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Description

Georg Schrimpf, for "Van Zantens glückliche Zeit" Medical man healing a naked woman lying on the floor, sheet from the portfolio "Van Zantens glückliche Zeit" after the novel of the same name by Laurids Bruun, lithograph, 1920, signed "G. Schrimpf" in pencil lower right, matted and framed behind glass, mat opening approx. 33 x 23 cm. Artist information: actually Georg Gerhard Schrimpf, important painter and graphic artist of the New Objectivity (1889 Munich to 1938 Berlin), artistically self-taught, 1902-05 apprenticeship as a confectioner in Passau, journeyman years in Regensburg, Düsseldorf, Antwerp and Rotterdam, then travelling to Belgium and France, from 1913 friendship with Oskar Maria Graf, travelling together through Switzerland and northern Italy, staying for several months in the anarchist colony "Monte Verità" above Ascona, 1914 called up for military service, discharged in 1915 due to illness, from 1915 employed in a chocolate factory in Berlin, parallel intensive artistic activity, supported by Herwarth Walden, 1916 first exhibition in the gallery "Der Sturm", collaboration on the magazines "der Sturm" and "Die Aktion", 1917 moved to Munich, 1917 exhibition in the Galerie Neue Kunst, member of the KPD until 1919, active participation in the Munich Soviet Republic and member of the November Group, 1921 member of the "Neue Sezession" and exhibition participation in the Munich Glaspalast, 1922 trip to Italy, 1925 member of "Rote Hilfe", 1927-33 teaching at the Munich School of Applied Arts, 1932 founding of the artists' group "Die Sieben" with Adolf Dietrich, Hasso von Hugo, Theo Champion, Alexander Kanoldt, Franz Radziwill and Frank Lenk, 1933 appointment as associate professor at the State Academy of Art Education in Berlin-Schöneberg, 1938 dismissal from university service by order of the Nazis, despite being categorised as a degenerate artist by Joseph Goebbels, several Nazi celebrities such as Reich Ministers Darré and Hess were among his collectors, represented in the "Degenerate Art" exhibition in 1937, member of the Reich Association of Visual Artists of Germany, the Berlin Secession, the New Secession Munich and the German Artists' Association Weimar, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Wikipedia, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Davidson and Internet.

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Georg Schrimpf, for "Van Zantens glückliche Zeit" Medical man healing a naked woman lying on the floor, sheet from the portfolio "Van Zantens glückliche Zeit" after the novel of the same name by Laurids Bruun, lithograph, 1920, signed "G. Schrimpf" in pencil lower right, matted and framed behind glass, mat opening approx. 33 x 23 cm. Artist information: actually Georg Gerhard Schrimpf, important painter and graphic artist of the New Objectivity (1889 Munich to 1938 Berlin), artistically self-taught, 1902-05 apprenticeship as a confectioner in Passau, journeyman years in Regensburg, Düsseldorf, Antwerp and Rotterdam, then travelling to Belgium and France, from 1913 friendship with Oskar Maria Graf, travelling together through Switzerland and northern Italy, staying for several months in the anarchist colony "Monte Verità" above Ascona, 1914 called up for military service, discharged in 1915 due to illness, from 1915 employed in a chocolate factory in Berlin, parallel intensive artistic activity, supported by Herwarth Walden, 1916 first exhibition in the gallery "Der Sturm", collaboration on the magazines "der Sturm" and "Die Aktion", 1917 moved to Munich, 1917 exhibition in the Galerie Neue Kunst, member of the KPD until 1919, active participation in the Munich Soviet Republic and member of the November Group, 1921 member of the "Neue Sezession" and exhibition participation in the Munich Glaspalast, 1922 trip to Italy, 1925 member of "Rote Hilfe", 1927-33 teaching at the Munich School of Applied Arts, 1932 founding of the artists' group "Die Sieben" with Adolf Dietrich, Hasso von Hugo, Theo Champion, Alexander Kanoldt, Franz Radziwill and Frank Lenk, 1933 appointment as associate professor at the State Academy of Art Education in Berlin-Schöneberg, 1938 dismissal from university service by order of the Nazis, despite being categorised as a degenerate artist by Joseph Goebbels, several Nazi celebrities such as Reich Ministers Darré and Hess were among his collectors, represented in the "Degenerate Art" exhibition in 1937, member of the Reich Association of Visual Artists of Germany, the Berlin Secession, the New Secession Munich and the German Artists' Association Weimar, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Wikipedia, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Davidson and Internet.

Estimate 180 - 270 EUR
Starting price 180 EUR

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For sale on Saturday 31 Aug : 10:00 (CEST)
plauen, Germany
Auktionshaus Mehlis GmbH
+493741221005
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Georg Schrimpf, attr, "Blick von Krünn ins Wettersteingebirge" morning and hazy, summery foothill landscape, with hay barns in a wide plain in front of a rising mountain backdrop, fine neo-subtle landscape painting, watercolour on Schoellershammer cardboard, around 1930, unsigned, inscribed on the reverse "Blick von Krünn [sic. - meint: Krün] ins Wettersteingebirge (Obb.)", owner's annotation "Dr. Rauh Offenbach" and modern label with attribution "Schrimpf, Georg, German: München 1889-1938 Berlin", somewhat foxed and light-stained, framed behind glass and mat, mat opening approx. 46.5 x 66 cm. Artist information: actually Georg Gerhard Schrimpf, important painter and graphic artist of the New Objectivity (1889 Munich to 1938 Berlin), artistically self-taught, 1902-05 apprenticeship as a confectioner in Passau, journeyman years in Regensburg, Düsseldorf, Antwerp and Rotterdam, then travelling to Belgium and France, from 1913 friendship with Oskar Maria Graf, together travelling through Switzerland and northern Italy, staying for several months in the anarchist colony "Monte Verità" above Ascona, 1914 called up for military service, discharged in 1915 due to illness, from 1915 employed in a chocolate factory in Berlin, parallel intensive artistic activity, supported by Herwarth Walden, 1916 first exhibition in the gallery "Der Sturm", collaboration on the magazines "der Sturm" and "Die Aktion", 1917 moved to Munich, 1917 exhibition in the Galerie Neue Kunst, member of the KPD until 1919, active participation in the Munich Soviet Republic and member of the November Group, 1921 member of the "Neue Sezession" and exhibition participation in the Munich Glaspalast, 1922 trip to Italy, 1925 member of "Rote Hilfe", 1927-33 taught at the Kunstgewerbeschule München, 1932 with Adolf Dietrich, Hasso von Hugo, Theo Champion, Alexander Kanoldt, Franz Radziwill and Frank Lenk founded the artists' group "Die Sieben", 1933 appointed associate professor at the Staatliche Hochschule für Kunsterziehung in Berlin-Schöneberg, 1938 dismissed from the university by order of the Nazis, despite being categorised as a degenerate artist by Joseph Goebbels, several Nazi celebrities such as the Reich Ministers Darré and Hess were among his collectors, represented in the "Degenerate Art" exhibition in 1937, member of the Reich Association of Visual Artists in Germany, the Berlin Secession, the New Secession in Munich and the German Artists' Association in Weimar, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Dressler, Wikipedia, Müller-Singer, Bruckmann "Münchner Maler des 19./20th century", Davidson and Internet.