Bartolome Esteban Murillo (SPANISH, 1618-1682) oil on wood panel, 25 3/4" x 19 7…

Description

Bartolome Esteban Murillo (SPANISH, 1618-1682) oil on wood panel, 25 3/4" x 19 7/8" Frame: 34 1/2" x 28 3/8"

119

Bartolome Esteban Murillo (SPANISH, 1618-1682) oil on wood p

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Estim. 100 - 150 USD

Jean Lepautre (1618-1682). Large candlesticks, pair of engravings, 30/22cm.

Estim. 2 000 - 2 200 USD

Spanish school of the XVIII century. Following models of BARTOLOMÉ ESTEBAN MURILLO (Seville, 1618-1682). "The Good Shepherd". Oil on canvas. Relined. Measurements: 61 x 48 cm, 75 x 60 cm (frame). Following models of Bartolomé Esteban Murillo, copy of the original of the Prado Museum. Murillo has gone down in history as one of the great painters of children's themes, and this not only for his famous genre scenes starring children, but also for representations like this one, in which the Child Jesus appears in the biblical metaphor of the good shepherd who feeds and cares for his sheep. This is a type of image of great success among the Sevillian society of the time, and whose devotional effectiveness has remained intact through the centuries. In this type of work, which in many cases was intended for private worship, the author showed himself to be a true master when it came to combining a wise and delicate style with a gentle and sweet content. However, owner as he was of a powerful sense of composition, he endowed them with remarkable monumentality and balance. The ruins of architecture that appear in the background have a double meaning. On the one hand, they are part of a Virgilian tradition that is manifested in literature and the plastic arts and that likes the image of the shepherd among the fallen remains of a splendorous past. On the other hand, Christian iconography frequently used the reference to classical ruins as a symbol of defeated paganism. Relined.

Estim. 60 - 80 USD

Jean LEPAUTRE (1618-1682) Set of engravings composed as follows: - Scène de dîner dans un salon Etching. Proof on laid paper H. 16.5 cm - L. 22.8 cm (per sheet, with margins) Old mounting residue on verso -Paneling study Etching. Proof on laid paper H. 14.4 cm - L. 21 cm (the sheet, with the copper margin fillet) The print is mounted on a sheet of laid paper. Small loss in the lower left corner. 3 religious vignettes are attached to the reverse of the sheet.

Estim. 2 200 - 3 300 USD

Ruisdael, Jacob Isaackszoon van (1628/29-1682), inscr. "Hillside landscape with staffage", oil/canvas mounted on wood, verso old inscr., c. 63x47,5cm (63,8x49cm), craquelure, rest.

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