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Trigonometry author Bonaventura Cavalerio typography Haeredis Victorij Benatij Bologna 1643

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Trigonometry

Estimate 150 - 400 EUR
Starting price 70 EUR

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For sale on Thursday 19 Sep : 15:00 (CEST)
rome, Italy
Bertolami Fine Art s.r.l.
+390632609795
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FINÉ, Oronce. De Mundi sphaera, sive Cosmographia, primave Astronomiae parte, Lib V. Paris, Simon de Colines, 1542 Folio. 310x215 mm. Coeval calf binding, gilt fillets on plates, gilt cuts on three sides and 8 brass tacks. Renewed guards. 1 blank, 6 unnumbered sheets, including Frontispiece and a full-page engraving, 122, 2 blank. 92 engravings and vignettes in text. Defects to binding, lightly browned internally, sporadic blooming, old hand marginalia, some pages with pen strokes in white margin. Rare separate first edition of Oronce Finé's Cosmographia. This is an expanded and modified version of the third part of the Protomatesis, published in 1532. This work consists of two parts, the first devoted to cosmography and the second to trigonometry. In this treatise the mathematician, astronomer and cartographer Oronce Finé gives instructions for making maps using the south of France as an example and describes in detail three methods for projecting a map of the world onto a plane surface. DSB notes about the first part: " the description of the fixed celestial sphere used for reference, essential ideas concerning the astronomy of the 'primim mobile' (right and oblique ascensions and the duration of diurnal arcs) " The rich illustration consists of a superb title page decorated with a large frame depicting the liberal arts, a large full-page table depicting Urania and the author, and 92 demonstrative figures, 25 of which appear here for the first time. Mortimer: " Of the eighty-nine woodcuts, sixty-four are the original blocks designed by Finé for the 'Cosmographia' section of the 'Protomathesis'. Sixteen of the 'Protomathesis' blocks were dropped or replaced. "Mortimer, French, 226; Brun, p. 189; Renouard, Colines, pp. 358-359. Folio. 310x215 mm. Contemporary calf binding, gilt rules on covers, gilt edges on three sides and 8 small brass nails. Renewed endpapers. 1 blank sheet, 6 unnumbered sheets, including the title page and a full-page engraving, 122, 2 blanks. 92 engravings and vignettes in the text. Binding defects, internally some browning and minor foxing, marginalia by old hand, some pages with pen strokes to white margin. Rare first separate edition of Oronce Fine's Cosmographia. It is an expanded and modified version of the third part of the Protomatesis, published in 1532. This work is composed of two parts, the first dedicated to cosmography and the second to trigonometry. In this treatise, the mathematician, astronomer and cartographer Oronce Finé gives instructions for drawing maps using the south of France as an example and describes in detail three methods for projecting a map of the world onto a flat surface. DSB notes regarding the first part: " the description of the fixed celestial sphere used for reference, essential ideas concerning the astronomy of the 'primim mobile' (right and oblique ascensions and the duration of diurnal arcs) " The rich illustration is composed of a superb title in frontispiece decorated with a large frame in which the liberal arts are depicted, a large full-page plate depicting Urania and the author and 92 demonstrative figures, of which 25 appear here for the first time. Mortimer: "Of the eighty-nine woodcuts, sixty-four are the original blocks designed by Finé for the 'Cosmographia' section of the 'Protomathesis'. Sixteen of the 'Protomathesis' blocks were dropped or replaced."

PIRANESI, Giovanni Battista. View of the Arch of Titus.Rome, Presso l'Autore, 1760 Etching and burin on vergellata strong paper. Engraved 410x620 mm. Wide margins. Inscriptions: lower center 'Title'; below, address and price "Autore, Strada Felice, A paoli due e mezzo"; to right and left of title long historical note "It was erected to this Imperadore after his death in memory of the destruction ... casa Augustana on the Palatino/ G. Strada che conduce a S. Bonaventura"; lower right, signature "Gio. Batta Piranesi Architetto diseg. e incise". Condition 1/5. Good conservation. Magnificent large view by Piranesi in the first state out of five. The print was included in the series 'Views of Rome,' a work consisting of 135 plates made individually by Piranesi over a period of 30 years, from 1745 until the year of his death. The first 34 plates were first published by Giovanni Bouchard in 1751, the remainder by Piranesi himself as publisher in 'Strada Felice' first and 'Palazzo Tomati' later. After the Author's death the plates were inherited by his son Francesco, who edited a publication first in Rome, the so-called 'posthumous Roman' editions, and later in Paris, where three editions appeared: the one called 'first of Paris,' an intermediate one, both on virgin paper, and finally the one edited by Firmin Didot, on paper without blanks and with the addition in the plates of an ordinal number. The plates were later acquired by the Chambers Chalcography, later the National Chalcography, now the Central Institute for Graphics, where they are preserved. Hind 55; Focillon 756; Wilton-Ely 185. Etching and burin on thick laid paper. 410x620 mm plate. Wide margins. Inscriptions: bottom center 'Title'; below, address and price "Autore, Strada Felice, A paoli due e mezzo"; "It was erected to this Imperadore after his death in memory of the destruction ... casa Augustana on the Palatino/ G. Strada che conduce a S. Bonaventura"; lower right, the signature "Gio. Batta Piranesi Architetto diseg. e incise". State 1/5. Good condition. Magnificent large view of Piranesi in the first state of five. The print was included in the series 'Vedute di Roma,' a work which consists of 135 plates created individually by Piranesi over a period of 30 years, from 1745 until the year of his death. The first 34 plates were published for the first time by Giovanni Bouchard in 1751, the remaining ones by the same Piranesi publisher at 'Strada Felice' first and then 'Palazzo Tomati'. After the Author's death, the matrices were inherited by his son Francesco, who edited a publication first in Rome, the so-called 'posthumous Roman' editions and subsequently in Paris, where three editions appeared: the one called 'before Paris', an intermediate one, both on laid paper, and finally the one by Firmin Didot, on not laid paper and with the addition of an ordinal number in the plates. The matrices were then acquired by the Italian Calcografia Camerale, Istituto Centrale per la Grafica, where they are stored.