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AN ARTS AND CRAFTS TABLE LAMP, ANOTHER LAMP IN THE FORM OF A ROCK, AND AN ANTIQUE TELEPHONE FROM PARIS (3)

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AN ARTS AND CRAFTS TABLE LAMP, ANOTHER LAMP IN THE FORM OF A ROCK, AND AN ANTIQUE TELEPHONE FROM PARIS (3)

Estimate 50 - 80 GBP

* Not including buyer’s premium.
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Sale fees: 31.8 %
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For sale on Tuesday 30 Jul : 10:30 (BST)
london, United Kingdom
Wimbledon Auctions
+442089472385
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Willy Müller-Lückendorf, Alte Mühle in Lückendorf View of the old mill on the Prescherberg in Lückendorf near Oybin in Saxony, in the light of the waning day, on a spring evening with the moon rising, the foothills of the Brandberg on the right, the high forest in the background on the left, with this intimate landscape portrait, Müller-Lückendorf shows his attachment to his Saxon homeland - his studio house is 100 metres away from the old mill house depicted, predominantly glazed painting in restrained colours in the style of the romantic landscape painting of Caspar David Friedrich, oil on canvas, incised signature "W. Müller-Lückendorf" and dated "1933", according to the author of the catalogue raisonné and son of the artist, Knut Müller, the painting was created in 1935, on the reverse signed, dated and titled "Vorfrühlingsabend mit altem Mühlhaus in Lückendorf" in pencil by the artist, on old label probably old auction or gallery label with numbering and information on the work, also in the upper left corner annotated by another hand as a gift from 1945, minor pressure marks on the left and right edge of the picture due to the stretcher, somewhat in need of cleaning, we would like to thank Mr Knut Müller for kind written information, framed, folded dimensions approx. 33 x 46,5 cm. Artist information: actually Willy Müller, called himself "Müller-Lückendorf" after his place of residence, German pattern draughtsman, landscape painter and painter. Pattern draughtsman, landscape painter and draughtsman (1905 Olbersdorf to 1969 Lückendorf), resident in Lückendorf from 1911, artistically supported by the Russian stage painter Pjotr Andrejew, Paul Otto Croeber and the Zittau art teacher Adolf Schorisch, 1919-22 apprenticeship as a weaver and pattern draughtsman at the Higher Weaving School in Zittau, then worked as a weaver in the mechanical weaving mill, 1924-32 pattern draughtsman for the Vereinigte Deutsche Textilwerke Wagner und Moras in Ebersbach, with the support of the textile industrialist Otto Moras 1925-27 studied at the Dresden School of Arts and Crafts under Alexander Baranowsky, influenced by Caspar David Friedrich, Franz Lenk and Otto Dix, from 1932 freelance landscape painter, 1940-48 military service and captivity, exhibited in Neusalza-Spremberg, Zittau, Dresden, Leipzig, Berlin, Karlsruhe, Darmstadt, Frankfurt a. M. and 1937-43 participation in the Great German Art Exhibition at the Haus der Kunst in Munich, active in Lückendorf near Oybin, source: Vollmer, homepage of the artist, Saur and Internet.

Johanna von Destouches, flower still life spherical glass vase with blooming cowslip and gentian, forget-me-nots and primroses draped on a table, slightly impasto flower painting in friendly colours, oil on panel, early 20th century, signed and inscribed "Johanna von Destouches/München" lower right, on the reverse a photograph of a painting by the artist and an extract from Vollmer, framed and with brass label "Destouches Johanna von geb. 1869 München", dimensions approx. 32 x 39 cm. Artist information: German painter. Painter, watercolourist and poet (1869 Munich - 1956 Munich), daughter of the Munich historian, poet and founder of the Munich City Museum Ernst von Destouches (1843-1916), initially trained as a teacher (modern languages, singing and piano lessons), then studied at the Munich School of Arts and Crafts under Olga Weiß, from 1897 she supplied the exhibitions of the Munich Kunstverein with watercolours, later a pupil of Else Gürleth-Hey, then freelance in her own studio in Munich, participated in various exhibitions in Dresden, Meran, Düsseldorf, Paris, Bremen and Hamburg, in Munich 1909-31 represented in the Glaspalast and 1938-43 at the Great German Art Exhibition in the House of German Art, member of the Munich Artists' Co-operative, active in Munich, source: Vollmer, Saur "Bio-Bibliographisches Künstlerlexikon", Glaspalast catalogues, Dressler, Schweers "Gemälde in deutschen Museen", Bruckmann "Münchner Maler des 19./20th century", Busse, Ries, Bénézit and Wikipedia.