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Description

Heiliger Johannes der Täufer — 17. Jh. — Im Kontrapost auf runder Sockelplatte stehend, gekleidet in ein Pelzgewand und langem Mantel, in der linken Hand ein Buch mit dem Lamm Gottes haltend, die rechte Hand zum Segensgestus erhoben. Lindenholz, geschnitzt und vergoldet, rückseitig gehöhlt. H. 87,5 cm. - Fassung übergangen; inaktiver Holzwurm.

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Heiliger Johannes der Täufer — 17. Jh. — Im Kontrapost auf runder Sockelplatte stehend, gekleidet in ein Pelzgewand und langem Mantel, in der linken Hand ein Buch mit dem Lamm Gottes haltend, die rechte Hand zum Segensgestus erhoben. Lindenholz, geschnitzt und vergoldet, rückseitig gehöhlt. H. 87,5 cm. - Fassung übergangen; inaktiver Holzwurm.

Estimate 2 000 - 4 000 EUR
Starting price 2 000 EUR

* Not including buyer’s premium.
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Sale fees: 28 %
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For sale on Friday 26 Jul : 13:00 (CEST)
bamberg, Germany
Kunstauktionshaus Schlosser GmbH&Co.KG
+49951208500
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Flemish school; 17th century. "Saint John the Baptist". Oil on copper. It presents faults on the pictorial surface. It has a Spanish frame of the XVIIIth century with faults. Measurements: 20 x 15 cm; 43 x 28 cm (frame). The Gospels say about John the Baptist that he was the son of the priest Zechariah and Elizabeth, cousin of the Virgin Mary. He retired at a very young age to the Judean desert to lead an ascetic life and preach penance, and recognised in Jesus, who was baptised by him, the Messiah foretold by the prophets. A year after Christ's baptism, in the year 29, John was arrested and imprisoned by the tetrarch of Galilee Herod Antipas, whose marriage to Herodias, his niece and sister-in-law, he had dared to censure. Finally, St. John was beheaded, and his head given to Salome as a reward for his beautiful dances. This saint appears in Christian art in two different guises: as a child, a playmate of Jesus, and as an adult, an ascetic preacher. The adult Saint John depicted here is dressed in Eastern art in a camel-skin sackcloth, which in the West was replaced by a sheepskin, leaving his arms, legs and part of his torso bare. The red cloak he wears at times, as well as in the scene of his intercession at the Last Judgement, alludes to his martyrdom. In Byzantine art he is depicted as a large-winged angel, with his severed head on a tray which he holds in his hands. However, his attributes in Western art are very different. The most frequent is a lamb, alluding to Jesus Christ, and he often carries a cross of reeds with a phylactery with the inscription "Ecce Agnus Dei".