1 / 4

Description

Anton Doll, Ankunft am Jagdhaus Horse team, just reaching the open gate of a hunting lodge, drawing with skilfully executed line, graphite on paper, around 1870, signed "A. Doll" lower right, mounted on backing paper, here old inscribed "A. Doll", minimally stained, mounted under passepartout, sheet dimensions approx. 17.5 x 17 cm. Artist info: German landscape painter. Landscape painter (1826 Munich - 1887 Munich), his talent for drawing was already evident as a child, encouraged by the portrait painter and lithographer Franz Dahmen (1793-1865), prematurely completed his law studies, subsequently turned to landscape painting as an autodidact, influenced by Heinrich Bürkel and Adolf Stademann, member of the Munich Kunstverein from 1852, organised exhibitions in Dresden, Vienna and Munich from 1854-86, active in Munich, source: Thieme-Becker, Saur: Thieme-Becker, Saur, Bötticher, Müller-Singer, Bénézit, Bruckmann, Müller-Singer, Wikipedia and Internet.

Automatically translated by DeepL. The original version is the only legally valid version.
To see the original version, click here.

3908 
Go to lot
<
>

Anton Doll, Ankunft am Jagdhaus Horse team, just reaching the open gate of a hunting lodge, drawing with skilfully executed line, graphite on paper, around 1870, signed "A. Doll" lower right, mounted on backing paper, here old inscribed "A. Doll", minimally stained, mounted under passepartout, sheet dimensions approx. 17.5 x 17 cm. Artist info: German landscape painter. Landscape painter (1826 Munich - 1887 Munich), his talent for drawing was already evident as a child, encouraged by the portrait painter and lithographer Franz Dahmen (1793-1865), prematurely completed his law studies, subsequently turned to landscape painting as an autodidact, influenced by Heinrich Bürkel and Adolf Stademann, member of the Munich Kunstverein from 1852, organised exhibitions in Dresden, Vienna and Munich from 1854-86, active in Munich, source: Thieme-Becker, Saur: Thieme-Becker, Saur, Bötticher, Müller-Singer, Bénézit, Bruckmann, Müller-Singer, Wikipedia and Internet.

Estimate 100 - 150 EUR
Starting price 100 EUR

* Not including buyer’s premium.
Please read the conditions of sale for more information.

Sale fees: 32.13 %
Leave bid
Register

For sale on Saturday 31 Aug : 10:00 (CEST)
plauen, Germany
Auktionshaus Mehlis GmbH
+493741221005
Browse the catalogue Sales terms Sale info

Delivery to
Change delivery address
Delivery is not mandatory.
You may use the carrier of your choice.
The indicated price does not include the price of the lot or the auction house's fees.

You may also like

Doll, AntonRuine Kropfsberg. 1870s. Oil on wood panel. 14.5 x 23.5 cm. Signed and inscribed "München". Verso with label, there with corresponding work details in an unknown hand. Framed in a gold-colored stucco frame with vegetal decoration. - Along the edges with pinpoint paint abrasion as a trace of the framing. Partially with age-related craquelure. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. Austria Doll, Anton Ruine Kropfsberg. 1870s. Oil on wood panel. 14.5 x 23.5 cm. Signed and inscribed "München". Verso with label, there with corresponding work details in an unknown hand. Framed in a gold-colored stucco frame with vegetal decoration. - Along the edges with pinpoint paint abrasion as a trace of the framing. Partially with age-related craquelure. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. The painting depicts the ruins of Kropfsberg Castle, in present-day Tyrol, Austria. At the time the painting was created, Tyrol belonged to the Kingdom of Bavaria and the German landscape and veduta painter Anton Doll turned his attention from the city of Munich to the scenic surroundings of the royal seat. Based in Munich, the painter made frequent excursions into the Bavarian (Alpine foothills) landscape and depicted the scenery, preferably in winter and snow and in the evening or at night. Both components can be found in our scene, so that our painting shows a typical personal scene that presumably dates from his late work. Our scene has echoes of Dutch landscape painting of the 17th and 19th centuries and features a staggered spatial backdrop and a balanced composition. Doll, who is regarded as the most important representative of the Munich School, had a great fascination for the Bavarian landscape and the rural life of its inhabitants. Oil on wood panel. Signed and indicated. On the verso with label, there with corresponding work details by a third party. Framed in a gold-colored stucco frame with vegetal decoration. - Traces of framing along the edges with isolated color abrasion. Partially with craquelure due to age. Good overall. Atmospheric landscape of ruins with romantic echoes in an atmospheric night. - Our scene has echoes of 17th and 19th century Dutch landscape painting and features a staggered spatial backdrop and a balanced composition. Doll, who is regarded as the most important representative of the Munich School, had a great fascination for the Bavarian landscape and the rural life of its inhabitants.

A VERY RARE AND LARGE GILT BRONZE FIGURE OF AMIDA NYORAI, EDO A VERY RARE AND LARGE GILT BRONZE FIGURE OF AMIDA NYORAI, EDO Japan, 18 th to 19 th century, Edo period (1615-1868) Finely cast in multiple sections, Amida standing on a lotus dais supported by a round pedestal with hands raised in raigo-in (vitarka mudra). He is wearing heavy monastic robes falling in elegant, voluminous folds and opening at the chest. His face bearing a serene expression with heavy-lidded eyes, sinuous brows and a raised byakugo (urna), his hair arranged in tight curls over the domed ushnisha, flanked by beautiful kohai (nimbus) exuding rays. HEIGHT 35.4 cm (figure), 65.6 cm (incl. stand) WEIGHT 7,848 g Condition: Good condition with minor wear, light nicks, small scratches, some rubbing, and repairs to the neck and hands. The bronze is covered in a rich, dark patina. Provenance: Ex-collection of Anton Exner, Vienna, Austria. Each section painted in red ‘EX5.’ Anton Exner (1882-1952) was the most important dealer, collector, and assessor of East Asian art in Vienna during the interwar period. His collection included all branches of Asian art, from all epochs, and particularly Chinese and Japanese works. During a long sojourn through Canada and the USA from 1908 to 1910, he made first contacts with Chinese dealers and subsequently acquired numerous antiques at various Asian ports, which formed the basis for his future business activities. From then on, he went almost every year on buying trips to the Far East. The Austrian auction house Dorotheum appointed him as a sworn assessor of Asian art, a position he held for c. 25 years. From the early 1920s onwards, he lent objects to most major exhibitions of Asian art held in Austria, and eventually gifted a large part of his personal collection, numbering several thousand objects, to the Museum of Applied Arts in Vienna, where it is on permanent exhibition to this day. The sculpture represents Amitabha, known in Japanese as Amida Nyorai, or the Buddha of Limitless Light. Amitabha reigns over the Western Pure Land, a paradise to which anyone is welcomed if they faithfully and sincerely incant his name. This place of salvation became central to the Jodo [lit. Pure Land] sect of Buddhism. Propounded in 1175 by the monk Honen, the accessibility of such tenets of redemption allowed this form of Buddhism to proliferate across the nation and feudal classes of Japan. Often depicted with an elaborate mandala, the boat-shaped halo is said to remind his followers that he serves as a guide for them to cross the ocean of suffering which contaminates the living. Japanese gilt bronzes depicting Amida are to be considered extremely rare. Museum comparison: Compare a related earlier gilt bronze figure of Amida, dated 14 th-15 th century, in The Metropolitan Museum of Art (The MET), accession no. 1975.268.168a, b.