FIRST GEAR FORD F6 1951 fourgon 'ROLLING THUNDER CYCLES', rouge et noir. 1/34 Réf 28-1141. Neuf avec boîte, rétroviseurs fournis

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For sale on Tuesday 27 Aug : 10:30 (CEST)

blois, France

Pousse-Cornet
+33254784558

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DAVID LACHAPELLE (Hartford, Connecticut, 1963). "Awakened Series Jonah" 2007. Digital photograph, copy AP 3/3. Signed on the back. Measurements: 152.4 x 114.3 cm; 154 x 116 cm (frame). With his "Awakened" series, LaChapelle set a new direction for his work. Inspired by the biblical narrative, he takes anonymous people playing the role of biblical characters (here we show the figure of Jonah), immersed in water, in a state of levitation. The beautiful lighting, their expressions, the weightlessness of the clothes, all contribute to introduce the viewer into a welcoming mystical dimension. These works confirm LaChapelle's deep connection with the transcendental, with the presence of the divine in the everyday and with the idea of the sublime. LaChapelle's career began in a significant way in the year 1982, when Andy Warhol prompted him to publish his photographs "Interview". "Andy Warhol corresponds perfectly to his time," says the photographer, "He is without a doubt a great artist of the 20th century. He was very generous and I learned a lot from him, but we belong to two different generations and have different ideas. The most valuable art today is that which manages to clarify the time in which we live, and that's what I try to do." David LaChapelle's wacky, bizarre and fantastic images have appeared on the pages and covers of Vogue, Rolling Stone, i-D, Vibe, Interview, The Face and GQ magazines, just to name a few. His style is unique and recognizable, he works with open shots, fresh and extremely colorful scenes showing his pop-art style. His shots have a meticulous and detailed work, working with the physical aspect of the character taking it almost to caricature. "I try to take pictures that I've never seen before," LaChapelle says. Talented creative, he plays with fictitious and grotesque scenes, mostly artificial and has an excellent production, the images are generally at the time of shooting, with little post-production. We can also see in his work the criticism of the society in which we live full of excesses and vanity. His unconditional dedication to originality is legendary in the world of fashion, film and advertising. LaChapelle has participated in advertising campaigns for a variety of clients including L'Oreal, Iceberg, MTV, Ecko, Diesel Jeans, Sirius, Ford, Sky Vodka, Cervecería Cuahtemoc Moctezuma and the Got Milk? campaign. David has photographed numerous album covers for artists such as Macy Gray, Moby, No Doubt, Whitney Houston, Elton John, Christina Aguilera, Madonna and Kylie Minogue. His successful first book, LaChapelle Land, was published in 1996 by Collaway Publishing, bringing within its extravagant packaging, an explosive collection of portraits of celebrities and models, including Lady Gaga, Madonna, Shakira, Leonardo DiCaprio, Pamela Anderson, Uma Thurman, Marilyn Manson, Mark Wahlberg, Drew Barrymore and Elton John. The successor to this debut was the book Hotel LaChapelle, also published by Collaway in 1999, which showcases fresh images with unforgettable colors. LaChapelle continues to achieve photographs that confront our visual tastes, taking a fresh look at today's landscape.

Lot 26

Estim. 600 - 700 EUR

PHILIPPE HALSMAN (Riga, 1906 - New York, 1979). "Flemish couple," 1950. Silver gelatin photograph. Presents the artist's stamp on the back "Copyright by Philippe Halsman". Measurements: 18 x 13 cm; 40 x 30 cm (frame). Halsman studied electrical engineering in Dresden, after being accused of the murder of his father, he spent two years in prison. Upon his release Halsman decided to move to France, where he began contributing to fashion magazines such as Vogue and soon earned a reputation as one of France's top portrait photographers. Famous for his sharp rather than soft-focused, tightly cropped images. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain an American visa, with the help of his family friend Albert Einstein, whom he later photographed in 1947. Halsman had his first success in the United States when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in 1942, he found work at Life magazine, photographing hat designs; In 1941 Halsman met surrealist artist Salvador Dalí and they began collaborating in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of water thrown and Dalí in the air. The title of the photograph is a reference to Dalí's work Leda Atomicus, which can be seen to the right of the photograph behind the two cats. Halsman and Dalí eventually published a compendium of their collaborations in the 1954 book Dali's Moustache, which features 36 different views of the artist's distinctive mustache. Another famous collaboration between the two was In Voluptas Mors, a surrealist portrait of Dalí next to a large skull, in fact a tableau vivant composed of seven nudes. In 1947 Halsman took what would become one of his most famous photos of a mournful Albert Einstein, who during the photo shoot recounted his regret over his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a U.S. postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the "Person of the Century." In 1951, NBC commissioned Halsman to photograph several popular comedians of the era, including Milton Berle, Sid Caesar, Groucho Marx and Bob Hope. The photographer developed a philosophy of jump photography, which he called jumpology.He published Philippe Halsman's Jump Book in 1959, which contained a tongue-in-cheek discussion of jumpology and 178 photographs of famous jumpers.

Lot 55

Estim. 2 500 - 3 000 EUR

PHILIPPE HALSMAN (Riga, 1906 - New York, 1979). "Dali's Moustache," c. 1954. Silver gelatin photograph. Features slight corner creases that do not affect the work. Signed in pencil and stamped on verso. "Copyright by Philippe Halsman". Measurements: 20 x 16 cm: 40 x 44 cm (frame). Halsman studied electrical engineering in Dresden, after being accused of the murder of his father, he spent two years in prison. Upon his release Halsman decided to move to France, where he began contributing to fashion magazines such as Vogue and soon earned a reputation as one of the best portrait photographers in France. Famous for his sharp rather than soft-focused, tightly cropped images. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain an American visa, with the help of his family friend Albert Einstein, whom he later photographed in 1947. Halsman had his first success in the United States when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in 1942, he found work at Life magazine, photographing hat designs; In 1941 Halsman met surrealist artist Salvador Dalí and they began collaborating in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of water thrown and Dalí in the air. The title of the photograph is a reference to Dalí's work Leda Atomicus, which can be seen to the right of the photograph behind the two cats. Halsman and Dalí eventually published a compendium of their collaborations in the 1954 book Dali's Moustache, which features 36 different views of the artist's distinctive mustache. Another famous collaboration between the two was In Voluptas Mors, a surrealist portrait of Dalí next to a large skull, in fact a tableau vivant composed of seven nudes. In 1947 Halsman took what would become one of his most famous photos of a mournful Albert Einstein, who during the photo shoot recounted his regret over his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a U.S. postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the "Person of the Century." In 1951, NBC commissioned Halsman to photograph several popular comedians of the era, including Milton Berle, Sid Caesar, Groucho Marx and Bob Hope. The photographer developed a philosophy of jump photography, which he called jumpology.He published Philippe Halsman's Jump Book in 1959, which contained a tongue-in-cheek discussion of jumpology and 178 photographs of famous jumpers. It presents slight folds in the corners that do not affect the work.

Lot 57

Estim. 800 - 1 000 EUR

PHILIPPE HALSMAN (Riga, 1906 - New York, 1979). "Untitled (Reflection)," c. 1940. Silver gelatin photograph. Stamped on the back "Copyright by Philippe Halsman". Measurements: 20.5 x 21 cm; 31.5 x 29 cm (frame). Halsman studied electrical engineering in Dresden, after being accused of the murder of his father, he spent two years in prison. Upon his release Halsman decided to move to France, where he began contributing to fashion magazines such as Vogue and soon earned a reputation as one of France's top portrait photographers. Famous for his sharp rather than soft-focus, tightly cropped images. When France was invaded by Germany, Halsman fled to Marseille. He eventually managed to obtain an American visa, with the help of his family friend Albert Einstein, whom he later photographed in 1947. Halsman had his first success in the United States when the cosmetics firm Elizabeth Arden used his image of model Constance Ford against the American flag in an advertising campaign for "Victory Red" lipstick. A year later, in 1942, he found work at Life magazine, photographing hat designs; In 1941 Halsman met surrealist artist Salvador Dalí and they began collaborating in the late 1940s. The 1948 work Dalí Atomicus explores the idea of suspension, depicting three cats flying, a bucket of water thrown and Dalí in the air. The title of the photograph is a reference to Dalí's work Leda Atomicus, which can be seen to the right of the photograph behind the two cats. Halsman and Dalí eventually published a compendium of their collaborations in the 1954 book Dali's Moustache, which features 36 different views of the artist's distinctive mustache. Another famous collaboration between the two was In Voluptas Mors, a surrealist portrait of Dalí next to a large skull, in fact a tableau vivant composed of seven nudes. In 1947 Halsman took what would become one of his most famous photos of a mournful Albert Einstein, who during the photo shoot recounted his regret over his role in the United States pursuing the atomic bomb. The photo would later be used in 1966 on a U.S. postage stamp and, in 1999, on the cover of Time magazine, when it called Einstein the "Person of the Century." In 1951, NBC commissioned Halsman to photograph several popular comedians of the era, including Milton Berle, Sid Caesar, Groucho Marx and Bob Hope. The photographer developed a philosophy of jump photography, which he called jumpology.He published Philippe Halsman's Jump Book in 1959, which contained a tongue-in-cheek discussion of jumpology and 178 photographs of famous jumpers.

FIRST GEAR FORD F6 1951 fourgon 'ROLLING THUNDER CYCLES', rouge et noir. 1/34 Réf 28-1141. Neuf avec boîte, rétroviseurs fournis

FIRST GEAR FORD F6 1951 fourgon 'ROLLING THUNDER CYCLES', rouge et noir. 1/34 Réf 28-1141. Neuf avec boîte, rétroviseurs fournis

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