Description

Dimitri Mitropoulos Signature Well-respected Greek-born conductor and composer (1896-1960) who led, among other ensembles, the Minneapolis Symphony and the New York Philharmonic, and who was one of the young Leonard Bernstein's most important mentors. Vintage fountain pen signature, "Dimitri Mitropoulos,” on a beige 5.75 x 4 album page, with small portrait affixed below. In fine condition, with light toning to the right edge. Encapsulated in a PSA/DNA authentication holder.

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Dimitri Mitropoulos Signature Well-respected Greek-born conductor and composer (1896-1960) who led, among other ensembles, the Minneapolis Symphony and the New York Philharmonic, and who was one of the young Leonard Bernstein's most important mentors. Vintage fountain pen signature, "Dimitri Mitropoulos,” on a beige 5.75 x 4 album page, with small portrait affixed below. In fine condition, with light toning to the right edge. Encapsulated in a PSA/DNA authentication holder.

Estimate 100 - 200 USD
Starting price 100 USD

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For sale on Wednesday 14 Aug - 18:00 (EDT)
amherst, United States
RR Auction
+16037324284
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PIERRE JEANNERET (Geneva, 1896-1967). Box Chair or model PJ-SI-53A, 1960. Frame in solid Indian teak. Cane seat and back. Numbered. Measurements: 75 x 51 x 51 cm. The Box Chair was also known as the "Office Chair with Cane Seat and Cane Back" when it was part of the furniture at Panjab University in Chandigarh around 1960. Its name was due to the distinguishing feature of this design is the set of asymmetrical double box style legs that also serve as armrests and bases. It is worth noting that the backrest is slightly inclined and curved is separate from the seat. Born in Geneva in 1896, Pierre Jeanneret studied at the Ecole des Beaux-Arts. In 1922, he began working in his new workshop in rue de Sèvres, Paris, with his cousin, fellow designer Le Corbusier, with whom he shared research projects and design criteria thanks to a deep professional relationship. In October 1927, the two decided to incorporate into their project a young architect who had already begun to make a name for herself on the architectural scene of the time: Charlotte Perriand. The collaboration of the three personalities lasted until 1937 and was extremely fruitful, especially in the field of furniture design. It was a very significant cooperation, both in terms of the cultural interest of their achievements and in terms of professional success. It was together with Charlotte Perriand that they tackled the innovative project for "l'équipement de la maison", the result of which was of great intellectual value and considerable commercial success. In 1951, Le Corbusier suggested a new project to celebrate India's independence and the opening of the nation to modernity, which consisted in the design of a city, Chandigarh, the capital of Punjab. Chandigarh, in northern India, is a city built from nothing. Designed by Le Corbusier, it was born as an icon of freedom from the colonialism of the past. Pierre Jeanneret is considered - despite the absence of documentation to prove it - the author of most of Chandigarh's furniture. The result is universally known designs, made with respect for the techniques used in the original products, manufactured in India by local craftsmen. Pierre Jeanneret's experience in India lasted until the end of his days in 1967 and his close and continuous contact with the local territory led his furniture to incorporate essential forms with simple materials. Today, Jeanneret's work can be found in museums such as the Museum of Modern Art (MoMA), the Vitra Designs Museum, the Museum Boijmans van Beuningen, the Museum for Gestaktung Zurich, the Museums of India and the Perre Jeanneret Museum.

PEROTTO, Nicholas. Cornucopiae linguae Latinae. Venice, Baptista de Tortis, October 19, 1490. Folio. 315x214 mm. Eighteenth-century binding in half-bock with gold title within cartouche on spine. Papers [16], 291. Markings: A-B8 a-z8 &8 [cum]8 [rum]8 A-O5. Typographic mark to paper N6v. Explicit on c. N6r: "Nicolai peroti pontificis Sypontini eruditissimi uiri Cornucopiae seu Commentariorum linguae latinae. Venetiis, per Baptistam de Tortis, 1490 die xix. octobri." On cc. O1-6: "In ... proemium Plynii commentariolus ... Ad Antonius Moretus." Roman and Greek characters. Spaces reserved for initials, some with guide letters. Ex libris "A. Damevino" pasted to spine and counterplate. On lower margin of page 1 ancient handwritten possession note "Est sancti Bartholomaei Astensis". Last blank paper O6 is missing. Specimen with wide margins. Rare and important third absolute edition and first with commentary on Pliny's Natural History. The Cornucopiae is the most important work of the celebrated humanist from Sassoferrato: begun as a commentary on Martial, it turned into a vast philological repertory of the Latin language on which Perotto worked for the rest of his life. It is a summa of humanistic knowledge, a source for the lexicons of Ambrogio Calepio and Robert Estienne, full of linguistic and erudite discussions, as well as thousands of quotations from ancient authors, some of them not handed down elsewhere. In the proem, his nephew Pyrrhus recounts that his uncle had composed the work for his own use: he allegedly copied it secretly, adding commentary on Martial's most obscene verses and accompanying it with summaries of epigrams, as well as rubrics and indexes. BMC: "The Commentariolus in Plinium is here for the first time appended to it." Folio. 315x214mm. Quarter calf binding from the 18th century, gilt title within a cartouche on the spine. Leaves [16], 291. Collation: A-B8 a-z8 &8 [cum]8 [rum]8 A-O5. The last blank leaf O6 is missing. Printer's device on leaf N6v. Explicit to leaf N6r: "Nicolai peroti pontificis Sypontini eruditissimi uiri Cornucopiae seu Commentariorum linguae latinae. Venetiis, per Baptistam de Tortis, 1490 die xix. octobri". At leaf O1-6: "In ... proemium Plynii commentariolus ... Ad Antonius Moretus." Roman and Greek type. Spaces for Initials, some with guide letters. Bookplate "A. Damevino" glued to the spine and inside cover. On the lower margin of page 1 an ancient handwritten note of ownership "Est sancti Bartholomaei Astensis". Copy with wide margins. Rare and important third absolute edition and first with the commentary on Plinius' Natural History. The Cornucopiae is the most important work of the famous humanist of Sassoferrato: begun as a commentary on Martial, it turned into a vast philological repertoire of the Latin language on which Perotto worked for the rest of his life. It is a summa of humanistic knowledge, source of the lexicons of Ambrogio Calepio and Robert Estienne, rich in linguistic and erudite discussions, as well as thousands of quotations from ancient authors, in part not handed down elsewhere. In the proem, his nephew Pirro recounts that his uncle had composed the work for personal use: he allegedly copied it secretly, adding the commentary to the more obscene verses of Martial and providing it with summaries of the epigrams, as well as rubrics and indexes. BMC: "The Commentariolus in Plinium is here for the first time appended to it."