Description

Dimitri Mitropoulos Signature Well-respected Greek-born conductor and composer (1896-1960) who led, among other ensembles, the Minneapolis Symphony and the New York Philharmonic, and who was one of the young Leonard Bernstein's most important mentors. Vintage fountain pen signature, "Dimitri Mitropoulos,” on a beige 5.75 x 4 album page, with small portrait affixed below. In fine condition, with light toning to the right edge. Encapsulated in a PSA/DNA authentication holder.

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Dimitri Mitropoulos Signature Well-respected Greek-born conductor and composer (1896-1960) who led, among other ensembles, the Minneapolis Symphony and the New York Philharmonic, and who was one of the young Leonard Bernstein's most important mentors. Vintage fountain pen signature, "Dimitri Mitropoulos,” on a beige 5.75 x 4 album page, with small portrait affixed below. In fine condition, with light toning to the right edge. Encapsulated in a PSA/DNA authentication holder.

Estimate 100 - 200 USD
Starting price 100 USD

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For sale on Wednesday 14 Aug - 18:00 (EDT)
amherst, United States
RR Auction
+16037324284
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Surroundings of Jean Marc NATTIER (1685-1766) Portrait of Louis François Armand de Vignerot du Plessis, Duc de Richelieu (1696-1788), Marshal of France, in armor Oil on canvas 149.4 x 117.2 cm Important carved and gilded wood frame stamped Infroit JME Provenance : - Given to Monsieur de Montillet in 1784. Maréchal de camps des armées du Roi, premier enseigne de la première compagnie des mousquetaires de la garde du Roi, he was Chevalier de l'Ordre Royal et militaire de Saint Louis. - Paul Berttholle Collection, Paris - Sotheby's sale June 8, 2007, lot 373 - An apartment in Isle Saint Louis - Paris Exhibition: - Paris, Exposition Restrospective des Colonies Françaises de l'Amérique du Nord, April-June 1929, n°30, p.58, rep. p.61 Literature : - Louis Réau, "Carle van Loo, Jean Restout, les lithographies de paysages en France à l'époque romantique", in Archives de l'art français , tome XIX, Paris, 1938, no. 138; - N. Jeffares, Dictionnaire des pastellistes avant 1800 , London 2006, p. 534; - MH Trope, Jean Valade : peintre ordinaire du roi, 1710-1787 , exhibition catalog, Poitiers 1993, cited in note 112. Painted in a style characteristic of 18th-century military portraits, the Duc de Richelieu is shown in armor, wearing a blue sash adorned with the symbol of the Order of the Holy Spirit. The background evokes the fortress of Port-Mahon, which Richelieu captured in 1756. The cartouche at the top of the frame indicates that this portrait was presented to the Marquis de Montillet in 1784. Godson of Louis XIV (1638-1715) and grand-nephew of the influential Cardinal de Richelieu (1585-1642), Louis-François-Armand de Vignerot du Plessis, Duc de Richelieu, was appointed Marshal of France, a high military distinction reserved for exceptional generals, in 1748. Notorious for his debauched lifestyle, he nonetheless established himself as a courageous and respected man of war, as shown in the present painting. This portrait is in the tradition of 18th-century military portraits. In a three-quarter view, the Duc de Richelieu is shown in armor, holding a sword in his left hand. A blue sash on his chest, embossed with the symbol of the Order of the Holy Spirit, reminds us that he received France's highest distinction in 1729. The decoration evokes the British fortress of Port-Mahon, taken by Richelieu in 1756. While the Marshal of France achieved many important military successes, this particular event, a major battle in the Seven Years' War, remains without doubt his most striking victory. It was therefore obvious for the artist to depict Richelieu in a setting reminiscent of this specific fortress, a symbol of his military prowess and political importance. Beyond the military aspect, this portrait conveys a certain sense of compassion and clemency. An eternal lover of women - he married his fourth wife at the age of 84 - his many antics and duels earned him imprisonment in the Bastille. Fortunately, he escaped fourteen months later, thanks to the help of his loyal and influential friend Madame de Maintenon (1635-1719). His association with the royal circle, as well as his notable friendship with the French philosopher and writer Voltaire, made him one of the most striking and attractive figures of the Age of Enlightenment. According to the plaque at the top of the frame, this portrait was presented to Louis-Honoré de Montillet in 1784. Louis-Honoré, Marquis de Montillet, was born in 1733 into the Montillet family, who built the Château de Champdor in the Bugey region of eastern France in the 18th century. The portrait shown here is very similar to an oil painting described as simply from the 18th-century French school, held at the Musée de l'Armée, Invalides, Paris. There is also a pastel portrait of Marshal de Richelieu by Jean Valade (1710-1787) (oval, 85 x 65 cm), whose current location is unknown.

[GROSLEY (P.J.), LE FEVRE & DAVID]. Mémoires de l'Académie des Sciences, Inscriptions, Belles Lettres, Beaux arts, &c. Nouvellement établie à Troyes en Champagne. Liège [Troyes], Barnabé [Lefèvre], 1744. Following (with separate pagination): Lettre à M. Hugot, Me juré crieur de vin, et savetier à Troyes, pour servir de suite au Mémoires de l'Académie de cette Ville. And : Lettre sur les mémoires de l'Académie de Troyes by Le Fevre. This is the rarest of all first editions (with a reference to Volume I in the title, but the only one to appear, and therefore complete; the tomes disappears in subsequent editions) of this curious collection of mischievous, even scatological texts by P.-J. GROSLEY, André LE FEVRE and DAVID, whose deceptively serious title earned it a place in several libraries among the works of the most renowned Academies, which it rightly parodies. "Recueil de facéties qui a eu trois éditions, non compris celle qui fait partie de la collection des Œuvres de Caylus, en 12 vol. in-8. Of these three editions, all different in content, and which, for this reason, it would be good to bring together, the first [Lièges (Troyes), Barnabé, 1744] is the least common." Brunet. "These Mémoires were inserted in the collection of the Œuvres badines du comte de Caylus. It is well known that these bantering dissertations are the work of some young and gay Trojans, and especially Grosley, Lefebvre, etc. The volume contains: 'Dissertation sur l'usage de chier dans la rue du Bois', which is one of the largest in the city of Troyes. - Réflexions historiques, critiques et morales sur le proverbe : 99 moutons et un Champenois font 100 bêtes. - Dissertation on grapes. - Letter to M. Hugot, maître juré-crieur de vin et savetier à Troyes. - The banquet of the seven wise men renewed from the Greeks. - Dissertation on the custom of beating one's mistress, with notes and clarifications [...] Doctor J.F. Payen published an interesting notice on this curious and piquant collection in the Bibliographie universelle, 1848: 'Histoire sérieuse d'une Académie qui ne l'était pas: Recherches sur l'Acédémie de Troyes en Champagne'. [...] Collection of dissertations, reflections and memoirs on ridiculous and puerile subjects, an ingenious, witty and ironic satire of the often burlesque seriousness with which more famous Academies discuss matters often just as unimportant as those that occupy the Academy of Troyes. Grosley, a lawyer born in Troyes in Champagne, died in 1785, aged 67, composed this facetious piece with Lefebvre, his relative, friend and often collaborator (Viollet-Leduc)" Gay (Brunet III, 1596; Barbier III, 197; Gay III, 122). A good copy enriched with two rare pieces bound in fine on the Comédie Française: - Lettre de Me Darimath à Me Gaussin, sur la Comédie intitulée L'Heureux Retour, avec quelques réflexions sur la Comédie Française. Sl, sn, 1744. [1]-15 pp. - Observations amusantes et critiques sur l'Heureux Retour, le Quartier d'Hiver et sur la Comédie françoise,par un Ami de Mademoiselle Gaussin, à Monsieur Fagan. Slnd. pp. [3]-24. Large in-12 green half-chagrin, spine ribbed, gilt title (19th c. binding). Old foxing and dampening in places. Ex-libris JM.