with Manolo Valdés and other Spanish artists. In 1987 Nagel placed a large steel sculpture in a square in Barcelona, and attended the Fiac fair in Paris with an exclusive stand (Gamarra and Garrigues gallery). The following year, the Bilbao Fine Arts Museum dedicated an anthology to his graphic work, of which a catalog raisonné was published. In 1989 the artist began a collaboration of more than ten years with the Tasende Gallery in La Jolla (California), with which he attended fairs in Chicago and Los Angeles and even exhibited at the Meadows Museum in Dallas. In May 2015, the founder of this gallery, the American of Bilbao origin José Tasende, donated 34 works by Nagel to the Bilbao Fine Arts Museum.

Lot 48

Starting price 10 EUR

Two hunting engravings 32 x 63 cm view A commemorative diploma from the 1931 Exposition Coloniale Internationale and a Gold Medal diploma from the 1930 Exposition Internationale de Liège are included.

Lot 22

Estim. 2 500 - 3 000 EUR

MANUEL GARCÍA RODRÍGUEZ (Seville, 1863 - 1925). "Convent of Capuchins of Sanlúcar de Barrameda", 1921. Oil on canvas. It has a frame from the early twentieth century. Signed, dated and located in the lower left area. Measurements: 70 x 111 cm; 87 x 131 cm (frame). Manuel García Rodríguez began his training in the Seminary of Seville, although shortly after he decided to dedicate himself to painting, starting in this art by the hand of José de la Vega Marrugal. Shortly after, he entered the School of Fine Arts, where he had Eduardo Cano and Manuel Wssel as teachers. Influenced by Sánchez Perrier, from 1885 he dedicated his work to landscape, a discipline in which he specialized, achieving multiple successes. He was awarded a third medal at the National Exhibition of Fine Arts in 1897 and at the Regional Exhibition of Malaga; a bronze medal at the International Exhibition of Barcelona in 1888 and at the International Exhibition of Alicante in 1894; and a second medal at the National Exhibitions of 1890 and 1895 and at the International Exhibition of Barcelona. His works were in demand from Munich, Prague, Hamburg, Stockholm, London, St. Petersburg and especially South America, and in 1899 he was appointed corresponding member of the Royal Academy of Fine Arts of San Fernando. From 1900 until his death he participated regularly in the Spring Exhibitions of Seville (except in 1907 and 1908) and in all the National Exhibitions (except 1917 and 1920). He was an active member of the Fine Arts Center between 1902 and 1903, and of the Monuments Commission in 1919.

[International exhibitions]. Arts et Métiers graphiques n°62. International exhibitions Paris 1937 New-York 1939. Paris, Charles Peignot, 1938. In-4 paperback, color illustrated cover. Numerous b&w photographic reproductions.

[International exhibitions]. Arts et Métiers graphiques n°62

Poster design for the Dresden Art Exhibition 1897 Unrealised design for the poster of the International Art Exhibition in Dresden, still in the formal language of the late Wilhelminian period, gouache on light cardboard, around 1896, partly torn and slight losses, dimensions approx. 95 x 64 cm.

Two hunting engravings 32 x 63 cm view A commemorative diploma from the 1931 Exposition Coloniale Internationale and a Gold Medal diploma from the 1930 Exposition Internationale de Liège are included.

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